Large Chinese Neolithic Machang Painted Pottery Jar

This large and impressive pottery jar was made over 4,000 years ago during the Machang Phase (c. 2300 - 2000 BC) of the Majiayao culture, also known as the Gansu-Yangshao culture, from present day Gansu or Qinghai province. The surface colour of the pottery varies in places, a result of uneven conditions during firing. It has a short neck with flared mouth, and two sturdy loop handles on opposing sides at the waist. The outside of the jar a...

Fine LARGE Chinese Neolithic Banpo Cord-Impressed Pottery Amphora with Oxford TL Test

This fine and incredibly ancient pottery vessel was made over 6,000 years ago during the Banpo phase (c. 4800 - 4300 BC) of the Yangshao culture in present-day Shaanxi province. This form is probably the most well-known of Banpo pottery, if not of all Chinese Neolithic pottery, and no serious collection of Chinese ceramics should be without an example!

It has a tall cup-shaped mouth and a pointed base....

Fine Chinese Han Dynasty Glazed Pottery Hu Jar

This attractive pottery jar of "hu" form was made some 2,000 years ago during the Han Dynasty (206 BC - AD 220). It is quite "heavily-potted" and made from a reddish pottery, coated in a finely-cracked green glaze that varies in thickness. In places it has acquired a silvery iridescence, a result of exposure to moisture during its long burial. There are lightly incised decorative bands surrounding the body in places. To the flat base are the typ...

Very Rare LARGE Chinese Qin Dynasty Pottery Cocoon / Listening Jar with Oxford TL Test

This oversized vessel, in the form of a "cocoon jar", was made during the Qin Dynasty (221 - 206 BC) or possibly a little earlier during the Warring States period (475 - 221 BC), but even then by the Qin state. It is made from a fairly high-fired fine-grained grey pottery. The whole of the outer surface of the body is decorated with repeated cord or woven impressions with vertical bands then being made aro...

Fine Tall Chinese Tang Dynasty Painted Pottery Lady with Oxford TL Test (44cm)

Arguably the most desirable and collectable pottery sculpture from the Tang Dynasty (AD 618 – 906) is the female courtier, or "fat lady". This figure is a large and particularly elegant example.

The lady stands upright with her hands clasped together under her voluminous robe. Note also the elaborate hairstyle but most striking are the fine details to her face: simply exquisite! It is made from a buff-col...

A large and very impressive tomb pottery horseman, Chinese, 1368-1644 AD. The type has been thoroughly tested and was burnt approx 500 years ago, placing it in the mid Ming period, c. early-mid 16th. century.

The pottery horseman, a higher-ranking officer, was probably originally equipped with a standard of wood, that has now decayed. He is clad in body armor in blue and torquise and wears a cone- shaped helmet. He is riding a white horse with details in torquise.

A rare to...

Additional Photos for Japanese Screen, 1750's
Each Fan painting size, 21 5/8" Long(55 cm).
1. Kuge servant carrying princess on his back trying to cross the water.
2. Three Sparrows and Bamboo.
3. Six Chinese Boys paying around at the study table, parent observing.
4. Tiger and Dog glaring each other.
5. Pretty Japanese Kikyo, Bellflower and other flowers.
6. Sumie Landscape, ...

Large Chinese Ming dynasty wide-mouthed globular form guan jar with short, vertical collar-like neck and wide angled mouth covered overall in a dark brown/black crackled glaze that coats the interior and ends at the base. A thread relief moulded band of scrolling foliage decorates the upper section of the jar. A narrow floral band is above it. A circular trademark with four small flowers surrounding it is in relief on the flat, unglazed base. 11” high by about 11” diameter. Circa 16th/1...

Large Chinese Qing dynasty oval form lidded jar densely decorated on the front in underglaze blue on a faintly celadon tinted white ground with a phoenix bird among peonies. Three blue clouds are on the lid. The base and interior are glazed while the foot is unglazed. Late 19th century. 12 1/2" high. Very good overall condition. The unglazed mouth rim has tiny imperfections. There are a few glaze losses to the tip and side of the finial that might be from the original production. From th...

Chinese Qing dynasty (19th century) export watercolor on paper painting titled “Chinese Junk.” A lone figure stands at the front of the junk tending to the sails. The heads of the rowers are barely visible. Originally purchased from or framed at Berry-Hill Galleries on 5th Avenue in New York. Recently reframed with archival materials and UV glass in a substantial gold leaf frame with silk mat and gold filet. Sight size: 16 1/4" x nearly 22” (frame: 23 1/2" x 29”). Soiling and foxing sp...

Chinese Song Dynasty Stoneware Jar with Rare Stand & Cover - Dragon Chasing Pearl

This rare and impressive stoneware jar was made during the Song Dynasty (AD 960 -1279). It is quite "heavily-potted" with the outer body and inner mouth coated in an attractive chocolate-brown glaze, that has an almost "silvery" sheen to it. The applied decoration around the shoulder features a dragon chasing a pearl. The pearl represents wisdom, prosperity, power, immortality and the moon, and is also used as ...

A Kangxi period very large baluster- shaped jar and cover, decorated in blue and white with the body showing 36 panels each enclosing a composition of butterflies amongst leafy peony sprays. The borders also reflect a floral image whilst the cover repeats the themes of the panels. This impressive example is of monumental size 57cm (22 and 1/2 inches) high and boasts a vibrant and even blue colour and meticulous painting . Important Note: There is an identical jar and cover in the Topkapi S...

Fine & Rare Chinese Warring States Pottery Bird with Oxford TL Test

This very rare pottery model of a bird, either a duck or a goose, was made during the Warring States period (475 - 221 BC). It is "heavily-potted" and made from quite a high-fired grey pottery. The duck stands with its neck and wings stretched, as if in the act of preparing to fly. Note the detail, especially to the wings, with the tiger heads. The style and decoration suggest this model was based on a bronze example. On the...

Width: 29 cm (11.6 in)
Height: 12.2 cm (5 in)

Large Chinese famille rose porcelain bowl; features rural and river scenes; rings like a bell; 18th century; good condition

Fine Pair of Tall Chinese Han Dynasty Burnished Pottery Vases

This fine, impressive and very rare pair of pottery vases was made during the Western Han Dynasty (206 BC - AD 8) or possibly a little earlier. They are of a particularly pleasing and elegant form, the wide bodies rising up from the flat bases, then constricting into long slender necks and finally opening up into fairly wide mouths. They are quite "heavily-potted" and made from a dense fine-grained dark grey pottery, the surface o...

Large Chinese Ming Dynasty Blue & White Porcelain Dragon Dish (Ex. Lammers Collection)

This attractive porcelain dish was made during the Wanli reign (1573 - 1620) of the Ming Dynasty. This particular type of ware is referred to as "Zhangzhou" or "Swatow" ware and it was commonly exported around south-east Asia. The underglaze blue decoration is of very good colour. The pattern features a chilong (qilong) dragon in a landscape with three further dragons around the cavetto interspersed with p...

A Chinese classical antique landscape painting in scroll format, with water stains and grease and many natural wear and tear of time

Large early Republic Chinese cloisonne lidded box on stand that could have graced a scholar’s desk. On each side is a 5 toed Imperial yellow dragon with the dragon on the lid chasing the flaming pearl of wisdom; all against a dark sky blue ground, the contrasting yellow stand really makes this piece stand out. The metal and wires are bronze gilt over copper. In excellent condition it measures 13.5" wide x 7" deep x 8.75" high

Rare Chinese Ming Dynasty Blue & White Hexagonal Porcelain Jar

This rare blue & white porcelain jar of hexagonal form was made during the 16th Century. It is quite "heavily-potted" and attractively decorated in underglaze blue of good colour. Each of the six sides features a chrysanthemum blossom (the emblem of friendship and representing a life of ease). Around the shoulder is what is possibly a cloud collar (representing long life). As can be seen, on the edges of the sides there is "frit...

A Large and Impressive Hand Painted Dutch Delft Vase. Eight reserves; four large ones of a bird and four lesser ones of a stag. Label on the base says "De Oude Moriaans Hoult (The Old Moors Head) Holland Delft (the mark) 1759". This refers to the potters mark, which was first used in 1759 (the Old Moors Head dates from 1648). Dimensions; 16" high, approximately 4.5 pounds in weight. Normal wear for Delft.

Chinese Antique Crane and Peaches Scroll, colorfully and vibrantly painted with dancing red-crested crane next to stream and ripe peach-laden tree, pigment beautifully applied, late 19th century, two seals and signed artist name Zhao Ahi Qian (1829-1884), picture size: 54.5"H 27.75"W, overall size: 86.5"H 36.25"W, some wear in center of painting.

A pair small Chinese porcelain jars with lids, each decorated with two foo dogs among peony flowers and scrolls in the "wucai" palette with underglaze blue. Bases without glaze. Rare to find a pair with matching lids and with so fresh colors. Including two later reticulated wooden stands. Dimension with lid: 14.3 cm high, on stand: 17.3 cm high. Condition: one cover with glued area and rim chips. One jarlet with minor kiln dust and the other jar with negligible rim fritting. The wood stands with...

Set of 18 handpainted paintings of the 18 Lohans. Colours on cloth 94x66 cm. Each titled in Chinese. Undated, possibly Ch'ien-Lung (1735-95). With accompanying booklet. Edges frayed on some. Can be viewed in central London and sent worldwide rolled in a tube. Provenance Christie’s Auction London

Late Ming Dynasty, 1500s

This deep bowl is stoutly potted, being rather heavy toward the base, with the wall thinning gradually to the slightly flaring rim. It rests on a tall, thick footring, with a deep base that is glazed down to the dense, white porcelain paste that is exposed with some kiln grit adhering. The design in underglaze cobalt blue is of chrysanthemums, grasses and three stylized bats. The interior has a broad unglazed ring around the bottom to allow it to be stacked during ...

The painting depicted court musicians playing divine music called Bugaku. Bugaku is a Japanese court music accompanied by dancing. Here one of the players plays shen (a bamboo instrument first produced in China in 7th century) and the other one sounds a massive drum with mitsudomoe crest (three comma-shaped figures in a circle). Bugaku carries a ritualistic implication and is usually played at the start before dance performance begins. Bugaku purifies the stage. Painted with ink and pigments. Si...

AMERICAN MASTER JOSEPH DAWLEY “Floral Abstracted” measuring 11” x 14” LAST SERIES.….. Biography: Joseph William Dawley (1936-2008) was born in Nashville, Arkansas and raised in Dallas, Texas. He received his B.A. from SMU where some of his art hangs today. He married and moved to NJ working for the Newark Evening News retouching photos and sidelining as a political cartoonist. He spent time studying at the Art Students League in NYC and in 1968 he decided to devote all his time to pai...

A massive bronze (copper tin alloy) vase cast in Han dynasty Hu shape and with Han style Taotie mask handles. The archaistic style decoration is an amalgam of Shang and Zhou dynasty motifs. These consist of upper and lower bands depicting stylized dragons and a central band of large Taotie ("monster"} masks. All are reserved against a flattened Leiwen (cloud) daiper ground. Below the upper two horizontal bands are pendent 'Cicida Blades'. An accompanying 1973 British Museum letter suggests a...

1800s

This tripod censer is raised on three animal-masked feet that support its large, rounded body. The rim is decorated with a key fret design, and the body has ten lappets composed of stylized mask and key fret designs all in low relief. It retains its original brown patina overall with a deep greenish gray interior from use. Good condition.

Diameter: 12 in., Height: 8 ½ in.

Contemporary watercolor painting on paper dated 1993 by Zhang Daoxing (born 1935) depicting three female tea leaf pickers with white flower decorated aprons and flowers adorning their heads. A pony is at the lower left. Mounted with a white silk border for framing, it can be loosely rolled for shipping. Mounting: 35” x 35” (painting: 26 7/8” x 27 1/4"). Very good overall condition. Zhang Daoxing's work was included in a Columbia University 1998 exhibition titled "Brushed Voices: Calli...

A rare Worcester porcelain coffee can, tapering slightly toward the base and molded with corrugated ribs above a finely scalloped foot, the lobed rim with a slight flare, and the double scroll handle with a pointed thumbrest. Painted in the Chinese style with flowering plants, the border with half-flowerheads linked by a red line above leafy tendrils.

Excellent condition with vibrant colors, no chips, cracks, or restoration. A slight paint skip is on one petal of one half-flowerhead, shown in...

Antique, 19th century, Russian Orthodox icon of Saint Sergius of Radonezh. The icon is finely hand-painted with egg tempera, gold leaf, and gesso on a wooden panel with a splint (shponk) inserted in the back.

The icon depicts the Russian Orthodox saint Sergius of Radonezh. On the upper left side, Christ Pantocrator is shown blessing the saint, with the Gospels labeled in the Old Church Slavonic alphabet at the top.

The edges are painted with eight different saints, the family's patron s...

A large and very expressive, ceramic figure of sitting shishi, lion-dog, with turned head. It is covered in a creamy, white crackled glaze. The open, staring eyes made of inserted glass are rendered with gold. Unsigned. Japan, late Edo, before 1850. H. 35 cm, L. 25 cm, W. 16 cm. Condition: good, but for a few chips, fire cracks and minor area of repair on underside.

RED-PAINTING PAPER PLATE

Anonymous Japanese pottery okimono object, as a symbol of love and peace, H 12.2 x W 9 x D 6.8 cm (4.80 x 3.54 x 2.67in)


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This dramatic Big Red—a name Daniel Tretiak attached to Haku Maki’s large red prints, usually of single Chinese characters (kanji) on black backgrounds—is a character meaning ordinary or commonplace. But Maki has done it in a stand-out way. It is 17.5in W x 24.5inH. NOTE: Dan Tretiak also referred to other large single-character ones of other colors as Big Yellow, Big Green, etc. See an interesting discussion of this between him and a friend at entry #1191431 below.

REMAINS OF HANIWA

Large remains of the ornament part of ancient Japanese hollow unglazed terracotta figure from the Kofun period (3rd-7th century) so-called ‘Haniwa'. 20 x 14 x 4.5 cm (7.87 x 5.51 x 1.77in). Still left original paint as a rare piece. Bonded repair as seen. (Clearly from the back side but not from the front side.) Handmade removable wire hanging hook is attached.


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The size of Large Imari Bowl: 15 1/8" Dia x 5 1/2" High, 38.5 cm x 14 cm
This is top quality Japanese Ko Imari Porcelain Bowl from early Meiji
Period, 1868-1912, circa around 1860-1880's. It has main background
design of Kasane Noshi and Dragon design. Noshi is happy blessing
symbols Ribbon design for the well wish when peoples getting marry.
More Noshi you have more blessing you are getting happiness.
There also total 8 crane origami design decorated in the Noshi...