A Remarkable Indian or East Asian offering Bowl on Stand, late 19th or early 20th century.
The bowl is cast and then finished by fine chisel work and engraving, all against an intricate punched ground. It features a myriad of hunters and animals, the trees seem full of game. On the hilly horizon can be seen various dwellings and pavilions, tiny birds in the sky. The base is an arrangement of three elephant heads supporting an acanthus cup on which sits the offering bowl.
I have ...
The Finely Cast Iconic Figure Standing On A Stylized Lotus Throne With Both Hands Raised In Abhaya Mudra.
The Altar Finely Decorated With Floral Patterns And Peakocks Sustaining The Buddha And The Altar.
A Splendid Bronze Piece Dating Back To Lopburi Period, 13th Century AD.
Estimate value: $6000 = $8000
Measurements:
Height - 40cm (16 In)
Provenance: Austrian Private collection
Don't hesitate to send your offer, we always do our best to offer the most attractive pieces for th...
Finely Cast And Standing on an Altar finely decorated With Flams Anf Floral Patterns, The Iconic Figure With Both Hands Raised In Abhaya Mudra. A Fine Large Bronze Piece Dating Back To Angkor Bayon Period, 13th Century AD. Estimate value: $7000 = $10 000 Measurements: Height - 51cm (20 In) Provenance: An American Private collection. Don't hesitate to send your offer, we always do our best to offer the most attractive pieces for the best price. SATISFACTION GUARANTEE - We have been offering SE As...
Fine Chinese Song Dynasty Qingbai Glazed Porcelain Bowl with Carved & Moulded Decoration
This fine and attractive deep porcelain bowl was made in the Southern Song Dynasty (AD 1127 - 1279). The inner surface is decorated with an unusual moulded floral pattern whilst the underside is decorated with a repeating carved leaf pattern. It is unusual for both upper and lower surfaces of a qingbai bowl to be decorated. It is coated in a delicate and finely-crackled pale green qingbai glaze, save for...
An extremely finely and delicately painted eggshell porcelain bowl by Wang Yijun. The poem on the reverse side reads "Wen ji qi wu xiang feng nian, fu gui rong hua ren ping an. Wang Yijun zuo" which can translate as "Practice the sword while hearing roosters (meaning work hard) and enjoy the affluence of the year; wish people wealth, prosperity and safety. Made by Wang Yijun"The seal mark to the base reads "Jingdezhen Zuo" - Made in Jingdezhen. Wang Yijun (1904 - 1989)was born in Anhui, China. A...
The size of Large Imari Bowl: 15 1/8" Dia x 5 1/2" High, 38.5 cm x 14 cm
This is top quality Japanese Ko Imari Porcelain Bowl from early Meiji
Period, 1868-1912, circa around 1860-1880's. It has main background
design of Kasane Noshi and Dragon design. Noshi is happy blessing
symbols Ribbon design for the well wish when peoples getting marry.
More Noshi you have more blessing you are getting happiness.
There also total 8 crane origami design decorated in the Noshi...
A Rare Khmer Pre-Angkor Masterpiece: Standing Avalokiteshvara Figure, Gray Stone 8th Century
Standing in samabhanga with both arms broken, wearing vertically striated sampot secured by a decorated belt and knotted in the center.
With single fishtail-shaped flange falling to the front.
Naked upper body with well defined breasts and incised belly-button.
Estimate Value: $25 000 - $35 000
Measurements:
Height - 150 cm (59 In)
Provenance: Private collection, acquired late 1950s...
Ca. 1700s
The stand and bowl of this vessel were cast separately and permanently joined at the time of production. The lid is topped with a lingzhi fungus. The entire piece is covered in an old brownish patina and small areas of verdigris. The lid fits very well into the grooved rim of the bowl. The lingzhi is cast as part of the lid, and has some areas of orange-ish patina. The interior of the stand is dark gray with some verdigris and the bowl interior is also a grayish tone. There are s...
A Fine And Rare Khmer bronze figure of Hevajra, Angkor Baphuon Period 11th Century.
Standing in Paryankasana with his sixteen arms radiating around his body and formely the hands holding separate casted attributes.
Wearing vertical striated sampot secured by a belt and with long fish tail shaped flange falling between his legs.
The reverse with butterfly shaped element, bejewelled, his head with nine faces with incised ridged eyebrows set above incised almond shaped eyes, broad noses, pouti...
A Fine Bronze Seated Buddha Sakyamuni Figure, U'Thong Style, Early 16th Century. Seated in Sattvasana, his hands in Bhumisparsa and Dhyana mudra. Wearing a sanghati with long sash. His face with meditative expression, downcast eyes under incised arched eyebrows, broad triangular nose and outlined lips, elongated earlobes. His hair arranged in rows of small curls. Measurements: Height - 43 cm (17 In) Don't hesitate to send your offer, we always do our best to offer the most attractive pieces for ...
Over the years we have taken a special interest in Raku pottery, especially in pieces made by the original Raku family (16 generations) and by a branch kiln known as Tamamizu—started by the illegitimate son of the potter Ichinyū, whose work we see here. Approximately 350 years old, this piece displays a beautiful red glaze and has a shape known as “tsutsu” with high walls and a slender form making it ideal for keeping in heat during the cold winter months. Antique gold repairs...
With a height of 32 inches, this is a rare and impressive example of early 19th century Imari ware. Both the vase and stand are finely decorated in shades of blue, gold and orange.
Condition is excellent.
A fine Chinese scholar's agate brusher washer with many of the stems and leaves worked away from the vessel in an open worked manner. The stone is a translucent light grey to almost clear color with the stems and leaves having light russet colors terminating in the leaves to an orange hue. The overall appearance resembles a lotus leaf curling on the edges with stems, leaves, and seed pod that are worked over top and around all sides including the bottom. They are finely back carved and underc...
Fine Large Chinese Han Dynasty Glazed Pottery Hu Jar (with Oxford TL Test)
This fine and impressive pottery jar (hu) was made during the Han Dynasty (206 BC - AD 220). It is made from a fairly high-fired reddish pottery and coated in a particularly attractive glossy thick streaky green and finely-crackled glaze, the colour of which varies according to its thickness. Interestingly, the drips of glaze to the mouth rim and the pooling of glaze to the flat base show that this jar was fired upsid...
This is a very fine pair of Japanese satsuma vases that stand just 4 1/4 inches tall. Attractive form, enamel colors and very fine details. They look like they have spent most of their lives stored in the box. One has the original sticker and both are signed. The signature looks a bit like the Kozan mark but we are not sure. Some of the larger flowers remind us of work seen on Bizan and Yabu pieces.
This is a very fine and unusual Japanese Satsuma vase with relief figures. The work on this piece is highly detailed and the gold thickly applied. The Dragon and clouds are decorated with silver. The piece is in very good condition will minor wear. The Artist signature is the most worn area on the piece. With magnification it can be seen that it is signed Fuzan but it is very hard to make out. I have included a similar Fuzan mark for comparison. The vase stands 8 1/2 inches tall.
Fine Large Chinese Jin Dynasty Carved Stone Tile - Bird (AD 1115 - 1234)
This extremely rare large stone tile dates to the Jin Dynasty (AD 1115 - 1234). The carving is of fine quality and features a bird standing with outstretched wings in a circle, itself within a square panel. It was undoubtedly once part of a series of similar stone panels (indeed we have another from the series, see also our item stock number MA282).
Height 53 cm (20.75 inches), width 48 cm (19 inches), weight 18.05 ...
A rare Chinese enamel on copper medallion bowl decorated with three red-crowned cranes each holding a lingzhi, against a pink background. The interior with flowering peony. 18Th ~ 19th century.
The medallion bowls, three roundels against a coloured background, were produced in porcelain from the Qianlong reign to the Daoguang in the main, this bowl appears to be the enameller’s answer to the challenge.
Approximately 12.5 cm diameter. The bowl has had a slight knock to the e...