Pair of English Retro Deco sterling silver wine coolers, 2014. Each: Chamfered and tapering bowl; stained-wood side handles with stepped sterling silver mounts. Tapering and stepped support mounted to chamfered square base. All planes and angles for holding a round bottle. Super stylish style-of barware. Fully marked including unidentified maker’s stamp (R&SN) and London assay stamp. Very good condition.

Dimensions: H 10 3/8 x W 8 5/8 x D 7 1/2 in. Heavy gross weight: 170 troy ounces. #BZ651...

French Art Deco 950 silver box, ca 1920. Round and flat. Concentric engine turned ornament with engraved flowers on top center and patera on bottom center. Gilt interior. Sweet and pretty. Marked. Very good condition with some handling wear.

Pocket-sized dimensions: H 3/4 x D 2 1/8 in. Weight: 2.2 troy ounces. #BZ625

Persian sterling silver pierced ladle. Made by Gorham in Providence, ca 1871. Pointed ovoid terminal with stylized leaf and scroll ornament mounted to round stem with reeded bands set in leaf mount; bowl round and gilt with ornamental piercing and pointed spout. A nice piece in a hard-to-find Aesthetic pattern. Fully marked including maker’s and retailer’s (Bachelders & Co.) stamps. Very good condition.

Dimensions: H 6 x D 2 in. Weight: 1.2 troy ounces #BZ660

George VI sterling silver box. Made by WH Manton in Birmingham in 1938. Rectangular with curved corners. Cover hinged with gently curved top and tapering tab. Cedar-lined and partitioned interior; wood lined underside. Fully marked. Very good condition.

Dimensions: H 2 3/4 x W 7 1/8 x D 3 3/4 in. Gross weight: 18 troy ounces. #BZ609

German 800 silver lady’s shoe, ca 1920. Plain sole and low heel, and loose-mounted c-scroll strap. Chased leafing and flowering scrolls on stippled ground. Hanau marks. Very good condition.

Dimensions: H 2 5/8 x L 7 3/4 x W 2 3/8 in. Heavy weight: 6.8 troy ounces. #BZ641

Pretty Art Nouveau sterling silver picture frame. Made by Meriden Britannia (part of International) in Connecticut, ca 1900. Rectangular window in flat surround with irregular interior rim. On front acid-etched wraparound scrolling leafing branch threaded-through corner circles; sides plain. With glass, silk lining, and velvet back and hinged easel support. Fully marked including maker’s stamp and no. C878. Very good condition with strong definition.

Dimensions: Frame: H 5 3/4 x W 4 1/2 in....

Traditional German gilt sterling silver stirrup cup, ca 1950. Conical bowl mounted with cast stag head—a furry, gaping beast with flexed-back ears and big antlers. Marked. Very good condition with nice toning.

Overall dimensions: H 6 1/4 x W 5 1/4 x D 3 in. Weight: 10.5 troy ounces. #BZ595

German 800 silver figural wedding cup, ca 1920. A Baroque dame with snug-fitting bodice and wide and raised lace collar holds aloft scrolled-brackets with swing-mounted double-domed lobed and garlanded bowl. Second larger bowl in form of conical skirt with patterned fabrics and delineated folds and hang. Ornament chased and engraved. Hanau maker’s mark (Neresheimer). Very good condition with nice patina.

Dimensions: H 13 7/8 x W 5 5/8 x D 4 1/8 in. Weight: 19.8 troy ounces. #BZ592

Elizabeth II sterling silver box. Made by Mappin & Webb in Birmingham in 1965. Rectangular with straight sides. Cover hinged with flat top and scalloped tab. Interior cedar-lined and partitioned. Underside leather-lined. Fully marked. Very good condition.

Overall dimensions: H 1 3/8 x W 6 x D 3 3/4 in. Gross weight: 13.3 troy ounces. #BZ514

Art Nouveau glass perfume with engraved silver overlay. Made by Gorham in Providence, ca 1900. Globular with short neck and everted rim in silver collar; ball stopper. Overlay in open stylized pattern with leafing tendrils and interlaced and whiplash scrolls; heraldic cartouche engraved with interlaced script monogram. Glass is red. Silver has Gorham maker’s stamp and no. D942. Very good condition.

Dimensions: H 6 3/4 x D 4 in. #BZ505

Pair of Chinese export silver vases, ca 1910. Each: Flat and round moon body on domed foot; animal-head handles mounted to shoulder. On front and back is chased dragon—a horned and taloned serpentine serpent on hand-hammered ground. Marked Wang Hing & Co., an early 20th-century retailer active in Canton and Hong Kong. Very good condition. Handwork visible on foot underside.

Dimensions: H 4 1/2 x W 3 1/2 x D 2 in. Total weight: 7.5 troy ounces. #BY228

Elizabeth II sterling silver salver. Made by Harrison Fisher & Co. in Sheffield in 1974. Round with molded ogee rim and 3 cast volute scroll supports. Traditional Georgian from the 1970s. Fully marked. Very good condition.

Dimensions: H 1 1/8 x D 8 1/8 in. Weight: 11.7 troy ounces. #BZ602

George V sterling silver salver. Made by Collingwood & Sons in Sheffield in 1937. Round with molded curvilinear piecrust rim; 3 hoof supports. Fully marked. Very good condition.

Overall dimensions: H 3/4 x W 10 3/8 x D 10 in. Weight: 17 troy ounces. #BZ603

Midcentury Modern sterling silver box. Rectangular with straight sides. Cover hinged with straight tab. Box interior velvet lined. Cover interior gilt. Fully marked including maker’s stamp (Schroth), phrase “Hand Made”, and no. 451. Very good condition.

Dimensions: H 1 3/4 x W 9 3/4 x D 6 5/8 in. Gross weight: 28.8 troy ounces. #BZ619

Art Nouveau sterling silver shaving mug. Made by Gorham in Providence, ca 1900. Round bowl; interior mounted with pierced brush holder. C-scroll handle. Acid-etched flowering scrollwork forming frame (vacant). Fully marked including maker’s stamp and no. A5334. Very good condition.

Dimensions: H 2 7/8 x W 4 5/8 x D 3 3/8 in. Weight: 4.8 troy ounces. #BZ562

Pair of Francis I sterling silver low 3-light candelabra. Made by Reed & Barton in Taunton, Mass. Each: Central socket on bell-form base to which are mounted two leaf- and flower-wrapped scrolled and reeded arms, each terminating in single socket. Arms have threaded plug set in socket on raised foot. Low relief ornament with leaves and fruit and flower clusters. Fluting. Sockets bellied and rims scrolled. Fully marked including maker’s stamp, pattern name, and X5691. Very good condition.

Dim...

Edwardian sterling silver porringer. Made by William B. Kerr in Newark, ca 1910. Round with gently upward tapering sides and solid shaped handle. Rectilinear frames with etched scenes of girl kneeling in prayer, feasting from a fruit platter, and seated at table with steaming pot and bowl of porridge. With text propounding dubious causality: “Every night / my prayers I say, / And get my dinner / every day;” and “And every day / that I’ve been good, / I get an orange / after food”. Cent...

George II sterling silver mug. Made by Samuel Welles in London in 1759. Baluster bowl with leaf-capped double-scroll handle. Raised foot with tooled leaf border. Chased and engraved bucolic scene with hounds racing through an orchard. A later Victorian homage to the tranquility of rural life. An even later engraved presentation in the frame formed by the leafing, overhanging trees: “Palm Beach Golf Club / Florida / State Championship / 1916 / First Prize / Runner Up / Won By”. No name follow...

Midcentury Modern sterling silver box. Made by JC Boardman & Co. in Connecticut. Rectangular with straight sides and curved corners. Cover hinged with gently curved top and rectangular tab. Fully marked including maker’s stamp and no. 845. Very good condition.

Overall dimensions: H 2 1/2 x W 8 5/8 x D 7 in. Heavy weight: 30.7 troy ounces. #BZ652

Traditional sterling silver Revere bowl. Made by Gorham in Providence in 1945. Curved sides, flared rim, and stepped foot. A historic form that can suit many modern uses. Fully marked including maker’s stamp, date code, no. 41659, and phrase “P. Revere / Reproduction”. Very good condition.

Dimensions: H 4 1/4 x D 7 3/8 in. Weight: 18 troy ounces. #BZ364

Stylish Italian 800 silver lighter. Large apple with naturalistic irregular form and striated skin. Leafing stem. Underside has inset lighter. Italian maker’s mark (1944-68) as well as script Buccellati stamp. Good condition with deep patina. Lighter not detachable or in working order.

Dimensions: H 4 1/4 x W 4 1/4 x D 3 3/4 in. Gross weight: 6.3 troy ounces. #BZ547

American Edwardian glass decanter with sterling silver mounts, ca 1910. Ovoid bowl with raised diaper; cylindrical neck with 3 rings; neck inset with sterling silver collar and wide mouth rim. Conical stopper same. Stopper and neck marked “Sterling”; neck also numbered “S1018”. Very good condition.

Dimensions: H 12 x D 4 3/8 in. #BZ436

German Rococo 800 silver casket, ca 1900. Rectangular with straight sides and sharp corners. Cover hinged with curved top. Chased scenes of frolicking cherubs in nature. Hanau marks. Very good condition.

Dimensions: H 1 5/8 x W 2 1/2 x D 1 3/8 in. Weight: 1.8 troy ounces. #BZ624

German 800 silver figural bird bowl, ca 1910. A big beautiful swan with graceful downturned neck terminating in closed and tapering bill. Fan-shaped tail and hinged wings ready to spread for taking flight if the party chat gets too dull. Finely chased and engraved feathering from dense and imbricated to fluffy and plumy, and tucked-up taloned and webbed feet. Capacious hollow body for holding treats or flowers. Marks include maker’s (Friedrich Reusswig) and Munich retailer’s stamp (Rosenau) ...

Colonial Revival sterling silver Revere bowl. Made by Watson Company in Attleboro, Mass. Traditional form with curved and tapering sides, gently flared rim, and raised foot. Lots of room for engraving. Fully marked including maker’s stamp, no. B267, and phrase “Exemplar / Paul Revere / 1768”. Very good condition.

Dimensions: H 5 1/8 x D 10 1/8 in. Weight: 28.8 troy ounces. #BZ368

Six Normandie sterling silver goblets. Made by Wallace in Wallingford, Conn. Each: Tapering bowl with curved bottom; cylindrical stem on gently raised foot. Dense floral border with pendants. Bowl interior gilt. A nice set in a fresh and pretty pattern. Fully marked including maker’s stamp and no. 116.

Dimensions: H 6 3/4 x D 3 5/8 in. Total weight: 34 troy ounces. #BZ539

Set of 8 traditional American sterling silver liquor tags, ca 1910. Each: horizontal oval with embossed scroll and flower rim; chain. Engraved tipple type: bourbon (2), sherry (2), scotch (1), gin (1), port (1), and vodka (1). Unidentified maker’s stamp (possibly J. Wagner & Son, Inc.). Very good condition.

Dimensions: H (without chain) 1 1/8 x W 2 in. Total weight: 2.5 troy ounces. #BZ629

Pair of German silver wedding cups. Imported to England by Martin Sugar in 1891. Each: Snug-fitting bodice and raised arms holding aloft scrolled brackets with swing-mounted double-domed bowl. Larger bowl in form of skirt. Chased and engraved strapwork and leafing scrolls. On back is a Green Man between conch-blowing cherubs. One in form of bosomy woman with crown. The other in form of hirsute man with wreath.

Hanau maker’s stamp (Neresheimer) and English sterling standard import marks with ...

Pretty English Modern sterling silver vase, 1937. Straight and tapering sides with curved bottom; overhanging mouth has wavy curvilinear rim with applied reeding. Stepped and domed foot; foot underside wood lined. Fully marked including Birmingham assay stamp, Boodle & Dunthorne maker’s stamp, and phrase “Boodle & Dunthorne / Liverpool”. Very good condition.

Dimensions: H 7 1/2 x D 2 3/4 in. Gross weight: 7 troy ounces. #BY886

American Edwardian sterling silver figural letter opener, ca 1910. Cast terminal in form of gaunt face surrounded by feather headdress. Neckcloth spills over onto round frame (vacant). Back plain. A nice piece of turn-of-the-century Native Americana. Marked “Sterling / 97”. Very good condition.

Dimensions: H 10 5/8 x W 2 1/8 x D 3/4 in. Heavy weight: 6.4 troy ounces. #BZ429

Pair of Chinese export silver mustard pots, ca 1890. Each: Cylindrical with fixed and entwined ratan-style handle; cover chained with inset and engraved diaper top. Applied wraparound horned and taloned dragon. For piquant condiments. Marks include stamp for Tien Shing, who was active in Hong Kong in the third-quarter of the 19th century. Very good condition. One pot has a detachable clear glass liner.

Dimensions: H 3 1/2 x D 1 in. Total weight (silver only): 2.3 troy ounces. #BZ583

Pair of Strasbourg sterling silver 5-light candelabra. Made by Gorham in Providence. Each: Knopped and tapering shaft on raised foot; four s-scroll arms, each terminating in single socket mounted to wax pan surrounding central raised socket. Raised scroll borders. Converts to candlestick. Fully marked including maker’s stamp and no. 1130. Very good condition.

Dimensions: H 14 1/4 x W 9 1/2 x D 9 1/2 in. Weighted. #BZ330

Set of 6 Midcentury Modern sterling silver demitasse spoons. Made by Tostrup in Norway. Each: Straight and narrow stem with round and shallow bowl. Double-sided gilding. Cobalt enamel on stem front in diagonal frames. In original red case with fitted silk lining with gilt retailer’s stamp (“Georg Jensen / Silver”). Fully marked including maker’s stamp. Very good condition with intact enamel.

Dimensions: H 3 3/4 x D 7/8 in. Case dimensions: H 1 1/8 x W 7 1/2 x D 5 in. Total gross weight...

George III sterling silver baby cup. Made by Rebecca Emes & Edward Barnard in London in 1816. Campana urn bowl with cast palmette and shell border; raised foot with cast leaf-and-dart border. Cast two-headed snake handle. Gilt-washed interior. Gorgeous Georgian for the newborn who deserves a bit of Regency opulence. Fully marked. Very good condition.

Overall dimensions: H 3 3/4 x W 4 1/4 x D 2 3/4 in. Weight: 6 troy ounces. #BZ556

German 800 silver cow creamer, ca 1910. A sweet beast with flexed ears, stubby horns, and slightly agape mouth spout. A stocky body with spindly legs and firmly planted hooves; flicked-back tail handle and hinged flap for refills. Marked. Very good condition.

Dimensions: H 4 x L 5 3/4 x W 1 7/8 in. Weight: 5.3 troy ounces. #BZ349

Edwardian Georgian sterling silver sugar caster. Made by Tuttle in Boston, ca 1910. Baluster on stepped round foot. Cover has stepped top with vasiform finial; sides pierced with engraved diaper. Fully marked including maker’s stamp and no. 25. Very good condition.

Dimensions: H 8 3/4 x D 3 1/8 in. Weight: 8.8 troy ounces. #BY559

American Midcentury Modern sterling silver compote. Round bowl with wide and flat rim and domed foot. Support in form of four cast vertical acanthus leaves. A stylish Danish-influenced design by an unknown maker. Marked “Sterling” with initials RF in chamfered rectangles. Very good condition.

Dimensions: H 5 1/2 x D 6 1/2 in. Weight: 8 troy ounces. #BY822

Set of 6 Japanese silver shot glasses. Each: Straight and tapering sides; applied horned and taloned dragon. For the strong stuff. Unmarked. Very good condition.

Dimensions: H 1 5/8 x D 1 3/8 in. Total weight: 5 troy ounces. #BY231

Victorian Modern sterling silver box. Made by Joseph Braham in London in 1895. Rectangular with straight and plain sides. Cover hinged and tabbed; top gently curved engine turning bordered by same. Box interior cedar lined. Cover interior gilt-washed. Underside leather lined. Fully marked. Very good condition.

Dimensions: H 2 1/2 x W 5 5/8 x D 3 3/4 in. Gross weight: 17.5 troy ounces. #BZ621

American Colonial sterling silver bowl. Made by Reed & Barton in Taunton in 1950. Curved and tapering sides, flared rim, and stepped foot. Traditional form with plenty of room for engraving. Fully marked including maker’s stamp, date symbol, and no. X1455 as well as phrase “Paul Revere / Reproduction”. Very good condition.

Dimensions: H 5 x D 10 in. Weight: 30.3 troy ounces. #BZ363

Modern sterling silver picture frame. Rectangular window in plain and flat surround. With glass, silk lining, and velvet back and hinged easel support for portrait (vertical) or landscape (horizontal) photo. Marked “Raimond / Sterling”. Raimond Silver Mfg Co. was a Massachusetts maker active in the 1960s and ‘70s. Very good condition with crisp corners. Some velvet wear and discoloration.

Dimensions: Frame: H 10 1/8 x W 8 1/8in. Window: 8 3/4 x W 6 3/4 in. #BY378

Pair of German silver birds, ca 1920. A rooster and hen with downturned wings and flamboyant flouncy tails. The rooster has a shaggy crown and raised talon and looks down while the hen, who has a small trim crown and scaly wattles, looks up. Cawing beaks suggest a barnyard tiff. Marked. Very good condition Gilt wash traces.

Dimensions: Rooster: H 6 x L 6 1/2 x W 2 1/2 in. Hen: H 4 3/4 x L 6 3/4 x W 2 1/2 in. Total weight: 10.6 troy ounces. #BZ417

Large Edwardian big-game sterling silver trophy cup. Made by Gorham in Providence, ca 1910. Baluster bowl with twist-mounted horn handles. On front is engraved parchment scroll for enumerating Deeds of Courage. More room on back in case you run out of space. Fully marked including maker’s stamp, no. A6806 and letters QLR. Very good condition.

Dimensions: H 10 x W 12 1/4 x D 8 in. Gross weight: 63.5 troy ounces. #BZ435

Gorgeous Victorian Japonesque sterling silver baby cup. Made by William Hunter in London in 1877. Straight and upward tapering sides; leaf-mounted bamboo-style c-scroll handle. Dense and stylized acid-etched ornament with birds flitting amongst leafing and blossoming branches. Vertical arabesque frame (vacant). Gilt interior. Fully marked. Very good condition.

Dimensions: H 3 3/4 x W 4 x D 2 3/4 in. Weight: 5.6 troy ounces. #BZ391

Japanese Meiji Art Nouveau silver tea tray, ca 1890. Retailed by Arthur & Bond in Yokohama. Lobed oval. Well stippled and engraved with shaded interlaced monogram. Upturned c-scroll end handles. Blossoming prunus branches, iris flowers, and bamboo applied to handles and tapering shoulder. Exotic ornament and Western form. Marked “Arthur & Bond / Sterling / Yokohama”. Very good condition. One handle back has dent (not visible from front).

Overall dimensions: H 2 7/8 x W 28 1/2 x D 18 1/2 in...

English Thatcher-era sterling silver champagne set, 1981-3. Retailed by Asprey in London. This set comprises 4 flutes and 1 tray.

Each flute: Ovoid bowl on gilt cast stem in form of fruiting grapevine with leaves and bunches set in open foot. Tray round with deep well; shoulder inset with same. A stylish way to remember the no-apologies, let-it-rip capitalism of the Eighties.

Fully marked including maker’s stamp (Hector Miller) and London assay stamp. Flutes have retailer’s stamp. Tray h...

We are delighted to present to you this remarkable pair of candlesticks in the shape of Athenian women, real jewels inspired by the drawings of the illustrious artist Jean-Charles Delafosse. These 18th century candlesticks harmoniously combine functionality and aesthetics, offering a unique experience. Each candle holder, in addition to being a magnificent candle holder, is also a refined perfume burner. The combination of these two functions makes them versatile and elegant pieces, bringing a ...

Midcentury Modern sterling silver porringer. Made by Richard Dimes in Boston. Curved sides and cast open and scrolled handle with kitty sitting pretty, with stiffened forelegs and gaping, gleeful mouth. Fully marked including maker’s stamp and no. 137. Very good condition.

Dimensions: H 1 5/8 x W 6 1/2 x D 4 1/4 in. Weight: 4 troy ounces. #BZ377

Edwardian Rococo sterling silver mirror. Made by William Comyns in London in 1907. Heart-shaped beveled glass in shaped surround with pointed top and bracket supports. Embossed leafing scrolls and flowers in pell-mell, dynamic arrangement. At top scrolled cartouche engraved with the very turn-of-the-century name “Gertie”. Velvet mount with hinged easel support. A wonderful period piece with lots of charm. Fully marked. Very good condition. Velvet wear.

Dimensions: H 13 x W 10 1/2 in. #BY97...

Aesthetic sterling silver olive spoon. Made by Gorham in Providence, ca 1885. Cast stem with entwined leaf and olive. Shallow and pierced bowl with engraved leaves. At other end pick comprising graduated triangles. Butler finish. Fully marked including maker’s stamp and no. 267. Very good condition with deep patina.

Dimensions: H 11 3/4 x W 1 x D 3/4 in. Weight: 2.2 troy ounces. #BZ228

Takashi Nakazato is a celebrated Japanese ceramic artist whose family's mastery of pottery now spans 14 generations. Born in Karatsu, Saga Prefecture in 1937, Nakazato inherited a rich legacy of craftsmanship dating back over 400 years. He trained extensively in traditional ceramic techniques under his father, and later pursued further studies at the Kyoto City Arts and Crafts Institute. Nakazato's work is deeply rooted in the aesthetics of Karatsu-ware, known for its earthy tones an...

Appearing to be from a 2006 excavation site in Tokyo known to be a former residence of the Owari Tokugawa clan—the most senior contingent of the Tokugawa clan that united Japan under one rule—this lovely Mishima tea bowl is one of just two I have seen appear on the Japanese art market over the years. The previous bowl also listed on our site had a large portion reconstructed with a gold repair. This piece meanwhile is entirely intact and even has its original box. Details about t...

Japanese Mugiwara pottery emerged in the Mino region of Japan during the Momoyama period in the late 16th century. It is renowned for its distinctive straw-rope patterns etched into or painted on its surfaces that typically contains hues of indigo, mustard, hazel, ochre, and sometimes greens. The creation of Mugiwara pottery involves a process of hand-building or wheel-throwing clay pieces—typically serving dishes, vases, and teaware items—and then meticulously applying a straw-r...

Not to be confused with the Olympic medalist, this Tomita Hiroyuki (b. 1977) is a talented potter pushing the bounds of an otherwise conservative field where many ceramic forms are carried forward for centuries and sometimes millennia. Beginning his artistic endeavors in the field of metal casting, he soon met and became a student to Ijuin Mariko who introduced him to the world of ceramics. In 2007 he opened his own workshop and since that time he has been actively creating and exhib...

Japanese Jubako, traditional stacked lacquerware food boxes, represent not only culinary refinement but also an important aspect of Japanese food culture. These elegantly tiered containers, often adorned with intricate designs and vibrant colors, are integral to the presentation of special occasion meals such as New Year’s celebrations and formal picnics. Crafted with meticulous attention to detail, Jubako boxes like the one featured here showcase the artistry of Japanese lacquerwa...

Crafted with meticulous attention to detail and showcasing a soft and gracefully executed red glaze, this Raku tea bowl exudes a sense of ease, tenderness, and tranquility. Adorned with subtle crackling patterns and variations in texture, the tea bowl's surface adds to its unique and organic feel. Made by one of the true veterans of Japanese pottery, these are some of the finest Raku tea bowls you will find in all of Japan.

Sugimoto (b. 1935) is one of the most important...

Crafted from locally sourced Bizen clay, this mid-Edo period vase embodies simplicity, beauty, and understated elegance. Originally crafted as a tokkuri, or sake flask, it was recovered from the estate of a tea-practitioner who reportedly cherished it as a vase that would hold colorful flowers and various grasses throughout the seasons.

Thanks to the dedication and passion of a researcher by the name of Katsura Matasaburo (1901-1986) we can be assured that this vase is a...

Japanese bamboo crafting, known as "Takezaiku," is a traditional art form that involves the skilled manipulation of bamboo to create various functional and decorative objects. Craftsmen trained in this art carefully select bamboo of appropriate size and quality, then use specialized tools to cut, shape, and join the bamboo pieces. Techniques such as splitting, bending, weaving, and binding are employed to achieve intricate designs and durable structures. Bamboo crafting encompasses a...

This scroll contains a sutra written as [寿至蓬莱不老僊], pronounced in Japanese as “Jyu-Ita-Hōrai-Furō-Sen.” Originating from Chinese, the characters “蓬莱” refer to the mythical land of “Penglai,” home to the immortals. According to legend the trees that grow here cure all disease; there are rice bowls and flasks of wine that never go empty; and its great castles are built entirely out of gold and silver.

The brushwork is done by a Rinzai sect m...

During the Meiji period in Japan, the humble iron kettle, known as a "tetsubin," emerged as an iconic symbol of traditional craftsmanship and functional artistry. Crafted with meticulous attention to detail and often adorned with intricate designs—as can be seen here with a cherry blossom motif and a what appears to be a pine-cone for a gripper—they became an essential tool in the Japanese tea ceremony. These kettles were prized not only for their practicality in boiling water bu...