Japanese Kiri wood two(2) section Tansu, Kiri and Cedar chest on chest, Meiji period, before 1900, 42" high, 33" wide, 17" deep with 5 graduated size long drawers, and carved and engraved floral shape black iron back plates have different motif carvings, and black iron handles. Pine wood used in the back and split in some areas caused by dryness and old age, shows wear and tear in original condition, as found condition from Japan.

Japanese Jubako, traditional stacked lacquerware food boxes, represent not only culinary refinement but also an important aspect of Japanese food culture. These elegantly tiered containers, often adorned with intricate designs and vibrant colors, are integral to the presentation of special occasion meals such as New Year’s celebrations and formal picnics. Crafted with meticulous attention to detail, Jubako boxes like the one featured here showcase the artistry of Japanese lacquerwa...

Over the years we have taken a special interest in Raku pottery, especially in pieces made by the original Raku family (16 generations) and by a branch kiln known as Tamamizu—started by the illegitimate son of the potter Ichinyū, whose work we see here. Approximately 350 years old, this piece displays a beautiful red glaze and has a shape known as “tsutsu” with high walls and a slender form making it ideal for keeping in heat during the cold winter months. Antique gold repairs...

A 950 silver Komai damascene panels bracelet circa 1900 1920. This scarce bracelet from Japan features eleven 1-1/16" x 3/8" loop-linked panels with inlaid silver and gold on a black matte (actually iron) ground. The panels resemble those in room dividing screens, and each has a different design and a simple engraved design on the back of the silver sections. It also has a long safety chain and a box clasp which is stamped 950 SILVER. This bracelet measures 7-1/8" x 1/1/8". It is in excellent...

A Japanese lacquer bowed top box with portrait of a Kabuki actor - presumably named in gold lacquer and the role of Daihachi named in a lustrous iron color. All slightly raised work, the portrait is in gray, black, red, flesh tone, browns and gold. Lines including pattern and folds in the figure's attire and hair in his coiffure and sideburns cleanly defined with raised work. Metal along the facing edges of the top and bottom have no doubt contributed nicely to the preservation of the box. Actor...

A rare Burmese book with paper (made from mulberry tree bark) pages, the front and back covers with lacquer relief decoration with small inset glass spangles. The central panels showing the title of the book in Burmese script. Approximately 280 pages, handwritten in black Burmese script, edges gilt. Condition: covers are dusty (one is dirty) and with some wear, some corners with small losses. Pages with few stains, but wormholes. Dimension: 39.4 x 17.6 x 9.5 cm, weight: 2.4 kg.

Modern, large roundish bamboo flower basket Hanakago Material: Madake bamboo, rattan, lacquer. It comes with the original lacquered bamboo water receptacle Otoshi. Artist’s inscription to bottom: CHIKUHOUSAI. H 27 x D 29 cm. Perfect condition. **** Okasaki Chikuhousai was born in Beppu in 1933; Kyushu. Studied under his father Chikuhosai I. In 1953, he was selected for the Japan Traditional Art Crafts Exhibition. Since 1975, he has exhibited at the Seibu Kogei Exhibition, winning a...

This dramatic Big Red—a name Daniel Tretiak attached to Haku Maki’s large red prints, usually of single Chinese characters (kanji) on black backgrounds—is a character meaning ordinary or commonplace. But Maki has done it in a stand-out way. It is 17.5in W x 24.5inH. NOTE: Dan Tretiak also referred to other large single-character ones of other colors as Big Yellow, Big Green, etc. See an interesting discussion of this between him and a friend at entry #1191431 below.

Many fine antiques were exported via Hong Kong in the beginning Chinese economic reform days. This fine sancai warrior statue was exported to Japan round '80 and stored by Japanese famous collector. It was excavated from the room of huge tomb as one of the twelve god guards It is seemed the warrior had a sword, it is seen monster animal's face on the both sleeves that is a influence from Persia. It is guaranteed as genuine piece by Noriki Shimazu the famous Japanese researcher for Asian antiques...

The warrior’s armor and helmet, samurai sword, spears, banners and paper carps (later cloth) in the sky are all tools used to showcase boy’s day in Japan. This tradition started early Edo period (1603-1868) by samurai families wishing their son’s good health and studies to be honorable samurai.

This set is made in Kyoto, Japan and is called “Kyo-armor”. Kyoto had been the capital of Japan for over 1000 years. The culture there was developed to serve the best for the emperor...

Japanese antique nobori banner, hand painted on cotton, a tiger in bamboo grove. The style of the painting is derived from ancient Korean paintings of tigers. It is a style that became popular in Japan from the 16th century and you will see many screens and scrolls of tigers painted in this manner. The popularity of these paintings in this style continued throughout the Edo period(1608-1868) and into the Meiji era. The quality of the artwork tells us that this nobori is likely to have been done ...

A pair of 10 inch tall Pairpoint candlesticks in colorless glass with amethyst additions. The sticks are decorated in the classic “Waterford” pattern and are identified as shape F1622 Florentine candlesticks in the 1915 - 1920 company literature as illustrated in Padgett’s “Pairpoint Glass.” There is no damage to either candlestick.

Great example of a Durand champagne glass with ruby red cup and foot joined by an ambergris stem. The cup, stem and foot are nicely ribbed and measure 6 inches tall. The cup is 4 3/8 inches in diameter and the foot is 3 1/16 inches in diameter. The foot has a rolled rim and has a small polished pontil mark. This example is pristine.

A colorless Webb ewer or cruet decorated with an acid etched floral design and having an acorn stopper. The 7 ½ inch tall piece is 10 inches tall with the stopper in place. The stopper is not the original but is the correct style of stopper for this piece.

Fine Japanese 18th Century Moulded Arita Blue & White Porcelain Bowl

This attractive moulded porcelain bowl with an iron-brown edged foliate rim was made during the 18th century. The underglaze blue decoration of very good colour features three human figures in a garden. Around the outer wall is an elaborate scrolling design.

Diameter 13 cm. It is in fine condition with no repair or restoration and a good ring when tapped.

For information: This bowl was sold to a local collector by o...

24034879 A nice small Pairpoint Rosaria compote, shape B-366. The compote has a Rosaria foot and bowl connected by a colorless stem with a bubble ball connector. Both the foot and the bowl are enhanced with a diamond quilted pattern. There is a polished pontil mark and there is no damage. The compote is 6 1/4 inches in diameter and 6 inches tall.

A pair of Steuben Cyprian twist stem candlesticks, aquamarine with celeste blue rims. The candlesticks are 10 inches tall and are shape 6331 as shown in the factory line drawings. The candlesticks are undamaged and unsigned.

24054902 A satin finish Wheeling peachblow number 13 stick vase in a lustreless finish by Hobbs, Brockunier & Co. of Wheeling, WV. The vase is 8 ½ inches tall and 3 1/4 inches in diameter. There are no imperfections.