Antique 17th century (circa 1650-1680) Japanese Arita porcelain ewer of oval form with a waisted neck and loop handles, painted in underglaze-blue with panels of peonies reserved on karakusa, the neck is with stylized peonies. The top of the handle has two holes whilst one is pierced and the other is not; the holes were made prior to the firing process of the porcelain at the request of European merchants importing Japanese porcelain for European markets because many of these types of ewer w...

The size of Vase : 14" High x 8 7/8" Dia, 4 5/16" Top Dia
35.5 cm x 22.5 cm, 11 cm top dia.
This very fine Japanese Porcelain Vase done with
Yomon (relief works, raised works) with pale yellow green glaze,
in design of Ho-O bird intricately done in Yomon(relief) works.
It is made same era of Seifu Yohei 4th. The vase
is very similar to Seifu. The vase is made from Taisho to Showa.
It came with Kiriwood Tomobako as well as wooden stand.
Inside cover has Ja...

An 18th Century Japanese porcelain scalloped serving bowl, with lid, decorated with the Imari colors of red, blue, white, cream, and gold. The tureen measures about 9 1/4" long x 6 1/2" wide x 7" tall. The Shippo design family crest has been applied in gold on the blue panels. The finial is modeled as a sixteen pedal chrysanthemum blossom. The condition is excellent, with some wear to gold highlights. The asking price includes shipping within the USA.

Wonderful antique Japanese okimono of the mythical characters Ashinaga and Tenaga. The two friends live on the beach and survive on fish. Tenaga catches them with his long arms while sitting on the back of Ashinaga who wades out into the water with his long legs. Carved with great detail and whimsy out of boxwood. Meiji Period (1868-1912). Size: 14 1/4" high x 4 3/4" wide

Late 1800s

These bottles are decorated in underglaze cobalt blue and colored enamels with a design of various painted fans floating on an iron red enamel ground that is covered with gilt spirals. The interiors and mouthrims are clear glazed. The bases are glazed clear and the footrings are unglazed, exposing the fine white porcelain paste. They are signed Kozan (Dai Nippon Kozan Sei) in underglaze blue. Both are in very good condition. Acquired from a collector in Fredericksburg, Virginia ...

This Japanese okimono quality bronze turtle has a champleve decorated shell that opens to reveal a pipe stand. The turtle measures about 6 1/2" long x 3" wide x 2" tall and dates to the turn of the Century. The turtle has the makers' impressed seal underneath. The condition is very good with just a chip to the end of the tail and the hinge pin is missing. The asking price includes shipping within the USA.

RED-PAINTING PAPER PLATE

Anonymous Japanese pottery okimono object, as a symbol of love and peace, H 12.2 x W 9 x D 6.8 cm (4.80 x 3.54 x 2.67in)


selected by titcoRet




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The size of Large Imari Bowl: 15 1/8" Dia x 5 1/2" High, 38.5 cm x 14 cm
This is top quality Japanese Ko Imari Porcelain Bowl from early Meiji
Period, 1868-1912, circa around 1860-1880's. It has main background
design of Kasane Noshi and Dragon design. Noshi is happy blessing
symbols Ribbon design for the well wish when peoples getting marry.
More Noshi you have more blessing you are getting happiness.
There also total 8 crane origami design decorated in the Noshi...

Beautiful Japanese Wajima lacquer stand with gold maki-e painting on a nashi-ji (pear skin) background. The designs are scrolling vines with stylized chrysanthemums and paulonias, which are the crests of the emperor and empress. The style of sparkling nashiji lacquer work and the theme were popular in the Taisho period (1912-1926) to the beginning of the Showa era, sometime after the return of the throne to the emperor.

The stand was made for a Tokonoma as a base for a flower arrangement...

Toshi Yoshida (1911-1995)
Autumn from the Birds of the Seasons series.
"Serenity of Red Maple"
Date: ca. 1980.
Size: 21 x 13.25 inches.
Publisher: The Yoshida Family Studio. Issued by the Franklin Mint.
Signed and sealed by the artist.
Medium: Japanese woodblock print.
Condition: Top and bottom back margins have tape residue. Very slight toning.

A stunning pair of sake cups depicting monkeys by the famous Kutani potter Matsumoto Saiichi 松本佐一 (b. 1930), using his signature technique, porcelain with underglaze gold leaf. Title: Sake Cups (sakazuki 坏) Medium: porcelain with underglaze gold leaf and overglaze enamel Size: Wider: 3.2 x 8.5 cm and Taller: 5.9 x 5.4 cm Signature in enamel on the bottom of both pieces: Saiichi (佐一) Date: Heisei Period, 2003 for 2004 Condition: no flaws: no cracks or r...

A fine Arita blue & white porcelain flower vase to be mounted on a wall, kakehana. 18th century.

The flower vase is heavily moulded with a leaping Chinese Lion or karashishi in a landscape of rocks and Tree Peonies, a classic subject in Japanese art known as “Botan-ni-Shishi”, an auspicious subject.

This old kakehana was manufactured in Arita in the mid Edo period, probably for the home market.

Approximately 16.7 cm high. A tiny glaze chip on the mouth-rim,...

Conceived by 20th century master ceramicist Kawai Kanjiro—here an abstract depiction of flowers is used to adorn an exquisite “henko” shaped vase. The glaze used is known as “tetsu-yu” for its use of iron compounds to achieve this distinctive look. Though many pieces by Kanjiro remain today, this exact combination of style, shape, and glazing is uncommon, making this a must-have work for serious collectors. Interestingly, though it may likely not have been intentional, the abstract sym...

Cedar wooden ‘post-hide’ or hashira kakushi that is used as a decoration of the vertical post in a room that is not a corner post, or the vertical post of the tokonoma (niche). The post-hide is the same width as the the vertical pillar posts in a Japanese house, hiding it thus almost completely in width.
Dark stained cedar wood, the sides covered in black lacquer, the front inlaid in ceramic with Raiden the thunder god who is angling with an anchor for one of his thunder drums that dro...

24” high Chinese late Qing dynasty Guangxu period baluster form geyao style crackle glazed porcelain vase decorated in underglaze blue with a central panel featuring a deer and crane in a landscape on a white ground. Blue pine branches extend from the central panel to the front of the golden neck. A cream-colored crackled glaze lines the base and interior of the wide dish-form mouth. The rim is dressed brown. The splayed base holds blue and white huts among mountains in front and a celadon...

Large Chinese Qing dynasty oval form lidded jar densely decorated on the front in underglaze blue on a faintly celadon tinted white ground with a phoenix bird among peonies. Three blue clouds are on the lid. The base and interior are glazed while the foot is unglazed. Late 19th century. 12 1/2" high. Very good overall condition. The unglazed mouth rim has tiny imperfections. There are a few glaze losses to the tip and side of the finial that might be from the original production. From th...

SILK JEOGORI JACKET

Basic upper garment of hanbok (traditional Korean costume) for women that wears with skirt as a pair outfit. Early 20th century. Firm and glossy indigo blue silk and inner coton with expected ravels and discoloration due to aging, but not fatal damage like holes or rips.

Color to bottom edge: approx. 37cm (16.73in)
Sleeve edge to edge across the shoulders: approx. 140cm (55.11in)
Armpit to armpit: approx. 51cm (20....

Chinese Qing dynasty Tongzhi mark and period (1862-1874) cylindrical food container decorated around the circumference with four overglaze iron-red five-clawed dragons in profile above a band of underglaze blue waves. Each dragon is among underglaze blue clouds and separated from each other by a pair of vertical blue cloud bands shaped like opposing bats. A geometric blue band extends along the top. Each side has twisted metal handles supported by two animal mask lugs with gilt highlights. W...