These 18K gold Heart-by-Heart earrings are clip-on earrings with a lacy all-over pattern of carved out hearts. The earrings are hollow. Together they weigh 10.32g. The diameter of each is 15mm. On the hinge is the number 750 and below it GJ. On the heart-shaped cushion that sits against the ear lobe, there are printed 1481 and ASCH. They were designed by Allan Scharff for Georg Jensen. They are in like-new condition though I bought them in 1999.

A sterling silver Blossom bowl from Georg Jensen in Copenhagen, Denmark. Measures about 8" by 5 5/8" by 2". Marked on bottom as shown. Beautifully crafted, fine vintage example.

This bangle, no. 314, is striking. Designed by Annette Kraen for Georg Jensen, it is open at one part of the curved silver band and has five disks worked into the design. Such a dramatic bangle is rarely seen. I've not seen any since I bought it in 1986. Seven years earlier, in 1979, the bangle was first launched. It is no longer in production.

This sterling silver Georg Jensen bangle with four inlaid agate disks—no. 254—is a very rare Georg Jensen piece. It was launched in 1975 and I bought it in 1984. It was never worn. Moreover, it has gone out of production. This marvelous piece of jewelry was designed by Kim Naver for Georg Jensen. The piece is marked with the Georg Jensen mark in a circle of dots, 925S Denmark, and the number 254. It has a few signs of its age, not from wear and tear but from having lain unused for decad...

A rare Burmese book with paper (made from mulberry tree bark) pages, the front and back covers with lacquer relief decoration with small inset glass spangles. The central panels showing the title of the book in Burmese script. Approximately 280 pages, handwritten in black Burmese script, edges gilt. Condition: covers are dusty (one is dirty) and with some wear, some corners with small losses. Pages with few stains, but wormholes. Dimension: 39.4 x 17.6 x 9.5 cm, weight: 2.4 kg.

An amazing 970 silver necklace with crescent shaped bezel set onyx cabochons in a cascading design by Antonio Pineda.

This necklace measures about 16 1/4" around with a diameter of about 5". Drops down in front about 2 1/2". Each crescent is about 1 5/8" across.

Has a secure box clasp.

Marked with 970, Pineda Crown, Silver, Hecho en Mexico, Eagle 17 and style number YY 456.

Has some tarnish and minor signs of wear. The stones feel smooth with only one tiny flake to one point. Wei...

A large ancient Greek pair statue. Appears to represent the nude Adonis, his right leg slightly bent on the knee, standing on a raised pedestal, gazing down on an enamoring Aphrodite, with hair pulled back into a bun, her right arm bent at the elbow, and her left hand, grasping her long, flowing drapery. With some wear to facial details and with extensive remains of encrustations. @ 3rd Century B.C. Intact as shown. 11 inches high. From a Massachusetts estate. In the story of Aphrodite and ...

A lovely massive relief carved in fine-crystalized white Marble from a grave, Roman Imperial Period, Eastern mediterraean, Late 2nd. / first half 3rd. century A.D.

The relief is showing a frontally standing family with raised right hands in an architectural frame.

Size: 42 cm. wide and 33 cm. tall and 7 cm. thick - a very impressive piece!

Condition: Choice, some overall wear, but fine for the type.

The HMS SERAPIS dated 1784 lithograph measuring 21x25 inches

Mario Russo (1925-2000) was an Italian painter known for his unique style and innovative approach to art. Born in Naples, Italy, Russo received his formal art education at the Academy of Fine Arts in Naples, where he studied painting and sculpture. He quickly gained recognition for his bold use of color and dynamic compositions. Russo exhibited his works in galleries and museums around the world, including the Venice Biennale, the Galleria Nazionale d'Arte Moderna in Rome, and the Institute ...

A wild boar kōgo by famous Kyoto potter Imai Masayuki 今井政之 (1930-2023). Decoration is a stylized version of the ancient Chinese character for wild boar. Masayuki used his famous inlaid colored clay technique in producing this piece. Imai Masayuki and the late Miyashita Zenji are considered the two masters of the colored clay technique in Japan. Title: Inlaid Zodiac Wild Boar Incense Container (Zōgan kanshi i kōgo 象嵌干支亥香盒) Colored and inlaid stoneware, 3.8 cm high a...

Ceramics decorated by Zen monks are seldom seen and this piece is no exception. Two red enamel characters are boldly brushed in red enamel conveying the strong bond between Zen and the tea ceremony. The bowl is inscribed and named Taste of Zen (Zenmi 禅味), and dates to the 1970s, when Seki Bokuō 関牧翁 (1903 – 1991) was well into his abbotship at Tenryū-ji, one of most important, and certainly most beautiful temples in Kyoto. The bowl itself is by the well-known hagi potter, Hara Kiyok...

Many fine antiques were exported via Hong Kong in the beginning Chinese economic reform days. This fine sancai warrior statue was exported to Japan round '80 and stored by Japanese famous collector. It was excavated from the room of huge tomb as one of the twelve god guards It is seemed the warrior had a sword, it is seen monster animal's face on the both sleeves that is a influence from Persia. It is guaranteed as genuine piece by Noriki Shimazu the famous Japanese researcher for Asian antiques...

A rare print by surrealist print maker Ozaku Seishi, professor emeritus from Tama Art University. He is best known for small edition etchings, usually up to 30 copies, limitless experimentation with printing techniques and surrealist, often graphic imagery resembling distorted reality ¬neither quite explicit nor quite horror, but rendering a fairly dark version of dreams. This lithograph on Arches paper is from a 1994 portfolio titled “Constitutional Fantasy”, vol. 1 (憲法幻想その壱...

This is an exceedingly rare calligraphy on hand-made paper by famous Kyoto artist Tokuriki Tomikichiro. He was best known for his prints, but was originally trained as a painter. It is delicately brushed on Japanese hand made paper (24.2 cm x 21 cm), a bit smaller than shikishi size, and much thinner. Two edges are deckled. It is inscribed “Close Friend” (知音). Signed: Tomi (富), red seal: Tomi (富). Date inscribed on the back in pencil: 94.11.30. Condition: minor handling creases, mi...

A stunning pair of sake cups depicting monkeys by the famous Kutani potter Matsumoto Saiichi 松本佐一 (b. 1930), using his signature technique, porcelain with underglaze gold leaf. Title: Sake Cups (sakazuki 坏) Medium: porcelain with underglaze gold leaf and overglaze enamel Size: Wider: 3.2 x 8.5 cm and Taller: 5.9 x 5.4 cm Signature in enamel on the bottom of both pieces: Saiichi (佐一) Date: Heisei Period, 2003 for 2004 Condition: no flaws: no cracks or r...

Kawase Hasui
Spring Rain at Gokokuji
Size: Oban. Approximately 16 x 10.75 inches.
Date: 1932.
This edition 1948-50.
Publisher: Doi Hangaten. Carver: Katsumura (same carver as first edition). Printer: Ito.
Doi publisher's watermark at upper left corner margin.
Artist's signature and seal at upper right.
Condition: A surface dot on the base of the lantern. A few light margin creases. Back top corners have two small bits of paper residue.
- A wonderful e...

This piece is made of copper glaze called "oribe". At first , it is covered with feldspar and painted with iron and next it is covered with copper glaze. It is firing into burning charcoal in the kiln, so there are complicated atmosphere, oxidation and reduction. The oxidation atmosphere makes the copper glaze red, the reduction atmosphere makes it green and the mixture atmosphere makes complicated color. Size 6.0 cm (D) 5.7cm (H) Accessary : wooden box signed by the potter.