Art Nouveau inkwell. Made by Emile Langlois in Paris, ca 1920. Hemispheric clear glass bowl with garland acid-etched to sides and diaper cut to underside. Neck collar 950 silver as is hinged domed cover, which has guilloche enamel concentric rings in nuanced green-brown. Detachable clear glass liner. Maker’s stamp. Excellent condition.

Dimensions: H 3 x D 2 3/4 in. #T714

First born son to Living National Treasure Isezaki Jun, Koichiro (b. 1974) has quickly made a name for himself as an independent artist. Not content to rely solely on family reputation, he has set off on his own path, making innovations in clay and also in the ideas and principles surrounding his craft.

With its well-proportioned ridged design, natural ash glaze, and coarse grade of Bizen clay still containing visible stones; the vessel seen here would be a good choice for someone ...

First presented at the Ishikawa Traditional Crafts Exhibition, this fine mizusashi crafted with extraordinary precision is a testament to the generational knowledge, skill, and dedication of one of Japan’s top traditional craftsman. Its tapered polished sides have a beautiful texture and luster that compliment perfectly with the hand-crafted custom lid adorning the top. Truly an exceptional artwork fused with the aesthetics of tea culture that gives it a sense of stability, calm, a...

Splashed across a beautifully textured backdrop of shimmering black, the willow leaves painted in silver bring with them a sense of calm and contemplation. Generously proportioned though not too heavy in the hand, the wide base ensures stability while the upward curvature of the sides breaks with convention and offers a unique and decidedly modern flair.

Born in Kyoto as the 4th son of a famous lacquer artist named Shogo, Banura Shiro (1941-2001) followed suit and went i...

Classical coin silver baby cup. Made by Eoff & Connor, a partnership active in New York from 1833 to 1835. Bellied bowl with drum-form neck, flared rim, and capped s-scroll handle; raised and stepped foot. Shaped frame (vacant) with chased scrolling leaf surround, and leaf and flower bands. Foot has cast egg-and-dart border. Handwork visible on interior. Lovely with strong regional association. Marks include “J.H. Connor” and “G. Eoff” stamps. Very good condition with nice patina.

Over...

Over the years we have taken a special interest in Raku-ware and especially in works produced by the Tamamizu kiln, such as the 300+ year old ceremonial tea bowl seen here. The first in this line of potters was Yahē (1662 - 1722), an illegitimate son of Kichizaemon Ichinyu (1615 - 1768) who studied under his father and then left to open his own kiln in the village of Tamamizu (known today as Ide-cho). Though he is the first potter of this branch, he is sometimes referred to as Tamam...

This scroll contains a sutra written as [寿至蓬莱不老僊], pronounced in Japanese as “Jyu-Ita-Hōrai-Furō-Sen.” Originating from Chinese, the characters “蓬莱” refer to the mythical land of “Penglai,” home to the immortals. According to legend the trees that grow here cure all disease; there are rice bowls and flasks of wine that never go empty; and its great castles are built entirely out of gold and silver.

The brushwork is done by a Rinzai sect m...

La Rochelle silver dinner set for 12. Made by Tetard Frères in France. This set comprises 90 pieces (dimensions in inches):

Knives: 12 dinner knives (9 3/4) and 12 fish knives (8 1/8);

Forks: 12 dinner forks (8 1/4), 12 dessert forks (6 7/8), and 12 fish forks (6 7/8);

Spoons: 12 soup spoons (6 7/8) and 12 teaspoons (5 3/4);

Serving pieces: gravy ladle (6 7/8), spoon (8), sugar spoon (5 1/2), cold meat fork (9 5/8), butter spreader (6 1/2), and pie server (10 7/8).

Dinner knives, butt...

German 800 silver figural stirrup cup, ca 1910. Cast boar head with flexed-back ears, fierce eyes, funny snout, and fearsome teeth and tusks. Bowl straight and tapering with tooled bands; gilt-washed interior. Marked. Very good condition with nice patina.

Pocket-sized dimensions: H 4 1/2 x W 1 7/8 in. Heavy weight: 5 troy ounces. #BZ597

German silver figural dog stirrup cup, ca 1920. Cast bust of spaniel with long snout, resolutely closed mouth, and direct, concentrated gaze as well as floppy ears and thick fur. Mounted to plain and upward tapering bowl. A loyal hunt companion. Marked with maker’s stamp “Föhr” (probably, Eduard Foehr) and old-fashioned “13” (that is, 13/16 loths or 812 silver). Very good condition.

Dimensions: H 6 3/4 x D 3 5/8 in. Weight: 8 troy ounces. #BZ714

Pair of German silver wedding cups. Imported to England by Martin Sugar in 1891. Each: Snug-fitting bodice and raised arms holding aloft scrolled brackets with swing-mounted double-domed bowl. Larger bowl in form of skirt. Chased and engraved strapwork and leafing scrolls. On back is a Green Man between conch-blowing cherubs. One in form of bosomy woman with crown. The other in form of hirsute man with wreath.

Hanau maker’s stamp (Neresheimer) and English sterling standard import marks with ...

Dutch silver figural spice box. Imported to England in 1891 by BH Joseph & Co. An egret gracefully scrolled neck, red glass eyes, and gaping beak stands on one scaly leg, the other leg raised with clenched talons. A beautiful bird with nicely delineated plumage. Hinged at bust. Dutch assay stamp and date letter, and English sterling-standard import marks including London assay stamp. Excellent condition.

Dimensions: H 15 1/2 x W 6 3/4 x D 4 1/4 in. Weight: 19 troy ounces. #BZ288

Sensitive and endearing 800 silver animal figure. Made by Buccellati in Italy. A chimp with raised arm, big funny ears, and expressive face sits on amethyst crystal base with joined feet. A playful primate with tensile hands and feet, and shaggy wire fur. Marked “Buccellati Italy 800”. Excellent condition with deep patina.

Dimensions: H (with base) 13 x W 8 1/2 x D 8 in. #BU120

A green turquoise pendant with matching chain. The center turquoise appears to be stabilized with an epoxy film. The silver and dyed howlite bead chain measures 20"; the pendant 2" x 1-5/8". Ganadonegro has been creating jewelry since 1984. The pendant is signed on the back.

Austrian Classical gilt-washed 800 silver box, ca 1875. Ovoid and bellied on plain inset foot. Cover hinged and domed with cast figural finial: A little girl sits cross-legged and barefoot and rests her hand on the back of a hungry animal while spooning sustenance into its mouth. Engraved ornament: Leafing rondels inset with heads alternating with same shaped frames (vacant) on engine-turned border. Shoulder has leaf-and-dart border and cover top leaf-and-patera border. Fully marked including ...

European silver and enamel cigarette case, ca 1920. Rectangular, chamfered, and hinged. On cover a horse’s head appears in an entryway, with two protective borzoi dogs standing guard. Stable drama against a semi-abstract background of brick and stone, and purpling ground. Marks worn. Very good condition with strong color.

Dimensions: H 3 5/8 x W 3 1/4 x D 1/2 in. Gross weight: 4.6 troy ounces. #BT902

When the founder of the Urasenke style of tea ceremony, Senso Soshitsu (1622 -1697) was invited to Kanazawa as the lord of the tea ceremony for the powerful Kaga lords in 1666, the first Chozaemon came with him and established Ohi-yaki ware in Kanazawa. Chozaemon had been the chief apprentice for the Raku family in Kyoto and took with him many of the principles and ideas associated with Raku-ware. Since those auspicious beginnings, Ohi-ware has held a high place in the world of tea ceremony desp...

German 800 silver figural wedding cup, ca 1920. A Baroque dame with snug-fitting bodice and wide and raised lace collar holds aloft scrolled-brackets with swing-mounted double-domed lobed and garlanded bowl. Second larger bowl in form of conical skirt with patterned fabrics and delineated folds and hang. Ornament chased and engraved. Hanau maker’s mark (Neresheimer). Very good condition with nice patina.

Dimensions: H 13 7/8 x W 5 5/8 x D 4 1/8 in. Weight: 19.8 troy ounces. #BZ592

European silver and enamel cigarette case, ca 1920. Rectangular, curved, and hinged. On cover, a horse’s head appears in an entryway, with two protective borzoi dogs standing guard. Stable drama against a semi-abstract background of brick and stone, and bluish ground. Gilt interior. Engraved monogram on back. Marked “900”. Very good condition with strong color.

Dimensions: H 3 3/8 x W 3 1/8 x D 3/8 in. Gross weight: 4.6 troy ounces. #BV461

Pair of German silver Renaissance hunting figures, ca 1890. The man wears doublet over baggy chemise and hose with belt hanging loosely around hips. A long hat feather drapes gracefully along his arm. The horn is raised expectantly while the other hand rests on his sword. The woman wears a bodice-revealing fitted hip-length coat over a pleated skirt. Her braids are coiled in the back and her hat sports a jaunty feather. On a raised arm perches a falcon. The figures stand on rocky mounds with sca...

Set of 4 turn-of-the-century French Belle Epoque Rococo 950 silver open salts and spoons. Each salt: Open oval with scrolled and leafing rim and four reeded and scrolled supports. Asymmetrical scrolled cartouches engraved with interlaced script monogram. Cobalt glass liner with scalloped rim. Each spoon: Double-sided gilt-washed shell bowl and tapering stem with raised scrollwork. All pieces have maker’s stamp for V. Boivin. Spoons have Minerva head. Very good condition.

Overall dimensions: ...

Unlike many of the pieces in the genre of Kyo-ware, this tea bowl is decidedly demure in appearance. Milky, flowing glaze pools in places along a backdrop of ivory and coral pink sides, contrasting nicely with the rough, unrefined clay of the base. In the center of the kodai is a decorative swirl pattern reminiscent of the yin and yang.

The potter, Kanpu Kawanabe (1873 - 1947) was born into a family of weavers but went on to be trained in many of the arts related to tea ceremony. A...

A testament to the brilliance of traditional Japanese craftsmanship, this lacquered mizusashi—skillfully handcrafted from bamboo—showcases a deep crimson hue that radiates warmth and sophistication. Its seamless design and flawless finish reflect the skilled hands of the first generation artisan who crafted it, achieving a harmonious balance between form and function. Designed for use in Japanese tea ceremony, this indispensable implement would love to be put back into service o...

The craftsman who fashioned this piece, the 9th Ohi Chozaimon (1901-1986), is the most widely recognized and most accomplished of the now 11 generations of Ohi potters. Born in Ishikawa Prefecture at the start of the 20th century, he took up the family craft and, at the age of 26, became the head potter. Raku tea bowls made by Ohi 9 are some of the finest you will encounter, comparing favorably to even tea bowls made by the main Raku lineage in Kyoto. The lightness of the clay, the s...

Born the second son of Ryônyû, the 10th Raku Kichizaemon Tannyû took over the family kiln in 1811 at the age of 16 and served until his retirement and subsequent handing on of the title of Kichizaemon to his son-in-law Keinyû some 34 years later. Retaining many of the unique stylistic innovations of his father including his clay trimming technique, Tannyû went on to establish several new family kilns and to produce wares for both 10th and 11th Tokugawa Lords. The piece seen here is a classi...

Fine quality Japanese Meiji silver incense burner, ca 1890. Barrel-form with solid top and bottom and open sides; applied chrysanthemums heightened with gold and silver. Cover oval and flush; finial in form of big loosely-tied bow with tassels. Ends plain and studded; copper and gold ornament with central mons encircled by two scaly, taloned dragons. Scrolled cradle mounted to pillar with brackets on four scroll supports. Applied leafing and flowering tendrils.

Appears to be unmarked. Very goo...

Beautiful Art Nouveau Classical glass perfume with silver overlay, ca 1900. Globular bottle with short neck and ball stopper. Classical flowering and leafing rinceaux overlay with round frame (vacant). Glass is red. Silver has maker’s stamp (Gorham) and no. D941. Very good condition.

Dimensions: H 5 3/8 x D 3 1/4 in. #BZ501

Austrian 900 silver tray, ca 1900. Rectangular with molded curvilinear piecrust rim. A hearkening back to Georgian England by a fin-de-siecle Mitteleuropean silversmith. Marked with Dianakopf and maker’s stamp. Very good condition.

Dimensions: H 1/2 x L 17 x W 9 in. Weight: 28 troy ounces. #BY863

Set of 6 Japanese Meiji silver cast figural knife rests, ca 1910. Each: A horned and taloned dragon with arched back and fan tail. Scaly, scampering serpents for the next dinner party. Unmarked. Very good condition.

Dimensions: H 1 x L 2 3/4 x W 5/8 in. Total weight: 5 troy ounces. #BY235

Chinese export silver mug, ca 1880. Straight and upward tapering sides with allover low-relief battle frieze depicting soldiers—spearmen, lancers, and swordsmen—with a few hapless members of the flag corps wandering into the thick of things. In background (that is, at top) peacetime is represented by houses and trees. On front applied heraldic shield (vacant). Cast dragon handle—a horned scaly, serpentine serpent gripping the side with talons. Gilt-washed interior. Marked. Very good condit...

Pair of German 800 silver pheasants, ca 1920. A rooster and hen, each with hinged wings, long overlapping tails, closed beak, and wary stare. An on-guard couple standing on scaly talons, ready to take flight if the party talk turns dull. Heads detachable for hiding a secret stash of treats or booze. Hanau maker’s marks (Vereinigte Silberwarenfabriken). Very good condition.

Overall dimensions: Rooster: H 8 1/2 x L 19 3/8 x W 4 3/8 in. Wingspan: 7 1/4 in. Hen: H 9 x L 18 3/4 x W 4 1/2 in. Wing...

French Art Deco 950 silver box, ca 1920. Round and flat. Concentric engine turned ornament with engraved flowers on top center and patera on bottom center. Gilt interior. Sweet and pretty. Marked. Very good condition with some handling wear.

Pocket-sized dimensions: H 3/4 x D 2 1/8 in. Weight: 2.2 troy ounces. #BZ625

German 800 silver lady’s shoe, ca 1920. Plain sole and low heel, and loose-mounted c-scroll strap. Chased leafing and flowering scrolls on stippled ground. Hanau marks. Very good condition.

Dimensions: H 2 5/8 x L 7 3/4 x W 2 3/8 in. Heavy weight: 6.8 troy ounces. #BZ641

Set of 6 Belle Epoque cast 950 silver candlesticks in Louis XVI style, ca 1910. Made by J. Gruhier in France, ca 1910. Each: Spool socket with stepped and detachable bobeche. Tapering paneled shaft with stippled and elongated egg-and-dart; domed foot on octagonal base. Gadrooning and reeding. Substantial and elegant. Fully marked including Minerva head and maker’s stamp. Five have retailer’s stamp for Boin-Taburet, a Paris firm associated with adapting and reproducing historic French wares. ...

Art Nouveau glass perfume with engraved silver overlay. Made by Gorham in Providence, ca 1900. Globular with short neck and everted rim in silver collar; ball stopper. Overlay in open stylized pattern with leafing tendrils and interlaced and whiplash scrolls; heraldic cartouche engraved with interlaced script monogram. Glass is red. Silver has Gorham maker’s stamp and no. D942. Very good condition.

Dimensions: H 6 3/4 x D 4 in. #BZ505

Stylish Italian 800 silver lighter. Large apple with naturalistic irregular form and striated skin. Leafing stem. Underside has inset lighter. Italian maker’s mark (1944-68) as well as script Buccellati stamp. Good condition with deep patina. Lighter not detachable or in working order.

Dimensions: H 4 1/4 x W 4 1/4 x D 3 3/4 in. Gross weight: 6.3 troy ounces. #BZ547

German Rococo 800 silver casket, ca 1900. Rectangular with straight sides and sharp corners. Cover hinged with curved top. Chased scenes of frolicking cherubs in nature. Hanau marks. Very good condition.

Dimensions: H 1 5/8 x W 2 1/2 x D 1 3/8 in. Weight: 1.8 troy ounces. #BZ624

Austrian Biedermeier silver gilt casket, 1846. Bellied, lobed, and rectangular. Hinged cover same and concave with raised center and swing-mounted scroll bracket cast handle with flowers. Hardstone mounts including porphyry and lapis lazuli as well as cabochon jewels. On front two turquoise cabochon beads of which one a push button for opening cover. At ends carved intaglio heads, one a Classical soldier and the other a philosopher. Corner paw supports. On exterior the gilding is deeply toned; ...

German Biedermeier Classical silver tray, ca 1860. Plain oval well. Sides have open border in form of leaves set in ovals. Cast leaf-and-dart rim on lined ground. A practical serving piece with lots of Mitteleuropa charm. Marked. Very good condition.

Dimensions: H 1 3/8 x W 18 x D 12 3/4 in. Weight: 37 troy ounces. #BY866

Pair of Antique Russian Classical Silver Candlesticks, ca 1888. Each: Round socket; flared rim mounted with pierced and scalloped border. Baluster spool socket with floral garland knop and leaf flanges on domed foot mounted to square base. Chased and tooled leaf-and-dart ornament. Marks include assayer’s stamp (Josef Sosnkowski) dated 1888, city stamp (St Petersburg), and 84 alloy stamp (that is, 84/96 or 875 silver). Very good condition.

Dimensions (taller): H 14 x W 4 5/8 x D 4 5/8 in. To...

South American dish, ca 1920. Lozenge-form with flared rim and 3 splayed supports comprising Brazilian 1000 Reis coins minted in the first two decades of the twentieth century. A great way to give “currency” to your décor. Very good condition with deep patina.

Dimensions: H 1 1/2 x W 7 3/4 x D 7 3/8 in. Weight: 17 troy ounces. #BY753

South American dish, ca 1920. Hexagonal with flared rim comprising Brazilian 500 Reis coins minted from the 1850s to 1880s. Three cast leaf-mounted paw supports. A great way to give “currency” to your décor. Very good condition with deep patina.

Dimensions: H 1 1/2 x W 8 1/4 x D 7 1/2 in. Weight: 13 troy ounces. #BY752

Pair of Chinese export silver mustard pots, ca 1890. Each: Cylindrical with fixed and entwined ratan-style handle; cover chained with inset and engraved diaper top. Applied wraparound horned and taloned dragon. For piquant condiments. Marks include stamp for Tien Shing, who was active in Hong Kong in the third-quarter of the 19th century. Very good condition. One pot has a detachable clear glass liner.

Dimensions: H 3 1/2 x D 1 in. Total weight (silver only): 2.3 troy ounces. #BZ583

German 800 silver cow creamer, ca 1910. A sweet beast with flexed ears, stubby horns, and slightly agape mouth spout. A stocky body with spindly legs and firmly planted hooves; flicked-back tail handle and hinged flap for refills. Marked. Very good condition.

Dimensions: H 4 x L 5 3/4 x W 1 7/8 in. Weight: 5.3 troy ounces. #BZ349

Set of 6 Japanese silver shot glasses. Each: Straight and tapering sides; applied horned and taloned dragon. For the strong stuff. Unmarked. Very good condition.

Dimensions: H 1 5/8 x D 1 3/8 in. Total weight: 5 troy ounces. #BY231

Pair of German silver birds, ca 1920. A rooster and hen with downturned wings and flamboyant flouncy tails. The rooster has a shaggy crown and raised talon and looks down while the hen, who has a small trim crown and scaly wattles, looks up. Cawing beaks suggest a barnyard tiff. Marked. Very good condition Gilt wash traces.

Dimensions: Rooster: H 6 x L 6 1/2 x W 2 1/2 in. Hen: H 4 3/4 x L 6 3/4 x W 2 1/2 in. Total weight: 10.6 troy ounces. #BZ417

Classical coin silver basket. Made by Haddock, Lincoln & Foss in Boston, ca 1860. Round and curved with four cast leaf-mounted leaf supports. Beaded mouth rim and c-scroll swing handle. Marked with maker’s stamp. Very good condition with nice patina.

Dimensions: H (without handle) 3 3/8 x D 5 in. H (with handle) 6 3/8 in. Weight: 8.2 troy ounces. #BZ390

We are delighted to present to you this remarkable pair of candlesticks in the shape of Athenian women, real jewels inspired by the drawings of the illustrious artist Jean-Charles Delafosse. These 18th century candlesticks harmoniously combine functionality and aesthetics, offering a unique experience. Each candle holder, in addition to being a magnificent candle holder, is also a refined perfume burner. The combination of these two functions makes them versatile and elegant pieces, bringing a ...

Restauration Classical silver gilt box. Made by Jean-Baptiste Claude Odiot in Paris, ca 1820. Drum form with spread base; cover raised. Cast egg-and-dart and floral rims. Heart engraved with single script letter monogram set in flower wreath on cover top and body. Sumptuous Return-of-the-Bourbons luxe from the Ancien Regime do-over years. Fully marked including maker’s stamp and the fineness (950) stamp instituted in 1819. Very good condition with nice toning.

Dimensions: H 2 1/4 x D 1 5/8 i...

Classical silver butter dish. Made by Vilhelm Christensen in Copenhagen in 1890. Globular; cover hinged side disc and barbell mounts. Cast double-scroll mounted brackets for tongs and four lion head monopodium supports. Engraved fretwork and stylized pendant flowers. Danish restraint from the perfervid fin-de-siecle. Three-letter script monogram engraved on underside. Marked with maker’s stamp, assayer’s stamp (Simon Groth), and Copenhagen Three Tower mark dated 1890. Very good condition. La...

Takashi Nakazato is a celebrated Japanese ceramic artist whose family's mastery of pottery now spans 14 generations. Born in Karatsu, Saga Prefecture in 1937, Nakazato inherited a rich legacy of craftsmanship dating back over 400 years. He trained extensively in traditional ceramic techniques under his father, and later pursued further studies at the Kyoto City Arts and Crafts Institute. Nakazato's work is deeply rooted in the aesthetics of Karatsu-ware, known for its earthy tones an...

Appearing to be from a 2006 excavation site in Tokyo known to be a former residence of the Owari Tokugawa clan—the most senior contingent of the Tokugawa clan that united Japan under one rule—this lovely Mishima tea bowl is one of just two I have seen appear on the Japanese art market over the years. The previous bowl also listed on our site had a large portion reconstructed with a gold repair. This piece meanwhile is entirely intact and even has its original box. Details about t...

Japanese Mugiwara pottery emerged in the Mino region of Japan during the Momoyama period in the late 16th century. It is renowned for its distinctive straw-rope patterns etched into or painted on its surfaces that typically contains hues of indigo, mustard, hazel, ochre, and sometimes greens. The creation of Mugiwara pottery involves a process of hand-building or wheel-throwing clay pieces—typically serving dishes, vases, and teaware items—and then meticulously applying a straw-r...

Not to be confused with the Olympic medalist, this Tomita Hiroyuki (b. 1977) is a talented potter pushing the bounds of an otherwise conservative field where many ceramic forms are carried forward for centuries and sometimes millennia. Beginning his artistic endeavors in the field of metal casting, he soon met and became a student to Ijuin Mariko who introduced him to the world of ceramics. In 2007 he opened his own workshop and since that time he has been actively creating and exhib...

Japanese Jubako, traditional stacked lacquerware food boxes, represent not only culinary refinement but also an important aspect of Japanese food culture. These elegantly tiered containers, often adorned with intricate designs and vibrant colors, are integral to the presentation of special occasion meals such as New Year’s celebrations and formal picnics. Crafted with meticulous attention to detail, Jubako boxes like the one featured here showcase the artistry of Japanese lacquerwa...

Crafted from locally sourced Bizen clay, this mid-Edo period vase embodies simplicity, beauty, and understated elegance. Originally crafted as a tokkuri, or sake flask, it was recovered from the estate of a tea-practitioner who reportedly cherished it as a vase that would hold colorful flowers and various grasses throughout the seasons.

Thanks to the dedication and passion of a researcher by the name of Katsura Matasaburo (1901-1986) we can be assured that this vase is a...

Japanese bamboo crafting, known as "Takezaiku," is a traditional art form that involves the skilled manipulation of bamboo to create various functional and decorative objects. Craftsmen trained in this art carefully select bamboo of appropriate size and quality, then use specialized tools to cut, shape, and join the bamboo pieces. Techniques such as splitting, bending, weaving, and binding are employed to achieve intricate designs and durable structures. Bamboo crafting encompasses a...

During the Meiji period in Japan, the humble iron kettle, known as a "tetsubin," emerged as an iconic symbol of traditional craftsmanship and functional artistry. Crafted with meticulous attention to detail and often adorned with intricate designs—as can be seen here with a cherry blossom motif and a what appears to be a pine-cone for a gripper—they became an essential tool in the Japanese tea ceremony. These kettles were prized not only for their practicality in boiling water bu...

Restauration Classical silver gilt box. Made by Jean-Baptiste Claude Odiot in Paris, ca 1820. Rectangular with straight sides and leaf-and-dart base rim. Cover flat and hinged with same as well as leaf-and-flower border. Cover top has central heart engraved with single script letter monogram set in flower wreath; leaf and flower border. Sumptuous Return-of-the-Bourbons luxe from the Ancien Regime do-over years. Fully marked including maker’s stamp and the fineness (950) stamp instituted in 18...

Restauration Classical silver gilt box. Made by Jean-Baptiste Claude Odiot in Paris, ca 1820. Rectangular with straight sides and leaf-and-dart base rim. Cover flat and hinged with same as well as leaf-and-flower border. Cover top has central heart engraved with single script letter monogram set in flower wreath; leaf and flower border. Sumptuous Return-of-the-Bourbons luxe. Fully marked including maker’s stamp and the fineness (950) stamp instituted in 1819. Very good condition with nice ton...