A Remarkable Indian or East Asian offering Bowl on Stand, late 19th or early 20th century.

The bowl is cast and then finished by fine chisel work and engraving, all against an intricate punched ground. It features a myriad of hunters and animals, the trees seem full of game. On the hilly horizon can be seen various dwellings and pavilions, tiny birds in the sky. The base is an arrangement of three elephant heads supporting an acanthus cup on which sits the offering bowl.

I have ...

These 12 porcelain dinner plates were produced in England by Spode Copelands China in the 1890s. They were produced especially for the high end retailer T. Good & Co. of London. The plates measure 10 ¾ inches in diameter. They are made of fine, white bone china. The set was used for decoration only. They are completely hand painted with floral centers and border reserves. No two plates are the same. Around the borders there are triangular ornaments painted with branches of berries surrou...

Guangxu Period, 1875-1908

The slightly tapering form is sturdily potted and is enameled in grisaille with a bird perched on a wisteria branch amid roses toward the base. The scene, repeated on the broad sides, is reserved in a ground of yellow enamel. The narrow ends show two wisteria branches. This composition is known on other porcelains, all of which were commissioned for the Empress Dowager. The interior as well as the base are glazed white and a scrolling design in thin red enamel is ...

The painting depicted court musicians playing divine music called Bugaku. Bugaku is a Japanese court music accompanied by dancing. Here one of the players plays shen (a bamboo instrument first produced in China in 7th century) and the other one sounds a massive drum with mitsudomoe crest (three comma-shaped figures in a circle). Bugaku carries a ritualistic implication and is usually played at the start before dance performance begins. Bugaku purifies the stage. Painted with ink and pigments. Si...

A box for keeping incense – kogo – decorated with a carriage used by court nobles and members of the Imperial family of the past in dense gold dust sprinkle on a black lacquer background. The sky sprinkled with clouds of nashiji. Insides with dense nashiji. The bottom section decorated with a rock surrounded by bamboo in gold togidashi and kao of tea master Hisada Soya. Silver rims.

Tiny signature in gold lacquer on the bottom: Gaho.

The kogo was made for the tea master Hisada So...

Four finely carved wooden (maybe sandalwood) masks with lacquering and most with glass bead eyes. Showing different types of theatre masks as Hannya, Oni etc. Condition: minor rim frits, the Hannya mask with few lacquer losses. Dimension: c. 5.1 cm long x c. 3.5 cm wide.

Chinese Ming Dynasty Blue & White Porcelain Brush Washer (Ex.Lammers Collection)

This attractive small porcelain jar, a brush washer, was made during the Hongzhi reign (1488 - 1505) of the Ming Dynasty. It is relatively heavily-potted and decorated in underglaze blue of good colour in a pattern featuring scrolling lotus blossoms. Both inner and outer surfaces are coated in a finely-crackled glaze. The foot and recessed flat base remain unglazed.

Diameter 6.75 cm. It is in very good condi...

Ohara Koson
Peafowl on flowering cherry
Size: O-tanzaku. Approximately 14.5 x 7.5 inches.
Date: ca. 1900s-1923.
Bears Koson seal.
Publisher: Daikokuya (97)
Reference: K38.13 and plate 87 in Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland).
Condition: Excellent. A few small black marks in sky at left and above bird. Pencil number on back.
Provenance: The Bedford, NY estate of Eleanor Jay and Arthur Iselin. Eleanor Jay was a de...

Conceived by 20th century master ceramicist Kawai Kanjiro—here an abstract depiction of flowers is used to adorn an exquisite “henko” shaped vase. The glaze used is known as “tetsu-yu” for its use of iron compounds to achieve this distinctive look. Though many pieces by Kanjiro remain today, this exact combination of style, shape, and glazing is uncommon, making this a must-have work for serious collectors. Interestingly, though it may likely not have been intentional, the abstract sym...

Chinese late Qing dynasty Guangxu period rectangular form porcelain plaque painted in famille rose enamels and gilt highlights with a crane on a pine branch above thick leafy flowers. A poem at the upper left is dated in Chinese cycle years to winter of 1902 and signed Jiang Yongyuan (active circa 1899-1919) at Zhushan, a district of Jingdezhen. A raised rim frames the composition. 15 1/4" long by 9 1/4" wide by 7/8” deep. There is a fine old brown hairline crack extending down from the top....

Large Chinese Qing dynasty oval form lidded jar densely decorated on the front in underglaze blue on a faintly celadon tinted white ground with a phoenix bird among peonies. Three blue clouds are on the lid. The base and interior are glazed while the foot is unglazed. Late 19th century. 12 1/2" high. Very good overall condition. The unglazed mouth rim has tiny imperfections. There are a few glaze losses to the tip and side of the finial that might be from the original production. From th...

A stunning pair of sake cups depicting monkeys by the famous Kutani potter Matsumoto Saiichi 松本佐一 (b. 1930), using his signature technique, porcelain with underglaze gold leaf. Title: Sake Cups (sakazuki 坏) Medium: porcelain with underglaze gold leaf and overglaze enamel Size: Wider: 3.2 x 8.5 cm and Taller: 5.9 x 5.4 cm Signature in enamel on the bottom of both pieces: Saiichi (佐一) Date: Heisei Period, 2003 for 2004 Condition: no flaws: no cracks or r...

Lovely Byobu Screen 6 panels with Autumn Flowers.
The size of Screen: 148" L x 66" W (376 cm x 168 cm)
This is Byobu was made finely and fine condition. Gold leaves and
Painting is very lovely. There is no place to be repaired.
It has the signature of artist name, Nofumi, but we do not
have profile information. Dating of screen from 1950’s.
Please note the screen was painted on gold leaf background
with watercolor paint which make tree leaves appear darke...

Over the years we have taken a special interest in Raku pottery, especially in pieces made by the original Raku family (16 generations) and by a branch kiln known as Tamamizu—started by the illegitimate son of the potter Ichinyū, whose work we see here. Approximately 350 years old, this piece displays a beautiful red glaze and has a shape known as “tsutsu” with high walls and a slender form making it ideal for keeping in heat during the cold winter months. Antique gold repairs...

A Chelsea ecuelle and cover, fulsomely painted with fancy and aquatic birds. Applied flowers and leaves decorate the bases of the twig handles, while the uncommon (but original) knop on the lid is a beautiful flower painted in three colors. The ecuelle's interior features a large convolvulus spray.

The condition of this gem is superb, with bright colors and no missing paint. There is a very small spot of high quality and invisible restoration to the bottom of the knop's stem, where it meets t...

Rare Chinese Ming Dynasty Blue & White Hexagonal Porcelain Jar

This rare blue & white porcelain jar of hexagonal form was made during the 16th Century. It is quite "heavily-potted" and attractively decorated in underglaze blue of good colour. Each of the six sides features a chrysanthemum blossom (the emblem of friendship and representing a life of ease). Around the shoulder is what is possibly a cloud collar (representing long life). As can be seen, on the edges of the sides there is "frit...

Large Chinese Ming Dynasty Blue & White Porcelain Dragon Dish (Ex. Lammers Collection)

This attractive porcelain dish was made during the Wanli reign (1573 - 1620) of the Ming Dynasty. This particular type of ware is referred to as "Zhangzhou" or "Swatow" ware and it was commonly exported around south-east Asia. The underglaze blue decoration is of very good colour. The pattern features a chilong (qilong) dragon in a landscape with three further dragons around the cavetto interspersed with p...

Chinese Ming Dynasty Blue & White Porcelain Covered Jar

This attractively-shaped porcelain jar was made during the Wanli reign (1573 - 1620) of the Ming Dynasty. Both jar and cover are decorated in underglaze blue with scrolling floral and lotus patterns, and coated in a silky smooth glaze. The inner surface of the jar is also glazed whereas the underside of the cover and the recessed flat base of the jar remain unglazed revealing the pale porcelain body.

Diameter 11 cm, height 11 cm. C...