Kawase Hasui (1883-1957)
Moon at Magome
Date: 1930.
Size: Oban. Approximately 15.5 x 10.5 inches.
Publisher: Watanabe Shozaburo.
Watanabe C (sausage) seal at right margin, making this a first edition produced between 1929-1942.
Reference: Hotei #165.
Medium: Japanese woodblock print.
Condition: Point-sized repair in upper left corner of sky. Original drying pinhole at left margin covered with paper.
"The scene conveys the rustic 'poetic' charm of Ma...

First edition Taisho period Japanese woodblock print titled “The Snow Maiden Umekawa” (aka “The Heroine Umekawa in the Snow”) from the supplements of “The Complete Works of Chikamatsu Manzaemon" by Kitano Tsunetomi (1880-1947) published in 1923. First edition with mica and silver highlights, hand applied gofun, black ink Tsunetomi seal at the upper right, and Yamagishi Kazue (carver) and Nishimura Kumakichi (printer) seals at the lower edge. Paper: 17 3/4" x 11 3/8." Very good overa...

Hiroshi Yoshida
Glittering Sea, from The Inland Sea Series
(Hikaru Umi, Setonaikaishu)
Date: 1926. Date of this edition not known.
Medium: Japanese woodblock print mounted as kakejiku scroll.
Signed and sealed in the image.
Size: Oban. Scroll: 45.5 inches 17.75 inches. Blue sheet: 20.5 x 15.75. Visible image: 14.5 x 9.75 inches.
Condition: Creasing from scrolling.
Note: Scroll mounting over the margins prevents us from confirming the presence or absence of...

Hasui Kawase
Kasuga Shrine, Nara
Series: Collection of Scenic Views of Japan II, Kansai Edition.
Size: Oban. 15.375 x 10.25 inches.
Date: 1933
Publisher: Watanabe Shozaburo. Publisher's 6mm seal (printed 1946-1957).
Reference: Hotei #317.
Medium: Japanese woodblock print.
Condition: Slight toning. Excellent color.

Oversized Japanese woodblock print by Shufu Miyamoto (b. 1950) titled "Water Weeds at Hiroshima." The lower margin is pencil-titled in kanji and English, pencil-signed, and dated '84. It is numbered in pencil 5/150 at the lower left below the artist's red seal. Paper: 17 5/8" x 22 3/4" (image: 15 1/4" x 21 5/8"). Very good overall condition. There are some minor wrinkles in the paper at the margin edges and there is a small mark in the margin at the upper left corner.

Japanese shin hanga woodblock print titled "Chuzenji Utagahama" by Kawase Hasui (1883-1957) dated in the left margin Showa 6 (1931). The artist's black ink signature and red seal are at the lower right corner of the image. The Watanabe seal is missing, but the print is old and likely dates post-WWII. Paper: 15 3/8" x 10 1/2" (image: 14 1/4" x 9 1/2"). Very good clean overall condition with slight fading evident. The print was removed from an old frame and the back margin edges are lightly ski...

Kawase Hasui
Spring Rain at Gokokuji
Size: Oban. Approximately 16 x 10.75 inches.
Date: 1932.
This edition 1948-50.
Publisher: Doi Hangaten. Carver: Katsumura (same carver as first edition). Printer: Ito.
Doi publisher's watermark at upper left corner margin.
Artist's signature and seal at upper right.
Condition: A surface dot on the base of the lantern. A few light margin creases. Back top corners have two small bits of paper residue.
- A wonderful e...

Toshi Yoshida (1911-1995)
Autumn from the Birds of the Seasons series.
"Serenity of Red Maple"
Date: ca. 1980.
Size: 21 x 13.25 inches.
Publisher: The Yoshida Family Studio. Issued by the Franklin Mint.
Signed and sealed by the artist.
Medium: Japanese woodblock print.
Condition: Top and bottom back margins have tape residue. Very slight toning.

Shoda Koho
Ueno Park
From the Hasegawa Night Scenes shin-hanga series.
Size: Chuban. Approximately 10.25 x 7.75 inches.
Date: 1910-38. A rare, early edition on card-like paper.
Publisher: Hasegawa. #1248 in Hasegawa catalog.
"Made in Japan" stamp and #427 tag on verso.
Not sealed by the artist.
Medium: Japanese woodblock print.
Condition: Excellent.

Fine Chinese Ming Dynasty Blue & White Conical Covered Porcelain Box (Ex. Lammers Collection)

This attractive small round porcelain box of rare and unusual form was made during the Wanli reign (1573 - 1620) of the Ming Dynasty. The underglaze blue decoration is of a particularly good colour. The decoration to the conical cover comprises two chilong dragons. The lower section is decoration with a floral pattern.

Diameter 5.5 cm. It is in fine condition with no repair or restoration, altho...

Ohara Shoson (Koson)
Snow on Willow Bridge
Size: Oban. Approximately 15.25 x 10.25 inches.
Date: 1927.
Publisher: Watanabe Shozaburo. With Watanabe C seal (Used 1929-42).
Shoson signature and seal.
Reference: S44.3 and image #166 in Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland).
Medium: Japanese woodblock print.
Condition: A conservator has repaired top margin blanks and tears. One had impinged on the image.
Note: One...

A box for keeping incense – kogo – decorated with a carriage used by court nobles and members of the Imperial family of the past in dense gold dust sprinkle on a black lacquer background. The sky sprinkled with clouds of nashiji. Insides with dense nashiji. The bottom section decorated with a rock surrounded by bamboo in gold togidashi and kao of tea master Hisada Soya. Silver rims.

Tiny signature in gold lacquer on the bottom: Gaho.

The kogo was made for the tea master Hisada So...

AMERICAN MASTER JOSEPH DAWLEY “Floral Abstracted” measuring 11” x 14” LAST SERIES.….. Biography: Joseph William Dawley (1936-2008) was born in Nashville, Arkansas and raised in Dallas, Texas. He received his B.A. from SMU where some of his art hangs today. He married and moved to NJ working for the Newark Evening News retouching photos and sidelining as a political cartoonist. He spent time studying at the Art Students League in NYC and in 1968 he decided to devote all his time to pai...

A stunning pair of sake cups depicting monkeys by the famous Kutani potter Matsumoto Saiichi 松本佐一 (b. 1930), using his signature technique, porcelain with underglaze gold leaf. Title: Sake Cups (sakazuki 坏) Medium: porcelain with underglaze gold leaf and overglaze enamel Size: Wider: 3.2 x 8.5 cm and Taller: 5.9 x 5.4 cm Signature in enamel on the bottom of both pieces: Saiichi (佐一) Date: Heisei Period, 2003 for 2004 Condition: no flaws: no cracks or r...

Ohara Koson
Peafowl on flowering cherry
Size: O-tanzaku. Approximately 14.5 x 7.5 inches.
Date: ca. 1900s-1923.
Bears Koson seal.
Publisher: Daikokuya (97)
Reference: K38.13 and plate 87 in Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland).
Condition: Excellent. A few small black marks in sky at left and above bird. Pencil number on back.
Provenance: The Bedford, NY estate of Eleanor Jay and Arthur Iselin. Eleanor Jay was a de...

A wild boar kōgo by famous Kyoto potter Imai Masayuki 今井政之 (1930-2023). Decoration is a stylized version of the ancient Chinese character for wild boar. Masayuki used his famous inlaid colored clay technique in producing this piece. Imai Masayuki and the late Miyashita Zenji are considered the two masters of the colored clay technique in Japan. Title: Inlaid Zodiac Wild Boar Incense Container (Zōgan kanshi i kōgo 象嵌干支亥香盒) Colored and inlaid stoneware, 3.8 cm high a...

Over the years we have taken a special interest in Raku-ware and especially in works produced by the Tamamizu kiln, such as the 300+ year old ceremonial tea bowl seen here. The first in this line of potters was Yahē (1662 - 1722), an illegitimate son of Kichizaemon Ichinyu (1615 - 1768) who studied under his father and then left to open his own kiln in the village of Tamamizu (known today as Ide-cho). Though he is the first potter of this branch, he is sometimes referred to as Tamam...

Pair of prints by Ashiyuki, please contact for details

The size of Screen: 277cm Wide x 138 cm High (109 " x 54 3/8")
The both side Left/Right Panel size: 47.2 cm x 138 cm (18 1/2" x 54 3/8")
4 panels in between size: 45.5 cm x 138 cm (17 7/8" x 54 3/8")
Each Fan design size: 55 cm (21 5/8") wide.

This is wonderful 6 panels Japanese Byobu screen from 1750's middle 18th Century with 21 Ougi (fans) design with gold leaf background. This type of painting properly called, "Senmenga" with fan design Byobu called "Senmen Byobu". Th...

A rare print by surrealist print maker Ozaku Seishi, professor emeritus from Tama Art University. He is best known for small edition etchings, usually up to 30 copies, limitless experimentation with printing techniques and surrealist, often graphic imagery resembling distorted reality ¬neither quite explicit nor quite horror, but rendering a fairly dark version of dreams. This lithograph on Arches paper is from a 1994 portfolio titled “Constitutional Fantasy”, vol. 1 (憲法幻想その壱...

Sabra Field (American, born 1935)
Going Home
Date: ca 1980 (as noted on separate board)
Paper size: 13 x 8.5 inches.
Image size: 9.5 x 5 inches.
Medium: Woodcut print.
Condition: Light scuff on mountain.

Japanese limited edition copperplate etching titled “Kyoto #7: Kozan-ji” by Tanaka Ryohei (1933-2019). Pencil-signed, dated '96, and numbered 141/150 in the lower margin. The title in kanji is at the bottom left margin. Paper: 11 5/8" x 10 1/4" (image: 6 3/8" x 8"). Very good overall condition with a possible faintly visible smudge in the upper left margin corner. There are a few distressed fibers on the back, but the print does not appear to have been previously framed.

This is an exceedingly rare calligraphy on hand-made paper by famous Kyoto artist Tokuriki Tomikichiro. He was best known for his prints, but was originally trained as a painter. It is delicately brushed on Japanese hand made paper (24.2 cm x 21 cm), a bit smaller than shikishi size, and much thinner. Two edges are deckled. It is inscribed “Close Friend” (知音). Signed: Tomi (富), red seal: Tomi (富). Date inscribed on the back in pencil: 94.11.30. Condition: minor handling creases, mi...

The painting depicted court musicians playing divine music called Bugaku. Bugaku is a Japanese court music accompanied by dancing. Here one of the players plays shen (a bamboo instrument first produced in China in 7th century) and the other one sounds a massive drum with mitsudomoe crest (three comma-shaped figures in a circle). Bugaku carries a ritualistic implication and is usually played at the start before dance performance begins. Bugaku purifies the stage. Painted with ink and pigments. Si...

A beauty!! Black Seto Chawan. This chawan is made by Seto-based potter Sugiura Yoshiki(1915-?), it reads Yoshiki on the base. Nice shape. Perfect to enjoy powered green tea (all season). Very good condition (please see photos). Width: 4.6". Height: 2.3". Weight: 0.59lb (270 grs).

Ceramics decorated by Zen monks are seldom seen and this piece is no exception. Two red enamel characters are boldly brushed in red enamel conveying the strong bond between Zen and the tea ceremony. The bowl is inscribed and named Taste of Zen (Zenmi 禅味), and dates to the 1970s, when Seki Bokuō 関牧翁 (1903 – 1991) was well into his abbotship at Tenryū-ji, one of most important, and certainly most beautiful temples in Kyoto. The bowl itself is by the well-known hagi potter, Hara Kiyok...

Possibly an unstated first edition. A beautifully illustrated copy in very good condition with red leather boards, embossed flowers and gilt highlights and gilt beveled edges. There is one small spot on the back board also on one page; a few pages have dog ear creases ( see photos).Song lyrics (no musical bars). Published in 1880 by John W. Lovell, New York.

A Japanese lacquer bowed top box with portrait of a Kabuki actor - presumably named in gold lacquer and the role of Daihachi named in a lustrous iron color. All slightly raised work, the portrait is in gray, black, red, flesh tone, browns and gold. Lines including pattern and folds in the figure's attire and hair in his coiffure and sideburns cleanly defined with raised work. Metal along the facing edges of the top and bottom have no doubt contributed nicely to the preservation of the box. Actor...

This type of fukusa is a cover placed over a gift at the time of a gift-giving ceremony such as the "Yui-noh" which is held prior to a wedding. The evergreen pine symbolizes the strength and devotion of men; the plum blossoms represent purity, subtle beauty and the inner strength of women. Bamboo is often used to describe the personality of men and women; for example, a person being as straight (honest) as bamboo could also mean flexible (bendable) to a large extent. When pine (matsu, SHO), bam...

A rare original printing with dust cover of the art book ANGELICA KAUFFMANN, R.A. HER LIFE AND HER WORKS by Lady Victoria Manners and Dr. G.C. Williamson, published by John Lane The Bodley Head Limited London. This 11-1/4 x 9-1/2" book has 272 pages and it was issued in 1924 in a limited edition of only 1000 copies. It has numerous print plates in colour and black and white and it retains the original Kraft style paper outer wrap/dust jacket with a printed spine. Condition: DUST JACKET - spl...

A pair "loro blonyo", statues for a Indonesian wedding ceremony, possibly from the area of Yogyakarta. Carved from wood, with finely painted attire and embellished with filigree jewellry and glass cabochons. The female statue is a symbol of the goddess of fertility "Dewi Sri", the male statue is representing "Prince Sadana" (Lord Vishnu). Dating to the first half of 20th century. Condition: traces of age, fingerrings lost, missing glass cabochons. Dimension: female: c. 38.5 cm high x 15 cm wi...

This is an old silk fukusa from Meiji period (1868-1912). This type of fukusa is a covering placed over a gift at the time of a gift-giving ceremony. Lined with a deep red crepe silk, this fukusa is almost in perfect condition.

Pine trees are considered as sacred in Japan. Here, an ancient pine tree is mostly done with the gold couching, overlaying of threads (wrapped in gold) rather than going in and out of the base fabric. The color of gold is particularly pretty here contructing to t...

Published in 1913, by Valentine & Sons, Dundee, London, and Montreal, this extremely rare publication, "Ten Little Nigger Boys", is a highly creative and imaginative variation of the original 1869 minstrel song "Ten Little Niggers", composed by the British songwriter Frank Green.

(Likely inspired by Frank Green's lyrics, Agatha Christie, in 1939, composed her very well-known "Ten Little Niggers" story, with the title for the 1940 US edition changed to "And Then There Were None", the final lin...

Nobori banners, carps, warrior's Yoroi and Kabuto helmets, samurai dolls and swords were all a part of the display used for Boy's Day (renamed Children's Day) on May 5th in Japan. They reflect the parents' wish to inspire their sons in manliness, discipline, bravery and the honor codes which are associated with them.

Originally, nobori were used on the battlefield to identify the troops; some were to show the warriors where their taisho (general) was, others were used to shift the troops. ...

Fine Chinese Han Dynasty Glazed Pottery Hu Jar

This attractive pottery jar of "hu" form was made some 2,000 years ago during the Han Dynasty (206 BC - AD 220). It is quite "heavily-potted" and made from a reddish pottery, coated in a finely-cracked green glaze that varies in thickness. In places it has acquired a silvery iridescence, a result of exposure to moisture during its long burial. There are lightly incised decorative bands surrounding the body in places. To the flat base are the typ...

Rare Chinese Yuan Dynasty Early "Blue & White" Vase

This rare and attractively-shaped vase or bottle was made during the Yuan Dynasty (AD 1279 - 1368) by one of the kilns at Yuxi county in Yunnan province, one of the first places in the world where blue & white ware was produced. It is "heavily-potted" and decorated in underglaze cobalt blue with floral and leaf designs. It is coated with a clear glaze that falls short of the sturdy foot. Similar wares were first unearthed in 1973 in Lufeng ...