First edition Taisho period Japanese woodblock print titled “The Snow Maiden Umekawa” (aka “The Heroine Umekawa in the Snow”) from the supplements of “The Complete Works of Chikamatsu Manzaemon" by Kitano Tsunetomi (1880-1947) published in 1923. First edition with mica and silver highlights, hand applied gofun, black ink Tsunetomi seal at the upper right, and Yamagishi Kazue (carver) and Nishimura Kumakichi (printer) seals at the lower edge. Paper: 17 3/4" x 11 3/8." Very good overa...

Antique American Indian Beaded Dance Harness Authentic Antique 19th century American Indian (Canadian Plains Cree from Saskatchewan) dance harness composed of black trade silk fabric with twelve rosettes white red and blue glass beads sown to hide discs enclosed by hanging feather attachments. The central panel of the bandoleer is constructed in a geometrical pattern beaded with emerald green and burgundy glass beads on a thick fabric. The entire sewing was done by hand. These items come fr...

Heavy, thick walled vase in cobalt blue cased in crystal, with silvery air traps in a repeating geometric pattern.

The vase stands 8 inches tall and is 4 inches in diameter at the top. the base tapers to 2 1/4 inches.

This vase weighs in at 9 pounds, a lot of weight to work with on a handmade, hand-finished piece!

The piece is signed on the base Orrefors/Ariel 295 E-4/Ingeborg Lundin

Condition of the vase is excellent with no chips, cracks or repairs. 1974

A very rare and highly charming porcelain figure of Budai (Daduze), bare chested with a laughing expression, seated leaning on his sack of treasures. Decorated in famille rose manner with additional gold. Two maker’s seals: “Fujian Huiguan” and “ Made by You Linji). ****These seals are identifying marks of the Jingdezhen artist working at Fujian Huiguan. **** You Linji was the artist name of You Zhangzi /You Linzizi ( 1872-1922 ). Before moving to Jingdezhen, he first trained unde...

An 18k diamonds and cornflower sapphires row ring circa 1890. This Victorian period size 6 ring is 18k yellow gold, with genuine natural sapphires and antique sut diamonds. It measures 3/4" x 3/16" across the setting, the two diamonds measure approximately 10 points each by gauge, and the cornflower blue sapphires measure approximately 6 points each (side) and 12 points (central). This ring weighs 2.0 grams, it is stamped 18CT with a CT maker's mark. It is in excellent condition with no chips, c...

Conceived by 20th century master ceramicist Kawai Kanjiro—here an abstract depiction of flowers is used to adorn an exquisite “henko” shaped vase. The glaze used is known as “tetsu-yu” for its use of iron compounds to achieve this distinctive look. Though many pieces by Kanjiro remain today, this exact combination of style, shape, and glazing is uncommon, making this a must-have work for serious collectors. Interestingly, though it may likely not have been intentional, the abstract sym...

The size of Screen: 277cm Wide x 138 cm High (109 " x 54 3/8")
The both side Left/Right Panel size: 47.2 cm x 138 cm (18 1/2" x 54 3/8")
4 panels in between size: 45.5 cm x 138 cm (17 7/8" x 54 3/8")
Each Fan design size: 55 cm (21 5/8") wide.

This is wonderful 6 panels Japanese Byobu screen from 1750's middle 18th Century with 21 Ougi (fans) design with gold leaf background. This type of painting properly called, "Senmenga" with fan design Byobu called "Senmen Byobu". Th...

Beautiful arts & crafts handmade sterling and wood tea set, comprising of 6 pieces, c.1910. Every piece is marked "STERLING" except for the sugar. The design is classically arts & crafts and each piece is hand hammered which produces a wonderful texture, very representational of the period. The pieces are: TRAY - 13" long by 9 1/2" wide by 3/4" high. TEAPOT - 5" high by 10 1/4" wide by 4 1/2' deep. CREAMER - 2 1/4" high by 6 1/4' wide by 31/2' deep. SUGAR - 3" high and 3 3/8" in diameter. DISH ...

A pair of rare 19th C Chinese hand carved hardwood, possibly Hong Mu wood, Scholars desk trays in a large lily pad leaf design with flower heads. Each being slightly different, one has a bird’s head and the other a nice protruding stem between the flower heads, they were made to be displayed together. These were finished with a mix of beeswax and a few other natural concoctions the Chinese used to seal the finish and give it a great mellow sheen. The beauty of the surfaces is that wheneve...

The only authentic 19th Century Korean shaman paintings offered for sale. Sublimely rendered here is the spirit of divine response, Kameung Sillyeong. There are many 20th century reproductions of these types of paintings. Authentic Joseon Dynasty examples like this exist only in museums. And even in museums, a pair like this is very rare. You can discern them by the material and quality, such as fine hand-woven silk and mineral pigments that give warmth and depth and are vivid but not garish lik...

Over the years we have taken a special interest in Raku-ware and especially in works produced by the Tamamizu kiln, such as the 300+ year old ceremonial tea bowl seen here. The first in this line of potters was Yahē (1662 - 1722), an illegitimate son of Kichizaemon Ichinyu (1615 - 1768) who studied under his father and then left to open his own kiln in the village of Tamamizu (known today as Ide-cho). Though he is the first potter of this branch, he is sometimes referred to as Tamam...

The warrior’s armor and helmet, samurai sword, spears, banners and paper carps (later cloth) in the sky are all tools used to showcase boy’s day in Japan. This tradition started early Edo period (1603-1868) by samurai families wishing their son’s good health and studies to be honorable samurai.

This set is made in Kyoto, Japan and is called “Kyo-armor”. Kyoto had been the capital of Japan for over 1000 years. The culture there was developed to serve the best for the emperor...

Signed American original oil painting on 100% Belgian linen depicting a luminous sky and serene yet moody section of a North Eastern Atlantic Cape coastline with a distant sailboat beyond the dark breakwaters at mid ground.

Title: Ann's Gift. This self taught artist juxtaposes the serene view of a waxing or waning luminous sky, displaying a myriad of colors masterfully blended in blue pink lavender yellow with hints of orange at the horizon, with the dark breakwater rocks at mid ground. N...

A Japanese lacquer bowed top box with portrait of a Kabuki actor - presumably named in gold lacquer and the role of Daihachi named in a lustrous iron color. All slightly raised work, the portrait is in gray, black, red, flesh tone, browns and gold. Lines including pattern and folds in the figure's attire and hair in his coiffure and sideburns cleanly defined with raised work. Metal along the facing edges of the top and bottom have no doubt contributed nicely to the preservation of the box. Actor...

Great example of a Durand champagne glass with ruby red cup and foot joined by an ambergris stem. The cup, stem and foot are nicely ribbed and measure 6 inches tall. The cup is 4 3/8 inches in diameter and the foot is 3 1/16 inches in diameter. The foot has a rolled rim and has a small polished pontil mark. This example is pristine.

A colorless Webb ewer or cruet decorated with an acid etched floral design and having an acorn stopper. The 7 ½ inch tall piece is 10 inches tall with the stopper in place. The stopper is not the original but is the correct style of stopper for this piece.

24034879 A nice small Pairpoint Rosaria compote, shape B-366. The compote has a Rosaria foot and bowl connected by a colorless stem with a bubble ball connector. Both the foot and the bowl are enhanced with a diamond quilted pattern. There is a polished pontil mark and there is no damage. The compote is 6 1/4 inches in diameter and 6 inches tall.

A pair of Steuben Cyprian twist stem candlesticks, aquamarine with celeste blue rims. The candlesticks are 10 inches tall and are shape 6331 as shown in the factory line drawings. The candlesticks are undamaged and unsigned.

24054902 A satin finish Wheeling peachblow number 13 stick vase in a lustreless finish by Hobbs, Brockunier & Co. of Wheeling, WV. The vase is 8 ½ inches tall and 3 1/4 inches in diameter. There are no imperfections.

Chinese Ming Dynasty Blue & White Porcelain Bowl (Hongzhi)

This blue and white porcelain bowl with flared rim was made during the late 15th - early 16th century (Hongzhi reign 1488 – 1505). The outer wall is decorated in underglaze blue with a honeycomb pattern. The central decoration is loosely based on a vajra (Buddhist sceptre) with various other decorations around the inner wall. It is coated in a finely-crackled glaze.

Diameter 14.5 cm. Condition is very good: there is a hairlin...

Chinese Ming Dynasty Glazed Pottery Ridge Tile - Lion Dog

This sturdy ridge tile in the form of a seated lion-dog dates to the latter part of the Ming Dynasty (c. 1600 - 1644). It is coated in a thick and finely-crackled attractive turquoise glaze. The curved underneath of the tile remains unglazed and has the impressions of a finely-woven cloth on which it must have been placed during manufacture.

Height 22 cm. There is a chip to one ear and kiln scars on both sides of the animal's mout...

Large Chinese Neolithic Machang Painted Pottery Jar (Repaired)

This large and impressive pottery jar was made over 4,000 years ago during the Machang Phase (c. 2300 - 2000 BC) of the Majiayao culture, also known as the Gansu-Yangshao culture, from present day Gansu or Qinghai province. It is quite "heavily-potted" with a smooth surface and is fairly highly-fired. The surface colour of the pottery varies in places, a result of uneven conditions during firing. It has a short neck with flared m...

RED-PAINTING PAPER PLATE

Anonymous Japanese pottery okimono object, as a symbol of love and peace, H 12.2 x W 9 x D 6.8 cm (4.80 x 3.54 x 2.67in)


selected by titcoRet




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Large Chinese Qing dynasty oval form lidded jar densely decorated on the front in underglaze blue on a faintly celadon tinted white ground with a phoenix bird among peonies. Three blue clouds are on the lid. The base and interior are glazed while the foot is unglazed. Late 19th century. 12 1/2" high. Very good overall condition. The unglazed mouth rim has tiny imperfections. There are a few glaze losses to the tip and side of the finial that might be from the original production. From th...

Chinese Qing dynasty Tongzhi mark and period (1862-1874) cylindrical food container decorated around the circumference with four overglaze iron-red five-clawed dragons in profile above a band of underglaze blue waves. Each dragon is among underglaze blue clouds and separated from each other by a pair of vertical blue cloud bands shaped like opposing bats. A geometric blue band extends along the top. Each side has twisted metal handles supported by two animal mask lugs with gilt highlights. W...

Fine Large Chinese Han Dynasty Glazed Pottery Hu Jar (with Oxford TL Test)

This fine and impressive pottery jar (hu) was made during the Han Dynasty (206 BC - AD 220). It is made from a fairly high-fired reddish pottery and coated in a particularly attractive glossy thick streaky green and finely-crackled glaze, the colour of which varies according to its thickness. Interestingly, the drips of glaze to the mouth rim and the pooling of glaze to the flat base show that this jar was fired upsid...

Chinese Qing dynasty pewter-encased rectangular form “san ke zhu” (three pearl) lidded Yixing pottery teapot incised to one side in bamboo, the reverse with a calligraphic inscription signed Chun Quan. The inscription translates roughly as: “Sitting quietly [under] a bright moon [occupying] half of a window, with a book [in hand] and a fragrant incense [burning].” The top edge holds an applied coin and mixed metal strips. Flat, rectangular lid. Jade spout, handle, and square finial. The ...

Large Chinese Eastern Zhou / Warring States Cord-Impressed Pottery Jar

This rare and attractively-shaped pottery jar of semi-spherical form was made during the Warring States period (475 - 221 BC) or possible earlier (Eastern Zhou period 770 - 221 BC). It is made from a relatively highly-fired fine grey pottery. The lower body has been decorated with repeated cord impressions that are particularly crisp. Interestingly, there is a network of ancient root/plants growths to much of the inner s...

Rolex 16mm Yellow Gold Plate Buckle 20mm Forest Green color Genuine Crocodile Strap. The strap is a new genuine stitched and padded very high grade "Hand Made in Italy". The Rolex buckle is plated (not solid gold) but is very secure and looks very nice! THIS IS A FINE COLLECTIBLE. INVEST IN HARD ASSETS, DON'T INVEST IN THE STOCK MARKET. BUY SOMETHING PROVEN IN TIME.

We have been selling vintage watches on E-Bay since 1998 as watchco1973 with 14,500 feed backs, 100% positive. You ca...

Rolex 16mm Yellow Gold Plate Buckle 20mm Tobacco color Genuine Crocodile Strap. The strap is a new genuine stitched and padded very high grade "Hand Made in Italy". The Rolex buckle is plated (not solid gold) but is very secure and looks very nice! THIS IS A FINE COLLECTIBLE. INVEST IN HARD ASSETS, DON'T INVEST IN THE STOCK MARKET. BUY SOMETHING PROVEN IN TIME.

We have been selling vintage watches on E-Bay since 1998 as watchco1973 with 14,500 feed backs, 100% positive. You can buy...

Fine & Rare Chinese Warring States Pottery Bird with Oxford TL Test

This very rare pottery model of a bird, either a duck or a goose, was made during the Warring States period (475 - 221 BC). It is "heavily-potted" and made from quite a high-fired grey pottery. The duck stands with its neck and wings stretched, as if in the act of preparing to fly. Note the detail, especially to the wings, with the tiger heads. The style and decoration suggest this model was based on a bronze example. On the...

Fine & Rare Chinese Southern Song Dynasty Qingbai Glazed Porcelain Dish (with carved & moulded decoration)

This attractive porcelain dish, or shallow bowl, was made during the Southern Song Dynasty (AD 1127 - 1279). It is coated in a finely-crackled pale greenish translucent qingbai glaze, save for the rim and flat base that remain intentionally unglazed. To the small flat base is a Chinese character in fired-on black pigment that most likely represents a name.

The upper surface is decor...

Chinese late Qing to Republic period guanpixiang table-top chest with a mansard-style hinged top that lifts to expose a single shallow tray above a pair of doors opening to five drawers with metal pulls all upon an attached base. A circular lockplate with ruyi-form clasp is on the front. Two side carrying handles. These chests were typically utilized by men to hold seals and related accessories while women were known to use them for cosmetics storage. Early 20th century. 15” high x 14 1/2” ...

Chinese Qing dynasty circular form lidded cinnabar lacquer box, the lid well carved in relief with scholars and attendants under lush trees in a landscape setting with mountains in the background. The convex sides are decorated in floral reserves interspersed with scrolling foliage. The interior surfaces and base are covered in plain black lacquer over the wood substrate. 10” diameter by 5 1/2" high. Very heavy for its size. Weighs 4.4 lbs. (2 kg). There is an area of damage on the edge of ...

Chinese late Qing dynasty Guangxu period rectangular form porcelain plaque painted in famille rose enamels and gilt highlights with a crane on a pine branch above thick leafy flowers. A poem at the upper left is dated in Chinese cycle years to winter of 1902 and signed Jiang Yongyuan (active circa 1899-1919) at Zhushan, a district of Jingdezhen. A raised rim frames the composition. 15 1/4" long by 9 1/4" wide by 7/8” deep. There is a fine old brown hairline crack extending down from the top....

ANDROGYNY PERSONIFIED

Massive hermaphrodite sculpture that applies the original form of natural wood as is based on the essence of Japanese polytheism, 20th century, Height 73 cm.


selected by hotoke




* Please understand that EMS shipping fee is additionally charged, and also confirm our Sales Policy before purchase, since your order will be assumed to have fully acknowledged our Sales Policy under any circumstanc...