An elegant Victorian bangle bracelet, the front set with a triple row of 76 natural seed pearls that splay open toward the center which is set with a floret of old mine cut diamonds. The pearls have cream body color and fine luster and are perfectly matched. The diamonds are F/G color and VVS2 clarity. The center diamond is .34 ct and the others are .06 ct each. The clasp is well-concealed and it is stamped “15 Ct” and also has French import marks.

• Origin: England, ca. 1900
• Co...

A nice pair of mid-Victorian earrings worked in chocolate brown lava set with pearls in 14K yellow gold. The earrings are designed as two acorns flanking an elongated amphora form surmounted by a lady’s head. The girandole arrangement (three elements suspended from a single element at the top) is relatively rare among lava earrings. Archaeological Revival lava jewelry from Pompeii was a very prized souvenir of a wealthy visitor’s Grand Tour through Italy due to the ongoing excavations there ...

A heavy French 18K gold and diamond pendant depicting a mythological griffin. The creature has the body of a lion and the head and wings of an eagle. His open jaws clasp an old mine cut diamond. The diamond is graded as G color, SI1 clarity. Griffins in brooches are often shown in a crouching position, but in this example, the creature is standing upright in a more assertive pose. The piece can be worn as a brooch or as a pendant suspended from the loops at the wing tips. The pendant is stamped ...

A stunning early Victorian snake necklace in 18K gold. The body is worked in a graduated series of scaled links terminating in an ornate emerald- and garnet-set head suspending an emerald-set foliate drop. The construction of the snake’s body is very flexible and feels silky like a true snake. The ornate head with repoussé and chased decoration is more fanciful and resembles a Chinese dragon. The eyes are set with bright garnet cabochons and the head features a row of collet-set emerald cut ...

A heavy French 18K gold and diamond pendant depicting a mythological griffin. The creature has the body of a lion and the head and wings of an eagle. His open jaws clasp an old European cut diamond set in a milgrain platinum collet. The diamond is graded as I color, VS2 clarity. The griffin is surrounded by a circle of woody foliage. The back is engraved to match the texture of the front. The piece can be worn as a brooch or as a pendant suspended from the loops at the wing tips. The bottom has ...

A lovely late Victorian 18K gold locket, the front and back covers worked in a stippled texture with engine-turned engraving along the borders. The front is further enhanced with a spray of vivid blue forget-me-nots and green foliage. In Victorian flower language, forget-me-nots symbolized true love or the desire to be remembered—either one a very fitting sentiment for a locket. The back cover has a monogram reserve that was never engraved. The interior retains the original frames and glass on...

Victorian Classical sterling silver compotes. Made by Tiffany & Co. in New York. Each: Round solid well; sides have pierced leafing scrollwork and turned-down rim applied with cast leafing scrollwork and buds that suggest the influence of Chrysanthemum; raised foot with cast scroll and flower border. Fully marked including maker’s stamp, pattern no. 8743 (first produced in 1885), and director’s letter M (1873-91). Very good condition with deep patina.

Dimensions: H 2 3/4 x D 9 3/8 in. Heav...

Pair of Victorian Classical sterling silver sauceboats. Made by Tiffany & Co. in New York, ca 1883. Each: Rectilinear body with lip spout and curved corners on same raised foot; high-looping leaf-covered handle with ribbed cast volute scroll terminal between scrolls and incised volute scroll mount. Repousse rinceaux band between molded lines. Stylized egg-and-dart rims. Fully marked including maker’s stamp, pattern no. 7370 (first produced in 1883), and director’s letter M (1873-91). Very go...

George II sterling silver mug. Made by Samuel Welles in London in 1759. Baluster bowl with leaf-capped double-scroll handle. Raised foot with tooled leaf border. Chased and engraved bucolic scene with hounds racing through an orchard. A later Victorian homage to the tranquility of rural life. An even later engraved presentation in the frame formed by the leafing, overhanging trees: “Palm Beach Golf Club / Florida / State Championship / 1916 / First Prize / Runner Up / Won By”. No name follow...

Victorian Classical sterling silver water pitcher. Made by Tiffany & Co. in New York, ca 1877. Globular bowl with drum-form neck, small lip spout, and c-scroll handle. Bowl has vertical ornament in form of applied acanthus leaves alternating with embossed gadroons. Neck has applied harps in wreaths between leafing scrolls. Handle has applied rosette and leafing stem. Fully marked including maker’s stamp, pattern no. 4706 (first produced in 1877), and director’s letter M (1873-91). Very good ...

Pair of Victorian Classical sterling silver low candlesticks. Made by Richard Hodd & Son in London in 1881. Each: Ovoid socket with bobeche on spool support mounted to stepped square base with scrolling leaves at corners. In low relief draped matrons bearing wreaths and olive branches. Beading and leaf-and-dart. Fully marked. Very good condition.

Dimensions: H 5 x W 3 1/4 x D 3 1/4 in. Weighted. #BZ634

Pair of Victorian Classical sterling silver open salts. Made by Tiffany & Co. in New York. Each: Bellied bowl on 3 shell-mounted hoof supports. Repousse flowers and fronds. Everted rim with repousse scallop shells. Interlaced script monogram engraved on underside. Fully marked including maker’s stamp, pattern no. 4174, order no. 4997, and director’s letter T (1892-1902). Very good condition.

Dimensions: H 1 1/2 x D 2 1/2 in. Total weight: 3.4 troy ounces. #BZ171

This pin is unusual due to its length: it measures 2-1/4” x ½”. The fancy engraving is enhanced with black enamel, and the pin is centered by a faux pearl. The central element makes us think of a gear – this would be great to wear to a Steampunk event, or any event with a Victorian theme! It shows a little wear, but it’s still very pretty. The clasp might be a replacement. If so, it’s an old repair. The photos are part of the description. Please examine them carefully. Thanks! Shipp...

Victorian Modern sterling silver box. Made by Joseph Braham in London in 1895. Rectangular with straight and plain sides. Cover hinged and tabbed; top gently curved engine turning bordered by same. Box interior cedar lined. Cover interior gilt-washed. Underside leather lined. Fully marked. Very good condition.

Dimensions: H 2 1/2 x W 5 5/8 x D 3 3/4 in. Gross weight: 17.5 troy ounces. #BZ621

This graceful pin is from the Edwardian/Art Nouveau era. The round peridot is framed by an oval of seed pearls, between delicate arabesques of gold set with more seed pearls, for a total of 30 (2 are replacements). Stamped 14k on the back, with an illegible maker’s mark, it measures 1-½” x 7/16" and weighs 2.0g. The peridot is slightly scratched, and the safety is a little loose and fussy, but in overall very good antique condition and with a nice patina. Circa 1910. Brought to Europe by th...

Victorian Classical sterling silver baby cup. Made by John Bell and Frederick Brasted in London in 1860. Baluster bowl on raised foot; leaf-capped double-scroll handle. Engraved interlaced strapwork frames of which two inset with flowers and two vacant. Gilt-washed interior. Fully marked. Very good condition.

Overall dimensions: H 4 3/4 x W 4 x D 2 3/4 in. Weight: 3.8 troy ounces. #BW475

Pair Victorian 11" Mantle Lusters Clear Cut Glass Fan Design with 8" Drops Pair of Victorian Cut Glass Lustres Pair of 19th century Victorian cut glass lustres and drops. These are heavy glass, 11", lustres. They have a fan shaped star cut top, a baluster shaped stem and a circular cut base. The lusters have 10 cut glass prisms, 8" in length, suspended around the upper edge. The lustres are in good condition with some tiny chips to pointed tips of the prisms. (Circa 1870) ...

DAVENPORT 14" Imari Pattern Platter Exceptional c1840 Victorian Church Pattern A 14" DAVENPORT PLATTER c1840 This absolutely stunning Davenport platter is in very good condition, free from chips and blemishes and measuring 14" at its widest point. It has an Imari pattern decoration with an unusual addition of a cobalt blue church design.