Catalog (444)

A European shape porcelain tea caddy painted in underglaze blue depicting houses and pavillions in a river landscape. This item was made in Jingdezhen (southern China) for export to Europe, circa 1760-1780, during the reign of the Qianlong emperor. For a similar example please see John Ayers "The Chinese Porcelain Collection of Marie Vergottis", page 76. Condition: there is an old 3cm hairline on the shoulder and a minute chip to the one corner of the same shoulder (please view enlargements 6 & 7); no further damages and no restoration. 11cm (4.3inches) high; 9cm (3.5inches) wide; 4.5cm (1.75inches) deep.

18世纪外销青花茶叶罐 约1760-1780（清乾隆）
青花庭院风景图案茶叶罐，作于中国景德镇，为1760-1780年间即清乾隆时期的针对欧洲的外销瓷。
相似之例，请参见John Ayers著《Marie Vergottis所藏中国瓷器〉一书中第76页。
品相：肩部有一处三厘米的冲缝和一处小磕(见图6和图7），无其他损伤或修复。
高11厘米，宽9厘米，厚4.5厘米。

A white porcelain "Blanc-de-Chine" Buddhist Lion incense stick holder in similar style to the larger Guardian Lions which are frequently to be found at the entrances to Buddhist temples. These were probably originally made for domestic home altars and were among the first items to be exported to Europe from China as decorative objects. This item was made in the kilns of Dehua, Fujian Province, South China ,circa 1640-1660, during the middle of the 17th Century. For a very similar example please see catalogue # 90 in "Blanc de Chine - Porcelain from Dehua a catalogue of the Hickley Collection, Singapore" by Rose Kerr & John Ayers. Condition: there are cracks on two sides of the sqare base, one with an old re-glued triangular section; no damages or losses to the lion itself and no restoration. 16.5cm (6.5inches) high.

明末清初 17世纪德化白瓷狮形香插
应是原为室内香案所用，是第一批作为工艺品外销至欧洲的中国瓷器之一。
做于福建德化窑，17世纪中叶，约1640-1660年间。
相似之例，请参见Rose Kerr 和 John Ayers 合著《新加坡Hickley家族所藏德化白瓷图录》一书第90号藏品。
品相：方形底座两面有冲，其中一处有老修，瓷狮本身无缺损，无修复。
高16.5厘米。

A large bright, hand painted, matt glazed Art Deco vase made in the Plateelba Zuid-Holland (PZH) factory, Gouda, in the Netherlands. This item carries the date mark for 1932. Condition: Excellent - no damages and no repairs or restoration. 30cm (12inches) high; 16cm (6.3inches) diameter.

A baluster shaped vase painted in exceptionally vibrant shades of under glaze cobalt blue depicting stylized peony flowers and flying insects within shaped panels. There is an artemesia leaf mark within a double ring on the base. This item was made in China during the reign of the Kangxi emperor (1662-1722). Condition: there is no cover and there is a Y-shaped hairline on the neck which forks 1cm from the rim and does not extend to the body (please view enlargements 6 & 7); no further damages and no restoration. 23.5cm (9.2 inches) high.

A balluster shaped vase and cover painted with "famille rose" enamels depicting a lady holding a fan with two boys in a garden setting. On the base is painted the iron red four character mark of the Qianlong emperor (1736-1795) but this item was made later, in the early 20th Century, during either the closing years of the reign of the Guangxu emperor (1875-1908) or during the Republic period (1911-1949). Condition: there are minor losses to the enamels but no chips or cracks and no repairs or restoration. 25cm (9.9inches) high.

20世纪初粉彩人物盖瓶
底有“乾隆年制”四字款，但做于20世纪初，即清光绪末年至民国时期。
品相：釉面有些许缺失，但无磕无冲，无修补或修复。高25厘米。

A large,heavy, Indigo "Hooped" vase ( Whitefriars pat. no. 9680) designed by Geoffrey Baxter and produced by Whitefriars Glass in this colour in 1967 only. Condition: excellent. 28cm (11 inches) high.For additional enlargements please view item #0442 on our Liverpool Shop website at 69aliverpool.co.uk

A rare carved hardwood plaque depicting a heavily tattooed Maori figure with top-knot and holding a Mere (traditional short club); the eyes are inset with Paua (abalone) shells. This item was acquired with the large mask (item #201 in our catalogue) and is signed with the same initials. Condition: very good - the left toe of the left foot is missing; no other damages and no repairs. 75cm (29.5 inches) high. For many additional enlargements please view item #0455 on our Liverpool Shop website at 69aliverpool.co.uk

A silver mounted Skean Dhu (Sgian-Dubh) with carved horn handle and snakeskin leather sheath made by leading Edinburgh Silversmith Robert Allison and assayed in Glasgow in 1952. Condition: excellent. 20cm (7.8 inches) long.

A rare late Ming Dynasty thickly potted jar decorated in underglaze blue with a key-fret pattern around the neck; on the shoulder a Kraak style diaper pattern encloses four circular panels, each containing a fruiting peach branch; above the foot are stylized breaking waves; the large central area is painted on each side with nine boys, at leisure, in a garden setting. "Hundred Boys" jars with very similar decoration are to be found dating to the Jiajing reign (1522-1566) but this jar was made later, probably for export, circa 1610-1625 during the reign of either the Wanli or the Tianqi emperor.
Condition - there is fritting (production glaze loss) to the rim and there are chips to the foot rim; there are two cracks to the rim which are probably firing (production) cracks and there are various cracks and glaze imperfections to the body but there are no repairs and there has been no restoration.
19cm (7.5inches) high; 19cm (7.5inches) diameter. Weight - 1.5kg (3lb 5oz).
For many additional pictures and enlargements please view item #0470 on our Liverpool Shop website at 69aliverpool.co.uk 明晚期 青花童子罐 明万历/天启 约1610-1625 一件明晚期青花童子罐。胎体细腻厚重，罐口一圈回字纹，肩部“克拉克”风格的开光装饰由四 个菱形花纹和四个花果枝叶交替组成，足部则是一圈海水纹。主体部分两面各有九个童子在花园里戏耍。类似装饰风格的”百子罐“可见于明嘉靖时期 （1522-1566），但此罐稍晚，应为外销品，作于约1610-1625明万历/天启年间。 品相：口沿有毛口，圈足有小磕。口沿另有两道冲，或为烧造过程中所致。罐身部分有不同程度的冲缝和釉面缺陷，但无修补或修复。 高19厘米，直径19厘米。重1.5公斤。

A wheel thrown transfer printed and hand painted double-handled "Loving" Chamber Pot made as a novelty wedding gift "Marrige Present", circa 1840, in either Sunderland or Staffordshire. Condition : there is a re-glued old break to one handle; and there is a curved crack to the rim on the underside which is less shorter on the upper side and does not reach the rim (please view enlargements 6 & 7); no further damages and no restoration. 21.5cm (8.5 inches) diameter; 13cm (5.2 inches) high. For additional pictures and enlargements please view item #0474 on our Liverpool Shop website at 69aliverpool.co.uk

A blue and white jar with the six character reign mark of the Kangxi emperor (1662-1722) within a double ring to the base. This item was made later, for export, during either the late 19th or early 20th Century. Condition: excellent - no damages and no restoration. 12cm (4.75 inches) high.

清末民初 康熙款青花人物莲子罐 约1880-1920
底有“大清康熙年制”双圈六字款。为清末民初（19世纪末20世纪初）的外销瓷。
品相：完好。无损伤，无修复。
高12厘米。

AA carved soapstone figure depicting a reclining Scholar; holding a fan in his right hand. This item was possibly made as an object for the Scholar's table and was made in China in the Qing dynasty, probably during the second half of the 19th Century (circa 1850-1900). Condition: a 2.5cm area appear to have been chipped away (in front of the fan and below his right knee)- please view enlargements 5, 6 & 7; and there are small spots of red paint in places. 6.3cm (2.5 inches) high; 7.6cm (3 inches) long.

An unusually large "Ivory" coloured moulded Bakelite (Urea Formaldehyde) wall plaque designed by William McMillan RA. These plaques were manufactured by De la Rue Plastics and were presented by the War Office to local Savings Committees in appreciation of their success in "Salute the Soldier Week" in 1944. Some are still to be found in public buidigs throughout the U.K.. For a similar commemmorative wall plaque please view cat. no. EPH 4622 in the collection of the Imperial War Museum, London. Condition: exceptionally good - one small 1.5cm production flaw to the left of the rifle but not visible on the reverse. 58cm (22.8 inches) high; 35cm (13.75 inches) wide.

A rare porcelain tea bowl and saucer painted with the "bird on the branch" pattern in under glaze blue and decorated with over glaze iron red and gold in imitation of "Chinese Imari" style. This item was made in the Shaws Brow factory of the Liverpool company, Philip Christian, circa 1765-1778. Condition: excellent - no chips or cracks and very little wear to the over glaze decoration. Bowl: 4.5cm (1.75 inches) high; 8.5cm (3.3 inches) diameter. Saucer: 13cm (5.1 inches) diameter.

A large, heavy, green glazed stoneware vase made by Trevor Corser at Leach Pottery, St Ives, Cornwall. Condition: excellent - no damages and no restoration. 27cm (10.5 inches) high. Weight: 3.5 kg (7lb 11.5oz)

A finely crafted rush-seated mahogany chair made by the manufactury of Thomas Glenister (Temple Works, High Wycombe) for the Coronation of King Edward VII and Queen Alexandra in Westminster Abbey on 9 August 1902. Condition: very good - very little wear and no repairs or restoration.

A finely crafted pumpkin shaped Zisha clay Yixing stoneware teapot decorated on one side with applied pumpkin vine decoration. This item carries three seal marks which all bear the name Shi Yu Zhen. Condition: excellent - no chips or cracks and no restoration. For additional pictures please view item #0563 at our Liverpool shop website at 69aliverpool.co.uk. 15cm (6 inches) long; 7.5cm (3 inches) high.

An early 18th Century porcelain tea bowl and saucer decorated in underglaze blue with overgalze iron red and green enamels in "Verte Imari" style. This item was made in China for export to Europe early in the 18th Century, probably during the reign of the Yongzheng emperor (1723-1735). . Bowl: 4cm (1.5 inches) high; 7cm (2.75 inches) diameter. Saucer: 11.5cm (4.5 inches) diameter.

A finely crafted three piece Altar garniture comprising two bronze Chinese "Gu" form flower vases and a small bronze Koro (incense burner).Condition: excellent.Vases : 9.8cm (3.9 inches) high.Censer: 4.5cm (1.75 inches) high.Total weight: 1.08kg (2lb 6oz)

A finely painted water colour , with gold leaf overlay, depicting a scene from the 11th Century classic "The Tale of Genji" written by noblewoman and lady-in-waiting Murasaki Shikibu. This item was made in Japan in the 19th Century during either the late Edo or the Meiji period (1868-1911). Condition: there are small marks on the paper and some losses to the gold leaf which predate the framing of this picture during the 1920s or 1930s. Frame: 32.5cm (12.75 inches) wide; 29cm (11.4 inches) high. Painting: 23.5cm (9.25 inches) wide; 20cm (7.9 inches) high.

A rare finely potted bowl depicting three sailing ships on waves with a bird in flight . This item was made by Tessa Fuchs (1936-2012). Condition: excellent - no damages and no restoration. 16.5cm (6.5inches ) diameter; 7.5cm (3inches) high

A rare "famille rose" dragon and phoenix decorated bowl with an inscription dedicating it as a 60th birthday gift from Ma Tao Yu to Xiong Gong - otherwise known as Chen Zhao Ying (1888-1977), who was a senior military leader of the Guo Min-dang (Kuomintang) between the years 1911 to 1932 and who was very close to Sun Zhong-shan and Jiǎng Jièshí (Chiang Kai-shek). From 1944 to 1948, Chen Zhao Ying was the chief of the Jiangxi Province Guo Min-dang Party committee and the minister of Audit for Anhui and Jiangxi Provinces. The bowl, dedicated as an advance birthday gift, is dated Autumn, 1946. Condition - excellent - no damages and no restoration. 12.4cm (4.8 inches) diameter. 1946年 民国 龙凤团纹祝寿碗 一件粉彩龙凤团纹祝寿碗。为一名为马陶余的同乡晚辈送与时任皖赣监察使的陈肇英60大寿之礼。上书：“雄公监察使六秩华诞誌庆”、“寿世寿心”、“乡晚马陶余敬献——丙戌年秋月“。 品相：完好。无损伤，无修复。直径12.4厘米。 注：陈 肇英(1888—1977)，字雄夫，浙江浦江古塘村人。浙江省浦江县中山中学创办人。 辛亥革命时，参加浙联军光复南京战役。1916年，发动浙江独立，反对袁世凯和浙江都督朱瑞，并赴上海见孙中山。1918年，通电拥护西南护法政府，任援 闽浙军第一师中将师长兼前敌总指挥。次年，与蒋介石结为把兄弟。1922年，任以孙中山为非常大总统的护法政府参谋。1926年1月，被选为中国国民党第 二届中央执行委员会候补委员。蒋介石四一二反革命政变后，递补为国民党中央执行委员，连任至第六届。1928年起，任国民政府立法院立法委员，后兼立法院 军事委员会委员长。1934—1942年间，任闽浙监察使。1935年起，兼任中国国民党福建省党部主任委员。1944年，改任中国国民党江西省党部主任 委员、皖赣监察使。1948年任监察院监察委员。1949年6月去台湾，曾兼任中国国民党中央纪律委员会委员、中央评议委员等。著有《八十自述》。

A carved blown moulded glass snuff bottle painted on the inside with a mountain landscape and on the other side a garden scene with potted plants, lingzhi fungi and a weather sculpted rock. This item was made in China during the late 19th or early 20th Century. Condition: there is no stopper and there are flaws inside the clear glass neck which were possibly caused during the making of the aperture. 6.1cm (2.3 inches) high.

清末民初 料器内画山水鼻烟壶，约1880-1920
做于19世纪末20世纪初。
品相：无盖。接近瓶颈处玻璃内部有冲缝，可能在玻璃瓶制作过程中形成。
高6.1厘米。

A Victorian or Edwardian Ladies Remontoir (10 Ruby) Pocket Watch with finely Enameled Dial and 18 Carat Gold Case. This watch was made in France during either the late 19th or early 20th Century, circa 1875-1910. Condition: very good - there is minor age wear to the case; the dial is in excellent undamaged condition and the movement is in very good working order. 2.5cm (1 inch) diameter Total weight: 21 grams (0.75 ounces)

A small pair of finely potted U-shaped Chinese porcelain wine cups painted to the exterior in underglaze blue with stylized scrolls of flowering lotus above a band of Ruyi heads over a narrow foot. Above the lotus flower heads are eight Tibetan style Buddhist Lanca (Lantsa) characters. On each base of each, painted in under glaze blue within a double square, is the six character reign mark of the Ming dynasty Chenghua emperor (1465-1487) but these cups were made later, possibly in the early 20th Century during the Republic period (1911-1949). For a pair of Yongzheng Imperial wine cups with very similar under glaze blue decoration but bearing additional over glaze polychrome Doucai enamels please see Lot 203, Sotheby's Hong Kong, April 25, 2004. Condition: excellent - no damages and no restoration. 5cm (2 inches) high; 5.8cm (2.3 inches) diameter.

A 'mirror' pair of antique 19th Century pottery greyhounds (each holding a hare) made in Staffordshire circa 1860 - 1870. Condition: excellent. 19cm (7.5 inches) high; 20cm (8 inches) long.

A rare and very unusual underglaze blue decorated Gu shaped Altar Vase with fine crackular glaze. This item was made in Southern China, probably during the second half of the Qing dynasty. Condition: damaged - with very old (possibly Chinese) double stapled and lead infilled repairs. 31cm (12 inches) high.

A finely cast bronze Bodhisattva Simhanada Lokesvara (an incarnation of Avalokiteśvara), with trident and seated on a lion. This item was made in Tibet and the bronze is of traditional copper / tin composition. Condition: very good - there are old losses to the detail next to the upper left arm; no further damages and no repairs. 22.5cm (8.9 inches) high. Weight: approx 1.38kg (3lb)

藏传佛教狮吼观音菩萨铜坐像
菩萨悠闲坐于莲花座，左手置于台上，右手执佛珠，身后一三叉杖。狮吼观音（Simhanada Avalokitesvara 或 Simhanada Lokesvara）为观世音菩萨化身之一。此件做于西藏地区，具铜锡合金的特点。
品相：很好。右上臂处有缺失，无其他损伤或修补。
高22.5厘米。重约1.38公斤。

A well carved hardwood figure of an emmaciated aescetic, probably depicting the Chinese Daoist Immortal Li Tieguai. This item was made in China, probably for export, during either the late 19th or early 20th century. Condition: there is a small old chip to one finger and an old age crack to the base; otherwise excellent. 27cm (10.5 inches} high.

A Dayak sword - Mandau - with rattan bound deer antler handle in the form of a finely carved zoomorphic (possibly deer's) head. The iron blade is engraved with stylized scrolling vine decoration. This item was made (and used) during either the 19th or very early 20th Century. Condition: very good, but the sword is without its scabbard and the bade has seen much use, having many nicks to the cutting edge; also much of the decorative brass inlay to the blade is missing. For many additional pictures please view #1063 in our Liverpool shop website at 69aliverpool.co.uk Blade: 54cm (21.25 inches) long; 4.3cm at the widest part & with a maximum thickness of 1.5cm at the top of the blade. Total length (incuding handle): 69cm (27 inches) PLEASE NOTE: Due to posting restrictions we are unable to ship this item. We can only sell directly through our Liverpool shop.

A very rare, finely modelled, bronze figure of the Ancient Egyptian cat goddess, Bast, with later, crudely carved, early 20th Century soft wood stand. This item was made in Egypt during the Late Dynastic Period (664-332 BC). Condition: Very good - there is oxidation loss to the left side between the fore and hind leg; no further losses and no repairs. Height (without stand): 6.6cm (2.6 inches). Height (with stand): 10.8cm (4.25 inches).

A green and yellow soapstone carving entitled "Lion Building" (located in Shandong province) depicting a scene from the famous Song dynasty legend the The Water Margin ("Shui Hu Zhuan") in which Wu Song fights with and kills Ximen Qing who had previously killed Wu Song's brother so as to 'acquire' his wife. This item is carved in a style which was popular during the Cultural Revolution period (1966-1976) but the subject matter (and the fact that the carving bears the signature of the artist) suggests that it was made a little later, circa 1978 to 1982. 17cm (6.7 inches) high; 12cm (4.7 inches) long at the base.

A small Chinese porcelain vase delicately painted in fencai / famille rose enamels with a scene depicting two ladies on a river bank washing silk. The base carries an iron red four character Qianlong (1736 - 1795) reign mark but this vase was made later, in the early 20th Century, during the Republic period. Condition: excellent - no damages and no restoration. 12.5cm (5 inches) high.

A well cast Art Deco bronze figure of an African warrior designed by Austrian sculptor Franz Hagenauer and made circa 1930-1950. Condition: excellent - no damages or repairs and with original paint in unretouched condition. Bronze: 12.5cm (4.9inches) high; length 19cm (7.5inches)

A porcelain bowl painted with over glaze "famille rose" enamels depicting a flowering peony shrub issuing from a stylized blue rock. This item was made in China for export to Europe during the second quarter of the 18th Century. Condition: very good - there is a 1.7cm chip to the inside of the footrim; no other damages and no restoration. 14cm (5.5 inches) diameter; 6.5cm (2.6 inches) high.

A small French Impressionist style oil on board, entitled "London: Sunset at Hammersmith" by Italian born Piero Sansalvadore. Sansalvadore arrived in London, circa 1930, and started painting late in life. The majority of his pictures were produced during the 1930s and 1940s. Some of his paintings are on display at the Guidhall Art Gallery, London and four are in the Royal Collection, purchased by Queen Mary (the Queen Mother) in December 1938 from an exhibition at the Fine Art Society. Condition: there is minor paint loss to the top edge; un-retouched and not restored in its original (circa 1930s) frame. 9.5cm wide; 7.5cm (high)