Catalog (334)

SOLD A Worcester mug with flared sides decorated in transfer printed underglaze blue of sprigs of natural flowers. Although it is unmarked the transfer on one side is identical to the one shown on the side of a Worcester marked jug shown in plate 282 of Godden’s Caughley and Worcester Porcelains 1775-1800. The transfers are well printed. 3 ¾ inches (9.5 cm) tall and a little more in diameter across the handle.

Condition: No chips, cracks, hairlines or repairs. Minor firing flaws. Remark...

A mezzotint printed in colors of a large Holderness cow, a type of Holstein Friesian. Printed on woven paper. The image is 18 by 24 inches, overall it is 24 ¾ by 30 inches and the mat is 26 by 31 ½ inches. The print, with dedication on the lower margin, depicts a large rectangular cow in front of a barnyard with a dog, cowherd and a well dressed man in the foreground. In the lower left below the image is printed, “painted by G. Gerrard.” In the center, “Pub. April 9th 1798 by G. Gerrard...

Nicely decorated with hand painted floral bouquets and sprigs on a hard paste porcelain a trembleuse cup, cover and saucer. The rims are dental gilt as are the fruit and leaves knop and two handles. No marks but French in form and decoration from around 1780. Saucer is 6 ¼ inches (15.5 cm) diameter and 1 ½ inches (4 cm) tall. The cup is 4 inches (10 cm) tall and 5 ½ inches (14 cm) across the double handles.

Condition: No chips, cracks, hairlines or repairs. Minor gilding wear.

Nic...

SOLD Porcelain underglaze blue painted dinner plate decorated in a direct steal from Worcester with the “pine cone” pattern. The form of the plate is slightly different than the Worcester form but design and border are a close copy. Worcester is done with a transfer prints whereas this plate is hand painted and the porcelain is hard paste as opposed to soft paste. Since the pattern being copied is from around 1780 this plate is probably circa 1790. 9 1/8 inches (23 cm) diameter.

Condit...

A molded porcelain plate with an overlapping acanthus leaf lip picked out in gilding and blue-grey. In the upper part of the well an exotic bird rests on a branch with green leaves and red berries. On the back are the gold anchor mark, pontil marks and an inventory number applied much later. Like most Chelsea of the period it is quite heavy. 8 ¼ inches (21 cm) diameter.

Condition: No chips, cracks, hairlines or repairs. The plate has seen use and has some knife scratches, stacking wear, scr...

A porcelain ovoid form teapot with a floral knop and hand painted with floral sprays on either side and floral sprigs on above and below the handle, picked out with magenta, and on the spout as well as above and below. The crossed hayforks with a line through them was the factory mark for the late 198th century. Height 5 1/8 inches (13 cm), length across spout and handle 7 ¼ inches (18.4 cm) and width 4 ½ inches (11.4 cm).

Condition: generally good with some loss to the leaves around the...

A drawing with ink, pencil, watercolor and gouache on laid paper depicting a harbor scene very much in the manner of the French artist Claude Vernet (1714-1789). Perhaps there is a print source for this drawing. The work is signed in the lower right, “Tho. Ryves. 1770.” The most likely artist is either the father Thomas Ryves (1721-1788) or his son Thomas (born 1753) from the distinguished Dorset, England family. The drawing is 10 5/8 x 16 inches (27 x 40.5 cm).

Condition: heavily toned ...

An etching with extensive watercolor depicting two arches of an old bridge with a house built on the pier between the arches, two men in red coats and a dog on the bank below the bridge and lane with trees and houses on the right. Titled along the lower margin to the left, “Part of the Old Bridge east Shrewsbury.” It is unsigned, but part of the old mount that is saved in a folder on the back of the present mount states that it is by Paul Sandby (British 1725-1809). The evidence that it is b...

A creamware plate with a pierced border of alternating piercing patterns and gilt sections. A gilt bird stands in the well of the plate. The decoration is out of character for English style of the period so I would guess that the plate is Continental and from around 1800. It is 7 ½ inches (19 cm) diameter. No marks on the back.

Condition: no chips, cracks, hairlines or repairs. Some scratches and wear to the gilding.

A nicely decorated and shaped platter with 12 sides (the form known in France as a douze pans). This type of platter with a bust and scrolling decoration is typical of Moustiers, though the attribution to the Clerissy factory as stated on the stuck-on label on the back is less certain. The dimensions are 13 5/8 inches (35 cm) long, 10 inches (25 cm) wide and 1 ¼ inches 2.5 cm) tall.

Condition: No chips, cracks, hairlines or repairs. There is some wear and chipping of the glaze along the ed...

A creamware mug with a black transfer depicting two men walking across a bridge over a stream that pours into a peaceful river with a sailboat and boat with freight steered by a man in the stern. In the distance people on a point of land and in the far distance, beyond bends in the river, the top of an obelisk shows against the horizon. The oval transfer appears as if it was slightly too tall for the mug, being cut off at the bottom. It is otherwise framed with a laurel leaf surround. 3 5/8 inch...

A creamware mug, probably Liverpool, with a black transfer printed scene of a farm cottage with gate and outside the fence two men standing in front of a loaded one-horse cart. The oval transfer surrounded by foliage. Though much creamware was earlier it remained popular into the nineteenth century. 3 ¾ inches tall and 4 3/8 inches across the handle.

Condition: no cracks, hairlines or repairs. Fairly substantial chip that is mostly on the inside of the foot and another minor one on the foot...

A silver form porcelain teapot with the vented knop on the lid and the pattern number, “N 195” in red enamel on the base. This pattern is known as the “knitting wool” pattern. 5 ¾ (14.6 cm) inches tall, 9 3/8 inches (23.8 cm) across the handle and spout.

Condition: excellent. A tiny rough spot on the lip of the spout might be a tiny glaze chip or it could be a very small firing loss.

I think this form is one of the most pleasing for late 18th century teapots.

A porcelain (hard paste) baluster form coffee pot decorated with a small bouquet of flowers and a few sprigs on one side and a few sprigs on the other with reddish purple ribbon with flowers around the top of the pot and the outside of the lid. Also on the pot a double band with entwined roses. The lid with a vented knop, which is a feature of silver form New Hall teapots. No marks. 10 ¼ inches tall (26 cm) and 8 ¼ inches (21 cm) across the handle and spout. The form is fairly common for lat...

A 12 ¼ inch (31 cm) diameter blue and white delft charger made at Lambeth, London toward the end of the 18th century. The “Chinese garden” is well executed as is the border on the lip. A plate with the same decoration is at the Victoria and Albert Museum in London.

Condition: chips around the edge and a few places on the lip where the glaze has flaked off.

A 13 5/8 inch (34.5 cm) diameter blue and white delft charger with Chinese style decoration in the center depicting a rock with flowers on a ground with other plants. Crossing lines with dots between, surround the well and also on the outer edge of the lip. Dutch 18th century.

Condition: a fair bit of wear to the glaze, a chip on the rim with glaze losses and other smaller losses around the rim.

A 13 3/8 inch (34 cm) diameter Dutch delft blue and white charger depicting a vase with a pedestal base in the center and an elaborate chinoiserie border on the outer lip. 18th century more likely earlier than later.

Condition; major chunk out of left edge replaced but discernable by discoloration of the paint over. Losses along the edge all around the dish.

A 11 ½ inch (29 cm) diameter deep blue and white delft charger depicting a hanging flower basket with an elaborate border of plants, flowers and radio wave blossoms. 18th century probably right around the middle.

Condition: Some wear in the center and numerous small losses around the edges.