A strictly museum quality, large pottery figure of a male attendant, dating to the mid Ming Dynasty, ca. 1500 AD.

The figure stands on a large Lotus throne on top of high hexagonal plint in fine Sancai colours - a two-colour blue and torqoise glazed robe. Under his arm he holds a bottle.

He wears a high hat. Finely painted facial details. Lotus thrones are very rare for Ming pottery figures...

A rare solid jasperware child's teapot, the reliefs designed by Lady Templetown. Around 1790, unmarked, by Wedgwood, Adams or Turner. To one side a scene of a young mother reading a book, slippers on her feet, her little daughter playing with a doll. The other side shows Poor Maria with her dog, Maria being a character from a popular novel of the period. The teapot might also have been produced as a solitaire, for one person only. Height including lid "3 ½/ 9 cm, width "6/ 15 cm...

Antique Spode Pottery Transfer Decorated Ceramic Wine Cooler,* oval with applied handles, ribbed body and rope turned rim, the whole with yellow and blue transfer decoration. English, circa 1810. (two tiny chips, numerous frits)

*Originally designed as a footbath, these large basins are today used as wine coolers.

18.5" x 12" x 8" tall

Two pairs of tea cups with sprigged ornamental decoration in lilac and twigs of flowers in gilt. English, around 1830 and attributed to New Hall. Unmarked except for the pattern number, 7940. Diameter of saucers "6¾/ 17,5 cm and of cups "4½/ 11,5 cm. Condition: one pair fine, the other (please see the last photo) with some wear, a star crack and a hairline. This pair to go with the first (optional), at a cost not exceeding the additional shipping fee.

A Leeds, Yorkshire creamware plate with pierced border, late 18th century. Diameter "9½/ 24 cm. Condition: some stains to the well, a glaze flake and some small nicks to the foot rim (cf. pics).

Humorous Staffordshire Pottery "Admiral Nelson" Pitcher moulded in the form of Lord Nelson (but missing the wrong arm) with a rather strategically placed spout, and a Rockingham mottled brown glaze. Probably English, circa 1850.

8" x 4" x 9.5" tall

Art Nouveau Vase by the Amphora Pottery, Turn Teplitz, Austria, decorated with moulded leaves with gilt stems, stamped base. Circa 1905-10, attributed to Paul Daschel.

Height 6.5"

In excellent condition, Royal Doulton Lambeth ware vase with a high gloss cobalt blue glaze featuring 3 medallions that include detailing in high relief. The blue glaze has some glaze bumps common to the era. Impressed marks on base bottom. Vase measures about 9 1/2" high. Circa 1900-1920

A superb quality very large pottery figure of a male attendant or official, dating to the earlier Ming Dynasty, 1400-1500 AD.

The figure is placed on a high hexagonal plint and wears a fine two-colour blue and turquoise glazed robe. The unglazed areas have pigmented colors in red, black and white. Finely painted facial details.

The head is attachable as often seen on the largest figures from this period.

The figure holds a blanket under his arm...

A beautiful Royal Doulton Lambeth ware vase with deep cobalt blue high luster glaze that changes to a sage green, then to a medium/light blue at the base. A floral band encircles the top with all the raised details still intact. Inside the vase has sage green glaze. In excellent condition, you will notice an imperfection at the base rim that appears to have happened in manufacture which is not uncommon. Impressed marks on base bottom...

Black-glazed English small teapot with floral decoration in raised enamels, Victorian, c 1850-70. The glaze is named after Jackfield, a town in Shropshire where pottery with a jet black shiny glaze first was produced in the 18th century. No mark except for a brown S (painters mark?) to base. Height including lid "4/ 10 cm. Condition: chips to the inside of lid (cf. pics). A cup and saucer with very similar decoration is offered in another Global Ceramics listing (cf. the last picture).

Black-glazed English cup and saucer with floral decoration in raised enamels, Victorian, c 1850-70. The glaze is named after Jackfield, a town in Shropshire where pottery with a jet black shiny glaze first was produced in the 18th century. No mark except for an impressed J and a turquoise P (painters mark?) to base of cup. Diameter of saucer "6/ 15 cm, height of cup "2¼/ 6,5 cm. Condition: a few scratches to the saucer, otherwise fine...

An elaborately molded plate with three hand painted sprigs of flowers. The pattern is one that was made by CJ Mason circa 1825 in the rococo revival taste. 8 ½ inches diameter.

Condition: Minor gilding wear and a few knife scratches, but otherwise no chips, cracks, hairlines or repairs.

A pair of CJ Mason porcelain plates circa 1825 A pair of distinctively molded bone china porcelain plates from the Mason factory circa 1825. Each is hand painted with a bouquet of flowers and the molded pattern enhanced with copper tinged gilding. They have no maker’s mark, but this molded porcelain is associated with the factory. Pattern mark 963 on the back of both, though the “9” is hardly there on one of the plates...

Three dishes or small plates in orange, black and gold, depicting the Austrian coat of arms as it is seen on the Maria Theresienthaler coins. Made as replacements for broken parts of the service originally ordered from China for Jozef Anthon Johan of Austria and dated 1820, just after the Arch Duke had entered his third marriage. These dishes however are later. They were probably made in Europe around 1900. Diameter "6 3/4/17,5 cm...

A pair of dishes, printed and hand painted with flowers in pastel shades, the edges scalloped and gilt. Doulton Burslem mark for 1885-1902. Diameter "8¾/ 22,5 cm (both plates). Condition: fine.

A pair of English Staffordshire ”Imari” plates, the decoration painted in under-glaze blue and enameled, the rims lustre-glazed. The backs with a printed mark Ironstone China. Early Victorian, c 1830-40. Mason’s was the first manufacturer to launch Ironstone ware but many others were to follow. Diameter "9¾ / 24,5 cm. Condition: some crackling to the glaze to one plate, and a small chip to the underside of the rim (cf. pics).

An English sauce tureen and ladle, transfer printed in the Morning Glory pattern. Victorian, Staffordshire c 1880. Impressed mark T.C. Brown Westhead Moore & Co and pattern number H5156. Width "8½/ 21 cm, length of ladle "7/ 18 cm. Condition: fine. Price: $170, including worldwide SH & I

Set of 6 hand-painted, gilded Dresden cups & saucers by Richard Wehsener (each item individually hand-signed R. Wehsener, except 1 saucer)...

A wonderful example of a rare Dr. Wall Worcester tea canister of fluted oval "French shape." There are several variations of the Hop Trellis pattern, with this one being less common. All versions of the pattern are highly collected. In the case of this variety, the upper border is a deep blue, while the lower border is a turquoise cailloute (a lacy network of oval or circular outlines, from the French, meaning "pebbled"). The main body of the caddy has iron-red trellises with gold bands twining ...

This set of 12 porcelain plates was produced in England by Copeland’s China around 1891. They were made especially for Tiffany in New York. The plates have a diameter of 8 7/8 inches. They are made of fine bone china and have molded, high relief accents in the porcelain. Each plate has 4 hand painted birds that are named on the back. They are precisely depicted in vivid color with no two alike. The borders are elaborately gilded. These plates are works of art with a wonderful heritage. ...

This porcelain tea cup and biscuit tray was produced in France by Haviland Limoges in the 1890s. The tray measures 8 inches long, 7 inches wide and the cup is 2 1/4 inches high. The set is made of fine, translucent porcelain. It has molded, high relief detail. The set is decorated with a factory transfer design of pastel colored florals. These wispy flowers float across the porcelain surface and down inside the cup. There is a gilded accent on the cup and tray handles. Condition: Excel...

This porcelain cup and saucer was produced in Germany by Furstenburg between 1753 and 1770. The saucer has a diameter of 5 1/4 inches and the cup is 3 inches high at the handle. The cup has the traditional Biedermeier style handle that raises above the rim of the cup. There are hand painted bands of grape vines and grapes done in earth tones. There are gold accents and trim on the rims and handle. Condition: There is some light wear to gilding in the well of the saucer where the cup sits...

An Art Nouveau porcelain table centrepiece relief moulded with stylized lily decoration and pre-Raphaelite style figures of a youth and a maiden. This item was designed by Ernst Wahuss and produced by Amphora (Austria) circa 1890 - 1910. Condition: excellent - no losses or damages and no repairs or restoration. 33cm (13 inches) long; 17cm (6.7 inches) high.

A fine Dr. Wall Worcester sauce boat in the "Two-handled Sauceboat Landscape" pattern, with the oval body modelled with two shell shaped lips and applied with two double-scroll handles with thumb-rests. Exterior is embossed with garlands of leaves which form four circular reserves, each with an Oriental scene. The interior also displays a large Oriental scene. A workman's mark is on the underneath of the base.

Condition of this piece is excellent, especially for this particular form. The moldi...

An stoneware cheese keeper or dome decorated with Bamboo and Trellis motif consisting of black enameled trellis surrounded by leaves and cherry blossoms in pink, green, and ochre. The base of the dome and the handle continue the bamboo motif. The exciting feature of the dome is its orange peel texture which adds additional interest to this Aesthetic Movement work of art. The base is raised on short pedestal and s decorated with near scarlet band encircling raised x's. The dome and base are ma...

A beautiful ironstone coffee pot with rich green foliate garden theme transfer and hand painted floral decoration, back stamped with Brougham and Mayer Hybla Ironstone. Very good condition marred by shallow chip inside lip of lid. This gorgeous example dates from about 1850-60. Dimension: 9 1/4" h

Staffordshire Figure of Cobbler Woman, one of a pair. This one dates to mid 19th C. and is particularly desirable because it is painted in the round. Good condition with crazing, no discernible damage. Dimension: 6 1/2" h

A superior example of Staffordshire pottery owing to a couple of factors such as the gorgeous apple green enameling, the generous gilding, and the excellent condition of the creamer. This one is painted with apple green around the body with light yellow reserves of gold framed embellishments, the neck which is decorated with swagging leaves. The large helmet shaped mouth has gold leaf as does the attached two part handle. The creamer sits on four gold decorated feet. The underside is unmarked. I...

A fine Spode New Stone china small covered double handled tureen with under plate painted in the Imari palette featuring floral themes in the Chinese style. Spode introduced New Stone c. 1820, so we feel safe dating this item to c. 1825. It is in very good condition with the only flaw being minor to moderate gilding loss around the edge of the plate. As a quality feature, you will note that the inside rim of the bowl is decorated. In general it is decorated with transfer and hand colored techniq...

An antique Spode stone china covered bowl with transfer and hand painted designs in the Imari palette featuring floral motifs in the Chinese style. These wonderful early ceramic pieces are a treat to find, and often bear evidence of their 200 years of life, and this one is no different. The foot suffers 2 small chips which we have photographed, and the outside and underside have foxing as shown in the photographs. Otherwise the serving bowl is in fine condition. Different sources give slightl...

A hard to find purple transferware pitcher with central vignettes of farm life and genre scenes. The top and inside of pitcher have foliate decoration. The single piece handle is attached. Condition is very good with minor crazing and possible exterior crack for which we have shown 2 pictures. Very moderate age discoloration most noticeably on handle.

Dimension: 6" h

A very hard to find purple transferware jar with lid featuring a vignette of a child with mother among classical ruins. The attached handles are decorated and scroll outward; the rim is decorated with fancy borders as is the foot. Underside is impressed with P. Condition is very good with discoloration and crazing commensurate with age. Inside is a gouge which may be a production defect. We have provided a picture for your judgment. This early 19th C. jar is a super find - if you like old Staffo...

Francis Wheatley ( 1741-1801) first earned his fame as a portrait painter for the aristocracy, but when he fell out of favor, his landmark series of paintings of the Cries of London depicting the working poor hawking their wares on the streets of London ensured long lasting fame. Prints of his paintings were popular throughout the 19th century and early 20th. This Prattware lid was such an example produced by polychrome transfer processes.

It's condition is very having a small nick ...

Francis Wheatley ( 1741-1801) first earned his fame as a portrait painter for the aristocracy, but when he fell out of favor, his landmark series of paintings of the Cries of London depicting the working poor hawking their wares on the streets of London ensured long lasting fame. Prints of his paintings were popular throughout the 19th century and early 20th. This Prattware lid was such an example produced by polychrome transfer processes.

It's condition is very having a small nick ...

Of all the porcelain manufacturers in Limoges, we rate Pickard among the crème de la crème as this porcelain pitcher attests. It is a hand painted masterpiece featuring resplendent lilies of the valley bordered in some of the finest gilding we have seen. The hexagonal pitcher sweeps up into a billowing crescendo, finishing with a large spout. The attached handle is fully gilded. Condition of this exquisite pitcher is almost mint, with just the barest of fading in a couple of spots on the handl...