These are very unique Japanese zuishin dolls from the late Edo period (1603-1868). The dolls are commonly called Daijin minister dolls but they are actually figures of the Toneri, the imperial guardsmen and escorts from the Heian period (794-1185). The clothing of the dolls is rich and elaborate just like Kabuki actors on stage...
Two stacks of each 5 flat boxes or trays for storing kozuka, fuchi-kashira or other small and flat objects, the tops both covered with a lid. Both stacks stand on a rectangular bottom plate, tied with a braided silk rope. Shitan (sandal wood). Meiji period, around 1900.
Bottom plate: 9 7/8 x 8 5/8 in. (25 x 21.8 cm). Each tray 8 3/8 x 4 ¾ x 1 1/16 in...
A seated bronze figure of Buddha in the earth-touching gesture. The Buddha sits on a platform with openwork scroll patterns. The face is round with facial features done in an free and unusual manner that give a tranquil, meditative expression.
Period: Burma 17th/18th Century
Size: Height = 11.8 cm, Diameter of base: 6.8 cm
Condition: Good. There is a tubular opening at the back of the platform perhaps for a canopy.
This is a Yuan Dynasty (1227 – 1367) cizhou style vase painted in iron brown colour. There are two layer of glazing on this cizhou vase. The dark olive colour glaze can be seen at the rim of the mouth and about half an inches from the splayed foot base. It is first glazed with a dark olive green glazing and then a white layer of glaze is applied, and then the cizhou painting on it. The painting is stylized into sections...
A superb quality set of court musician dolls for Japanese Girl’s Day, Hina Matsuri.
The Hina festival takes place every March 3rd in Japan and it is a day of celebration for the well-being of every girl in the family. In earlier days, people were more susceptible to natural disasters or diseases, so in order to keep evil spirits away, this day was spent giving offerings to God. This custom was adopted from the 7th century Chinese ceremony that originally took place on the beach...
Japanese Takeda doll, Benkei. We originaly thought this doll was Benkei but somehow he was changed into to Samurai Kiyomasa (16 to 17th century samurai general). We should be correcting or leave him as is with a tiger. Circa Meiji period (1868-1912). 15 inches tall, 14 1/2 inches across platform.
Japanese silk and gold embroidery depicting two cockerels and peonies.
The peonies are a symbol of wealth. This imagery can also be interpreted as a father and son motif of passing on knowledge with a moral compass symbolism.The gold thread is 24-karat gold hand-hammered onto the thread.
Meiji period Circa 1860's.
67-1/2" high, 44-3/4" wide
Japanese Meiji Period large bronze vase. The vase is a stylized chrysanthemum blossom, with the leaves at the base and the long petals reaching up and forming the main portion of the large vase. Unsigned. The vase measures 23 1/8" tall and 10" in diameter at the widest.
This is a small and beautiful bronze censer in lotus shaped. It has the Great Ming Xuande Seal mark, but circa 19th Century.
The measurement of the bronze censer: the height is 7.1cm and the width is 11.5cm.
Shipping: Buyer will bear the cost of shipping with insurance.
Sankampaeng jar with naturally running brown glaze, Sankampaeng is a Northern Thai ceramic which kilns were found in Chiangmai province.
Ages: Thailand, Sukhothai Period, Sankampaeng kiln, 14th-16th Century
Measurement: Height 31.2 C.M. / Width 24.5 C.M.
Condition: Nice condition overall (some repairs on mouthrim). Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost...
Nan brown glazed jar with double mouthrim. Nan is a Northern Thai ceramic which kilns were found in Nan province.
Ages: Thailand, Sukhothai period, Nan kiln, circa 14th-16th century
Measurement: Height 23.5 C.M. / Diameter 20 C.M.
Condition: Nice condition overall (some repairs on mouthrim, and a minor chip on the base). Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost...
This is a Han dynasty funerary pottery tripod censer of grey colour, painted with pigment. There are traces of red and white colour pigment on the body as well as on the edge. The tripod censer stands on three short pediform feet. The holes above the body and the raising of the three feet suggests that it may have been used as an incense burner...
This is a 17th century, coloured stone Buddha statue. It is curved out of a single piece of solid rock. The clothing on the body is maroon in colour and the boarder around the sleeve and neck is in black colour. The Buddha face, hand and feet are covered with traces of gold leaf gilding. The head is originally painted in blue colour but later painted with black paint. The head also has circle design on it all around...
Syllabub or custard cup (or pot de crème) in the shape of a bud or a fruit within relief moulded, stylized scale leaves. The lid modelled as a small Mandarin cap...
A blue and white octagonal plate, Qianlong period, of flat shape with sharp cut and brown-glazed rim. Decoration of flowers, rock and a willow tree surrounded by a Kanghsi type border. Diameter "8½ to 9¼/ 21,5 to 22,5 cm. Condition: rim frits and glaze imperfections as shown on photos, otherwise fine.
This is a large size Liao dynasty (907–1125 A.D.)moulded polychrome earthenware dish with leaded glaze. It rests on a short foot rim, a slightly flat everted base before rising upwards. It has a simple floral motive. On the underside, the glaze is in dark brown in colour, all the way down just before the short foot rim exposing the earthenware.
There is no crack, chip, repair or any restoration. Minor glaze fritting (picture 4) at roughly about 10 and 1 o'olock. Three very small sp...
This is a Yuan Dynasty(1277-1367) celadon covered box. The top cover has a double circle with radiating club shaped like a sun ray all round. Just below it, is the design of foliage circling the all round. The flower part of the covered box also has foliage design design followed by a club shaped motif. The colour of the top half is lighter than the lower half of the covered box.
The covered box has minor abrasion and minute pinholes. No chip, crack, repair or restoration. Generally ...
Elegantly modeled Satsuma teapot of Cherry Blossom Viewing, Scene encircling body of teapot with diamond shaped top border in a dark green. Very good condition with some wear to gilt and signature. Signed"____ZAN". 5 inches high. Taisho Period.
I was thrilled to acquire this rare Mongolian textile. Utilizing all couching embroidery technique on red wool fabric, it depicts 2 golden dragons chasing the sun.
The condition of this piece is remarkably good condition for its age, showing 2 small areas of repair on the top corners. It measures 40" long by 18" from the top to the bottom tip of the tasseles
This is a wonderful Qing Dynasty child's hat from Shui minority group in the Rong Jiang area. It is traditional looking Chinese cap style made with silk fabric and silk split thread embroidery, and top knot. This hat is over 100 years old, and has wonderfully soft patina, and shows some wear. Truely charming
Description: A beautiful triplet of agate beads were excavated from Liao tomb. With still glittery condition, incursions was obvious on the surface with milky white tone. Date: Liao Dynasty(AD907-1125) Width: 1.7cm
Description: A beautiful pair of agate beads were excavated from Liao tomb. With still glittery condition, incursions was obvious on the surface with milky white tone.
Date: Liao Dynasty(AD907-1125)
Width: 1.6cm
A powerful drawing of Shoki, a demon queller, is hand painted over two nobori banners (each has two panels sewn together) on a thick and loosely woven cotton. The size of two panels together is huge; approx. 66 inches wide (5.5 ft, 1.68 meters) and 166 inches long (13.8 ft, 4.2 meters) without counting the loops on a side and top!
Many Japanese custom start with the purification ceremony; beginning the year with New Year's ceremony followed by the Setsubun in February, which takes place be...
This is a very beautiful cylindrical body brush pot painted with varied scenery in famille rose palette with a continuous scene of lakeside landscape of distance pavilion, walled monastery and tea house scattered amidst tress and layered mountains in various shade of blue and green and red with texture stroke and with high peaks in the distance.
There are people walking about and in the tea house set in a tranquil and peaceful lake side and mountain village atmosphere. On the lake wit...
This pair of Famille Rose Mille Fleures (thousand flowers) demitasse are late Qing Dynasty products. The saucers are 4 3/4 inches in diameter and 1 inch high, the cups are 2 1/4 inches high and 2 1/8 inches wide. They depict a large pink peony in the center while chrysanthemum, lily, hibiscus, iris and several unknown flowers cover entire bodies. The cups have bamboo design handles. There are Guang Xu (1875~1908) marks and three separate floral (peony) designs on the bottoms. Aside from some...
This late 19th century Chinese blue and white vase is 9 ¼ inches high and 4 ½ inches on the widest part. It depicts a mother lion playing with her cub. Aside from two small chips on the rim, it is in great condition.
This rare Qing Dynasty mirror folds flat for storage and traveling. The hand-carved wooden frame depicts bamboo stalks, and the mirror cover carving depicts an iris plant in full bloom. The cover drops forward and down thru the legs to the rear where it acts as a back support while the mirror is in use.
Protected by a rear wood panel, the original silvered glass mirror does show its age. It can be easily replaced by sliding the rear wooden panel upward.
The bottom of the front frame shows so...
This is a charming traditional Chinese child's "wind hat" so called because of the protection the hat gives to the back of the neck. The silk threads of the satin stitched embroidery depict lots of flowers and butterflies. Hat is in good condition
Japanese isho tansu (clothing chest) from the Yamagata area, made of kuri (chestnut) wood and sugi (cryptomeria) wood with lovely original deep red and black lacquer finish, iron hardware with ivy leaf lock plates, hirute handles, safe box with two small interior drawers, Edo/Meiji Periods (circa mid 1800's). H 35-1/2", W 39-1/4", D 17-1/2"
Rare Mid Edo Period choba, merchant's chest, from the Sakata area, made of kiri (paulownia) wood with original patina (not refinished), nice iron hardware, interior (behind sliding panels) contains set of five drawers (three on the right, 2 on the left) and one hidden drawer. Incredibly rare Large oversized iron handles flanking each side of the chest.
Edo (1603 - 1868)
H 35-3/4", W 38", D 16-3/4".
Possibly made from an old kimono, this sweet drawstring purse charming painted and appliqued scenes of trees, rocks and flowers going around the body of the purse. The bottom shows a country gentleman sitting on a rock under a tree enjoying the mountain view. overall condition is very good, however the fabric sleeve for the drawstring is deteriorated. Purse measures 7" across bottom
This is a 16th/17th Century blue and white bowl. On the outside of the bowl it is painted with a chi-dragon with bifurcated tail and a plant. On the inside of the bowl, it shows a chi-dragon twirling around in a circle.
There is no hairline crack, chip, repair or restoration. Only minor rim and foot fritting, pin holes and some sand grits on the base on the inside of the bowl. Other than that, the bowl is in good condition.
The measurement of the bowl: Diameter 12.7cm and ...
Rare Japanese antique box. Body of box has treebark finish. The top has 2 very fine lacquerware pieces depicting cranes and irises. The keyhole escheon is floral shaped and is incised. Sorry, no key, condition is very good. 10.5 x 3.5 x 2.5
This is a small and very finely potted Song Dynasty (960 – 1276) small yingqing bowl. It stands on a short glazed foot rim and base rising to an everted u-shaped glazed body stopping short of the rim. Both the rim inside and outside of the bowl is unglazed exposing the porcelaneous body. On the inside and the base of the bowl, it is incised with some branches and a single prunus flower.
The bowl has minor abrasion and bubble burst which can be seen in picture 3, as shown by the tiny...
Traditional Chinese rural style pillow of bamboo. This pillow would be stored with legs folded under during the day. Good condition 16"x4" by 5" high with legs extended.
This very nice traditional Chinese pillow has leg supports which fold up when it is not in use. The top is made of shaped and stained bamboo slats which flex for soft comfort. The body of the piece is made of a dark wood with carved scrollwork along the bottom edge. Each end has an elaborate carving of a bat in flight. good condition 15"x 5" x 4" with legs extended
This small purse was made by Miao girl to be given to "boyfriend"...If he accepts and wears the purse on his belt...he favors her.
The embroidery stitch is called Daiz but westerners know it as Peking knot aka forbidden stitch. 5.5 x 3 excellant condition
Antique Japanese Satsuma ware bowl in the shape of a money pouch, decorated with motif of procession of children pulling flower cart, ceramic with gold and polychrome overglaze, Meiji Period.
Size: 5 1/2" high x 6" wide (diameter).
This is a Song dynasty (960 – 1276) porcelain cosmetic box and cover. The sides and bottom half is ribbed to look like a melon form, the recessed top is moulded in the form of a stylised double flower with a short stalk. The box is covered in a pale bluish glaze of yingqing type, which pools in the crevasses to an aquamarine tone. The rims and base are unglazed, exposing the white porcellanous body underneath. The top is decorated on its lid with two stalks of incised flowers depicted by six s...
Khmer brown glazed pottery lime-pot in the form of owl with a stepped, moulded beak, eyes and tail.
Age: Cambodia, Bayon Period, 12th - 13th Century
Size: Height 5.3 C.M. / Width 7 C.M.
Condition: Nice condition overall (minor chips on tail). Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.
This is a late Ming dynasty (16th / 17th Century) blue and white bowl. On the outside of the bowl it is painted, all around the bowl, with blue background with three sets of lotus flower and foliage and three white cranes or herons in white colour. On the inside of the bowl, a small lotus flower is shown blooming from the top view.
There is some abrasion, sand grits on the base and inside of the bowl as shown in the pictures and minute unglazed spots (pic 2). There is also one chip a...
Japanese Buddhist scroll painting with the image of Amida raigo, the descent of Amida Buddha from the Western Paradise to earth. He comes down to transport the newly deceased devotee to the Western Paradise. In the middle Amida, to his right the bodhisattva Seishi, hands folded in prayer, to his left Kannon holding the lotus throne for transporting the deceased to Paradise. A ray of light comes from Amida’s urna. All three figures are standing on lotus thrones, floating on white clouds. They a...
This is museum quality, small Liao dynasty (907-1125) sancai green glazed moulded moon flask ewer. It stands on a flat foot rising to a rounded side body with a spout mouth and a handle. The top opening of the ewer is moulded into the shape of five leaves in five divided panels (picture 6). On each side of the moulded body, it is decorated all round with rounded heads and within it side, there are two dragons flying in the dense moulded cloud.
Another interesting feature of the moon ...
During the late 1800's and early 1900's eyeglasses became an important accessory for the Chinese. Upon seeing eyeglasses on visiting Western dignitaries and businessmen, the Chinese perceived and admired these "spectacles" as age enhancing. Not only did the eyeglasses improve eyesight...but they added age and dignity to the face of the wearer. Equating age with wisdom and respect, many Chinese took up the custom of wearing eyeglasses. Those Chinese with good eyesight...used clear lens with no...
This is a Chinese IRON RED PORCELAIN BOWL w Lotus Flower Designs. Circa 1900. Dimensions: 4" tall X 8" diameter in EXCELLENT Condition
Japanese Buddhist scroll painting with the image of Amida raigo, the descent of Amida Buddha from the Western Paradise to earth. He comes down to transport the newly deceased devotee to the Western Paradise. In the middle Amida, to his right the bodhisattva Seishi, hands folded in prayer, to his left Kannon holding the lotus throne for transporting the deceased to Paradise. Rays of light surround Amida’s head. All three figures are standing on one green and one pink lotus, floating on white cl...
This is a beautiful brush pot with the 8 immortals motif. This eight immortals is a group and legendary daoist figures. The figures, not in any order are as follows: the double-gourd, which contains all magical medicines is Li Tieguai, peach and fan that resurrects the dead is Zhongli Quan, flower basket or sometimes a flute is Lan Caihe, bamboo drum and rods is Zhang Guo, with lotus is He Ziangu, the sword, and sometime a fly whisk is Lu Dongbin, the flute of Han Xiangxi and Castanets of Cao Gu...
Japanese woodblock print depicting an actor portraying a samurai by Kuniteru II (1829-1874), published by Daikokuya Heikichi (Shojudo) in 1867. The paper measures about 14 5/8"V x 10 1/4"H. The print is in very good overall condition with good impression quality and color. There are lacquer highlights in the black areas and mica at the top. There is an ample margin on the left and top. The paper is fine, the print is not backed, and the image is clearly visible on the reverse. There is no ta...
Burmese creamy glaze dish with plain design.
Age: Burma, 15th Century
Size: Diameter 19 C.M. / Thickness 3.5 C.M.
Condition: Nice condition and glaze overall (minor glaze chips on the rim). Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.
This is a small mid Qing dynasty bronze cloisonné censer with an elongated body. It is design in the likeness of those in the Ming dynasty, with lotus flowers band and scrolling foliages. On the shoulder of the cloisonné, it is decorated all round with a band ruyi with red and blue colour. It is supported four massive fat and short cabriole legs and with two ear like handles.
It is in very good condition.
The measurement of the cloisonné censer: Height 9.4cm, Width is 1...
This is a nice piece and of museum quality Tang dynasty ((618 – 906 A.D.) copper green glaze ewer. The shape of the ewer looks stout and strong. It has a long body with a small handle, two lugs and a short stout spout. The neck is straight and slightly high with a short and thicken everted rim.
The design on the body is a simple linear abstraction. It is incised with fine roulette design under the ice craze transparent glaze and the spout with ribbed details. The glazing covers two ...
Shrine with inside the figure of the bodhisattva Jizo. He sits on a lotus base, positioned on a rock, his left leg hanging down, the foot resting on a small lotus base. In his left hand he holds a sacred jewel, in the right he formerly held his staff. The rock is placed onto a six tiered hexagonal, elaborately decorated base. Inscription on back of case in ochre colored lacquer, indicating that inside is a sculpture of Jizo, that an offering of 6 to (108 liters ??) was made, that the name of the...
Shrine with the exquisite carving of the eleven headed Kannon, holding the vase with the flower in the left hand, a rosary in the right. Dark wood. The garment, finely carved with pleats and scarves, decorated in gold with flowers and geometric designs. On the crown 8 of the 11 heads (three missing), with individual faces. The accessories on the chest and the crown in gilded metal. Kannon is standing on a nine tiered base (six tiers hexagonal, three tiers, the lotus, are round). Excellent piece....
Finely carved wooden figure of Gyochu Kishimojin, the hands folded together in prayer, standing on an upside down lotus leaf, positioned on a rocky base. Plain wood, carved in a slightly facetted way that gives texture to his garment and skin. The base and the lotus gilded over lacquer. Inscribed on back: Kishibojin, opening of the eyes, Nichiren. Inscribed in black ink on bottom of lotus leaf: Hirono Naomasa. Japan, Edo period, 18th century.
Height without base 7 ¼ in. (18.3 cm).
Le...
Plain wooden sculpture of the founder of the Nichiren sect. He is sitting, holding both his hands with the palms up. He is positioned on a rectangular elevation, decorated with water whirls and gilded over lacquer on the sides. Plain wood, carved in a slightly facetted way that gives texture to his garment and skin. On the back in black ink inscription reading "Nichiren". On the bottom inscription in black ink, partly covered by paper. Japan, Edo period, 19th century.
Height 4 11/16 in. (12...
Plain wooden sculpture of the deity Shichimen Daimyojin. She is sitting on the top of mount Shichimen, crossing her left leg over the right, holding a jewel in her left hand. She is positioned on a rectangular elevation, painted green on top and gilded over lacquer on the sides. Behind her a jewel decorated nimbus. Plain wood, carved in a slightly facetted way that gives texture to his garment and skin. Crown of gilded metal. On the back in black ink inscription reading ‘Nichiren’. On the bo...
Fairly large shrine with three carved figures: Shichimen Daimyojin, Kishimojin and the patriarch of the Nichiren sect, Nichiren. All are positioned on a rectangular base. Although all three can be connected with the Nichiren sect, the formation is a rather unusual one, leading to the assumption that the pieces were carved to the specific order of someone, for a very specific reason. The crest on the outside of the zushi (tachibana branch in well) hints in the same direction. It may very well hav...
This is a large Chinese Export blue and white porcelain domed lid cover in the Canton pattern, 19th century. Measurement: 6 in W; Condition: very good.
Cover the berries with this small Chinese Export blue and white porcelain domed lid cover in the Canton pattern, 19th century. Measurement: 2 in W; Condition: very good.
This is a Qing dynasty pakua design vase, circa. 19th century. The design of the vase is unusual in that it has a “pakua” motif which is not a very common theme on Chinese porcelain. Normally the pakua is an octagon shape amulet in wooden or mirror form. In this case, it is used on a vase. The vase cover has a pair of crane flying amongst the cloud. On the body, the “pakua” or “the eight trigram” is painted all round the body of the jar within eight flaming pearl, floating between ...