A decorative fragment taken from the cuffs (horse-hoof shape) of a summer silk dragon robe with five clawed front facing dragons (couched pure silver wrapped threads) on a fish net like gauze weave. Each dragons appears to be wearing headdress. The cuffs from each sleeve are sewn together in the center and the borders are silver brocades. Circa, first half of 19th century. Approx. 19" x 15 1/4"

DESCRIPTION: A skillfully lacquered suzuri-bako (writing box) from the Meiji Period, early 1900’s. The lid of the rectangular box is decorated with a takamakie floral design in gold, silver and shu (a hue of red-orange) lacquer on a black ro-iro ground. The interior of the lid and box are sprinkled in a nashiji cloud motif. This suzuri-bako is a complete set, fitted with the original water dropper and inkstone and its original kiri (paulownia) wood box with inscription...

The shape of this oval Japanese Arita dish derives from European forms. The combination of colors (Celadon and blue & white) is known to be produced from 1780 – 1820, a late Edo example. The dimensions: 7 1/2" x 6"

Userhatmes – wsr-HAt-ms Type 1 Worker

Bab el-Gasus Shabtis - Cache II - Tomb of the Priests of Amun.

Also known as Userhetmes, Ouserhatmes

The name means ‘The (Holy barque) wsr-Hat-ms is born

Wab-priest at the prow of the sacred barque of Mut, mistress of the sky, Scribe of the treasury of the supreme chief of the harem of Amen, Wab-priest of Amen, the king of the gods...

Shini-e (memorial portrait) of three individuals, including their names and dates of death, issued ca. 1860.

Very good impression and color, light soiling and wear, small loss to upper-right corner, upper corners reinforced, two very small holes in right side, not backed.

Oban tate-e: 9 ½ x 13 ½ in.

Height: 6.1 cm (2.4 in)
Width: 5 cm (2 in)
Depth: 3.6 cm (1.4 in)

Fine Japanese carved okimono of a horse being led by a clothed monkey; another monkey has draped himself over the horse’s back; natural material; excellent staining and scrimshaw work with remnants of old polychrome that was added in some areas; excellent patina; signed by a rare artist, Nobuchika

Comprised of solid forged steel head, cut-out stencil family crest of Sada-uji and Matamasa clans.
Ya used in war by the samurai had a variety of tips called yajiri or yanone; these arrowheads were forged using the same steel (tamahagane) and methods as traditional Japanese swords...

An unusual Seto Tea Bowl, shaped like a flower in the upper area, with stunning glaze and a wonderful foot ring, made around 100 years ago during the Taisho Period (1912-1926).

It is in great condition with no chips or cracks - ready to use for the tea ceremony.

Ceramics produced in Seto City are known as Setomono (Seto ware), which has become a generic word for ceramics not only in Japan but also world-wide...

This pair of sleeve bands is made of black cotton satin weave fabric with very delicately stitched floral motif embroidery. Each panel measures 6" x 26" with embroidered area measuring 3" x 9"

BONE FRAGMENT DEPICTING FACE OF CUPID
ROMAN PERIOD, 1ST - 3RD CENTURY AD

Measurements:
Length: 7.5 cm
Height: 4 cm

Condition: Intact, untouched as found with natural patina

Found in Samaria north of Jerusalem, Israel

Mounted on a plexi-glass disply stand. ALL ITEMS THAT WE OFFER FOR SALE COME WITH A CERTIFICATE OF AUTHENTICITY

Antique Chinese porcelain vase with famille rose glazing, textured body with wave patterns, dimensional images of the 8 Immortals on clouds, gilt rim with light blue glaze interior, light blue glazed foot with scrolling patterns. 19th century vase with Qianlong mark on bottom of foot. Size: 8.5" H x 5" W

This antique copper gau would have been kept in a prayer niche in the home and would be worn as an ornament for festival. In place of the Tsatsa (clay figure), there is a Tsakli. It was common practice to use a tsakli (small picture card) to represent the religious item which would be placed in the gau, when time and money became available. The original written talisman remains inside the gau also...

Antique Turkish rug, hand-woven, all wool in bright red, green, navy blue, and cream natural dye colors. In rural areas, often times goat hair is incorporated in the weave along with sheep's wool. Motifs of praying arches and medallion repeats with tribal influences.

late 19th century

Dimensions: 3'3" x 4'10"

Chinese Song / Yuan Dynasty Buddhist Pottery Zodiac Jar

This interesting pottery jar was made during the Song Dynasty (AD 960 - 1279), or possibly the Yuan Dynasty (AD 1279 - 1368) and has been been excavated from a Buddhist site in Yunnan province. It is made from a relatively highly-fired grey pottery. The reddish-brown surface colour is from the iron-rich burial soil.

Strips of clay have been applied to the outer wall to form six lotus leaves...

KURAWANKA SAKE FLASK

Japanese Hasami ware kurawanka*-type white porcelain tokkuri (sake flask), mid-late Edo period, mid 18th – early 19th century, approx. H 19.7 x D 10.5cm (7.75 x 4.13in). Characteristically calm and refined white texture with such pale blue-gray reflection...

Interesting pair of horse straps in bronze with thick silver plating, c. 9th-10th. century.

Size: c. 3 cm.

Ex. Hafnia Coins inventory (Copenhagen), aquired in the late 1990s.

Unusual example of a Ming glass flower, emulating Nephrite jade, this would have sewn onto a piece of clothing or a hat as a kind of jewelry. This appears to have been cast from a mold, the edges are surrounding by tiny chips- most likely these were cast in groups and cut off from the single sheet. There was lot of dirt on this piece when I acquired it indicating this is an excavated piece, I have cleaned it up the best I could...

Wall fragment rendered in sunk hieroglyphs showing a nicely carved vulture over a shallow bowl and the sign for bread. The sequence mentions the goddess Mut and can be completed to the recurring epithet ‘Mut mistress of the sky’ [Mwt nbt pt].
The feet of another bird appear over the vulture.
Mut was an ancient Egyptian sky goddess and great divine mother. During the 18th Dynasty she formed the Theban triad together with the god Amun and her youthful son Khons...

Late 18th to early 19th century small fine white jade plaque / pendant with pierced and carved design of a Chinese scholar wearing a wide robe and standing on rockery. Beautiful material, true white nephrite jade, wonderful work, in perfect condition. Height 1.26 inches, weight 4.2 grams.

This 19th century deeply-carved small boxwood root brush holder (Bi Tong) is 5 ¼ inches high and 2 5/8 inches wide. The carver used the natural shape of the root to create a pine tree and plum blossom. The workmanship is great. The design, carving and polishing are all very well executed. The bottom was filled with softer wood. It is in excellent condition.

This is nishijin-Weave kinran silk Wonderful small bag in Edo period(1800-1868). There is a mirror in Edo period in the inside. There is neither stain nor damage. The state is very good. I recommend it for your collection. size::Width15cm (5.91inch) 　Vertical width 9cm ( 3.54inch)

Taoist statue of a Judge in Hell, sitting, in formal attire, his hands joined together. Votive box at the back, now open. Wood, with traces of lacquering and polychrome painting. China Qing Dynasty, 19th century. Height: 18 cm. Abrasion due to age, otherwise very good condition.

Width: 9 cm (3.6 in)
Height: 2.7 cm (1.1 in)

High quality Satsuma lidded pot by Ryozan; raised gilt and enamel millefleur decoration covering all upper surfaces; signed; excellent condition

Graeco-Italian ceramic; Attic black kylix with impressed designs. restored handles see images. Size w 6.5" H 2.5"

A porcelain bowl made by Mokusen of Kyoto decorated in blue with waterbirds taking flight from a reed-dotted shore followed by a four character verse by Oyabu Shunko enclosed in the original wooden box signed by both artists dating from the early 20th century. It is 18 cm (7 inches) diameter, 9 cm 3-1/2 inches) tall and in excellent condition.
Mokusen was a prolific porcelain artist in Kyoto well known for his tea ware...

Two small rectangular pouches and an etui for a comb. Made of termeh wool fabric with boteh motif or floral stripes, partially embellished with velvet and gold braids. Two with monochrome silk or cotton lining, the comb's pouch lined with printed cotton "qalamkar", this one with a later snap closure. Women's pouches in Qajar Persia were used for different purposes as storing kohl, veil, prayer stone, comb, quran etc. Please visit www.qajarwomen.org. Condition: traces of usage, few loose threads...

An extremely beautiful and a museum quality Han dynasty ear cup or erbei. The ear cup is make of red pottery and it is rare to find them in such pristine condition. The ear cup are used as burial object to accompany the dead for their after-live used.

No repairs or restorations...

Late Meiji period (1890s -1912) wooden okimono of cloth doll of Daruma (founder of Zen Buddhism) enveloped in his monastic robe. The subject represents Daruma coming back from deep trance in which he sat meditating without moving for 9 years. Skillfully carved out of chosen matsu (Korean pine wood) in ittobori (one cut) style characteristic of Hida school of netsuke carvers with clever use of wood grain as element of design. Excellently conveyed facial expression, beautiful patina. Height 2 1/16...

This is a rare and interesting ancient Egyptian scaraboid. An uraei knot is depicted on the top and a Hathor sistrum flanked by two uraei is incised on the bottom. The uraei knot is much older than the Herakles knot and much probably the precursor.

For similar see:
- The Israel Museum, Jerusalem, accession number: 76.030.1768
- Petrie Museum, accession number: LDUCE-UC60415

Date: Egypt, New Kingdom, ca. 18th Dynasty, ca. 1570 - 1293 B.C.
Material: Steatite
...

You are considering a very attractive ancient authentic Egyptian faience colorful beaded mummy mask, recomposed from ancient beads to its original form which would have been placed over the face of the mummy

Dated from, 600 - 300 BC

Measurements: Height: 9cm - Width: 11 cm - Height on stand: 14 cm

Provenance; Aweidah's collection before 1970 - Registered at the IAA

ALL ITEMS THAT WE OFFER FOR SALE COME WITH A CERTIFICATE OF AUTHENTICITY

Guan type with golden brown glaze covering foot rim, decorated with incised flower. MEASUREMENT : Diameter = 12 cm PERIOD : 14 th-15 th Century Longquan Kilns, Zhejiang CONDITION : no chips, cracks, hairlines and free from restoration.

Rare Chinese Yuan Dynasty Burnished Black Pottery Groom Figure (32.5cm)

This impressive and attractive pottery figure was made during the Yuan Dynasty (AD 1279 - 1368). Such figures from the Yuan Dynasty are very distinctive and are particularly rare and desirable. The surface of such Yuan figures is typically fired to grey, or almost black, and sometimes, as in this case, burnished to a smooth finish.

This figure represents a groom or possibly a merchant. The clothing is distinctly Mong...

A five prong vajra or dorje. Bronze, with fine reddish green patina. Japan, 18th century. Length: 13 cm. Very good condition.

Sensational Late Meiji Period Ca. 1910 bronze flower vase. Used of Ikebana flower arrangements. Featuring two round mythical kirin handles and a unusual textured bronze finish. 23cm tall x 32cm wide x 29cm deep. Great condition. Ask for shipping quote.

A nice and substantial Late Gothic type of chest key, European, probably German, c. 1550 AD.

The key with enforced bit with slots, decorated hollow stem with fluted collar and an oval bow.

Size: 100 mm.

Ex. Important old Danish collection of keys.

Antique Japanese 2 section isho tansu (clothing chest) from the Nihonmatsu area. Made with keyaki (elm) wood with dramatic grain and original deep reddish orange translucent lacquer finish. The chest is made up of four large drawers and a safe box in the lower right hand side which has two small drawers behind a locking safe door (with key). Lovely iron hardware includes warabite shaped drawer pulls, large lock plates with pine motif and elaborate cross bracing on the the safe door. Solid K...

An extralarge bronze seal with a loop on the back and elaborate cross designs, Bactria, 3rd. millenium BC.

Very impressive round seal with large cross-arms in the openwork style.

The seal belongs to one of the varied mostly circular metal “stamp seals” relief cast in bronze or copper alloy, but more rarely in silver or gold, which is classified as so-called “compartmented seal” (a term first used in 1943 by the British archaeologist Stuart Pigott – 1943. P. 179�...

Diameter approximately 11.5 cm. There are 2 hairlines at the rim. In good condition.

Length: 4.1 cm (1.7 in)
Width: 3.6 cm (1.5 in)
Depth: 1.5 cm (0.6 in)

Fine Japanese netsuke of multiple seals; natural material; includes a lotus pod seal and five other calligraphic seals; good condition

This is a fine, well-hallowed, Aventurine Glass Snuff Bottle of robust circular rounded form, with a high rounded neck, a flat wide lip, and a raised oval flat foot. The slightly translucent stone is made up of thousands of clustered gold and bronze colored sand-like particles within a brown colored ground. It comes with a green jade stopper with spoon.

This excellent looking bottle is in remarkable preserved condition.

Bottle Measurements

Height: 2.43 inches...

An 11th Century stone sculpture used as a doorway fret. Images of female dieties In the relief sculpture, chief image is a female holding a petaled flower and surrounded by other gods. Narasimha (Sanskrit: Narasiṃha, man-lion) is an avatar of the Hindu god Vishnu, one who incarnates in the form of part lion and part man to destroy evil and end religious persecution and calamity on Earth, thereby restoring Dharma.

Date: 11th century Provenance: Handley Collection

Dime...

This is a japanese antique Edo period (1800-1867)hemp Buddhist Shugensha hanten coat worn by Shugen practitioners and Yamabushi who practiced Shugendo. Shugendo is a unique Japanese religion that combines Buddhism, Shinto and the worship of nature (mountains). It has some light stains and one very small hole, but is in very good condition. Size::Length :90 cm (35.3 inch) / Sleeve to sleeve :128 cm (50.3 inch)

Late Qing Dynasy (1880s 10 1911) century Chinese glass seal of square section. Wonderful simple piece appropriate for a scholar’s desk, beautiful transparent glass, very pleasant finish to the surface. The bottom is carved with four sunken characters, old dried seal paste in the grooves. The impression of the seal is shown on Enlargement 1 (photo is flipped left to right to present the image as it will actually print on paper). Height 1 9/16 inches, 5/8 inches square.

Oversize axe of rhomboid shape with a short vertical and a broader horizontal blade. Roughened surface and a central perforation to insert a pole. The use of the item is unclear, also in view of the considerable weight of four kilogram. The type is described in the literature as axe hammer and also as double axe. For an almost identical example cf. item no. 144, in: Christian Zervos. La civilisaton de la Sardaigne du début de l’eneolithique à la fin de la période nouragique. Paris 1954. ...

Burmese alabaster Buddha sitting in Mara Vijaya (calling the earth to witness) posture on a base, with inlay of glass pieces on the headband.

Age: Burma, Mandalay Period, 19th Century
Size: Height 54 C.M. / Width 44.2 C.M. / Depth 21.5 C.M.
Condition: Nice condition overall (some expected degradation due to its age). Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping ...

A really attractive and funny bronze or brass erotic 'toy' figur with a dark, age patina, India, 19th. century.

The figure is mechanical and the male has a hinge. He thrusts into the woman when you press the little lever on the base.

Size: 12,8 cm. tall and solid metal so heavy.

Condition: Good very fine, lovely dark brown patina.

Provenance: Collection of Gunna Munkvad, Denmark, aquired from the 1960s-1980s.

Japanese Buddhist scroll painting with the image of Amida raigo, the descent of Amida Buddha from the Western Paradise to earth. He comes down to transport the newly deceased devotee to the Western Paradise. In the middle Amida, to his right the bodhisattva Seishi, hands folded in prayer, to his left Kannon holding the lotus throne for transporting the deceased to Paradise. A ray of light comes from Amida’s urna. All three figures are standing on lotus thrones, floating on white clouds. They a...

Width approximately 11 cm. Height approximately 11.5 cm. Few soft dents at the body. In good condition.

Mask made of kiri (Paulownia) wood, showing the wide-laughing and dimpled face of god of good fortune (shichifukujin), Daikoku. The base of his hat just sitting on the top of his head.

The broad grain of the wood was used to accentuate the round cheeks, nose and nostrils. The wood was formerly stained with a reddish-brown color, now almost completely worn off. Around the eyes there are remnants of a light-colored pigment.

There are two small holes in the top of the ears in which the ...

Chinese Tang dynasty Changsha bowl. Diameter 14.5 cm Height 5.3 cm. Bowl in good conditions except glaze erosion. Free from any restorations or repainted.

Delicately crafted Chinese huangvang wood brush pot, depicting scholar scene in relief, late 19th/early 20th century period, height of 5.05 inches, no condition concerns.

Korea Three Kingdoms Period Gilt Bronze Standing Figure of Buddha

It is 5.3 inches (13.6 cm) tall by 2.05 inches (5.2 cm) wide. It is 300.6 gram.

It has pitting holes, rubbing gilding, oxidation, dents at the nose, and surface wears and scratches (as seen in the photos).

Some of the photos were taken under the sun.

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, retu...

Guatemala Mayan 250-900 AD Kiche Mayans. A small green stone carved human figure arms at its sides shows good signs of age and there is a old chip to her left top corner.Size 2.5"h 11/4" w This piece was collected in the town of Chichicastenango, also known as Santo Tomás Chichicastenango, is a town in the El Quiché department of Guatemala, known for its traditional K'iche' Maya culture.

Porcelain tiger figure with gold embellishments for the stripes and sections of its fur. Slight colors are used to highlight the eyes, mouth, and claws. Age: Taisho (c1910) . Size: height 7" width 6.75" length 10"

Burmese bronze Buddha sitting in Mara Vijaya (calling the earth to witness) posture on a base.

Age: Burma, Shan period, 16th Century
Measurement: Height 35 C.M. / Width 18 C.M.
Condition: Nice condition overall. Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

Antique Chinese gourd Jade Snuff Bottle. Bamboo design is neatly carved on one side of bottle. On other, Chinese inscription is carved in three rows. (Early 20th Century) Dimensions: 2.5" Tall, 1.5" At Widest Point

A Chinese wooden ruyi sceptre, delicately carved and pierced with trailing dragon. 19th Century. Length: 19”. In good condition with normal wear.

A rare Eastern Han (206 BC- 219 AD) jar with incised decoration about the collar area. All the features one wants to see are found on this rare artifact, such as root impressions, worm tracks, and traces of calcified (petrified) roots. This jar is not the typical molded type made for burial, but was actually used in real life as utilitarian ware for everyday use. The jar is in excellent condition and measures 6.5" high x 7" diameter.

17th century Karatsu ware Tea Bowl (Chawan) made in Kihara kiln in Kyushu region

Kihara kiln of Kyushu region was operating during the transition times between the decline of Karatsu tea ceremonial ware and the raise of Shoki-Imari ware (approx. 1624-1671).
While most of the Kihara Karatsu tea bowls are excavated pieces, and it is very rare to find a bowl in such good condition and generous painting.
The bowl has dedicated box with appraisal of tea ware expert "Kuroda Touto...

This was made in Amagi area in the Meiji era. This cotton was spun by hand. This Shibori was dyed with an indigo plant of nature. It is a swallow and a rainy image.In the small ring of Mame-ire Shibori, size delicately changes for handwork. And the vertical stripe has little rolling. It is a good point and fun of the handwork. F3.White cloth of the lining has thin stain and several places of eyelets. F1F2. However, they are hardly seen from the surface. An item of the same kind is placed in...