Pair of .800 silver dishes with fierce dragons and other insect or sea creature, on a stipled background, the edge decorated with stamped arrow designs. Both are marked on the front and on the side with the .800 silver standard mark...

Of heavy, dense exotic wood and inlaid with carved shell pieces, this ceremonial staff is from the Solomon Islands, pre 1950s. The form is better than most, having a figural image at the top, well carved with open legs and good detail. The carving depicts a figure with folded arms, slightly bent knees, and a stylized face seen in Solomon Islands iconography. The figural section measures 13 1/4" high. Very nice dark patina, with a lovely slightly glossy surface, some pieces of inlay missing...

Well carved in cedar, this Northwest Coast box measures 4 3/4" high x 4 3/8" wide and deep. In the tradition of Haida, Salish, Tsimshian, and other First Nation tribes of the Northwest Coast, the box is kerfed and hand carved with deep traditional designs that are abstracted and stylized. The cedar has a lovely sheen, also typical of the wood as it ages. It is signed in pencil on the bottom, the name Wilson visible, with a name or initial above that is not clear...

Nice large size, this bronze urn measures 12 1/4" across to looped handles, is 9 1/4" high, and the top lip is 10 1/4" in diameter. Nice heavy weight, it has the remnants of a signature on the base, only a square now visible. The body of the urn is ringed with a series of scenes on a diamond textured background, and there is also a decorative band in the narrow area, depicting phoenix birds or pheasants next to foliate and landscape elements. The swing handles are affixed to a large button s...

This strand of antique spindle whorls are of the finest quality, most are bone, a few may actually be stone. The bone varies in color and some had been painted or dyed, blue, red, green grey, or black. There are varieties of shapes, including the tradition whorl with a flat side, as well as barrel shapes, round beads, and turned ridged beads. The majority of the beads have incised designs of some kind...

Mask combining a rough appearance with a minimal shape, the orifices of the eyes and mouth are rather square in shape, there are small ears on the sides. Beautiful black soot patina with traces of glue, very hard wood H 25 cm x 20 cm.

Japanese Meiji to Taisho period vase in the form of a gourd tied in a bow at the mid-section with a braided and tassled rope. The signature appears to translate as Tsunemo. 7" high. Weighing 2 lbs. 8 1/2 ounces, the vase is very heavy for its size. Early 20th century. Very good overall condition with a nice patina. From an old Tucson, Arizona estate.

The great Tang Poet Du Fu (712-770) affectionately coddles a goose chick in his left hand, his bamboo staff low and seemingly forgotten as he ponders the beloved creature in his palm. Exquisitely rendered, it is roughly 16 inches (40 cm) tall and signed on back with an engraved signature...

A spectacular pair of vases by Ito Tozan I decorated with the imperial chrysanthemum in gold between soaring phoenix; symbols of the Japanese imperial family. Both come in the original (tired) silk pouch in a compartmentalized wooden box signed by the artist. Each is roughly 6 inches tall and in excellent condition, dating from the late 19th to early 20th century (later Meiji to Taisho period)...

Korean Silla Kingdom (circa 6th century) unglazed reddish-gray stoneware funerary food vessel with domed cover on a high stem foot broadly flaring at the base and decorated with rectangular perforations. The lid is covered with incised designs and has a central finial. There are no cracks, chips, or repairs. The piece is in very good overall condition with minor imperfections consistent with its age. I cannot be certain if the lid was originally made for this specific bowl...

The village headman aims his arrows at the moon to dispel the evil brought on by a solar eclipse, the village women in the background standing in prayer. This scene was painted by Higuchi Tomimaro for show at the Seikosha Exhibition held in Osaka in 1938. It is an excellent look into the world of the Ainu, a native culture to Northern Japan now lost to history...

Occupation era original Japanese shin hanga woodblock print titled "Snow at Hinuma Swamp, Mito" ("Snow at Hi Marsh, Mito") by Kawase Hasui (1883-1957) dated in the lower left margin Showa 22 (1947). The artist's black ink signature and red seal are at the upper right side of the image. The 6mm circular seal of the publisher Watanabe (used 1946-1957) is at the lower right corner. Paper size: 10 3/8" x 15 3/4" (image size: 9 1/2" x 14 1/4")...

Large late Meiji to Taisho period Japanese Arita porcelain cylindrical form hibachi decorated in underglaze blue, white, and celadon with mirrors and auspicious symbols. Scattered bisque incised signature seals accent the decoration. 12 1/4" high x 17" diameter. Early 20th century. Very good overall condition with no chips, cracks, or repairs. From the collection of an elderly woman in Sun City West, Arizona.

Tibetan thangka depicting Amitayus, the Buddha of Longevity, seated cross-legged on a variegated lotus throne with hands in the lap in dhyana mudra holding the pot of amṛta, the nectar of immortality. A halo surrounded by flowers is behind the figure and green mountains and water are in the background...

Chinese wedding lamp of articulated porcelain, in two sections, hexagonal in shape with flared and tiered top. Measures 9 3/4" high, and roughly 4 1/2" wide. Each pierced panel has a round section with a scene depicting people in various activities, some with two figures. The entire surface is painted with soft color enamels, in turquoise blue, yellow, rose, green, orange, brown and black. Floral and foliate designs cover the turquoise and yellow backgrounds, all done with good detail. The ...

Porcelain panel with 7 women in landscape with pagoda and trees, measures 12" x 9" (panel size), frame is 13 1/4" x 10 1/4". Varnished wood frame in bamboo style, with hardboard or masonite backing. The scene depicts 7 young women next to a pagoda and fence, with grass and other foliage throughout...

A large Chinese two handled vase decorated in famille verte enamels with birds amongst flowering peony & rocks. The decorated neck with iron red modelled elephants' head handles. The base with an apocryphal six character iron red mark of the Kangxi emperor.

Age: Mid 19th century

Size: 14-1/2" high by 14-1/2" diameter

Condition: Good condition, no breaks and or cracks

A rare Buddhist temple banner composed of a central ruyi shaped panel and three suspending streamers with pointed ends and tassels. Made of Chinese Late-Ming and Qing gold brocaded and tapestry silks showing dragons and floral decoration. The top panel is cardboard reinforced and having a seal on the backside...

Chinese Republic period porcelain plaque decorated in famille rose enamels with the eight immortals standing outdoors under a pine tree with bats flying overhead. Produced by the Jiangxi Porcelain Company at Pearl Mountain and dated 1924. Nice quality wood frame. Porcelain measures 15 1/8" x 9 7/8" (with frame: 16 3/8" x 11 1/4"). Very good overall condition. There are tiny brown scattered spots in the glaze from the original production. From the estate of an old Scottsdale, Arizona antiqu...

Beautifully carved, this soapstone figure really captures the essence of the stately Polar Bear. He stands 3 3/4" high, 8 1/4" wide, and is 4 3/4" deep, and weighs roughly 4 pounds and 4 ounces. The soapstone is a mottled brown/green, with spots of black, rust, and tan, and has black inlaid eyes. The simplified form is just elegant and lovely, and clearly demonstrates the talent of the carver. In good condition, a few scrapes to the surface, and some colored spots that may or may not be orig...

Large and heavy carved soapstone eagle, with original label, numbers, and initials. Is 8 1/2" high, 7 1/2" wide, and 4 1/4" deep and weighs just a bit under 10 pounds. Very stylized form, with hooked beak, incised eyes and long sharp talons, he sits on a rock or stump. Very slight details for wings. In black soapstone, with some slightly lighter areas and striations visible, the sculpture has a very lovely almost waxy patina. In good condition, a few scratches to surface, but no chips or ...

WOODEN MOLD FOR BASEBALL CAP

Quite a rare vintage Japanese artisan's tool. Showa period, early 20th century. Simple and unique form with aesthetic texture. approx. 20 x 26cm (7.87 x 10.23in), H 13cm (5.11in)


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Very fine and rare Japanese Edo era Hasami Bako, or storage/traveling box, measuring roughly 12" wide (including brass hanging hooks on sides), 5 1/2" deep, and 6 1/8" high. It dates to the late Edo era, some time between 1780 and 1850. The top is slightly domed, as is visible in some photos, and all edges and corners are decorated with incised brass metal sections, and two U shaped handles are on both ends, and can stand upright, as would be the carrying position for a larger trunk. The box...

Massive Chinese Qing dynasty baluster form lidded general’s helmet jar decorated in underglaze blue on a white porcelain ground with a Yuan inspired pond scene of ducks swimming among lotus. A ruyi-head border and four animal mask handles are high on the shoulder below the short neck. A lappet band extends around the tapering foot. The slightly recessed base is unglazed. A Buddhist lion dog finial is at the top of the wide domed lid. 24 1/2” high x about 15" diameter. Weight: 35 lbs. The s...

A headdress with a rounded crown and a wide flat brim, the interior made of woven bamboo, covered with yellow silk damask showing roundels with five-clawed dragons. The top ending in a red silk knot above ruyi border. The underside of the brim covered with red silk, the sweatband made of leather. Edged with key fret brocade. Condition: traces of usage, some losses (please look at the photos carefully - they make part of the condition report), brim with paper label residue and few stains, a bit d...

Fine Chinese 9th - 10th Century Stoneware Ewer

This fine and rare stoneware ewer was made during the 9th to 10th century (from the end of the Tang Dynasty AD 608 - 916, the Five Dynasties period AD 907 - 960, to the Northern Song Dynasty (AD 960 - 1127), most likely a product of one of the Guangdong kilns. Both inner and outer surfaces are coated in a very finely-crackled olive-green glaze. The base and extreme lower body remain unglazed where the exposed stoneware body has fired from a pale...

Rare Large Chinese Southern Dynasties Stoneware Jar

This rare stoneware jar was made during the Southern Dynasties period (AD 420 - 589). Such wares from this period are relatively rare and quite distinctive. This jar has a flat base, a wide mouth and a series of "square-cut" loop handles placed around the shoulder: a pair of single handles opposite each other as well as a pair of double handles opposite each other. In between the handles there are two finely-incised lines that surround the ...

Fine Song Dynasty Brown glaze bowl. There is a small chip to the rim, but otherwise in very good condition. High resolution images may be emailed on request.

A rare bowl by Ninnami Dohachi from the Sangama kiln dating from the later Edo period wrapped in a silk pouch and enclosed in a fine custom made Kiri-wood collectors box. Deeply impressed into the base is the six sided Sangama kiln mark. It is 5-1/2 x 5 x 3 inches (13 x 12.5 x 9 cm) and is in excellent condition.
Ninnami Dohachi II and his son (the future Dohachi III) were invited by the local lord Matsudaira to produce pottery at the Sangama kiln in Sanuki Kuni on the island of Shikoku...

Large Thai 14th - 15th Century Sawankhalok Jar

This stoneware jar, or bottle of globular form was made during the 14th - 15th centuries at one of the Sawankhalok kilns. It is particularly heavily-potted. Around the shoulder and lower body are repeated bands of lightly incised lines. There are two small loop handles at the neck. It is coated in a finely-crackled greenish-grey glaze that falls short of the foot revealing the dark reddish brown stoneware body. To the base is the circular mark ...

The golden orb shines out like the light of Buddhism from between the dark clouds on this exquisite 19th century image by Wada Gozan, priest of Jinko-in Temple. Ink and gold-pigment on silk in a patterned silk border with wood rollers in a period kiri-wood box titled Tsuki no ga Yokomono Ippuku (1 wide painting of moon) Wada Gozan koto (of Wada Gozan), annotated by Kuten. It is 25 x 48-1/2 inches (63.5 x 123.5 cm) and is in overall fine condition, with a minor wrinkle in the lower border. Wa...

A superb example of the mastery of Bizen Saiku-mono sculptures by Nishimura Shunko dating to the pre-war era. The musculature and bone structure of the creature is clearly visible, and it wears a cloak of ash glaze like fur, the tail actually covered in dry “goma” textured ash, and the lower extremities showing a fine assortment of Hi-iro flame colors on the raw clay. Stylistically there appears to be some influence of the pottery technique of Okinawan Shisa (lions). This is very likely, ...

A fabulous large porcelain vase by Daimaru Hoppo (Hokuho) enclosed in the original signed and compartmentalized wooden box complete with a rosewood base. The vase is a perfect example of the Sinophile aesthetic that permeated Japanese art in the early 20th century. The simplified form rises from to frets decorated with stylized cicada under a belt of archaic figures and yotsu-domoe (yin-yang) symbols. It is 14 inches (35 cm) tall plus the base and is in excellent condition.
Hoppo (also...

Japanese shin hanga woodblock print titled "Kansai District: Seta Bridge" by Hiroshi Yoshida (1876-1950) dated Showa 8 (1933). 1st edition impression with "jizure" (self-printed) seal in the upper left margin. The artist's black ink brush signature and red seal are at the lower right. The print is pencil-signed in the lower right margin. Illustrated in "The Complete Woodblock Prints of Yoshida Hiroshi," Abe Publications, color plate #182. Paper measures 10 3/4" x 15 3/4" (image size: 9 1/2" x 14...

A very unusual vase by Teishitsu Gigei-In (Imperial Art Academy Member) Ito Tozan I enclosed in the original signed wooden box showing decidedly Art Nouveau styling. It is 20 x 8 x 32 cm (8 x 3 x 12-1/2 inches) and is in excellent condition.
Ito Tozan I (1846-1920) began as a painter in the Maruyama school studying under Koizumi Togaku. In 1862 he became a pupil of Kameya Kyokutei, as well as studying under Takahashi Dohachi III and Kanzan Denshichi (who made the dishes for the imperial t...

Occupation era original Japanese shin hanga woodblock print titled "Moonlit Night at Miyajima" by Kawase Hasui (1883-1957) dated in the lower left margin Showa 22 (1947). The artist's black ink signature and red seal are at the lower right corner of the image. The 6mm circular seal of the publisher Watanabe (used 1946-1957) is at the lower left corner. Paper size: 15 1/4" x 10 1/2" (image size: 14 1/8" x 9 1/2"). Very good overall condition. There are tape stains to the back margins that show ...

Occupation era original Japanese shin hanga woodblock print titled "Carp Flag at Toyohama, Kagawa Prefecture" by Kawase Hasui (1883-1957) dated in the lower left margin Showa 23 (1948). The artist's black ink signature and red seal are at the lower left corner of the image. The 6mm circular seal of the publisher Watanabe (used 1946-1957) is at the lower right corner. An additional Watanabe seal is on the back at the lower right corner. Paper size: 15 3/4" x 10 1/2" (image size: 14 3/8" x 9 1/2...

Japanese limited edition sosaku hanga woodblock print depicting three chickens titled “Jealousy” by Kiyoshi Saito (1907-1997) dated 1952. Pencil-signed and numbered 91/300 in the bottom margin. Visible paper size: 14 3/4" x 10 1/4" (image: 13 3/4" x 9 1/4). Framed size: 24 7/8” x 19 3/4.” Visibly in very good overall condition and color. The print is currently framed but can be purchased and shipped either framed or unframed. A color illustration of this print can be found on page 1...

Striking black and white Janiform crest from a dance mask. H. 32 cm. Good condition with expected age wear. Ca. mid 20th century. Provenance: private collection, The Netherlands. This item will be exhibited at the Tribal Art Fair Amsterdam, October 25th-27th www.tribalartfair.nl

Pair of Chinese late Qing dynasty Guangxu period hexagonal form hat stands with melon form vent holes decorated in underglaze blue on a white porcelain ground with various figures interspersed among auspicious objects. Scrolling vines are at the top of one. The interiors are glazed with only the footrims left unglazed. Circa 1900. 10 1/2" high each. Very good overall condition. One had a small professionally executed repair to an edge that is not visible to the eye or under black light. T...

Chinese or Vietnamese wooden Christian cross with beautiful lotus and vines decoration inlaid in engraved mother of pearl. Condition: center with chipped area (please see photo no. 7) and few lost inlays, rearside with paper residue. Dimension: 46.7 cm x 24.2 cm x 1.8 cm.

Of reddish wood with fine grain, this Maori Wahaika Patu measures 15 1/4" long and roughly 5 1/8" wide. The top has a figural face or mask carved in reticulated form, with a hole for attachment to the wrist. The club has a hooked section, used to grab the opponent's weapon and remove it. The central area contains a notched section where ribbons or feathers would have been attached for more dramatic and fierce presentation. The figure on the side always faces the back, to frighten any opponen...

DPRK / North Korean Museum Book Neolithic, Koryo Dynasty etc..

The great leader Comrade Kim Il Sung said: "Our nation, celebrated for its long history and brilliant culture, has contributed a great deal of scientific creations and inventions to the treasure house of human culture since the ancient times."

Part of the introduction to this fine book. This is the most recent publication of a fine selection of exhibits from the Korean Central History Museum that stands in Kim Il Sung Square...

In lobed melon shape, this silver box features fine repousse designs all over the surface, with an applied branch holding various flowers and leaves. Underneath the branch is a large leaf with numerous pointed ends, all stamped and decorated. It measures 5 1/2" high, 5 3/4" in diameter and weighs roughly 11 troy ounces. Stamped T900 on the base. The lid fits tightly, and the box is in good condition, no apparent dents, losses, or other damage. It is probably Turkish, though similar forms are...

Rare pre-earthquake "chirimen-e" (creped) Japanese “mitsugiri-ban” format shin hanga woodblock print by Takahashi Shotei, also known as Hiroaki (1871 - 1945) titled “Starlight Night” published by Watanabe circa 1918. Red Shotei seal at the lower right. Paper size: 5 3/8" x 12." (margins included). This image is cataloged as #M-17 on the informative website www.shotei.com. For image comparison, their section on variant print designs illustrates both the pre-earthquake and post-earthquake...

Japanese Meiji period woodblock print by Tsukioka Yoshitoshi (1839-1892) depicting the torture of a politically dissident woman titled “Muraoka, Head Lady-in-waiting of the Konoe Clan Bound with Rope” from the series “Personalities of Recent Times” published by Yamato Shimbunsha in 1887. Known image size: 12 15/16" x 8 13/16." Purchased at and framed by Robyn Buntin Gallery, Honolulu in a very high end frame. Visibly in very good overall condition with embossed highlights evident. Not...

Japanese Edo period woodblock print titled “Azuma Shrine and the Entwined Camphor” (#31) depicting boats passing through the Jukkengawa Canal with cherry blossoms lining the embankment from the series “One Hundred Views of Famous Places in Edo” by Utagawa Hiroshige (1797-1858) published by Uoya Eikichi (Uoei) in 7/1856. Paper: nearly 14” x 9 3/8” (image: 13 3/8” x 8 5/8”). Very good color and overall condition. There are tape stains to the margin edges verso that show through ...

Japanese Edo period woodblock print by Toyokuni I (1769-1825) depicting the kabuki actor Nakamura Utaemon III portraying a sake peddler encountering a dog from a set of eight prints published by Yamamoto Heikichi in 1815. Kiwame censor’s seal. Paper size: 14" x just under 10." Very good overall condition and color with some typical minor wear. There is wormage evident that is well disguised and stabilized by an album backing. The print is tipped at the top two corners to a backing sheet b...

Wonderful charged figure with a good encrusted patina. H. 14,5 cm. Provenance: Dutch private collection.

Two Chinese late Qing dynasty Guangxu period porcelain lidded ginger jars densely decorated around the circumference in famille rose enamels with a continuous spring fishing festival scene. This pattern is often referred to as the "one hundred boys" motif. Children are on the street performing the dragon dance, participants are seated in a dragon boat, and onlookers watch from a bridge and a traditional building. A large pine tree set against a mountain decorates the back of the jar. The int...

Chinese Qing dynasty stem cup with everted rim decorated around the exterior of the cup with two faintly incised green five-clawed dragons chasing a flaming pearl set against an egg-yolk yellow background. A green phoenix is at the interior well. A six-character kaishu form underglaze blue Guangxu mark is at the bottom of the interior stem. Probably of the period and dating circa 1900. 3 3/8” high x just under 4 1/2" diameter; weighs 120 grams (4 1/4 ounces). Finely potted and lightweight fo...

Bronze incense burner in form of Foo Lion or Dog, with removable head. Measures 6 1/4" high, 4" wide, and 2 3/4" wide. An early bronze, dates to early Qing and possibly late Ming. Dark patina, with much oxidation and variation in color to surface. Lighter bronze evident on bottoms of feet and where it has been handled. Incised details on tail and legs, with swirling cloud or wave motif on body and head. As is the nature of these Foo Lions, this one has a fierce expression, all to protect f...

Measuring 15 1/2" high and 4 1/2" wide, this bronze alam, or standard, is from the Deccan region of India, and iwas used in ceremonial parades or other functions, carried on a pole by a leader or religious person. Used in the Islamic culture, it is heavy bronze, and this one was made in two sections, the handle attached with a heavy handmade screw. Often abstract, they also may have representational images, such as the peacocks here. Of cast bronze, the peacocks stand below a blade with an ...

Japanese shin hanga woodblock print triptych titled “Pine,” Plum,” and “Bamboo” from the “Friendly Garden Series” commissioned by the Franklin Mint and published by the Yoshida Family Studio in 1980. Each of the three prints is pencil-signed in kanji at the lower right margin and black ink signed and titled at the lower left image. The artist’s red seal is below the black ink signature. The three prints have been reframed with archival materials and UV Plexiglas in the origina...

Consisting of 32 jade or greenstone precolumbian beads, this necklace has exceptional size and quality of stones, most with a rich green color and polished surface. There are 12 tubular or barrel beads, some quite large (the largest 1 7/8"), with a variety of round or flattened round beads. The largest of the round beads measures 7/8" across and is seen at the middle, next to the one disc bead, which is slightly wider. The beads have been restrung on a braided cord, with a modern S hook clos...

A small bulbous Chinese porcelain vase finely painted with two dragons among clouds chasing the flaming pearl in the "famille verte" palette. Condition: fine, minor wear to decoration. Dimension: 12.7 cm high.

Large in size, this deep charger measures 14 3/4" in diameter and is 3 1/4" deep. It stands on a high foot. Historically referred to as Swatow ware, it is more accurately from Zhangshou and dates to the late Ming era. it was specifically made for the south China market. Polychrome wares are less common, most pieces were glazed in celadon shades with blue decoration. As with all wares from this era and location, they were all quickly painted, with less emphasis upon detail than porcelain war...

Chinese Qing dynasty porcelain dish decorated in the doucai style with a central roundel holding an underglaze blue five-clawed dragon among clouds surrounded by a famille rose enamel butterfly among five clusters of leafy stems holding three peaches each. A geometric blue band extends around the inner rim. The outer edge holds three famille rose enameled floral sprays. A six-character blue kaishu form Guangxu mark (1875-1908) is on the base. Probably of the period. 5 1/4” diameter x abou...

A spectacular Ikebana basket, dating to late Meiji or Taisho era, in beautiful condition. It measures 11 3/4" high (one side is slightly lower, 11 1/2") and is 15" wide. It retains the original metal liner. Woven of varying size strips of bamboo, the design is complex, demonstrating the fine skill of the basket maker. No breaks or losses, just minor wear from usage. There is a bit of dust in the woven areas, which we have not attempted to remove or clean. One of the finest examples of Ik...

Occupation era original Japanese shin hanga woodblock print titled "Spring Evening at the Kintai Bridge" by Kawase Hasui (1883-1957) dated in the lower left margin Showa 22 (1947). The artist's black ink signature and red seal are at the lower left corner of the image. The 6mm circular seal of the publisher Watanabe (used 1946-1957) is at the lower right corner. Paper size: 15 5/8" x 10 3/8" (image size: slightly over 14 1/4" x 9 1/2"). Very good overall condition. Possibly lightly faded. The...