Humorous Staffordshire Pottery "Admiral Nelson" Pitcher moulded in the form of Lord Nelson (but missing the wrong arm) with a rather strategically placed spout, and a Rockingham mottled brown glaze. Probably English, circa 1850.

8" x 4" x 9.5" tall

Art Nouveau Vase by the Amphora Pottery, Turn Teplitz, Austria, decorated with moulded leaves with gilt stems, stamped base. Circa 1905-10, attributed to Paul Daschel.

Height 6.5"

A beautiful enameled silver patch or pill box by Nicholai Alexeyev. The hinged box is fully covered with enamels worked in shades of opaque white, aqua, periwinkle and royal blue, accented with translucent red and green. The cover and bottom are worked in a stylized starburst pattern, while the sides feature floral banding flanked by traditional triangular and dotted patterns. Exposed areas of silver are stippled and lightly gilt. The interior is also gilt...

In excellent condition, Royal Doulton Lambeth ware vase with a high gloss cobalt blue glaze featuring 3 medallions that include detailing in high relief. The blue glaze has some glaze bumps common to the era. Impressed marks on base bottom. Vase measures about 9 1/2" high. Circa 1900-1920

A superb quality very large pottery figure of a male attendant or official, dating to the earlier Ming Dynasty, 1400-1500 AD.

The figure is placed on a high hexagonal plint and wears a fine two-colour blue and turquoise glazed robe. The unglazed areas have pigmented colors in red, black and white. Finely painted facial details.

The head is attachable as often seen on the largest figures from this period.

The figure holds a blanket under his arm...

An ornate Victorian or early Art Nouveau period silver plated belt circa 1895 - 1900. This antique hand engraved 25-3/4" long belt consists of a two-part 2-3/4" wide ornate buckle with tongue and loop clasp, which is attached to fancy 1-1/4" across hand engraved panels linked with wire loops with small spacers. It is stamped EPNS with an FFE maker's mark in a shield and it can be shortened by the removal of some of the spacers...

This is a Shaker hand sewn needle case make by the Shaker sisters and sold in their gift shops. It is a brown and beige silk fabric with a white flannel interior to hold the pins and needles. It is 4" by 4". and is in nice condition with wear to a bit of the ribbon.

A beautiful Royal Doulton Lambeth ware vase with deep cobalt blue high luster glaze that changes to a sage green, then to a medium/light blue at the base. A floral band encircles the top with all the raised details still intact. Inside the vase has sage green glaze. In excellent condition, you will notice an imperfection at the base rim that appears to have happened in manufacture which is not uncommon. Impressed marks on base bottom...

Cut steel brooch, early Victorian, c 1850 or possibly somewhat earlier, with hand cut studs riveted to a brass plate. Some of the studs with as much as 21 facets. Cut steel jewelry were often used in the evening, to create a sparkling, diamond-like effect. Width "1 ½ / 4 cm, height "2 ½/ 6,5 cm. Condition: a few studs missing (cf pics).

Black-glazed English small teapot with floral decoration in raised enamels, Victorian, c 1850-70. The glaze is named after Jackfield, a town in Shropshire where pottery with a jet black shiny glaze first was produced in the 18th century. No mark except for a brown S (painters mark?) to base. Height including lid "4/ 10 cm. Condition: chips to the inside of lid (cf. pics). A cup and saucer with very similar decoration is offered in another Global Ceramics listing (cf. the last picture).

Black-glazed English cup and saucer with floral decoration in raised enamels, Victorian, c 1850-70. The glaze is named after Jackfield, a town in Shropshire where pottery with a jet black shiny glaze first was produced in the 18th century. No mark except for an impressed J and a turquoise P (painters mark?) to base of cup. Diameter of saucer "6/ 15 cm, height of cup "2¼/ 6,5 cm. Condition: a few scratches to the saucer, otherwise fine...

An elaborately molded plate with three hand painted sprigs of flowers. The pattern is one that was made by CJ Mason circa 1825 in the rococo revival taste. 8 ½ inches diameter.

Condition: Minor gilding wear and a few knife scratches, but otherwise no chips, cracks, hairlines or repairs.

A pair of CJ Mason porcelain plates circa 1825 A pair of distinctively molded bone china porcelain plates from the Mason factory circa 1825. Each is hand painted with a bouquet of flowers and the molded pattern enhanced with copper tinged gilding. They have no maker’s mark, but this molded porcelain is associated with the factory. Pattern mark 963 on the back of both, though the “9” is hardly there on one of the plates...

In this stunning suite of necklace and earrings, almandine garnets set in gilt metal are fashioned into a striking pair of earrings and choker with drop, which can be removed. The choker is tied on with a ribbon. Much of the jewelry of this period was set with pastes. These pieces are unusual in that gemstones were used. Though called "Queen Anne", jewelry of this type was actually made some 30 odd years after her reign.

Red Vauxhall Glass floral motif necklace will mirror your gaiety when wearing it. Made at the Vauxhall Glass Works in London from the 18th century through the middle of the nineteenth, it was sold at the Vauxhall Pleasure Gardens nearby.

Lovely pique pansy pendant can be worn with a gold or silver chain. Pique, tortoiseshell inlaid with gold and silver, was developed in France and became popular in England in the late 19th century.

Floral rondelles, the five central ones with tassels, comprise this lovely cut steel necklace. Multi-faceted cut steel jewelry was popular during the 18th and mid 19th century. The jewelry sparkled in candlelight and was used as a substitute for diamonds. The necklace measures 15 1/2" long and 1 3/4" at its widest.

Victorian gilt metal collar is beautiful, flattering and wearable for any occasion