From our European Collection, #3 of a set of three fine 19th century stained and leaded glass architectural panels, ex-Christies, most likely of British origin, featuring a central heraldic crest or family coat of arms within a shield in the central panel, flanked on both sides by various mosaics of stained leaded glass in vibrant reds, yellows, golds, blues, whites, greens and browns, each containing various decorative, architectural, and figural elements such as fleur de lis motifs, other flor...

This porcelain plate was produced in England by Copeland between 1851 and 1885. It measures 8 3/4 inches in diameter. The plate is made of fine bone china. The celeste blue rim is reticulated. The center of the plate is hand painted with floral bouquets and colorful swags of flowers. The painting is delicate and detailed. There are gilded accents and trim around the rim. This plate will make a lovely display piece. Condition: There is light wear to the gilded trim around the rim...

In our humble estimation, Pickard China porcelain from its early years was the Tiffany of table china. Its enameling and gilding aesthetic in the years from 1898 to about 1930 had no peer. This console bowl is testimony to that opinion as it blossoms with natural beauty from its hand painted flowers which circumscribe the interior rim in a tasteful lush gold band...

A beautiful framed map of New York State circa 1855 measuring 14x16”

An unusual foil, or tinsel, painting depicting two birds hovering over a large flowering plant. The painting is done basically in tones of taupe and green. The frame is period and is most likely original. The back is sealed with paper that appears to have been a student's calligraphy practice.

Condition is very good, with some very minor paint separation at some points on the edges. The grayish areas in the painting are shadows from when the photograph was taken...

This porcelain plate was produced in St. Petersburg, Russia, at the Imperial Porcelain Factory in 1889. It is marked with that year and the symbol of Nicholas I. The service was produced for Empress Alexandra Feoderovna and was called the Alexandrinsky Service. The plate is 8 ¾ inches in diameter. It is fashioned in the Sevres style. It is hand painted in overglaze polychrome painting. The hand gilding is raised and elaborate. The colors are vibrant and all of the gilding is intact...

This ancient bellows, 9 pounds in weight and 50 inches long, 15 inches across at the widest point, appears to be of Pennsylvania origin, (judging from the colorful "hex" symbol associated with furniture from the area). I am hardly a specialist in Pennsylvania folk art, but thought the hex symbol would permit this to be safely placed in that category...

Offered is this superb, hand-painted English vitrified glass vase, made by Richardson around 1850. The vase has Etruscan paintings. It is signed on its polished pontil - Richardson's signature of vitrified glass objects is shown on page 447 of Charles R. Hajdamach's book, 'British glass 1800-1914' (shown in last picture here for your convenience). The vase is 7 inches (18 cm) tall and is in excellent condition.

A marvelous and very rare Victorian patchbox, the body carved from a single piece of ivory and the cut crystal lid enclosing a cameo incrustation (“sulphide”) depicting a pansy. A ribbon tied around the flower’s stem reads “a moi”. This is a clever play on words. The French word for pansy is “pensé”, which is very nearly the same word used to mean “thought”. So, when combined with the words on the ribbon, the sulphide expresses the sentiment “Thoughts of me”...

This pair of crystal candlesticks was produced in Europe or England in the late 19th century. The maker is unknown. They are approximately 10 inches tall and the base has a diameter of 5 inches. The crystal is hand blown so that the candlesticks are hollow. They are hand cut with geometric patterns. The edges are beveled and the contoured shape has cut panels. The color is deep amber. They are tasteful and elegant. Condition: Excellent

Extremely rare relief-molded jug by the Sandford Pottery in Wareham, Dorset. This jug was designed to honor the contributions of volunteers during the Crimean War (1853-56). The sides of the jug are decorated with a procession of a soldier, a sailor, a marine and a Scots Highlander. Under the lip is a representation of a young Queen Victoria. Above the foot is impressed "Our Army & Navy & Brave Volunteers". The coloring is very rich and the majolica glaze very deep and glossy...

This porcelain sugar and creamer was produced in the United States by Ott & Brewer Belleek in the late 19th century. The sugar bowl is 4 inches across and 1 3/4 inches high...

An exceptional and very large Russian judean silver torah pointer, dated 1878 and makers mark of B.C. and M.A.

A Torah pointer is used when reading the Torah scroll so as not to touch the sacred text with the finger.

Stamped with Russian silver stamps .84 and very ornately made: On the top a finely moulded flower on an openwork hemispheric disc shape with flowers; on the upper stem two Rabbies or Jewish worshippers standing on top of a beautiful openwork filigree section; ...

An example of American folk art drawing: watercolor of roses on the stem with leaves, created circa 1840 by an artist working in the distinctive style of the time. The piece measures 9 1/4" by 7 1/4" (12 3/4" by 10 3/4" in faux wood grain frame of the period). Since it is that old, the paper shows evidence of the great age; there is browning/foxing at lower corners/along right side as shown. Someone, perhaps the artist, interestingly made intentional pinholes in the paper in the rose at right...

RUSSIAN 84 ZOLOTNIK SILVER & ENAMEL BELT. Russian 84 zolotnik (.875 fineness) silver belt with intricate enamel details. Inscribed "W. M." on belt fastener. Weight: 359g. Size: length of this fine item is 30 inches.

Offered is this beautiful, tall, hand-painted glass vase - though unsigned, the quality of the artwork and the numbers on its bottom, typical of English patent number (see last picture) would strongly suggest that it was made by Thomas Webb of Stourbridge, England. The vase is slightly over 13 inches (33 cm) tall. The vase is in excellent condition.

Antique 19th century, solid silver fork in Baroque style adorned with Lithuanian heraldic coat of arms Pahonia-Vytis.

The fork has 3 shaped tines and an elaborately designed stem topped with a finial depicting a woman's bust in classical style. This woman represents allegorically Poland, holding the crown of the Polish-Lithuanian Commonwealth and backed by a laurel wreath.

The back of the fork's handle is skillfully carved with a Lithuanian heraldic coat of arms known as Pahonia-Vytis. ...

A striking and colorful painting on silk of a signet ring with, not surprisngly, the word "Signet" and the date 1870; period frame; 11 1/4" by 9 1/2" framed size, 8 1/2" by 6 1/2" sight size

Tole Ware red Dish, late 1800's, 6" diameter, 1/2" high, Gold Chinoiserie design in outdoor scenery, father with big nose and son sitting on the rocks, young son is making Bubble towards to the father, Gold Tower and house nearby, very cute decoration, wear and tear throughout the top red area but not on the figures.

An extremely folky and graphically strong hooked rug with vibrant colors, initialled KP and dated 1898;some minor and invisible museum quality restoration was done, and the rug was then mounted on acid free cloth and frame; a nice large size of 56" by 27"

This banneret weather vane, found in upstate New York, is constructed of sheet and wrought iron, and has an incredible presence and visual impact. Featuring a flag with a central cut-out, scrollwork on either side of the flag, and an ornate three dimensional flower blossom at the end, it exemplifies the whimsy that one looks for in great items of folk art.

The vane has a wonderful weathered and rough brown surface, and is in overall excellent condition. It is 37 inches long, 15 inches ta...

Rare American coin silver figural punch ladle in its original case. Featuring a woman's figure at the top, a twist handle, and a embossed face on the bowl, this ladle is attributed to George Sharp. The case is leather and shows minor age related wear. The ladle is in excellent condition measuring 13.75 inches long x 3.5" across the bowl. Dates 1840-1860.

Pair of English press moulded and marbled glass posy vases, c 1880, possibly by Davidson & Co.Of cornucopia shape, purple and white, the exterior with scale leaves and a diamond border. Height: 3"/7,5 cm. Condition: fine.

Classical coin silver basket. Made by Haddock, Lincoln & Foss in Boston, ca 1860. Round and curved with four cast leaf-mounted leaf supports. Beaded mouth rim and c-scroll swing handle. Marked with maker’s stamp. Very good condition with nice patina.

Dimensions: H (without handle) 3 3/8 x D 5 in. H (with handle) 6 3/8 in. Weight: 8.2 troy ounces. #BZ390

This pair of porcelain vases was produced in England by Royal Worcester in the 1870s. They were made especially for the retailer, Richard Briggs, of Boston. They measure 8 ½ inches tall and 6 inches wide. The design is Japonesque, simulating lacquer ware, sitting on a wooden base. They are hand painted with birds and flowers that complement each other. They are painted on both sides with different designs. It is good fortune they have survived as a pair for so many years as they were mean...

Offered is this beautiful vitrified glass vase made by English glass powerhouse of that era, Richardson, a contemporary of Thomas Webb & Sons. The vase is transfer-decorated with classical themes. The vase is 11 3/4 inches tall and 5 1/4 inches wide at its widest. It is in excellent condition. Polished pontil. Though unsigned, in all likelihood, it was made by Richardson - refer to page 101 of Charles Hajdamach's book, 'British Glass 1800-1914', for similar classical-motif themes from Richardson...

A PAIR of antique watercolors circa 1880, the subject violets and other delicate, small plants of the woodland floor, in identical worn gold frames. Each watercolor painting measures 6" by 5 1/2" (shaped top) and the works as framed measure 12 3/4" by 12 1/4". The artworks are in excellent condition; backing to which they are affixed need to be replaced due to damp stain at lower portion. These survivors of the Victorian Age reflect the care with which the anonymous artist created them. See ...

A collection of three nice Northern European Mangleboards.

One is very old, dated to 1710, carved on the top of the board together with the letters ALRS - the initials of the carver himself - or the one he was devoted to show his carving skills? - 58 cm.

The 2nd board - dated 1822 with the letter DYD carved on the top. Also note the handle in the shape of a vivid horse figure (59 cm)

Both boards are very beautifully decorated with floral motifs and symbols carv...

A mighty fine larger serving spoon, dated 1856, Moscow marks, .84 and weighing 78 grams.

Size: 18,6 cm. long.

A beautiful Thomas Webb Burmese glass epergne with a decorated central Fairy lamp and six small vases. The epergne is also complemented with three decorated Webb Burmese vases. Overall in very good condition - there is a small chip where the Clarke candle-holder sits on the epergne (hidden with candle-holder in place), a small chip on the ring of one of the small vases and roughness to another ring. Unsigned, as expected - a similar undecorated epergne is shown on page 67 of Betty Sisk's book, '...

Pair of magnificent French Neoclassical 950 silver 7-light candelabra, ca 1880. Each: Six leaf-wrapped s-scroll arms each terminating in single leaf-and-dart socket, mounted to central socket on shaft set in petal mount on knopped and tapering shaft; raised foot on 3 bracket-mounted feet. Imbricated leaf wreaths and garlands, fluting, beading, and pendant flowers. Two oval medallions with armorials for Bernard de Lassus, a mountaineering baron, who divided his time between the remote peaks of th...

Dinner plate in Sevres pattern but probably Minton c. 1850

A soft paste porcelain dinner plate unmarked, but probably Minton. In the “feuille de choux” pattern with hand painted flowers, blue accents and heavy gilding. These knock offs of 18th century Sevres were popular from the mid 19th century (c.1850) onwards and Minton made many of the very good ones. 9 ½ inches (24 cm) diameter.

Condition: no chips, cracks, hairlines or repairs. This plate looks as if it was never used.

...

Pair of antique painted porcelain plaques of flowers, probably European, late 19th century, with gilt frames.

Plaque: 8 x 6”
Frame: 10 x 8.25”

A striking and extremely rare hooked rug featuring a peacock displaying its beautiful plumage. This is a very graphically strong depiction, striking in its design.

One of the factors that contributes greatly to the rarity is the use of silver metallic threads circling the "eyes" of the peacock's feathers. The color range in the rug is beautiful, with no jarring clashes. All dyes are natural, with no use of artificial coloring.

The condition is excellent, with virtually no worn spots, tear...

A nicely executed painting of Stephen Girard, capturing the inner essence of this important person. Excellent condition, and in a period gilt frame which is in very good condition. Sight size is 21 3/4" by 16".

Stephen Girard came to the United States, and Philadelphia, around 1776, and became one of the wealthiest men in the nation. He was well-known for his philanthropy, and founded Girard College. During the War of 1812, Girard was responsible for saving the U.S. from financial collapse. ...

A pair of 19thC Gaudy Welsh canns or mugs 1820 1850. This matching pair of early to mid 19th century 2-3/4" tall Gaudy Welsh chinoiserie ceramic canns or small mugs feature copper luster and hand painted designs over pink transfer in blue, green, yellow and brown. Although known as Gaudy Welsh, only a small percentage of these attractive pieces were produced in Wales - most were produced in Staffordshire. They are typically unmarked and they are in excellent antique condition with no chips, cr...