Antique Japanese single section mizuya (kitchen tansu) made of sugi (crytomeria) wood and finished a light natural color. The large single compartment is opened by two sliding panels with details made of keyaki wood and rounded horizontal rounded slatsof sugi wood.

Meiji Period (1868-1912)

Dimensions: 33" high x 71 1/4" wide x 19 1/4" deep.

This Meiji period incense burner is made of fine white porcelain with a silver globe decorated with autumn foliage. As with much of Japanese pottery from this era, it is fashioned after classic Chinese pieces from the Song Dynasty...

Japanese russet lacquered leather zunari jingasa with riveted plating. Finely disguised as metal which is completely constructed of lightweight materials strengthened by lacquer. The interior helmet is lacquered in red. The front features a large gilt mon of the Ashikaga crest. The finial form takes shape of a chrysanthemum flower. Mounted on custom display stand.

19th Century Edo Period (1603-1868)

Dimensions: 13: x 12" x 6" H

This is an antique Japanese tall 2 section kimono tansu that was made of Kirinoki (Paulownia) and Suginoki (Cryptomeria) woods. The finish and the hand made iron fittings are all original to the chest. Behind the sliding doors is a storage area with a split level shelf. The bottom section features a hinged door that hides two small drawers...

This an exquisite Satsuma tea jar from Ryozan. The gold work and painting are examples of his best workmanship. The piece is in excellent condition but the original lid is missing and this lid has a repair. It was used to help this great piece display better. Maybe some one out there has a better lid for the great piece. It stands 6 inches tall.

Large and finely inlaid mixed metal pair of Ikebana bronze vases, Meiji era, finely inlaid silver over bronze surface, cartouches with mixed metal birds, flowers, foliage, wonderful to find a matching pair. Measure 13 1/2" high, 7 1/4" diameter at top, and 5 3/8" diameter at base. Nice old patina, deep bronze color, mixed metals include silver, gold, and copper. There are four cartouche elements, on front and back of each vase...

Antique Japanese small tansu chest made all of kiri (paulownia) wood. The chest is configured with seven drawers of various sizes: 3 small drawers above 2 medium drawers above 2 large drawers. Black iron hardware includes 7 round lock plates, circular corner bracing and square drawer pulls.

Meiji Period (1868-1912)

Dimensions: 23 1/4" high x 27" wide x 13" deep.

An antique Japanese low one section Mizuya Tansu (kitchen chest) made of Sakuranoki (Cherry) and Suginoki (Cryptomeria) woods. Two sliding doors behind which is a spacious storage area with a full width split level shelf. Constructed using through mortise and tenon Japanese joinery...

Japanese antique 2-section choba tansu from the Gifu area. This merchant's chest is made of hinoki (Japanese cypress) wood and has extensive horizontal wooden slats on the sides for support. The top portion of the chest has sliding panels with horizontal slats which match the sides and one full-width drawer. The larger bottom section also has sliders with horizontal slats and 5 drawers of various sizes...

Antique Japanese two section Kiri (paulownia) wood clothing tansu. The piece holds 4 drawers, with heavy, square iron pulls, and large round lock plates incised with 3 circle mon. Original, natural finish wood.

Meiji Period (1868-1912)

Dimensions: 35.5" L x 16.5" D x 47.5" H

A spectacular collapsed pottery jar from the Karatsu tradition with a purpose-warped wooden lid covered in powdered silver enclosed in a top quality ancient red-lacquered kiri-wood box lined with wave-patterned colored-paper. The ancient box has silver lacquer writing on the top reading Kodai Karatsu Tsubo, Kamakura Ki, Mizusashi (Ancient Karatsu Tsubo, Kamakura Period, Mizusashi). The pot is 17 cm (7 inches) diameter, 15 cm (6 inches) tall and in overall excellent condition.

A Japanese Buddhist temple wall carving / transom, with red and gilt lacquer pigments. Carved with the image of an instrument against a ground of heavenly clouds. Professionally framed to be mounted and displayed on the wall.

Dimensions: 32" L x 27" H

Antique Japanese bronze temple bell, or "bonsho", with a handle of dragon heads called a ryuzu, protrusions called "chi chi" or "nyu" to improve resonance of sound, the "tsuki-za" striking panels, and the "mei-bun" inscription of the bell's history...

Interesting and rare lifesize Japanese Demon stone mask of granite, Azuchi-Momoyama to early Edo period c. 16th.-17th. century AD.

The mask made in a heavy granite type of stone, finely sculptured as a Demons face, probably to ward off evil spirits in a temple or as a part of a funeral chamber. Far to heavy to carry for a human, but still hollowed at the back.

Finely made with facial details and painted in red, white and gold. Old 19th...

Rare 58 page accordion album of Japanese chirimen-e (creped) woodblock prints by Toyohara Kunichika (1835-1900) dating from the 1860s (late Edo/early Meiji). Included are two triptychs and one oban print by Kunisada (signed Toyokuni III). The album consists of seven triptychs, one two-panel composition, and 35 oban images, for a total of 43 individual prints...

This soulful image of a Japanese hamlet in the depths of winter was done by one of the most renowned and loved waka poets of the 19th century, Ōtagaki Rengetsu (1791-1875).

Born into a Samurai family but soon after adopted by the Ōtagaki family, from the age of seven to sixteen Rengetsu was a lady in waiting at Kameoka castle where she was trained in the arts and courtly graces...

A magnificent stand of root wood writhing upward to a flattened cluster, a perfect example of the Japanese esteem for things natural enclosed in a period custom made wooden storage box. It is 48 cm (19 inches) tall and in overall excellent condition. Perfect for elevating a koro incense burner or tiny bonsai...

This is the kimono which the child of a rich merchant's family wore for Edo period. This is dyed in local Yuzen dyer. Basics are dyed by 80% in Tsutsugaki, and be colored in a freehand drawing successively, and this is added. The Yuzen dyeing is very rare with the kimono for children. As for this, hemp yarn spun by hand is used. As for this, the part on both sleeves is sewed. It is because the balance of the pictorial representation of this child kimono was thought about...