Excellent quality dark patina bronze okimono depicting the study of a powerful panther. The posture is engaging with the hind legs bent, tail curled upwards and the body in an oblique position. The jaws are wide open and show the animal's teeth, while the whiskers are in relief. The streaks of the fur are depicted in a masterly way and highlighted in a different patina even to the touch...

An antique Japanese Kutani sleeping cat known as Nemuri Neko that was hand made and hand painted. Delicate free-form feathered gold lattice pattern decorating its back with a persimmon colored collar around its neck. Peaceful somber face displaying a calm dream-like state as time and the world around it passes by...

Height: 6.7 cm (2.7 in)
Width: 8.3 cm (3.5 in)

This Japanese lidded cloisonne pot is referred to as Totai Cloisonne. The base material of the cloisonne decoration is ceramic and not the usual metal. Various cloisons which are adhered to the ceramic surface are filled with a variety of coloured enamel as is the case with cloisonne on metal. The pot is in good condition with an overall floral decoration. The internal lip of the lid has a small flake.

Boxwood okimono with horn and mother of pearl, portraying the moment of Daruma's awakening. The figure, sitting and stretching, has wide eyes and an open mouth. Under the base, the signature “Tomokata” is engraved on red lacquer. Origin: Japan Period: Meiji end of 19th century. Dimensions: 10 x 14 x 7 cm. State of conservation: Very good

Meiji (1868-1912) Japanese Wood Lacquer Mother of Pearl Inlay Shibayama Hand Warmer

It is 8 inches (20.3 cm) tall with handle up and 5.5 inches (14 cm) tall with handle down by 9.2 inches (23.3 cm) wide. It is 2.4 Lb.

It has hairline cracks at the cover and peeling at the inner corner of the cover, and a crack at the corner and trace of glue (as seen in the photos).

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Antique Japanese cylindrical hibachi made of bent suginoki (cryptomeria) and decorated with a maki-e lacquer scene of a family of chickens in a bamboo grove. The mother hen and two chicks look for food on the ground while their father rooster looks back at his third little chick. Bamboo details are made of inlaid shell and the background is flecked in gold. With a copper insert.

Age: Meiji/Taisho Period (early 20th century)

Dimensions: 7 5/8" high x 10 1/4" wide

Pair of square-shaped hibachi made in lacquer and gold...

Japanese late Meiji to Taisho period Kutani okimono of a seated bijin reading a horizontal scroll finely executed in overglaze polychrome enamels with gilt highlights set against a finely crackled white porcelain ground. The beauty is dressed in an elaborate kimono and her hair is adorned with gilt hairpins. 8 3/4" high. Late Meiji to Taisho period (early 20th century). Very good overall condition with some wear to the overglaze pigments...

The top of this black lacquer Japanese box is heavily carved with leaves and foliage. The carved oval cinnabar panel in the center depicts a long and stable marriage scene. The standing wife has just served her sitting husband tea in the garden, outside the house surrounded by mountains. The four sides of the box are carved with continuous textile design.

The box is 5.5 inches x 4.75 inches and 2+ inches high.

A Japanese boxwood okimono of a rat-catcher preparing the miso on a big bowl before catching the rat. Black horn eyes. Excellent quality and great patina. Jigaku signature under the base. During the Edo period, blind people were recruited to hunt rats. With their sensitivity and hearing, they were able to hunt small rodents. Meiji period late 19th century Sizes: 9 x 8,5 x 8,5 cm. Condition report: Good condition

Late Meiji (1890s to 1912) small Japanese bronze vase with gold, silver and copper inlays depiction a long-tailed rooster on a flowering cherry branch. Excellent crisp work, perfectly captured posture of the creature, beautifully carved and inlaid, a few darker spots, overall in great condition. Signed KOSHU (alternative reading is Mitsufune) on the back. Height 4 5/8 inches.

Japanese lacquer inro depicting a dragon partially hidden among clouds lacquered in relief. The outer surface is covered in lacquer with dark brown nuances, which offers an elegant contrast with the dragon's shimmering mother-of-pearl. Looking at the inside of the box you can see that there are two compartments. The ojime is made of glass with parallel horizontal blue lines while the netsuke in lacquered wood and metal depicts an archaic design that could depict the Tama (the sacred Bud...

A lovely Japanese Kutani porcelain tea caddy with bird and floral motif accented with gold gilt on a pink ground. Measures 4.5 inches high and about 3.75" diameter.

Antique Japanese small round hibachi carved of kiri (paulownia) wood and lined with copper. It is decorated with a still-life display of a fishing basket, fisherman's rod and the catch of the day. Beautifully captured in raised gold maki-e lacquer, the fishing basket and fish have a life-like appearance. The large fish that has just been caught glitters with inlaid shell...

Height: 11.6 cm (4.7 in)
Width: 7.5 cm (3 in)

Japanese Satsuma vase shows two main polychrome panels of families in rural and domestic settings; all surrounded by profuse and very detailed gilt diaper work; signed on the base, Gyokuzan; good condition

A large Japanese wood okimono of a shishi with its puppy on a wooden base. Silk, enamel and glass eyes. Edo period 18th century Sizes: 37 x 50 x 30 cm Condition report: Good condition

Width: 12.2 cm (4.8 in)
Height: 4 cm ( 1.7 in)

Fine Japanese Satsuma bowl featuring figures in a moonlit garden setting; chrysanthemum roundels to the exterior; excellent condition

This is a beautiful Japanese Porcelain Charger or shallow bowl. It just glows. The work is very similar to the work we have seen done by the Fukagawa or Koransha factory but it is not signed. Condition is excellent. There is a minor factory smear of gold on the front center. It can bee seen in the images. This might why the piece is not signed. It can bee seen in the images. The charger is 12 5/8 inches across and has deep sides making it 2 1/4 inches tall.

Japanese Bone flying Sprarrow Ojime, 5/8" high, 5/8" wide, with black eyes, mouth wide open, two(2) large holes on the top is the wide open mouth, and the bottom hole to push through cord for tightening to the Netsuke. The condition is good.

An antique Japanese Daruma wooden mold used for making paper mâché dolls. Retired from duty and lacquered to preserve its years of production and service. The worn lacquer is a testament to its display and use that extended beyond its useful life and paid tribute to the former artisans that supported the craft. The original removable base was made with a concave divot to allow ease of rotation of the mold when in use...

A Japanese earthenware hot water pourer (yuzamashi), decorated with shaped panels depicting landscapes and flowers and roundels, all on a gilt red ground, the base marked Kutani, Shoza. Dimensions: 3/ 3/16" (8cm) x 4 1/8" (10.5cm) across(from tip to tip) x 1 7/8" (4.5 cm) high. Meiji period.

Large Japanese Imari charger, 18 3/8” in diameter, with vibrant enameling and excellent facial expressions. The subject matter is 'The Seven Sages of Bamboo Grove'. One hairline at the bottom rim and crazing on the rim. Meiji Period (1868-1912).

Japanese bronze usubata, used for ikebana flower arrangements. With tripod cabriole legs. The interior of the usubata shows verdigris patina from age. The casting is very heavy and shows simple elegance.

Dimensions: 9" w x 4 1/2" h

Bucket used to collect the sap of the Rhus Vernicifluum tree, first step in the process of lacquer elaboration. Nice traces of use and time. Meiji period. Birch bark. High : 24 cm, diam. : 16 cm.

This unique antique Japanese vase with four handles has a creamy grayish colored body with crackles and numerous pinholes. A couple of crackles are missing (shown in the photo) at the foot. It is 11 1/2 inches tall, circa early 1900s.

The idea of a Fukusa gift cover comes from the old Japanese tradition of gift presentation. Fukusa began to be decorative as well as practical in the Edo period (1600 to 1868). The appropriate design was chosen for the occasion; for seasonal, ceremonial and later, time of grief when Japan started to face battles again, with the foreign countries this time...

Large original Antique Japanese large low-fire ceramic mask of the Lucky God, Daikoku. His laughing face is round and painted with charming detail to his beards and eye brows. He is wearing his traditional hat that has been hand painted with great detail. One of the Lucky Gods, Diakoku is the God of Good Fortune as well as a god of the kitchen. It is possible that this mask may have hung on the wall in a temple's kitchen...

Three(3) Japanese Satsuma Signed by "Hakuzan" Earthenware Saucers, Ca. 1920, 5 3/8" diameter, 3/4" high, Dragon Rankan decorated low relief Saucers, the condition is good.

Height: 30.5cm (12.2 in)
Width: 16cm (6.2 in)

These extraordinary Sumida Gawa vases have a red ground with leaf-shaped moulding wrapped around the surface. Thick earthy-coloured flambe glaze cascades down from the rims and over branch-like double handles. The decoration is made up of 6 individual characters on each vase in humorous situations, monkeys on one vase and people on the other...

A pair of Japanese Hibachi vessels with black lacquer.

Hibachi is a traditional Japanese heating device.

Age: Japan, Showa Period, Mid-20th Century
Size: Height 24 C.M. / Width 30.5 C.M.
Condition: Nice condition overall. Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

DESCRIPTION: Dramatic in its bold yet simple design, this Japanese lacquer box makes a striking statement. The background of this large box is lacquered in a mirror-like, black ro-iro ground, with a vivid gold lacquer design on the lid of bamboo superimposed over a ginko leaf, all within a gold circle. The box is supported on four curved feet, and the interiors are brilliantly lacquered in orange-red...

Japanese studio ware ceramic figure of the immortal, Gama Sennin. Based on the Chinese 10th century alchemist, Liu Hai, Gama Sennin is often depicted in relation to the lucky 3-legged money-toad. Gama Sennin can assume the form of a toad and can change his skin to appear young again. In this depiction of the much loved immortal, he sits on a rocky outcropping and hold in one hand a peach, in the other a small toad. Whimsically perched on his head is a large load with a spotted belly.

Me...

Pair of 1920's Japanese Gold Wire Cloisonne Vase with Birds & Flowers

They are 6.05 inches (15.4 cm) tall by 2.8 inches (7.1 cm) wide. The total weight is 0.8 Lb.

One vase has enamel bruising. Both have tarnished metal, enamel pitting, and surface wears and scratches (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% refun...

Rather unusual early Showa period (1910s) Japanese mingei (Arts and Crafts) copper box with chased and enameled decoration of a puff of cloud and a white racing pigeon with feather covered legs. Wonderful combination of uchidashi (hammered-out) and moriage (piled-up) techniques: metal was raised from the opposite side and raised surface was subsequently thickly enameled and fired. Crisp work with thickly laid enamel, beautiful textured surface, perfectly riveted corners, excellent patina, in gre...

This matching Japanese 5 piece set consists of 2 deeply footed shallow serving bowls and 3 small shallow bowls. The deep rich red/orange lacquer background serves to highlight the gold, black and gray landscape scene which graces the inside of each piece. Flying high overhead a gold crane surveys the pine tree and series of sacred mountains. The largest piece is 7 inches diameter, next piece is 6 inches diameter and the 3 pieces each have a 3.5 inch diameter.

This is a beautiful example of an old Kyoto Yuzen dyeing. In this kimono, you can see the white lines around the designs, the very characteristic of Yuzen dye. This is where the rice paste is used to resist the dye and is later washed off. The dye on the silk bleeds. By outlining or covering the design area with the paste, the dye artists can work with the design more freely in detail than in the older pre-Yuzen method, which simply uses dip dying and/or embroidery. This is the revolutionar...