This is a Beautiful Pair of ANTIQUE SATSUMA VASES. Each Vase is 7 1/2" Tall. The Most Striking Features are the SUNFLOWERS on each Vase ... those Flowers accented with Pink and Gold. Research shows these Vases to be signed with the SHIMAZU Mon; made by the Chin Ju Kan Family. Circa 1900 and in EXCELLENT Condition. A Most Desirable Pair of SATSUMA VASES.

An antique Japanese Kadai (Bonsai or Ikebana display table) made of Rosewood. Cabriolet legs in a low profile design. Floating display surface prevents age cracks from occurring.

Age: Late Meiji-Taisho (1900-1920)Dimensions: 18" Wide by 5 1/8" High by 12 1/8" Deep

1890s - 1910s (late Meiji - early Taisho) Japanese inkstone in simple rectangular shape with carved keyfret border and central grinding area. Used for grinding of an inkstick on the surface of the stone. Akama stone of shiunseki type with characteristic reddish brown color - Akama inkstones are quite famous, and come from the Yamaguchi Prefecture. Beautiful patina, traces of ink on the grinding surface, comes with fitted wooden cover. Very nice object for scholars table, in excellent condition...

A charming candlestick figure of Ashinaga, a playful spirit in Japanese folklore with incredibly long legs. His counterpart, Tenaga, is the long-armed spirit who would ride on Ashinaga's shoulders and, working together, they would catch many fish from the ocean. Ashinaga is hand-carved with adorable features.

Size: 4.25" L x 3.5" D 16" H

From our Japanese Collection, a good kutani baluster-shaped jar and cover, Meiji Period (1868-1912), executed in traditional kutani palette of iron-red, green, yellow, and gilt highlights, depicting a continuous scene of figures gathered around the circumference of the piece. A small but charming example of genuine 19th century kutani.

Size and condition: 7 1/4 inches tall, 5 inches at the shoulder...

Rare Japanese kakiemon ware porcelain jar. Of a tapered melon shape, with circular floral enso motifs of bamboo, blossoming cherry branches, hydrangea, kiri leaves. The Imperial dragon and phoenix paired to represent the emperor and empress. With overglaze green, red, and blue on white bisque ground. The domed lid topped with karakusa (octopus vine) and kiri leaf pattern.

19th century

Dimensions : 7.5" W x 10" H

. A Nabeshima style dish hand painted with an underglaze blue “karahana” pattern. The reverse decorated with Shippo-tsunagi, six coins bound with trailing ribbons to the reverse and a comb pattern to the foot. The dish measures 18.5cm in diameter (six suns) and stands 4.5cm high. The foot-rim measures 8.6cm in diameter and is 1.2cm high. The dish is in good condition no cracks, chips or restoration...

Japanese studio ware ceramic figure of the immortal, Gama Sennin. Based on the Chinese 10th century alchemist, Liu Hai, Gama Sennin is often depicted in relation to the lucky 3-legged money-toad. Gama Sennin can assume the form of a toad and can change his skin to appear young again. In this depiction of the much loved immortal, he sits on a rocky outcropping and hold in one hand a peach, in the other a small toad...

Late Meiji period (1890s 1912) Japanese lacquered kushi (hair comb) with painted and inlaid decoration of a magpie among various flowers, design continuing on both side. Beautiful work in Japanese taste, in great vintage condition. Length 3.8 inches. Part of East Coast collection of Japanese hair items.

Japanese large Imari Porcelain Punch Bowl, 4 1/2" high, 12" diameter-top, early 1920, with typical Imari colors of red, green and orange overglaze enamel on top of the underglaze blue, and highlighted in gold. Very delightful Japanese garden scene just outside the door or window in divided cartouches. There are some scratch marks on the bottom inside the bowl, no cracks, no restoration, no damage.

Large original Antique Japanese large low-fire ceramic mask of the Lucky God, Daikoku. His laughing face is round and painted with charming detail to his beards and eye brows. He is wearing his traditional hat that has been hand painted with great detail. One of the Lucky Gods, Diakoku is the God of Good Fortune as well as a god of the kitchen. It is possible that this mask may have hung on the wall in a temple's kitchen...

Quintessential Oribe tea ceremony sweets plates with feldspar iron markings of chrysanthemums and rich olive greens. Hanko seal on back. Set of 5 plates. No chips or cracks. Taisho Period C.1920. 6" long and about 4" deep. Ask for shipping quote.

Late Meiji (1890s - 1910s) small Japanese bamboo wrist rest used by painters and calligraphers, made out of a section of bamboo stem with very beautiful natural raised spotting on the outside resembling marching columns of black ants. Excellent subtle piece in elegant scholar’s taste, probably made for a child, warm patina, in superb condition. Length 7 1/8 inches, width 15/16 inches.

A Fukagawa porcelain 9 1/2 inch dinner plate. Iris decoration from Chuji Fukagawa's own 19th century design book. Blue underglaze and red, yellow and gold overglaze enamel decoration. Mt. Fuji mark inside the foot ring. Late Meiji or early Taisho. One small, "flea bite" chip back of the rim (no cracks or lines.) We are happy to quote a group price or entertain an offer for all available pieces we have in this pattern.

Late Meiji period (1890s to 1912) Japanese buffalo horn kushi (hair comb) with carved perforated brocade design and relief roundels with blooming flowers. Beautifully made out of gold color horn with darker horn inlays, fine carving, wonderful work in Japanese taste, overall in very good condition. Length 4.48 inches.

Late Meiji period (1890s to 1912) Japanese buffalo horn kushi (hair comb) with lacquer decoration of a river bank with growing bamboo and stones in a woven rattan container - such bundles were used for shoring riverbanks during floods. Beautifully made, excellent lacquer work, wonderful piece in Japanese taste, some insect damage as can be seen on photos. Signed in rectangular reserve with 2 characters possibly reading KOTO followed by red seal. Length 3.38 inches.

Historically, fusuma were often painted with scenes from nature such as mountains, forests, or animals. The traditional scale of the door is 5'7". The Hinoki wood panels are painted with Rimpa paint and flecks of gold, creating a mist. The floral composition is with camellia, cherry blossom, hollyhock, and chrysanthemums.

The camellia flowers symbolize young sons and daughter. Tsubaki (camellia) symbolizes the divine, faithfulness and longevity...

A Fukagawa tea pot. Iris decoration from Chuji Fukagawa's own 19th century design book. Blue underglaze and red, yellow and gold overglaze enamel decoration. Mt. Fuji mark inside the foot ring and Mt. Fuji with Fukagawa Sei in underglaze blue inside the cover. 4 1/8 inches to finial. 7 inches from handle to spout tip. Late Meiji or early Taisho. Good condition save smallest glaze frits on spout tip...