This is japanese Indigo dye shibori cotton kimono textile of the Meiji era(1868-1910). It has a few thin stains. However, it does not have damage.It is made of hand-spun natural indigo dyed cotton. The part in front of the sleeve has sewing together. size:Length 138cm (54.3") sleeve to sleeve 121cm (47.6")

A covered bowl or tureen probably made for the European market, but of conventional Japanese form, decorated with a pattern of Peony branches to the exterior in iron red and underglaze blue with green and black enamels and gilding. The interior painted with an enamelled green and black peony petal mon covering a round area of unglazed biscuit porcelain, that suggests that further bowls may have been stacked within the bowl during the original firing...

Antique Japanese choba tansu (merchant's chest), kiri (paulownia) wood with beautiful iron hardware, large cut out iron lock plates, square drawer pulls, safe box in lower right corner with heavy iron work on door ( 1 key), interior of safe has 3 small kiri drawers, (total of 9 drawers of different sizes on whole piece), Edo Period (c1850). Size: 30 1/2" high x 24" wide x 12 1/2" deep.

Japanese antique silk Elegant formal katsugi-kimono.It is thin silk.It has a few thin stains in several places. However, The stain does not stand out.It is no damage.They are not disturbing, and as a whole it is in very good condition.size:Length 148cm (58.2inch) sleeve to sleeve 127cm (49.9inch)

This is tsutsugaki & handwriting fireman's cotton coat sashiko hanten coat of a splendid firefighter of the late Tokugawa period of the Edo era(1800-1867). A fight of kawanakajima is a design. It is a very high technique. A samurai (takeda shingen and uesugi kenshin) and a horse are drawn and are also the uplifting feeling and the excitement which seem to begin to move shortly. And there is sashiko stitch on the entire surface by hand. As for it, length is longish with 92cm...

Beautiful and rare large Japanese futon tansu, two sections, all keyaki front with dramatic grain, top section has 4 sliding panels which open to one large compartment, bottom section has 9 drawers of various sizes, a pair of sliding panels with horizontal slats covers a compartment with two small drawers, iron hardware including hirute shaped drawer pulls, the large sliding panels have bronze pulls with a chrysanthemum motif, beautiful deep brown original lacquer finish, Meiji Period. ...

Antique Japanese Gyosho Bako (merchant's chest) made with Kiri (paulownia) wood in all original finish. Each side has original iron rings for straps to feed through to Create a Backpack.
Originally used as an backpack to carry from one town to the next. Merchant selling his objects or services that he contained within this piece. The front has two hinged locking doors with several drawers hidden within. Beautiful original finish and condition...

A large, very decorative blue and white Imari vase from the 19th. century with a underglaze blue mark to the base. H. : 78 Condition : No damage . There is a fiering crack from the time when this vase was produced ( which can be seen on the last enlargement ) so that it is legitim to say that this piece is in it´s perfect original condition.

Antique silk Kesa, an outer garment worn by Japanese Buddhist priests, cotton liner, padded with paper, late Edo to early Meiji period. Dimensions: 76 1/2" x 43 1/2"

This is Indigo dye cotton dotyugi coat of the Edo era(1800-1868). It is made of hand-spun and hand-woven and natural indigo dyed cotton. It is katazome, and, as for the lining, the motif of the plover is very beautiful. It has a few thin stains. However, as a whole it is in very good condition. size:111cm x 126cm (43.7" x 49.6")

Kesa was originally made from old scraps of material donated to the priests. The scraps became finer and quite luxious in time. People who gave to Buddhist institutions were often keen to give very expensive items, so some fabulous kesas were created from wonderful silk brocades. This also could mean that the wealthier temples end up collecting the better fabrics or are able to send out for the expensive custom made kesas...

One of a collection of three fantastic and rare, large Edo Period Iki masks, de-accessioned from the Musée Archéologique in Strasbourg, France during the mid-20th Century. These three are rare for their large size. They have never before been offered on the art market. The other two masks are posted on this site. Carved Poloma wood with gofun (oyster shell lacquer), glass eyes and human hair. 9 inches (23 cm) high x 8 inches (20 cm) wide.

Antique Japanese Gyosho Bako, Edo Period, mid 19th century. It has two moving locks on the exterior. The interior has one large drawer and seven smaller drawers. It measures 13" wide 18" deep 31.5" tall.

This is silk tsumugi yuzen kimono textile in the edo-bakumatsu(1800-1868) age. It is very graceful and is beautiful. There are a little stain and damage. However, it is overall good. size:140cm x 124cm (55.1" x 48.8")

Unusual Antique Japanese two section (imho) clothing tansu with a kiri wood front and beautiful lacquered top, sides, and back. Each drawer has a round iron lockplate with the image of a crane. Nice small size for a two section tansu. Original finish. Meiji Period (1868 - 1912). Size: 37" H x 35" L x 16" W

Antique Japanese tray carved in the form of a leaf out of burl wood, beautifully modeled with twisting branches, a smaller leaf and seed pods, the beauty of the burl is highlighted in this naturalistic carving, Meiji Period. Size: 19 1/4" wide x 19" wide

A fine square form dish kakuzara decorated with a scene of a large Pavillion or Temple Complex set upon a lakeside shore with Peony scroll motifs to two corners and a high foot ring with traditional comb foot. The design is one of those originally selected by the Shogun Ieharu (1737-1786) in 1773, and continued to be tendered and reserved for presentation to the Shogun during the Edo period...

This is long Coat which Kagokaki wore for Edo period. This is dyed repeatedly many times by a beautiful natural indigo plant. It is an original act in this respect. Therefore an indigo plant is left densely. As for this which this is Katazome of most Tsutsugaki and some parts, and is produced, cotton spun by hand is thick. This cotton is typical cotton used in country side. For Edo period, much local cotton can watch the taste that is great Folky...