Japanese Metal Tsuba shape Ojime, Ca. 1900 Meiji, 7/16" high, 7/16" wide, decorated with the raised gilded Birds on the Plum Flowering Trees on the both sides of the two(2) shades of Bronze color of shape of the Tsuba, one side is darker than the other. Cord go through the holes on the top and the bottom and connect with Netsuke.

Two(2) Japanese Bronze Fukurokuju, Ca. 1900 Meiji, one of the Seven Lucky God, representing "Longevity" and "Wisdom", 3/4" high, 5/8" wide, typical details of holding precious object with both hands in front with very long head, the condition is good.

Antique Japanese Buddhist Pilgrim's coat. Buddhist monks associated with the teachings of Kukai (or Kobo Daishi) would embark on a pilgrimage to visit the 88 temples on the island of Shikoku. Upon arriving to each temple, the monk would bathe before giving offerings and reciting prayers as well as receive a stamp distinctive to each temple. Normally a monk would carry around a special stamp book however it is not unusual to stamp the monk's coat as seen here...

Antique Japanese studio ware porcelain vase, carved all over with a raised design of a dragon in swirling clouds over churning waves. The clouds are covered with a glaze that gradates from a deep blue at the top to a light blue where they meet the waves. Both the dragon and the waves are kept white with a very pale light pink glaze on the dragon's flames. A band of repeating lingzhi pattern in blue underglaze encircles the rim and foot of the vase...

19th century netsuke carved as a theatrical mask of Bishamon - one of the 7 Gods of Good Fortune. He is a God of riches, an equivalent of Vaishravana, and thus is the protector of the Northern direction. Wonderful face with a touch of madness, made in saishiki technique - the wood is covered with gesso, which in turn is painted in bright colors, some of them in low relief layers. Very well carved and painted, obvious losses to paint, wonderful feel of age. Height 1 9/16 inches.

Late Meiji (1890s - 1910s) lacquered wood netsuke representing a theatrical mask of Oto (Okame) smiling widely and mockingly sticking out her tongue. Wonderful crisp detailing, beautifully painted, nice warm patina. Signed SANYU on the back. Height 1 13/16 inches.

Early 19th century decent size wooden netsuke representing a theatrical mask of horned demon Hannya. Wonderful crisp detailing, eyes are inlaid with brass giving them an eery intensity, beautiful lustrous patina from wear. Height 2 3/8 inches.

19th century boxwood netsuke representing a theatrical mask of Buaku type. Wonderful quality detailed carving, lighter wood (probably ichii - Japanese yew wood), excellent staining and patina. The signature on the back bar appears to read GENRYO followed by kakihan (carved monogram) of the artist. Height 1 1/4 inches.

19th century netsuke representing theatrical mask of Shojo. Shojo are mythical creatures living near the sea, and are particularly fond of sake. Made in saishiki technique - the wood is covered with gesso, which in turn is painted in bright colors. Some obvious losses to paint from wear. Great modeling, wonderful depiction of its face and hair. Inscribed or signed on the back bar, but impossible to read because of paint losses . Height 1 1/2 inches.

19th century wooden netsuke of a theatrical mask, traces of painted mustache identifies the character as Chujo. Made in saishiki technique - the wood is covered with gesso, which in turn is painted in bright colors. A lot of wear to the surface, but still has good presence. Height 1 9/16 inches.

19th century netsuke carved as a theatrical mask of a SHOJO - mythical creatures living near the sea who are particularly fond of sake. Wonderful quality carving on ichii (Japanese yew wood) with clever use of wood texture to add to the charm of the piece, that being typical for the Hida school of netsuke carvers. Very nice tranquil face, beautiful staining and patina, old losses by its left eyebrow and on the right upper side on the back as can be seen on photos...

Small silver vase with flared and hemmed neck. A finely chiseled snake is wrapped around the neck and an enameled chrysanthemum. The lower body is enamelled in polychromy by silver wire partitions. Under a round base there is a signature in a golden cartouche of Mitsu Shige. Period: Meiji. Height: 10cm (4")

Antique Japanese mokugyo, fish bell, carved of keyaki (zelkova, elm) wood with traces of red and white lacquer. This wooden temple bell was used by Buddhist priest during religious ceremonies and chants. Laid on it's side on a pillow, the bell was struck to a rhythm to match the cadence of the chant. The carving on the bell is of two fish embracing a pearl, a symbol of unity. The fish themselves symbolize wakefulness, in this case to remind the chanters to focus on the sutra...

Antique Japanese jizai-kagi in the form of a catfish. In a Japanese home, water in a kettle or pot is heated over an irori (sunken hearth). The jizai hook hangs from a strong ceiling beam. From this, a long device is suspended with a hook on the end that can be adjusted up or down by moving the jizai-kagi. This unusual jizai-kagi is carved of kayaki (zelkova elm) wood and has patination from hearth smoke. A portion of it's original iron chain is still attached...

Antique Japanese stoneware kame (wide mouthed bowl) from Shigaraki kiln. Made using the local sandy clay from the bed of Lake Biwa, Shigaraki ware is identified by the embedded granules of feldspar. Mineral and ash glaze is dribbled and spattered over the surface leaving long, uneven drips...

Late Meiji (1890s to 1912) Japanese boxwood seal, most probably used in a temple to stamp pilgrimage papers. The impression of the seal is shown on the first photo (image is flipped left to right to present the image as it will actually print on paper). Excellent quality crisp carving of 2 rows of differently sized characters, caked old red seal paste on the bottom. Metal stud on the side indicates the position of the top of the imprint. Beautiful patina on the surface of wood...

An antique Japanese Choba Tansu (merchant chest) made of Keyaki (Zelkova) and Hinoki (Cypress) woods. Original wiped lacquer technique finish and hand made iron hardware. The lock knobs feature a Plum Blossom design and the design of the handles is a straight Gumbai. Sliding side by side doors open to a spacious area where once merchant books and records were stored.

A rare feature of this chest are the hidden compartments under the four bottom side by side drawers...

Antique Japanese carved boxwood jizai-okimono of a dragon. Literally meaning "decorative object, moves at will", this jizai-okimono is made up of many separately carved moving pieces. There are differing theories about why these articulated creatures came to be made, the most accepted being that the armorers who normally created suits started crafting jizai-okimono as a way to show off their skills to daimyos in hopes of being chosen next time their armor needed to be replaced...