Slightly distorted shoe shaped (kutsugata) tea bowl with a rounded brim, made of light, coarse, unrefined Mino clay. The expertly thrown body was trimmed with a potter's knife in its lower part around the foot ring.

In the style of Ao-Kuro bowls this bowl was covered with a green copper oxide glaze. Two windows on two sides were left unglazed...

Stemming from the philosophy of wabi-sabi—often described as the beauty found in the imperfection and transience of the world—cracks and repairs in a work of pottery are often seen as highlighting the history and importance of a ceramic object. Practitioners of tea in particular are fond of reminding us that works repaired with lacquer and gold such as the one featured here become more resilient and beautiful for having been damaged...

We offer a really rare kiseto ( yellow seto ware ) chawan from the Momoyama Period with tanpan marks ( copper green marks ).

It is a high fired ware from the end of the 16th. century in the Aburage-Hada style.

The early Kiseto glazes ( yellow Seto ) from the Muromachi period are considered to be attempts to emulate Chinese celadons from the Song dynasty...

The large characters in the center of this scroll "南無妙法蓮華経" are pronounced as "Namu Myōho Renge Kyō” in English — a phrase associated with Nichiren Buddhism that is often recited as a mantra, expressing devotion to the Lotus Sutra. This sutra is one of the main tenants of Nichiren and is thought by devotees to be the ultimate law and truth of the universe...

Here is a real beauty. Perfect in form, shape and design: Ao-Oribe (Green Oribe) Chawan from the early stage of Edo period. Little distorted half cylinder shaped (kutsugata) tea bowl with slightly flaring mouth made of light, unrefined Mino clay.

The expertly thrown body was trimmed with a potters knife and covered with the typical green copper oxide glaze inside and outside...

Our collection of Tea Bowls offer always spectacular chawans - this is one of our best: Hakeme Glazed Ko-Hagi Chawan Dating to 17th Century made by the first Saka Koraizaemon.

Toujin-bue (Chinese flute) flat shaped tea bowl made of coarse, unfined clay with a high content of iron oxide. The body shows the tracks of the fingers when it was thrown on the Korean kick-wheel. The rim is a little uneven (intentionally). The unglazed foot ring was executed in the Korean bamboo node style...

A quintessential 16th century design in worn gold covers all the dark surfaces of this lacquered wooden box dating from the Momoyama period. Here auspicious cranes and turtles, reported to live a thousand years, laze among pines. About the lid boaters enjoy leisure seas. Ichimonji checkerboard patterns rising diagonally up the sides alternate with garden trees, the ends decorated with wisteria and ivy. The box retains the original inner tray in festive red decorated with garden grasses...

A unique early Edo Period 17th Century rectangular Lacquer Incense Box, with high relief and decorated with Gold Takamakie technique on thick Nashiji ground. Takamakie is a kind of relief combined with the Hiramakie technique. The base of the relief is made with charcoal powder. Hiramakie is　sprinkling metal powder or grains, sticking them onto the surface, using the adhesive ability of urushi tree sap...

Cylinder shaped (hanzutsu) tea bowl made of light, fine, unrefined Mino clay dating to early Edo Period. Shape and style make it appear contemporary with the late Oribe bowls.

The expertly thrown body is covered with the typical black oniita engobe inside and outside - with the exception of the bottom - over which a white, feldspatic Shino glaze has been poured...

A spectacular collapsed pottery jar from the Karatsu tradition with a purpose-warped wooden lid covered in powdered silver enclosed in a top quality ancient red-lacquered kiri-wood box lined with wave-patterned colored-paper. The ancient box has silver lacquer writing on the top reading Kodai Karatsu Tsubo, Kamakura Ki, Mizusashi (Ancient Karatsu Tsubo, Kamakura Period, Mizusashi). The pot is 17 cm (7 inches) diameter, 15 cm (6 inches) tall and in overall excellent condition.

An exceptional web of gold interspersed with nishiki-cloth patterned designs on gold lacquer fuses this once broken 16th-17th century Koro with ami-me net patterned solid silver lid. This was likely originally made as a tea cup, considering that the entire interior is glazed. Broken and reassembled using the Kintsugi gold technique and placing unusual patterns on the missing portions, this is an exceptional work of art...

A small bronze, hakudo (white bronze), early handled mirror 17.2cm long. The mirror portion measuring 7.7cm in diameter. Typically for an early bronze mirror, it is basically a round handleless mirror, even down to a pierced boss for the attachment of a ribbon, with an attached handle...

AN OLD JAPANESE PAINTING OF MONJU BOSATSU.

Monju Bosatsu - Manjushri Bodhisattva of Wisdom. The painting appears to have great age and even though not in the best of condition it still has a compelling presence. It is painted on a composite sheet of thin paper, the joins can be seen as angled lines across the sheet and mounted as a kakemono. The painting is signed with a single seal impression in gold.

The painted area is approximately 106cm by 40.5cm. The painting has ho...

Japanese Arita blue and white plate, decorated with an insect on a rock, within a scrolling floral border. L17thC. Dia.8 1/4" (20.9cm). Condition: excellent, no damage.

Japanese Blue and White Ewer with a loop handle. Decorated in the Chinese Transitional style with figures on a terrace. Arita C1670/80. Height 8 1/4" (20.8cm). Condition; some glaze crazing mainly to foot.

A Bizen Chawan ( Teabowl ) . Dark stoneware covered with a very decorative glaze. Probably 17th. century or later. Diameter : 14,7 cm. H : 6,8 cm. Condition : Perfect. Provenance : Former collection of a German diplomat in Japan.

A finely molded Kakiemon shallow bowl, five inches in diameter, the center of which is decorated in iron-red, blue, yellow and green enamel.

Ex-Christies

Condition: Excellent

A good early Arita Ewer of European form, probably derived from a German stoneware precedent, and decorated in the style of Chinese Transitional export ware with a repeating pattern of bands of Birds and flowers. The jug stands 21.5cm and is in good condition with no chips or restorations, a short trivial hairline to the rim and to the handle, see image no 5. These are usually dated to the period 1660-80. See The Voyage of Old Imari Porcelains No 132 for a Jug of similar form and decoration ther...