Ivory netsuke depicting a sitting monkey holding a peach, with the little one next to him stretching out his hand to ask for the fruit. Himotoshi is natural. Period: Meiji end of 19th century. Dimensions: 3.3 x 3.3 x 2.3 cm. Conservation status: Excellent condition

Ivory manju netsuke with inlays in the Shibayama technique depicting one of the seven Deities of good luck: Fukurokuju 福禄寿, god of knowledge and long life. The netsuke is signed Kōgyokusai 光玉齋 with ivory engraving on the back. Period: Meiji end of 19th century. Dimensions: 1.6 x 4.3 cm. Conservation status: Excellent condition

Ivory okimono depicting the goddess Kannon standing on a lotus flower. With her right hand she holds a koro while with her other hand she holds a jewel that grants her wishes. She signs Gyokushin 玉心 engraved on red lacquer under the base. Period: Meiji end of 19th century. Dimensions: 25 x 7 x 6 cm. Conservation status: Excellent condition

Ivory okimono, depicting a farmer with an Onagadori rooster and a child on his shoulder offering food to the rooster. The sculpture, carved from a single block, is finely engraved with details of the rooster's feathers and kimono. The Hōzan signature is engraved on red lacquer under the base. Period: Meiji end of 19th century. Dimensions: 27 x 8 x 6 cm. Conservation status: Excellent condition

This is a japanese antique indigo dye cotto tsutsugaki futon cover.It is a design of plovers, waves and family crests.Hand-spun, natural indigo-dyed cotton that is thick and has a very nice texture.There is a very light stain, but it is not noticeable. It is in very good condition with no damage. Size::length:162㎝　/ Width129cm

19th Century Japanese Cast Iron with Gold & Silver Inlay Tea Kettle Tetsubin Signed Ryubundou (Kinryu-Do) at the lid

It is 9.45 inches (24 cm) tall measured with handle up and 5.11 inches (13 cm) tall measured with handle down by 7.09 inches (18 cm) wide. It is 1950 gram. It will hold 1400 (ml) CC of water.

It is tarnished and has oxidation, rust, rubbing of gold, cut marks at the rim at the underside of the lid, and surface wears and scratches (as seen in the photos)...

An image of the white robed Kannon (Quanyin), Goddess of Mercy, by Mashimizu Zoroku dating from the early 20th century. Exquisitely crafted, The figure is 14.5 x 12 x 21.5 cm (5-3/4 x 4-3/4 x 8-1/2 inches) and is in excellent condition.
Kannon, also known as Guan-yin in Chinese or Avalokitasvara is a Bodhisattva, (one who has prolonged their own eternal enlightenment to stay behind to alleviate the suffering of others in this ephemeral world...

1938's Japanese Woodblock Print Paul Jacoulet Sunset Menado Celebres "Coucher De Soleil A Menado"

It is 17 inches (43.3 cm) long by 13.38 inches (34 cm) wide.

It has creases, dog ears corners, stains, browning, yellowing, fading, toning, foxing, discoloration, and tapes at the back (as seen in the photos).

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A small Shigaraki pottery urn of very rough clay dating from the 16th century covered in thin natural ash glaze. The squat form known as Uzukumaru is very popular for its simplicity in Japanese Tea Aesthetics. About the shoulder is a lattice fence design engraved into the earth, otherwise it is unadorned and very humble. It is 14 cm (5-1/2 inches) diameter, roughly the same height enclosed in an ancient wooden storage box...

A pair of masks representing the two variations of Tengu, the long nosed Tengu and the Karasu (Crow) Tengu mounted on a wooden placard dating from the Meiji period. Each mask is of carved and lacquered wood with inset glass eyes. The placard is 38cm (15 inches) wide 22.5 cm (9 inches) tall and the masks are roughly 11 cm (4 inches plus) in depth. It looks as if the Karasu Tengu mask has had the eyes repaired, and they appear cloudy by comparison to those of the the long nosed partner...

An anonymous hyper realistic ceramic version of a skull about which crawls snake, circling down the cheek and exiting through the eye socket, late Meiji to Taisho period. It is 11 x 16.5 x 10 cm. This type of object was popular in the later 19th to early 20th centuries as a talisman. The dilapidated wooden box bears a label reading Mayoke Ko-To-Sei Dokuro (Protective Old Ceramic Skull).

Cotton furoshiki, indigo dye wrapping cloth with shop's name , which is chain stitched with cotton yarn. It also has sashiko in two corners. Some small rips and mending patches. The first half of the 20th century. W:136cm, L:134cm

The bird-faced Kami (god) Doryo Daigongen strikes a powerful pose astride the back of a mischievous white fox. Doryo is purported to have been an ascetic monk who turned himself into a Tengu when he vowed on his deathbed to protect the Mountain Temple Complex of Daiyuzen in modern day Kanagawa prefecture. This legend inspired a cult which rose to great prominence in the Edo period. To this cult the figure was the ward of Budo (martial arts)...

A beautifully formed earthen flask from the Bizen region, the fire-buffed side still gleaming softly while opposite it has absorbed time into the porous clay. It comes enclosed in a box titled Ko Bizen Kaijo Ko-Tokkuri, inside the lid is annotated the dimensions and the dating Momoyama Jidai no Saku (Made in the Momoyama period) signed by the great Bizen connoisseur Katsura Matasaburo. It is 6.5 cm (2-1/2 inches) diameter, 13.5 cm (5-1/4 inches) tall and in overall fine condition...

Antique Japanese bronze usubata in the shape of a boat. Held up by little waves, it seems to float along on the water. Made for ikebana flower arranging. Signature on the bottom in a raised cartouche.

Age: Meiji Period (1868-1912)

Dimensions: 5 1/4" high x 9" long x 5 1/4" wide

Japanese antique woodblock print by Utamaro (1753-1806) of a young nobleman on horseback holding a hunting falcon. Surrounding his horse are three beautiful female attendants and a young boy holding another falcon. In the background, Mt Fuji rises from the mist.

Utamaro is most famous for his bijin-ga (pictures of beauties). He was taught by Sekien and heavily influence by Kiyonaga. Utamaro is considered one of the great masters of Japanese woodblock printing...

Japanese antique woodblock print by Utagawa Toyokuni I (1769-1825) of a woman and boy. The lady holds a bamboo branch festooned with decorations possibly for the Tanabata Festival. In the upper left is a blossoming branch hung with paper strips of writing (tanzaku). During Tanabata this writing would be wishes.
Toyokuni I started work in the studio of Toyoharu at the age of 14. He was heavily influenced by the print artist, Utamaro...

Bag made of one kind of hemp, probably imported one, such as jute or sisal, which is used for coins. It has many mending patches. Late 19th to early 20th century. W:38.5cm, L:70cm