Wooden netsuke representing two frogs with horn eyes. They are hanging on a round water lily, on and under it.

The frog (kaeru) is associated with luck and wealth. Kaeru means both "frog" and "coming home" in Japanese. This extension of meaning is due to the ability of the frog to return each year to the pond of its birth...

Blue and White Makuzu Kozan Studio Vase, Meiji Period (1868-1912)

It is 14.5 inches (37 cm) tall and 7.25 inches (18.5cm) wide.

It is in good condition with no repairs, chips, or cracks.

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% refund of the amount you originally paid...

Stemming from the philosophy of wabi-sabi—often described as the beauty found in the imperfection and transience of the world—cracks and repairs in a work of pottery are often seen as highlighting the history and importance of a ceramic object. Practitioners of tea in particular are fond of reminding us that works repaired with lacquer and gold such as the one featured here become more resilient and beautiful for having been damaged...

Banko pottery teapot with polychrome birds decoration in relief on a natural background imitating a basketry resting on a saddle. Different birds decorate the edges of the teapot, the neck of one of them and the tail of another forming the passersby of the handle, a duck with outstretched wings and a large beak forming the spout.

Banko pottery is a type of Japanese pottery originating from Yokkaichi (Mie prefecture) in central Japan...

Meiji Era futon-ji; indigo dyed cotton with tsutsugaki (free-hand drawn resist) image of the Three Friends of Winter: Pine, Bamboo, and Plum. L.150cm(59") x W.128cm(50"). Such bedding covers were given as part of a bride's dowry, commissioned with auspicious images or a family crest by the bride's family...

This is a part of Deer dance (folk dance) cotton Costume rare (1868-1912). It is very impressive and is like a folk handicraft. It has thin stain and damage. However, it is very good condition generally.Straw enters inside. size:64cm x 62cm (25.2" x 24.4" )

Antique Japanese fine lacquered kogo box for holding incense. Comprised of 3 stacking compartments, the lower of which has a gilt copper lining. The overall shape is that of a textile knot (musubi) with ornate patterns in gold takamaki-e on black and nashiji lacquer. The sides of the box are further decorated with a landscape of trees on a rocky outcropping, a village of thatched roof huts, and low hills near a lake, all on a fine nashiji ground. With signed kiri wood tomobako...

This is antique Indigo dye Stripe cotton sashiko boro noragi textile of the Meiji era(1868-1912). It is boro cotton and patchwork of very beautiful indigo dyeing. All this sashiko stitches are made by hand. I can enjoy it with the both sides. It is very rare textile. This is textile made in the japan Seto Inland Sea district.I recommend it to collection of you. size:114cm x 113cm (44.9" x 44.5") Box.G

Edo period (19c) Aka Raku Chawan (Tea bowl) made by Ninnami Dohachi.
Slightly deformed on one side, with unglazed foot ring.

Good example of well-known Dohachi family red Raku tea ware made in late Edo period, this would make an valuable addition to any collection of Japanese antique ceramics.

One of the most brilliant Kyoto potter of the Edo era, Ninnami Dohachi is renowned for the revival of the Kyo ware that flourished during the late Edo period...

Girl's kimono made of hand-spun cotton with flower motif which is Yuzen-zome (hand-painting). The ground cloth is benibana (safflower) dye. Benibana was grown in Yamagata prefecture in Edo period, and it was very precious. It was traded to Kyoto and dyed there for kosode kimono or others for women of a family of high-ranking samurai or merchants. Benibana dye has faded in upper back, but generally in good condition. Late Edo period (mid 19th century) W122cm, L:124cm

Museum quality Japanese kimono - uchikake wedding gown. The condition of this kimono is excellent, amazingly well preserved without damage or repair. The black area has different shades with a muddy black color, particularly on the sleeves and the middle section of kimono where the black gradually changes to white. The gown is thinly padded (silk wadding) throughout and feather light with very soft silk. The dimension: 50 1/2 inches sleeve to sleeve, 59 inches long...

Antique Japanese round hibachi made of kiri (paulownia) wood and lacquered with highly raised maki-e design of irises and hydrangeas. Exuberant blossoms in gold and black lacquer with shell inlay. With a copper insert. This hibachi was originally used as a household brazier.

Age: Meiji Period (1868-1912)

Dimensions: 9" high x 15" wide

Antique Japanese 4 piece wood carving of Fudō Myō-ō, the center deity of the Myō-ō in Buddhist mythology. The Myō-ō are wrathful incarnations of the Five Buddhas of Wisdom. This Fudo has been wonderfully and carefully carved with a large wall of purifying flames behind him. He has large, vengeful glass eyes and wields his sword called Kurikara in his right hand, and a rope in his left with which to bind and subdue demons...

Large Makuzu Kozan Studio Vase with Relief Fans, Rings, & Garden Scenes, Meiji Period (1868-1912)

It is 15 inches (38 cm) tall, and 7.5 inches (19 cm) wide.

It is in good condition with no cracks, except manufacture defect of firing cracks that has been repaired by the manufacture, missing the small rings, and chips at the fan holder (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell...

Amazing boro sodenashi (sleeveless) noragi, whose ground cloth as well as mending patches are mostly vegetable indigo dye cotton cloth. Some of sashiko yarns are indigo dye hemp. Late 19th century. It is from Niigata prefecture. W:62cm, L:80cm

When the founder of the Urasenke style of tea ceremony, Sen-So Soshitsu (1622 -1697) was invited to Kanazawa as the lord of the tea ceremony for the powerful Kaga lords in 1666, the first Chozaemon came with him and established Ohi-yaki ware in Kanazawa. Chozaemon had been the chief apprentice for the Raku family in Kyoto and took with him many of the principles and ideas associated with Raku-ware...

This remarkable hira tea bowl displays a subtle grace and refined elegance grounded in classic form, masterfully applied glazing, and a delightful rustic feel bestowed by the hand of time. Though the glazing is described as shiro-yu, or white glazing, it appears more of a creamy shade of beige. The fine crackles of the glaze, the soft flowing edges, and the excellent patina combine to really make this Kiyomizu tea bowl shine.

The birth of Kiyomizu-yaki, with its over 400 years of hi...

Antique Japanese chop case made of boxwood and carved with a beautiful lady. The Inside of the box is still coated with powdered orange-red seal ink, at the base of the box is a semi circular bead made of amber, the top of the box is closed with a bead of bone and a smaller one of coral, the toggle is the shell of a cone snail, the sea creature hunts with a venomous barb. Meiji Period (1868 - 1912) Size of the box: 3" High