Japanese Totai Cloisonne Vase, enamel with silver wire work on Earthenware, signed in red "Kinkosan" under the high foot base, Ca. late 1800's, late Meiji period, 12" high, 4 3/4" wide-maximum width. The main body has colorful floral design enamel work divided by silver wire inside two(2) cartouches on each side on powder blue background, and more individual enamel floral design on the green Turquoise color background outside the cartouches...

Late 18th to early 19th century glass ojime (slide bead for tightening the cord going from netsuke to inro) in flattened ball shape with continuous flower decoration in yellow and green. Beautifully made, wonderful feel of age, very pleasant patina. Diameter 0.8 Inches.

Late 18th to early 19th century glass ojime (slide bead for tightening the cord going from netsuke to inro) in ball shape with yellow, red, blue and white herringbone pattern. Beautifully made, wonderful feel of age, very pleasant patina. Diameter 0.76 Inches.

Taisho period (1920s) lacquered wood kogo (box for incense during tea ceremony), its top decorated with two roundels, one containing bamboo and the other cherry flowers. Elegant object in Japanese taste, the body is made out of kiri (Paulownia tree) wood, perfect lacquer work, two parts fit perfectly, beautiful surfaces, in excellent condition. Diameter 1.82 inches.

Taisho period (1920s) wood kogo (box for incense during tea ceremony), its top decorated in lacquer with uprooted flower with leaves and roots. Elegant object in Japanese taste, the body is made out of kiri (Paulownia tree) wood, perfect lacquer work, two parts fit perfectly, beautiful surfaces, in excellent condition. Diameter 1.9 inches.

A real cute, Kawai miniature Kyusu style teapot for green tea with a side handle, made in the tradition of (Otagaki) Rengetsu yaki, from Okasaki production center, Kyoto. Chamotte with a nice craquelure glaze. Size L 10 x h 4 cm. Otagaki Rengetsu (1791–1875) was a Buddhist nun, famous for her calligraphy but also for her production of ceramics for tea appreciation which she would embellish with her poems. Meiji 1868-1912. Good condition.

Late 18th to early 19th century glass ojime (slide bead for tightening the cord going from netsuke to inro) in ball shape with yellow body and red/white/black “eyes”. Beautifully made, wonderful feel of age, very pleasant patina. Diameter 0.75 Inches.

19th century staghorn ojime (slide bead for tightening the cord going from netsuke to inro) carved in a shape of a gourd with leaf. Good design, green staining, natural imperfections in staghorn, overall in very good condition. Height 11/16 inches.

19th century coral ojime (slide bead for tightening the cord going from netsuke to inro) of simple barrel shape. True coral of beautiful deep red natural color (not stained), nice patina on the surface. Height 3/8 inches.

Cotton cloth with katazome (stencil-resist-dye) and dyed with pigments, which is called "wa-sarasa", Japanese chintz. It was produced from late Edo to early Meiji period. This one is "Sakai-sarasa", made in Sakai in Osaka. The second half of the 19th century. In excellent condition. W:34cm, L:120cm

Tatougami which was used at the pawnshop for wrapping pawned items. The name of the shop is "koyama Shichi-ten" and it has the shop's logo "小" in the square. It is a few layers of old washi (handmade paper) pasted together and painted with kakishibu (persimmon tannin) for strength and waterproof. Shichiya (pawn shop) appeared in Kamakura period and developed much in Edo period. 19th century. 32cm x 81cm

Japanese Wood and Staghorn Ojime, 19th C. Meiji period, 3/4" wide in the center widest part, 3/4" high, front and back is Staghorn, center is wood, round bead shape with deep carved lines, 2 holes on both side where cord go through between Netsuke and Inro.

Tatougami which was used at the pawnshop for wrapping pawned items. The name of the shop is "koyama Shichi-ten" and it has the shop's logo "小" in the square. It is a few layers of old washi (handmade paper) pasted together and painted with kakishibu (persimmon tannin) for strength and waterproof. Shichiya (pawn shop) appeared in Kamakura period and developed much in Edo period. 19th century, however one of mending paper has letters "Taisho 4 (1916). Top:87cm x 32cm, Bottom:75cm x 32cm

Late Meiji (1890s to 1912) Japanese boxwood seal, most probably used in a temple to stamp pilgrimage papers. The impression of the seal is shown on the first photo (image is flipped left to right to present the image as it will actually print on paper). Excellent quality crisp carving of 2 rows of differently sized characters, caked old red seal paste on the bottom. Metal stud on the side indicates the position of the top of the imprint. Beautiful patina on the surface of wood...

19th century glass ojime (slide bead for tightening the cord going from netsuke to inro) in seed shape made to imitate layered agate stone. Beautifully made, wonderful feel of age, very pleasant patina. Length 1.18 Inches.

Late Meiji (1890s to 1912) Japanese temple boxwood seal of square section. Excellent quality crisp carving in seal script, old red seal paste in the grooves. Metal stud on the side indicates the position of the top of the imprint. Beautiful patina on the surface of wood. The impression of the seal is shown on Enlargement 1 (photo is flipped left to right to present the image as it will actually print on paper). Height 2.4 inches, base 0.93 inches square.

19th century Japanese bronze / brass tobacco pipe with flattened body inscribed with a lengthy poem on one side and 4 characters on the other. Smoking end has characteristic small bowl - Japanese used finely shredded tobacco and usually made just 2-3 puffs...

Japanese Meiji Period woodblock print from the series "The Calendar of Events in Edo Theater" by Adachi Ginko (1874-1897) dated in the left margin Meiji 30 (1897) 1st month 11th day. The series depicts various scenes and events surrounding kabuki theater. This image depicts several actors and musicians on stage. One actor, holding a fan above his head, dances in bare feet. The red fish peering from behind his back suggests he might be a fisherman...