A very interesting chawan (tea bowl) from the Korean Joseon period (Richo in Japanese; 1392-1897). This particular piece appears to date from the 15th/ 16th century and comes with what may be the original box and a quite old silk pouch. The light creamy crackled glaze is smooth in the hand and fine hairline fractures radiating along the walls of the bowl show remnants of gold repairs from previous centuries...
No longer in existence, the Kahara kiln of Nagasaki—where this tea bowl was crafted—operated from the early to mid Imari period (roughly 1624 - 1671).
A magnificent composite, this piece was excavated from the kiln grounds and repaired using boldly applied silver joinery (gintsugi)...
17th century Karatsu ware Tea Bowl (Chawan) made in Kihara kiln in Kyushu region
Kihara kiln of Kyushu region was operating during the transition times between the decline of Karatsu tea ceremonial ware and the raise of Shoki-Imari ware (approx...
Only one of a kind! Distorted half cylinder shaped (near kutsugata) tea bowl made of light, coarse unrefined Mino clay. It dates from the Momoyama Period.
The expertly thrown body is covered with the typical feldspatic shino glaze inside and outside, with the exception of the bottom' the roughly cut foot ring. A very minor iron oxide content of the clay has changed the white shino glaze to light pink (beni). This is absolutely rare...
The decoration of flowers on this khendi has been reduced to the absolute minimum possibly denoting its destination as South East Asia where early exports from Arita were made.
Approximately 20cm high. Weight: 1.30 kg...
Rough unrefined Shigaraki clay, with little iron oxide, thrown into the shape of a small tsubo called 'uzukumaru'. The unglazed body was scorched by the fire to a beautiful red discolouration. The bottom plate shows two stripes called 'geta', which held the pot in place on the hand wheel. Some flying ash has created a natural glaze on the shoulder and the mouth...
Distorted half cylinder shaped (kutsugata) tea bowl made of little iron bearing, coarse, unrefined Mino clay. The expertly thrown body, trimmed with a potters knife (hera) is covered with the typical, glossy black iron oxide inside and outside. Here it is a rarely seen dark brown due to a lack of manganese.
A window on the side has been left unglazed for decoration in iron oxide engobe under a clear ash glaze in a form of straight and wavy lines. This is a typical Momoyama design...
Inrô with four lacquer compartments representing eagles: eight on one side, seven on the other, one on the upper side called ten; sometimes posed on a rocky promontory in takamaki-e and kirigane lacquer, sometimes in flight near the sea. Bamboo branches. Bottom in fundame and hiramaki-e lacquer. Interior in nashi-ji lacquer.
The eagle motif is relatively rare in Japanese iconography. Most of its representations are found on older lacquerware.
Ojime in red lacquer...
A Japanese porcelain plate decorated with a dignitary beneath a parasol, attended by his servant, in a garden. The cavetto is unusually decorated with a continuous landscape, a device not often encountered on Arita porcelain. The use of linear shading is reminiscent of Chinese “Master of the Rocks” style. The back is entirely plain with four spur marks within the foot-rim. Arita, circa 1680~1700.
Approximately 21 cm diameter...
Rare bowl with overglaze enamel ( polychrome ) decoration . Dehua ware from Fujian. Late Ming period. D : 3,4 inc. Minute rim fritting no chrack !
Very old and wonderful carved wood figure of the buddhist god Fudo Myoo, he stands with laso in one hand and sword in the other, made of wood with mineral pigments, glass eyes, metal details including sword, large and dramatic with fire nimbus, Muromachi Period, inscription on the back of nimbus says Yuwayadera (name of temple), nimbus is signed that it was restored by Minamoto Haruhisa April 16, 1560.
Size: 62" high
An antique Japanese temple fragment of the head of Amida Buddha in Hinoki (Cypress) wood. Hand carved in fine detail with a beautiful patina acquired over years of devotion and display.
Age: Edo Period (early 17th C)
Dimensions with stand: 11 5/8" High by 4" Wide by 3 1/2" Deep
Little distorted half cylinder shaped (kutsugata) tea bowl - made of light, coarse, unrefined Mino clay.
The expertly thrown body is covered with the typical, glossy black iron oxide glaze inside and outside, leaving 2 unglazed 'windows' on opposite sites. One 'window' is decorated with ivy or vine leaves. The other 'window' shows flying birds in iron oxide glaze which has been covered with a clear ash and feldspar glaze. This is a typical Momoyama Era design...
Cylinder shaped (hanzutsu) tea bowl made of light, fine, unrefined Mino clay. The style of the foot lets it appear contemporary with the late Oribe bowls. But the shape of the expertly thrown body, the orange skin effect on the typical Shino glaze with beautiful orange 'fire colour' recalls the days of the single chamber kilns, but the glaze and the somewhat irregular foot is typical for the late production of the 1620's at the Motoyashiki and Kamagane kilns.
The bowl has a beaut...
A classic renditions of the Bodhidharma (more commonly known as the Daruma in Japan), this scroll from the Muromachi period (1336-1573) depicts the legendary monk who famously introduced Buddhism to China. Originally from India, he is said to have traveled across the Himalayas on foot to share the wisdom and knowledge from his studies of meditation which later spread to Japan, Korea, and other parts of the world. In Japanese Buddhist paintings from Edo to the present, the Daruma is often seen as...
A bronze mirror, wakyo, decorated with a classic Autumn pattern that evolved in the Heian period which features a pair of birds, sparrows, water weeds, ashi, water, and a wave washed sandy beach, suhama. The design is cut by a single ring. The design of the inverted pistil boss and the density of the design, horror vacui, dates the mirror to the late Kamakura period 1275-1325.
A great deal of the detail has been lost as a result of wear and over polishing. See British Museum 1927 – 1014.5 (...
A Japanese circular hand mirror decorated with a stylised representation of Penglai, Horai, island the principal elements of which are a pair of small birds in flight, stylised rocks with pine branches above stylised waves and a central Turtle, kame, form boss. The mirror is probably late Kamakura or Nambokucho in date, first half of the fourteenth century.
The mirror measures approximately 10.7cm in diameter, and 0.7cm high at the rim, and the edge measures 3.75mm in width, and weighs 200gms....
Rare Japanese Heian Period, 12th Century Wood Sculpture of Kannon, the Goddess of Compassion and Mercy. Even though it is not in a complete
state, it has a wonderful, peaceful presence that is really a delight to bask in. It has a magnetic face with a serene expression. Japanese sculpture of this age is hard to find.
A fabulous work of art and a rare, magnificent sculpture. 16 inches, 40.5 cm. From a widely renowned and published collection that has been exhibited at the Metropolitan Museum an...
