19th century good size boxwood netsuke of a bamboo shoot with a hollow section in the lower half with anabori (cavern carving) of the Seven Sages of the Bamboo Grove assembled around a Go board. There are 7 faces inside, impossible to photograph, but can be seen with a flashlight. Beautiful carving, superb patina, extremely pleasant feel of age. Signed YOSHIKIYO SAKU (made by Yoshikiyo) on the bottom - the artist is listed on p...

19th century netsuke of a bamboo shoot containing a hollow section with anabori (cavern carving) of the Seven Sages of the bamboo grove looking at an open scroll. (see the detail on the first photo), The inside is almost impossible to photograph, but all the sages are there, need a flashlight even to see them. Very clever joke on the usual depiction of the sages being placed among bamboo stalks, not inside them...

A large impressive shallow dish of typical export type decorated with two boughs of auspicious Chrysanthemums and Cherry blossom to the centre. The border divided into a set of six elliptical reserves each containing Butterflies and Peonies by a series stylised floral motifs inset against alternating blue and blue and green enamel grounds. The reverse simply decorated with Chrysanthemum Sprigs...

19th century Japanese small lacquered wood netsuke representing a theatrical mask of a green skinned demon. Excellent intense face, crisp detailing, nicely lacquered, great patina, some wear to the surface. Signed RYUUN on the back bar - the artist is listed in NETSUKE MASKS by Raymond Bushell, p. 175, signatures 241-243. Height 1.12 inches.

Large porcelain charger decorated in underglaze blue with a map of Japan, as drawn in the Edo period. The map (Gyoji type) shows the main islands of Honshu, Shikoku and Kyushu, divided into the 63 provinces. The names of the provinces are written in kanji. Here and there a name of a city (i.e. Edo) is added...

An antique Japanese 4-panel screen painting. Each of the flowers shown has a meaning known as the Language of Flowers, depicting Love, Loyalty and Family. Painted with mineral pigments and raised gofun on gold leafed paper.

Date: Taisho Period

Dimensions: 67 1/2” high X 96” wide

Antique Japanese triptych woodblock print, meaning it is comprised of three separate sheets, depicting Akechi Mitsuhide in the final battle of Yamazaki in 1582. He is shown seated upon his horse, which has been shot dead with arrows, clutching his sword and gazing over the river at the approaching enemy forces in the distance. Four of his own soldiers are seen scattered around, either dead or dying, soaked in blood, suffering traumatic injury...

Japanese ivory netsuke depicting the Buddha's Hand or Fingered cedar among the leaves, a scented ornamental citrus fruit, a very important symbol in Buddhism, in the shape of a hand, originating from China and Japan where it is grown for religious purposes. The surface of the netsuke precisely reproduces the natural texture of the fruit, which is not smooth but characterized by roughness and pores. Origin: Japan Period: Meiji end of 19th century. Dimensions: 5.2×2.3×2.5 cm. Stat...

Antique Japanese Gyosho Bako/ Merchant's Chest, in this case it would be meant for a barber to store small tools such as hair shears or combs. All original red lacquer finish, old iron hardware with handle on top for easy transport. Mid Edo period (1615-1868)

Size: 10" L x 7.5" W x 18.5" H

Important dish, very decorative, in porcelain enamelled in polychrome, underglaze blue and gold, Imari, decorated with chrysanthemums and peonies in reserves of different shapes. Period: Meiji (1868-1912). Diameter: 63cm.

Just superb Edo Period zen buddhist travelling altar or zushi. The rounded contoured roof and the outstanding metal work on the door and hinges indicate a high level samurai or retainer. Thick black lacquer and fine gilt on the inside. The roof dates the piece to late edo period c. 1860. The altar on the inside has 2 pillars and a cross beam with painted buddhist symbols. Request shippng quote. (H:12"; W:8")

Japanese Meiji Period bronze USUBATA vase. The vase sits on a tripod base and has the design in silver inlays of a small rocky island with pine trees under the moonlight and with the ocean with waves around it. Stamped KAMETANI on the bottom. The vase measures 11 1/2" tall, 12 3/4" diameter at top and 7 1/2" diameter at base.

Bizen ware hexogonal vase with engravings of orchids on the side of the vase. The patina and color of the vase is very similar to those seen from the late Edo and early Meiji period. Interestingly, during this period elaborate decorations and moulding were created which was popular during this time. However, the vase does not contain the elaborate decorations and resembles more of tokoname wares emulating the Chinese yixing potteries. Age: Late Edo or early Meiji Period...

Height: 3.5 cm (1.3 in)
Width: 3 cm (1.2 in)
Depth: 3.7 cm (1.6 in)

Fine wooden netsuke carved by Gyokkei; a stone lifter, masseur or a man attempting to lift his distended scrotum?; a tumour is also present on the back of his head; the poor fellow also has a wall-eye; signed on an inlaid tablet; good condition

Large zushi of square shape with double doors. Outside black lacquer and bronze hard ware, finely engraved with meandering flowers, inside gold lacquer. Inside a sculpture of the deity Benten, or Benzaiten, in her appearance with eight arms. In her hands she holds sword, jewel, bow, halberd and wheel. Other attributes are missing. On her head she wears the typical crown with torii, referring to the island of Enoshima, where the big Benten shrine is...

Antique Japanese choba tansu (merchant chest) made all of kiri (paulownia) wood. Classic design of six drawers with round iron locks on all drawers and warabite handles, corner lock box, and middle sliding doors with locking pin and handles embossed with fu dogs. Meiji period (1868-1912)

Size: 30.5" L x 15.75" W x 31" H

This is indigo dye fireman's shirushi hanten at the Meiji era.(1870~1910) It is tsutsugaki in the indigo dye cotton. Shirushi hanten of this length is very valuable. It is a very impressive motif. There is a little repair mark. However, the state is very good. It is touch of the cotton of a warm indigo dye. It is a wonderful, beautiful excellent article. Please add to your collection.

Midsize Buddhist shrine, zushi, with double doors on front and back, housing a suiseki (scholar’s rock) placed on a lotus base. Zushi black lacquer on outside with brown copper hardware engraved with flowers, the roof decorated above the doors with cranes painted in black ink. Inside covered with gold lacquer, the pillars decorated with lotus petals...