Late Edo Period (1850 - 1868) Japanese signed Noh theater Mask of Okame, the Goddess of Mirth, a very popular image in Japanese culture. A beautiful example of the type of mask done by a master carver, using Cypress wood (Hinoki) and many layers of Gofun, crushed oyster shell lacquer. A very charming and well rendered image. From a widely renowned and published collection that has been exhibited at the Metropolitan Museum and Japan Society.

Pair of Inari Foxes of sculptured and fired clay with luminescent powered white glaze. In traditional Japanese art, a pair of foxes typically flank the deity Inari’s shrine image. But in modern times, images of Inari have all but disappeared, replaced instead by images of Oinari’s messenger, the magical shape-shifting fox (kitsune 狐). Here the symbolism is two-fold. First, rice is sacred in Japan, closely associated with fertility (the pregnant earth) and with sustaining life...

Stunning Antique Japanese choba tansu (merchant's chest) from the Matsumoto Area in Japan. Adorned with a red lacquer Keyaki hardwood frame, along with Keyaki (elm) front panels of a golden honey original finish. Highly functional design with many drawers of various sizes, including an unusual long shallow one below a set of sliding door panels with a shelved interior.

Great original condition with fine details. Meiji period (1868-1912)

Size: 34" L x 14.5" W x 36.5" H

Japanese antique scroll painting of a group of three monkeys in persimmon tree, painted in colors on silk, school of Mori Sosen, Meiji Period (1868-1912). total size: 58" high x 38" wide

An exquisite and exceptionally rare 19th century monochromatic transparent ruby red enamel over solid gold vase with the impressed seal of Namikawa Sosuke. Sosuke did very few transparent enamel vases; there is an example in the Khalili Collection done in purple on a silver body with silver mounts, it lacks the brilliance of this vase. Height: 7.5625"

A very unusual dish decorated in somenishiki-de style with a fanciful landscape featuring a Namban figure, a Portuguese perhaps rather than a Dutchman, accompanied by a servant with parasol, walking to and from some sort of compound in the background with a curious barrel shaped tower. The well of the bowl and the exterior decorated in underglaze blue with a Shou symbol, Kotobuki, and three pussy foot Dragons to the exterior of the bowl...

A small pair of Japanese Imari porcelain bowls (or small, deep dishes) with Namban (or Nanban, Southern barbarian) subject bowls. Imari palette decoration in three reserves, each of a figure among blossoming karakusa, in the cavetto. The center with blue underglaze decoration of Shishi with auspicious objects. The verso also with decoration in blue underglaze of precious objects around the raised, glazed ring feet surrounding a recessed, unglazed band around glazed, further recessed center...

Antique Japanese choba tansu (merchant's chest) made of keyaki (elm) wood with original dark brown translucent lacquer finish, beautiful grain with some swirling burl used on sliding panels, two compartments with sliding panels, one compartment with drop in panel door, 6 drawers of various sizes, iron hardware with round lock plates on drawers and warabite shaped pulls, the smallest drawer has a handle shaped as a money bag, late Meiji Period. Size: 28 3/4" high x 24 1/2" wide x 14" dee...

A finely painted sometsuke bowls decorated with alternating reserves of three leaping koi divided by a criss-cross ground or “nets” and a central motif of a Chinese landscape featuring a figure collecting fire wood with his head looking skyward. This is probably a representation of Ceng Shen (So Shin) collecting fire wood, a disciple of Confucius , who whilst looking at the moon suddenly became aware that his mother needed him, a popular Confucian parable of filial piety...

Antique Japanese wrought iron lantern with garden scenes. The lantern would have been placed in a temple where a candle would have been lit. The This lantern has four panels: the door: a bird, bamboo branch, tree, sun in the clouds. The lid is round with a handle for hanging. The base is round with three feet. The door latches closed. It measures 11" diameter, 8" tall. Taisho period, circa 1920.

Blue and White Makuzu Kozan Studio Vase, Meiji Period (1868-1912)

It is 14.5 inches (37 cm) tall and 7.25 inches (18.5cm) wide.

It is in good condition with no repairs, chips, or cracks.

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% refund of the amount you originally paid...

Late Edo Period (1850 - 1868) Bronze Incense Burner Sculpture of a Duck, Japanese symbol of faithfulness and light. An exquisite expression of Japanese bronze craftsmanship of the finest quality. It exhibits a rich dark patina. A Japanese bronze classic. An important acquisition for a bronze collector. 13.75 inches, (35cm) tall. From a widely renowned and published collection that has been exhibited at the Metropolitan Museum and Japan Society.

Okutani Shuseki (1871-1936) was born in Osaka and lived in Kyoto for most of his life. His artistic lineage is among the very best. He, along with Yamamoto Shunkyo and others, studied under Mori Kansai, who was the pupil and adopted son-in-law of Mori Tetsuzan, who was one of Maruyama Okyo's best pupils. Like all painters of the Mori family school, Shuseki's nature paintings are remarkable for their unsentimental naturalism, showing his keen interest in the essence of nature...

This is a 19th century Japanese imitation of a Chinese cloisonne bowl. It has a white background and fish, horse and floral design on both the exterior and interior. There is a square brass seal reading ¡°imitate Ming¡± on the bottom. In this case, ¡°Ming¡± is a general name for Chinese or Mandarin. It is 10 inches in diameter and 4 ¾ inches tall. Good condition.

Rare Japanese Heian Period, 12th Century Wood Sculpture of Kannon, the Goddess of Compassion and Mercy. Even though it is not in a complete state, it has a wonderful, peaceful presence that is really a delight to bask in. It has a magnetic face with a serene expression. Japanese sculpture of this age is hard to find. A fabulous work of art and a rare, magnificent sculpture. 16 inches, 40.5 cm...

A barbed form dish decorated in kakiwake style with a White Elephant and Chinese Boy. The design here is not the Confucian parable of Shun and the Elephants, but one that explores a Buddhist theme. The White Elephant in Buddhism is symbolic of mental strength achieved through the practice of the Dharma. The boy figure holding a staff stares at rocks and Banana plaintain, symbols of longevity and the impermanence of life. He may be a representation of Henkitsu, the Bohisattiva Fugen...

Fine example of a Jomon Period (13,000-300BC) Dogu Head, the earliest known Japanese figure. This figure was purchased in Japan in 1962 by a renowned author on and collector of Asian art. The Dogu acted as effigies of people. They manifested some kind of sympathetic magic. For example, it may have been believed that illnesses could be transferred into the Dogu, then destroyed, clearing the illness, or any other misfortune. Because of the ritual destruction of Dogu, they are quite rare...

Antique Japanese keyaki (elm) wood temple carving of a fu-dog. Beautifully carved with mane of swirling curls and mouth full of sharp teeth, this fierce guardian would have once graced the eves of a buddhist temple roof. Edo Period. With contemporary black metal stand. Size: 15 1/2" high total (10 1/2" high not including stand) x 15" wide x 7 1/2" wide.