19th century netsuke carved as a theatrical mask of a SHOJO - mythical creatures living near the sea who are particularly fond of sake. Wonderful quality carving on ichii (Japanese yew wood) with clever use of wood texture to add to the charm of the piece, that being typical for the Hida school of netsuke carvers. Very nice tranquil face, beautiful staining and patina, old losses by its left eyebrow and on the right upper side on the back as can be seen on photos...
Small silver vase with flared and hemmed neck. A finely chiseled snake is wrapped around the neck and an enameled chrysanthemum.
The lower body is enamelled in polychromy by silver wire partitions.
Under a round base there is a signature in a golden cartouche of Mitsu Shige.
Period: Meiji. Height: 10cm (4")
Antique Japanese mokugyo, fish bell, carved of keyaki (zelkova, elm) wood with traces of red and white lacquer. This wooden temple bell was used by Buddhist priest during religious ceremonies and chants. Laid on it's side on a pillow, the bell was struck to a rhythm to match the cadence of the chant. The carving on the bell is of two fish embracing a pearl, a symbol of unity. The fish themselves symbolize wakefulness, in this case to remind the chanters to focus on the sutra...
Antique Japanese jizai-kagi in the form of a catfish. In a Japanese home, water in a kettle or pot is heated over an irori (sunken hearth). The jizai hook hangs from a strong ceiling beam. From this, a long device is suspended with a hook on the end that can be adjusted up or down by moving the jizai-kagi. This unusual jizai-kagi is carved of kayaki (zelkova elm) wood and has patination from hearth smoke. A portion of it's original iron chain is still attached...
Antique Japanese stoneware kame (wide mouthed bowl) from Shigaraki kiln.
Made using the local sandy clay from the bed of Lake Biwa, Shigaraki ware is identified by the embedded granules of feldspar. Mineral and ash glaze is dribbled and spattered over the surface leaving long, uneven drips...
Late Meiji (1890s to 1912) Japanese boxwood seal, most probably used in a temple to stamp pilgrimage papers. The impression of the seal is shown on the first photo (image is flipped left to right to present the image as it will actually print on paper). Excellent quality crisp carving of 2 rows of differently sized characters, caked old red seal paste on the bottom. Metal stud on the side indicates the position of the top of the imprint. Beautiful patina on the surface of wood...
An antique Japanese Choba Tansu (merchant chest) made of Keyaki (Zelkova) and Hinoki (Cypress) woods. Original wiped lacquer technique finish and hand made iron hardware. The lock knobs feature a Plum Blossom design and the design of the handles is a straight Gumbai. Sliding side by side doors open to a spacious area where once merchant books and records were stored.
A rare feature of this chest are the hidden compartments under the four bottom side by side drawers...
Antique Japanese carved boxwood jizai-okimono of a dragon. Literally meaning "decorative object, moves at will", this jizai-okimono is made up of many separately carved moving pieces. There are differing theories about why these articulated creatures came to be made, the most accepted being that the armorers who normally created suits started crafting jizai-okimono as a way to show off their skills to daimyos in hopes of being chosen next time their armor needed to be replaced...
Antique Japanese figure of seated Quan yin, made of carved cinnabar lacquer. She is seated on a lotus throne and holds a scroll in her hands. Her robes are carved all over with floral and Buddhist motifs. Her facial expression is serene, befitting her role as goddess of compassion.
Age: Meiji Period (1868-1912)
Dimensions: 6 1/4" high x 3 1/2" wide x 3 1/4" deep
A large Japanese wood okimono of a shishi with its puppy on a wooden base. Silk, enamel and glass eyes.
Edo period 18th century
Sizes: 37 x 50 x 30 cm
Condition report: Good condition
A shell incense box (kogo) painted in relief pure gold with waka writing inside with probably poetic or romantic references.
Very similar to shells for the game of kaiawase, but larger in size.
Edo period 19th century
Sizes: 5 x 10 x 8 cm
Condition report: Good condition – with tomobako
19th century Japanese kozuka (sword knife) handle depicting a lobster and some fishing implements including a straw raincoat and a woven ring. Clever design of the terminus as a curled lobster, superb crisp work - see the fine differentiated textures of the crustacean’s body, ring and long strands of the coat...
Late Meiji (1890s - 1910s) Japanese hammered copper incense burner - tripod with wide body, flaring mouth and 3 short feet. Wonderful object made by hammering a chunk of copper, raising it and giving it shape - no casting is involved. Fantastic clean gently curving organic form with beautifully hammered surface and superb reddish patina, very pleasant to the touch. Signed JUZAN on the bottom, beautiful object for scholar’s desk. Height 2 1/4 inches, diameter 3 7/8 inches at the widest.
A Japanese woven bamboo reed ikebana basket. Of small size and fine work. Having handled a good number of ikebana baskets over time, this one strikes us as quite sophisticated. Of baluster form, meticulously consistent woven pattern, defined foot and rim, sparse and well balanced decorative intertwined bamboo shoots across the face, and confidently woven handles. Excellent condition. Height, 8 inches.
19th century Japanese ceramic miniature seal netsuke modeled as shishi - Buddhist lion - sitting on a square base, its head turned to its right. The impression of the seal is shown on the first photo (image is flipped left to right to present the image as it will actually print on paper). Nice modeling, dark olive glaze thinning on raised spots adding the depth to design...
19th century Japanese ceramic miniature seal netsuke modeled as shishi - Buddhist lion - sitting on a rectangular base, its head turned to its left. The impression of the seal is shown on the first photo (image is flipped left to right to present the image as it will actually print on paper). Nice modeling, brown glaze thinning on raised spots adding the depth to design...
Meiji (1868-1912) Japanese Wood Lacquer Mother of Pearl Inlay Shibayama Hand Warmer
It is 8 inches (20.3 cm) tall with handle up and 5.5 inches (14 cm) tall with handle down by 9.2 inches (23.3 cm) wide. It is 2.4 Lb.
It has hairline cracks at the cover and peeling at the inner corner of the cover, and a crack at the corner and trace of glue (as seen in the photos).
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A Japanese studio porcelain okimono of Daruma (the legendary Chinese Buddhist monk Bodhidharma), dating to the first half of the 20th C. The long robe with thick celadon glaze, the face with fierce expression, the ears with movable earrings. Base with sealmark. Condition: fine, one ear with firing crack. Dimension: 22.8 cm high, weight: 1.2 kg.