Antique Japanese figure of seated Quan yin, made of carved cinnabar lacquer. She is seated on a lotus throne and holds a scroll in her hands. Her robes are carved all over with floral and Buddhist motifs. Her facial expression is serene, befitting her role as goddess of compassion.

Age: Meiji Period (1868-1912)

Dimensions: 6 1/4" high x 3 1/2" wide x 3 1/4" deep

A large Japanese wood okimono of a shishi with its puppy on a wooden base. Silk, enamel and glass eyes. Edo period 18th century Sizes: 37 x 50 x 30 cm Condition report: Good condition

A shell incense box (kogo) painted in relief pure gold with waka writing inside with probably poetic or romantic references. Very similar to shells for the game of kaiawase, but larger in size. Edo period 19th century Sizes: 5 x 10 x 8 cm Condition report: Good condition – with tomobako

19th century Japanese kozuka (sword knife) handle depicting a lobster and some fishing implements including a straw raincoat and a woven ring. Clever design of the terminus as a curled lobster, superb crisp work - see the fine differentiated textures of the crustacean’s body, ring and long strands of the coat...

Late Meiji (1890s - 1910s) Japanese hammered copper incense burner - tripod with wide body, flaring mouth and 3 short feet. Wonderful object made by hammering a chunk of copper, raising it and giving it shape - no casting is involved. Fantastic clean gently curving organic form with beautifully hammered surface and superb reddish patina, very pleasant to the touch. Signed JUZAN on the bottom, beautiful object for scholar’s desk. Height 2 1/4 inches, diameter 3 7/8 inches at the widest.

A Japanese woven bamboo reed ikebana basket. Of small size and fine work. Having handled a good number of ikebana baskets over time, this one strikes us as quite sophisticated. Of baluster form, meticulously consistent woven pattern, defined foot and rim, sparse and well balanced decorative intertwined bamboo shoots across the face, and confidently woven handles. Excellent condition. Height, 8 inches.

19th century Japanese ceramic miniature seal netsuke modeled as shishi - Buddhist lion - sitting on a square base, its head turned to its right. The impression of the seal is shown on the first photo (image is flipped left to right to present the image as it will actually print on paper). Nice modeling, dark olive glaze thinning on raised spots adding the depth to design...

19th century Japanese ceramic miniature seal netsuke modeled as shishi - Buddhist lion - sitting on a rectangular base, its head turned to its left. The impression of the seal is shown on the first photo (image is flipped left to right to present the image as it will actually print on paper). Nice modeling, brown glaze thinning on raised spots adding the depth to design...

Meiji (1868-1912) Japanese Wood Lacquer Mother of Pearl Inlay Shibayama Hand Warmer

It is 8 inches (20.3 cm) tall with handle up and 5.5 inches (14 cm) tall with handle down by 9.2 inches (23.3 cm) wide. It is 2.4 Lb.

It has hairline cracks at the cover and peeling at the inner corner of the cover, and a crack at the corner and trace of glue (as seen in the photos).

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A Japanese studio porcelain okimono of Daruma (the legendary Chinese Buddhist monk Bodhidharma), dating to the first half of the 20th C. The long robe with thick celadon glaze, the face with fierce expression, the ears with movable earrings. Base with sealmark. Condition: fine, one ear with firing crack. Dimension: 22.8 cm high, weight: 1.2 kg.

Hanging scroll. A dragon shoots upwards through the clouds. Its head clearly visible, pointing straight up, the tail faintly disappearing in the darkness of the sky. Black ink on silk. Very skillful use of many shades of black and gray. Signed and dated in the lower left: Bunka year of the dog (1814), Fuyu and artist’s red seal Rintai.
Japan

Image: H 52.5 x W 20 in. Mounting: H 81.5 x W 25 in. (lower roller 27.25 in. wide)

Mounting in excellent condition, painting too.

Antique Japanese pair of paintings depicting two dragons in a dense mist. Gold flashes light up the clouds. Symbolizing the ultimate yang, or masculine energy, the dragon is the controller of both winds and water. Painted in sumi and gold ink on silk and signed by the artist. Both panels are loose (unmounted)...

Large porcelain charger decorated in underglaze blue with a map of Japan, as drawn in the Edo period. The map (Gyoji type) shows the main islands of Honshu, Shikoku and Kyushu, divided into the 63 provinces. The names of the provinces are written in kanji. Here and there a name of a city (i.e. Edo) is added...

Very rare cast bronze sculpture of the Chinese monk Xuanzang with a pile of Buddhist scriptures rolled up and stacked in the pack on his back and a lotus leaf over his head from which dangles an incense burner, as he returns to China from India.
In his hands he was holding a scroll and a fly whisk that are now missing. Figure stands on an irregularly shaped base. Japan, mid Edo period, 18th century.
Height incl. base ca. 5.25 inches (13.3 cm)...

19th century Japanese ceramic chawan (tea bowl) for tea ceremony with light cream glaze and underglaze blue decoration of a moon rising over a Buddhist mountain temple. Inscribed in underglaze black with 3 characters which translate as ISHIYAMA-DERA (“Stone Mountain Temple”) - a Shingon temple in Otsu (Shiga Prefecture) and the thirteenth stop of the Kansai Kannon Pilgrimage. Superb free painting with strong Zen feeling, wonderful potting of shiro Raku (white Raku) body...

19th century Japanese ceramic chawan (tea bowl) for tea ceremony with crackled orange / cream glaze and underglaze blue decoration of torii gates among pines and birds in flight. Superb free painting, Raku pottery produced in the Kyoto region. Beautiful potting with spiral line on the bottom of the bowl showing the way potter finished turning the piece. Stamped with potter’s seal on the lower body...

1900-1920s (late Meiji - early Taisho) Japanese ceramic tea ceremony kashiki (dish for holding sweets served along with the tea) modeled in modified lozenge shape. Shino ware with stoneware body and thick glaze with a texture of small holes originated in the 16th century in Mino Province (present-day Gifu Prefecture) and has been popular ever since...

19th century Edo period (before 1867) Japanese porcelain Hirado plate with scalloped edge and underglaze blue decoration of a dragon in pursuit of a tama (Sacred Gem). Excellent potting, milky white body and clear glaze. Great early painting with charming freedom, wonderful dynamic design - see the flames issuing from the body of the dragon. Some surface wear as to be expected, overall in great condition. Diameter 7 1/4 inches.