18th Century Edo Period Saga Ningyo of a young boy holding a rooster in one hand and a scepter in the other. His head bobs while his tongue goes in and out. Carved entirely of wood, his robes are built up with pigments in a technique called 'moriage'. He has a gorgeous blue outer robe decorated with foliate scroll slightly raised in relief. His inner robes are brown with shaped roundels of geometric patterns and cloud shapes...

Studio Vase by Sumida Artist Inoue Ryosai Signed, Meiji Period (1868-1912)

It is 8.25 inches (21 cm) by 4.5 inches (11.5 cm) wide.

It is in good condition with no repairs, cracks, or chips.

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% refund of the amount you originally paid...

Unsigned, this 9.5" vase was attributed to Gonda Hirosuke by its previous owner. The ground is of differing shades of blue, the neck being darker than the body. Sixteen colorful butterflies flutter about the neck above a bird perched among blossoming lotus. The design is nicely executed in both silver wire and wireless technique...

A very rare Satsuma earthenware model of a Fu Lion, 11.75" in height. Finely sculpted and painted, it is signed in gilt on the base

Condition: Excellent

Antique Japanese maiwai, katazome stencil dye on cotton, padded and in excellent condition, 51"(4'2") x 51", circa Meiji (1868-1912) to Taisho period (1912-1926). This maiwai is old but has been well maintained, pretty clean condition without any odor. One damaged area (did not go through to the liner) was repaired with very small stitches (photo #9). The photo #10 shows the area before it was repaired with stitches and filled with red color...

Huge (36 inches, 91.5 cm across!) Japanese Meiji Period (1868-1912) Cloisonné Charger with Flower and Bird motif. This is one of the most fantastic 19th Century Japanese Cloisonné works we have ever seen. The colors are magnificent and most vivid on a Robin Egg Blue field framed with a gorgeous pattern. The size is amazing and with the stunningly rendered flowers and birds, it makes for a rare, breathtaking exhibitor work of art that will be a spectacular center piece for any home or office...

A finely molded Kakiemon shallow bowl, five inches in diameter, the center of which is decorated in iron-red, blue, yellow and green enamel.

Ex-Christies

Condition: Excellent

Unique old Japanese yogi (kimono-shaped futon bed cover) from Kaga, a weeping willow tree with a butterfly family crest, 57" x 72", Meiji Period (1868-1912).

Kaga, located in today's Kanazawa prefecture area, was known as "Kaga One-million Koku", the wealthiest domain next to the Tokugawa Shogun family during the Edo period (1603-1868). Each domain was assessed its wealth measured by "koku." Most samurai received stipends in koku...

Japanese antique 2-section mizuya (kitchen tansu), from the Niigata area of Japan, made with keyaki wood on front and side bracing, deep orange / red original translucent lacquer finish with wonderful deep pantina, iron side hardware, unusual lacquered wood carved drawer knobs, each compartment with one long original shelf, Edo Period (18th/19th century). Size: 68" high x 68" wide x 20 1/2" deep.

Earthenware Noh Dancer by Miyanaga Tozan, Meiji Period (1868-1912)

It is 9 inches (23 cm) tall by 4 inches (10 cm) wide.

It is in good condition with no repairs, cracks, or chips.

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% refund of the amount you originally paid...

Ca. early 1900s

This boat-shaped basket, designed for flower arrangements, is well-crafted from strips of bamboo that is stained a rich, dark reddish-brown and had acquired areas of further dark patina from age and use. The ship form probably represents a so-called treasure ship (takarabune) signifying wishes for good fortune and is usually displayed during the New Year’s season...

White Rabbit Ceramic Sculpture by Takegawa Chikusai (1809-1882), created in his final year, 1882. Takegawa Chikusai was responsible for putting Banko Yaki, and the Banko-gama kiln (established 1829) and its home of Yokkaichi City in Mie-ken back on its feet and on the map. Banko Yaki had previously been made in the early Edo Period in Kyoto...

Beautiful and rare Japanese antique choba tansu (merchant's chest), made all of heavy keyaki (elm) wood, keyaki wood bracing on sides and back, original deep reddish brown translucent lacquer finish with wonderful patina, heavy iron hardware, interior has 2 drawers, Edo Period c1800. Size; 36 1/2" high x 40" wide x 23 1/4" deep.

Late 18th Century Musha Ningyo of Minamoto no Yoshitsune. This wonderful early example of high quality has a great presence, sumptuous brocades, gold lacquered armor, a spectacular helmet, and many other fine details. His face is gorgeously and masterfully carved with finely burnished Gofun. An extraordinary example. Figure height: 15.75 inches, 40 cm. Overall dimensions: 20 x 20 inches, 51 x 51 cm. Excellent Condition.

A wonderful large Edo Period Gosho Ningyo of Urashimataro. A delightful, playful rendering of this timeless theme. These type of Palace Dolls are usually smaller. This charming example is a unique, wonderful form from all angles. He is wearing an embroidered cap and bib and has a highly burnished finished gofun pigment. 12h x 11w inches, 30.h x 28w cm. Excellent Condition.

A set of Three Meiji Period Japanese Isho Ningyo of rich, stylish young ladies viewing a book of leaves. They are created in a very unusual style. We have not seen anything like these before. They are gorgeous in every way. A work of art that transcends the usual. 7 inches (18cm) high. Wood base is 15 x 8.25 inches, 38 x 21 cm. Excellent Condition.

A very large and elaborate Meiji Period Takeda Ningyo of a Kabuki actor in the role of the great warrior Akechi Mitsuhide, who rose from a lowly farmer to become one of history's greatest samurai. This Ningyo is in Excellent Condition and is complete, which is amazing considering its complex construction. It was made in northern Japan, giving him him a unique look, as most Takeda Ningyo were made in Kyoto. Total dimensions: h31.5 x w16 x d11 inches, h80 x w40.5 x d28 cm...

A spectacular early 19th Century Edo Period Takeda Ningyo in superb condition, a rare find in this condition. It is of the most elegant, for sure. He is an actor portraying a young Samurai. He has a beautifully carved face and wears sumptuous brocades. He has all of his original accessories, including a suit of armor on his back. He is positioned an a black lacquered stand on four legs. Total height is 20 inches. Figure height is 14 inches. Excellent Condition.

A rare Musha Ningyo three piece set featuring Ojin, Kato Kiyomasa and Attendant, from the Late Edo Period of the 19th Century. It is very unusual to find a set like this in a complete state with all its accessories and original display stand. They all have great faces and sumptuous brocades. The way they work together is very special. Overall height with stand is 17 inches (43cm). Excellent Condition.

Extremely Rare Japanese Set of Five Military Band Musicians from the Russo-Japanese War of 1904-5. We knew of this one-of-a-kind complete set 15 years ago, and have finally just now been allowed to purchase it. These rare sets were produced only during the Russo-Japanese War, and you will likely never see another being offered. Japan used these Ningyo for the Boys Day Festival during this time in history. Heights range from 10.5 to 11.5 inches, 26.5 to 29 cm. Excellent Condition.

Edo Period late 18th/early 19th Century Japanese Ningyo of Yamauba, the Forest Goddess, half woman and half spirit. She found Kintaro abandoned in the forest by his father, and saved his life...

From the collection of the Museum of Fine Arts in Boston comes this fine Edo Period late 18th/early 19th Century Japanese Black Lacquered Box with Mother-of-Pearl Inlaid and Gold Lacquered Boats in a classic wave pattern with exceptionally well rendered mother of pearl motifs. A rare masterpiece from all sides. 8 x 5.5 x 5.5 inches, 20 14 x 14 cm. Excellent Condition.

Edo Period Early 19th Century Japanese Gold Lacquered Box. An extraordinary master work inspired by the Rimpa style of Ogata Korin. This stunning box features a pair of Peacocks by a stream with auspicious Flowers and Butterflies rendered in high relief of gold lacquer and accents of mother of pearl. The beautifully rendered auspicious motif continues in the interior of this magnificent work of art. 16 x 12 x 5 inches, 40.5 x 30.5 x 12.5 cm. Excellent Condition.

Late 18th, Early 19th Century Edo Period Japanese Wood Horse Sculpture in a galloping pose. The horse still has a good amount of its original colors and gold gilt. It would have been offered as a gift to a Shinto shrine from someone with the means to afford more than the usual horse plaque, but not quite the means to afford to give a real horse to the shrine, a gift only the most wealthy could afford to give. A wonderfully rendered sculpture and a special image for equestrian art collectors. 20...

Large rare antique Japanese choba tansu (merchant's chest), from the Mikuni area of Japan, made of heavy solid keyaki (elm) wood throughout, wooden bracing on sides and back, large compartment with sliding panels has 4 smaller interior drawers, safe box has 2 small interior drawers, beautiful heavy iron work, has 3 keys, Edo Period. Size: 35 1/2" high x 47 1/2" wide x 19 1/4" deep.

Antique Japanese pair of lively koma inu (temple fudog guardians), carved of keyaki (elm) wood, left hand creature has mouth open showing teeth and has a curly mane, right hand creature with toothy grin and wavey mane, wonderful detail carving, fain remnants of pigment (mouth, eyes, and whiskers), Meiji Period. Size of each: 17 1/2" high x 18" deep.

Furoshiki (Wrapping Cloth), Indigo-dyed with reinforced sashiko-embroidered corners. Additional center reinforcement panel. A few areas of repair mending and some small holes (please see detail images.)Early 20th Century. 79"(201cm) x 74"(188cm.) The contemporary image of furoshiki brings to mind a pleasantly printed small cloth the size of large handkerchief, used for wrapping one's bento (lunch box) or a small gift when visiting a friend. It is rare these days to see this type of furoshiki whi...

Japanese Edo Period Lead and Silver Tobacco Pipe with Incised Darumas, both the man Daruma Taishi and the god Daruma. Acquired in Tokyo in 1986 by a renowned author on and collector of Asian art. 5 1/8 inches, 13.5 cm long.

Fine Large Edo Period Japanese Tobacco Pipe (Kiseru) from the collection of a renowned author on and collector of Asian art. This imposing, oversized pipe of bamboo and bronze with its striking phoenix would have been smoked by a man of prestige, and the effect would have been quite intimidating. Acquired in Kyoto in 1985 by a renowned author on and collector of Asian art. 9 5/8 inches, 24.5 cm long. Very Good Condition.

Edo Period Sagemono Tobacco Pipe Set from the collection of a renowned author on and collector of Asian art. Kiseruzutsu (pipe case) of woven straw; kiseru (pipe) of silver, copper and bamboo with painted decorations; tobacco pouch of leather with a bronze dragon lock and a green glass Ojime (sliding button). Pipe and Case: 8 inches, 20 cm long; Pouch: 5 1/2 x 3 5/8 inches, 14 x 8.25 cm. Excellent Condition.

Early Meiji Maneki Neko (Beckoning Cat), believed to bring wealth and good luck, from the collection of a renowned author on and collector of Asian art. The fur is white with random black and orange patches. This tri-coloring is considered especially lucky. This belief may be related to the rarity of this coloring in the Japanese bobtail cats, after which the Maneki Neko is modeled. This coloring is called Mi-ke in Japanese, meaning three-fur. 7.5 inches, 19 cm tall.

Early Meiji Maneki Neko (Beckoning Cat), believed to bring wealth and good luck, from the collection of a renowned author on and collector of Asian art. The fur is white with random black and orange patches. This tri-coloring is considered especially lucky. This belief may be related to the rarity of this coloring in the Japanese bobtail cats, after which the Maneki Neko is modeled. This coloring is called Mi-ke in Japanese, meaning three-fur. 10 inches, 25.5 cm tall.

Very Fine and Beautifully Rendered Hono Ema from the Tensho Shrine, dated October 7, 1695. The inscription reads Mikawa Province (modern day eastern Aichi Prefecture), Tomifuku-gun ('county'), Oshiro Mountain. While the wealthy would often give a horse as a gift to a Shinto shrine, the common person would give a Hono Ema (literally 'gift horse picture'). These plaques are then left hanging up at the shrine for the gods to see. This is a rare and museum quality work of Japanese Folk Art from the ...

This rare and exceptional Japanese Mirror Chest of Japanese Ash and Elm with Hand Mirror of fine Persimmon and Gorgeous Brass Metalwork is from the collection of a renowned author on and collector of Asian art. The brass hinges are adorned with Chrysanthemums, the Japanese symbol of health, happiness and well-being. Truly a wonderful and rare piece. 14.25h x 9.75w x 9d inches, 36h x 25w x 23d cm. Excellent Condition.

The two fine and old haribako (Japanese Sewing Box) that we offer here on our site are likely the oldest ones you will see offered for sale. They come from the collection of a renowned author on and collector of Asian art. This lovely chest of paulownia and pine has the original hardware, original ruler, and original pincushion. 18.5h x 9d x 7.5w inches, 47h x 23d x 19w cm. Very Good Condition.

Very Rare Japanese Jomon Period (13,000-300BC) Terracotta torso (broken off at waist) in the form of a female figure with a bird head. Overall incised decoration. Accompanied by a small terracotta disc found in the same grave lot. Figure: 4.5 x 4 inches, 11.5 x 10 cm; Disc: 2.25 x 1.5 inches, 5.75 x 4 cm. Very Good Condition.

A very rare and fine example of a Jomon Period (13,000-300BC) Terracotta Plaque of a Dogu, the earliest known Japanese figure. This figure was purchased from the H. Taneguchi Gallery of Kyoto in 1985 by a renowned author on and collector of Asian art. The Dogu acted as effigies of people. They manifested some kind of sympathetic magic. For example, it may have been believed that illnesses could be transferred into the Dogu, then destroyed, clearing the illness, or any other misfortune. Because o...

Fine example of a Jomon Period (13,000-300BC) Dogu Head, the earliest known Japanese figure. This figure was purchased in Japan in 1962 by a renowned author on and collector of Asian art. The Dogu acted as effigies of people. They manifested some kind of sympathetic magic. For example, it may have been believed that illnesses could be transferred into the Dogu, then destroyed, clearing the illness, or any other misfortune. Because of the ritual destruction of Dogu, they are quite rare. This prim...

Fine example of a Jomon Period (13,000-300BC) Dogu, the earliest known Japanese figure. This figure was purchased at a Parke Bernet auction by a renowned author on and collector of Asian art. The Dogu acted as effigies of people. They manifested some kind of sympathetic magic. For example, it may have been believed that illnesses could be transferred into the Dogu, then destroyed, clearing the illness, or any other misfortune. Because of the ritual destruction of Dogu, they are quite rare. This ...

Fine example of a Jomon Period (13,000-300BC) Dogu, the earliest known Japanese figure. This figure was purchased at a Parke Bernet auction by a renowned author on and collector of Asian art. The Dogu acted as effigies of people. They manifested some kind of sympathetic magic. For example, it may have been believed that illnesses could be transferred into the Dogu, then destroyed, clearing the illness, or any other misfortune. Because of the ritual destruction of Dogu, they are quite rare. This ...

Katazome Futonji, Stencil-dyed Bed Cover. Chrysanthemum Pattern. Four-panel indigo-dyed cotton bed cover with pattern of chrysanthemum flowers and leaves. Good condition with some tears, including a 19” vertical tear (see photos.) Top cover only, no wadding or backing. Ca. late-1800’s, early Meiji Era. W.52”(132cm) x L.66”(168cm.) Futonji, bed covers, were a common bridal trousseau item in feudal and early-modern Japan. They may have been made by the bride before marriage (in very rur...

E-Gasuri (Kasuri) Futonji, Picture Ikat-woven Bed Cover; Kurume, Fukuoka Prefecture. Four-panel kon (dark-blue) indigo-dyed cotton bed cover, woven with e-gasuri (picture) ikat technique creating images of Otafuku (goddess of happiness & mirth) and Plovers, squares, and crosses. An excellent example of the picture ikat tradition of Kurume, Fukuoka Prefecture on the north end of Kyushu Island. Top cover only, no backing or wadding, good condition. 7” (18cm) tear to one end of cloth. Ca. 19...

LE-30 Kasuri Futonji, Ikat-woven Bed Cover. Three-panel kon (dark-blue) indigo-dyed cotton bed cover, woven with kasuri technique creating patterns of squares (well frames) and crossed points. Top cover only, no backing or wadding, very good condition. Ca. 1900. L.66”(168cm) x W.39”(99cm.) Futonji, bed covers, were a common bridal trousseau item in feudal and early-modern Japan. They may have been made by the bride before marriage (in very rural areas,) or more likely commissioned by the br...

Four-panel kon (dark-blue) indigo-dyed cotton bed cover, woven with kasuri technique creating patterns of squares (well frames.) Top cover only, no backing or wadding; good condition, minor repair to one corner. Ca. 1900. L.54”(137cm) x W.52”(132cm.) Futonji, bed covers, were a common bridal trousseau item in feudal and early-modern Japan. They may have been made by the bride before marriage (in very rural areas,) or more likely commissioned by the bride’s family. The bed cover was often ...

An early 6" koro decorated in the 10,000 flower design against a pale grey blue ground, well executed and with minimal pitting. It is unfortunately missing a number of small red cloisons edging the upper rim.

A petal formed Kakiemon porcelain bowl 6.5" in diameter, 2.5" high on a footed rim. Enameled in iron red, green, blue and gold over blue underglaze are bijins and flowering trees. Ex-Christie's

Condition: Excellent, with no chips, hairlines or repairs.

This fine silver wired 3" x 2.5" box is from one of the better studios. A single bird descends from a blooming prunus tree, the trunk of which extends down the front side of the box against a ground of blue so dark it appears black. The mounts are of silvered brass.

Condition: Good, there is minor scuffing to the bottom and an old repair to the upper left edge of the lid.

Japanese antique scroll painting of a group of three monkeys in persimmon tree, painted in colors on silk, school of Mori Sosen, Meiji Period (1868-1912). total size: 58" high x 38" wide

A brass wired green and brick red dragon writhes about the brown goldstone surface of this early Meiji 14" charger.

Condition: Good, with pitting usual to pieces of the period and a couple of slight nicks to the brass rim. No chips, hairlines or repairs.

Vibrant shades of red, blue, gold and green were used to paint this mid Edo period Ko-Imari kendi. 9.5" x 6.75", it is in excellent condition with no chips, hairlines or repairs.

An exquisite and exceptionally rare 19th century monochromatic transparent ruby red enamel over solid gold vase with the impressed seal of Namikawa Sosuke. Sosuke did very few transparent enamel vases; there is an example in the Khalili Collection done in purple on a silver body with silver mounts, it lacks the brilliance of this vase. Height: 7.5625"

9" 19th century Kakiemon plates, slightly rounded, with blue flower baskets over blue underglaze. There are blue sprays on the undersides, each bears a Fuku mark.

Condition: Excellent, no chips, hairlines or repairs.

This is a rare late 18th century porcelain model of an elephant from the Arita Studio. 8" x 11.5", it is nicely decorated with blue medallions and a pale blue glaze.

Condition: Excellent, no chips, cracks or repairs.

A Kakiemon 6"foliate rimmed shallow bowl decorated with alternating flowers and ho birds.

Condition: No chips, cracks or repairs.

Meiji period, late 1800s

This shallow bowl-shaped dish is set on a high foot with the characteristic Nabeshima comb pattern encircling it. The interior is painted with a design of chrysanthemums in cobalt blue of clear, rich tone. The underside is painted in the same cobalt blue with four groupings of four coin designs often seen on dishes of this size and shape. It is covered overall in a fine clear glaze with only the footring exposing the refined porcelain paste. Good condition with no ...

This is a signed 8" Satusma vase in the form of a bucket. It is decorated quite nicely with hand painted landsacpes and birds.

Condition: Excellent, no chips, cracks, or repairs.

Beautiful Japanese antique choba tansu (merchant's chest), made of keyaki (elm) with sugi (Japanese cedar) interior, beautiful heavy iron hardware, sliders on top, bottom with removable locking bar (bo) over two drawers, lower right side with safe box, interior of safe with two small drawers, all original deep red translucent lacquer finish, Mikuni area, late Edo Period (mid 19th century). Size: 33 1/2" high x 36 3/4" wide x18 1/2" deep.

Circa 1680, this is one of the earliest examples of a Kakiemon sake bottle, rectangular in shape, 10.625" in height. Decorated in iron-red, yellow, green, aubergine, and black enamel, the four sides portray pine, bamboo, plum blossoms and peonies among clouds, with sprays of stylized lotus and scrolling karasuka upon the shoulders.

Condition: Early gold lacquer repair and cracks.

A pair of Japanese lacquered iron abumi (stirrups) decorated in gold lacquer on a roiro ground with Ni-o, also known as Kongo Rikishi with delicate scrolling background, the interior in red lacquer. Edo period (probably 17th century). 11 1/8" high, 4 3/4" wide, 12" long.

Large Japanese antique processional temple cart, base made of keyaki (elm) wood with copper hardware, drum is also made of keyaki wood with a large brass rooster on top, wonderful condition (wheels roll!), lovely carving and lacquer detail, unusual and striking! Meiji/ Taisho Period (early 20th century). Size: 90" high x 69" long x 42 1/2" deep.