A lovely finial of an Eagles head, European, Gothic style, renaissance, c. 16th. century or earlier, mounted as a part of an attractive double iron coat hook and plate, dated 1823.

The substantial finial still with remnants of old gilt and the iron coat hook, finely dated and initialized in the late 18th. century manor. A nice marriage, probably made in the late 18th.-early 19th. century.

Size: The finial measure c. 11 cm. in length. The coathook measure 24,5 cm...

A Chinese White Glazed Brush Washer. Circa, 14th Century, Dehua Kilns, Yuan Dynasty. Found in the Philippines. In bamboo form with its gently rounded sides divided into upright segments and is joined by a raised horizontal band around its exterior wall...

Large bronze vase depicting an egret, in relief, on a perch in the center of a watercourse, surrounded by four swimming fish. The figure of the egret emerges from the vase with remarkable three-dimensionality and depth. Signature engraved under the base within a rectangular reserve. Origin: Japan Period: Meiji end of 19th century. Dimensions: 46.5 x 22 x 23 cm. State of conservation: Very good

A glistening incense burner in the shape of a court cap by Eiraku Zengoro enclosed in the original signed wooden box dating from the 19th century. Gold designs gleam on the regal plum surface. It is 15cm×10.5cm,18cm (6 x 4 x 7-1/4 inches) and appears to be in perfect condition.
The Eiraku family is one of Japan’s most important and historically significant lines of pottery artists in Kyoto, tracing back to the 16th century...

A nice wooden mummy mask of a smaller size, probably late period, mid-late 1st. millenium BC.

Size: 20,7 cm.

Condition: Intact with smaller losses and much wear. Remnants of pigments still visible on the surface in recesses.

Provenance: Old Bavarian collection from the 1930s and onwards.

An interesting small collection of 9 bone carvings in the form of skulls, carved in the openwork, with lids at top and bottom, Tibetan c. 19th. century.

The group finely patinated and intact but some with loose lids. A set for ritual purposes.

Size: up to c. 3,3 cm. tall or less, but more of less of the same sizes.

Provenance: Collection of Gunna Munkvad, Denmark, aquired from the 1950s-1980s.

A bag which is hand-plaited with indigo dye hemp string. It is carried on the back with various items. 19th to early 20th century. One string is cut. W:15cm, L:62cm

This is a lovely ancient Egyptian Scarab, more than 2,300 years old, from the famous Mitry collection (see our Homepage). It is 7/16” long (11 mm) and made of steatite, an easy-to-carve stone that hardens when heated. Scarabs empowered life and resurrection and were often placed under mummy wrappings to protect the body and help it resurrect. This Scarab comes in a jewelry display cup.

This is a lovely ancient Egyptian Scarab, c. 1200 BC, from the famous Mitry collection (see our Homepage). It is 1/2” long (13 mm) and made of steatite, an easy-to-carve stone that hardens when heated. Scarabs empowered life and resurrection and were often placed under mummy wrappings to protect the body and help it resurrect. This Scarab comes in a jewelry display cup.

This is an ancient Egyptian Scarab, c. 1250 BC, from the famous Mitry collection (see our Homepage). It is 5/8” long (16 mm) and made of steatite, an easy-to-carve stone that hardens when heated. Scarabs empowered life and resurrection and were often placed under mummy wrappings to protect the body and help it resurrect. This Scarab comes in a jewelry display cup. It was chipped by the artisan maker, who then used glaze to lock the piece back in place when it was fired.

This is an ancient Egyptian Scarab, c. 1250 BC, from the famous Mitry collection (see our Homepage). It is 1/2” long (13 mm) and made of steatite, an easy-to-carve stone that hardens when heated. Scarabs empowered life and resurrection and were often placed under mummy wrappings to protect the body and help it resurrect. This Scarab comes in a jewelry display cup.

A very artfully done portrait of a woman with elaborate hairstyle, Eastern Javanese, Indonesia, Majapahit Empire, c. 12th.-15th. century.

A lovely head combining traditions of Hindu-Buddhist art with the fine regional Eastern javanese style.

Size: 9-10 cm. tall and c. 8 cm. wide. A substantial head.

Reff. See a very similar head of the finest Eastern Javanese style in the Art Institute Chicago, Reference Number 2001.302.

Ex...

A pair of strictly museum quality massive gothic candlesticks, probably Nuremberg / Nürnberg, renaissance, c. 1500-1550 AD.

These very large pricket canbelabras, probably for ecclesiastical use, doesn't come much better than this present pair. Stepped domed feet, baluster-shaped stems with flaring sockets. The prickets in iron.

Size: The candlesticks measure impressive 36 cm. in height and the bases are 14 cm. wide...

An fine style terracotta head of bodhisattva, as a prins, Gandhara, c. 2nd.-4th. cent AD

Size: 85 mm. tall - a nice large size ancient head.

Condition: Very fine, repaired to face.

Ex. Danish Private Collection

A very beautiful and very large terracotta head of a young girl, Greece, Hellenistic period, c. 3rd.-2nd. century BC.

Exceptional details with the efeu wreath and elaborate headdress.

Size: 10,2 cm. tall and 8,5 cm. wide.

Condition: Very fine, partly corroded, but sound hard, ready to display.

Ex. Collection of P. Treffz-Eichhöfer, Stuttgart, Germany, aquired 1980-2006.

A small Japanese Arita kilns blue and white porcelain sauce dish, or mamezara, of mokko-gata form. Namban (or Nanban, Southern barbarian) decoration of a foreign figure, with dog, falconing in picturesque landscape. Painterly shironuki decoration in the cavetto of cranes flying among clouds. Edo period, Circa 1800. Good condition for its age, with two small chips inside the foot rim and a small glaze abrasion just above the foot rim. About 3 15/16 inches (10 cm) square.

A small pair of Japanese Imari porcelain bowls (or small, deep dishes) with Namban (or Nanban, Southern barbarian) subject bowls. Imari palette decoration in three reserves, each of a figure among blossoming karakusa, in the cavetto. The center with blue underglaze decoration of Shishi with auspicious objects. The verso also with decoration in blue underglaze of precious objects around the raised, glazed ring feet surrounding a recessed, unglazed band around glazed, further recessed center...

A very rare early work by Shirakura Niho dating from the mid Taisho period clearly showing his early watercolor training under Ishii Hakutei signed with his first art name, Kinro. Light color on silk framed in patterned silk extended with classic beige and terminating in red lacquered wooden rollers. It is 45.5 x 107.5 cm (18 x 42-1/2 inches) and is in overall excellent original condition, enclosed in a modern wooden storage box...