An antique ivory necklace made in China during the 19th or early 20th Century. Condition - the original string has possibly been replaced and there is the usual age related cracking and "yellowing" but no damages or losses. 38.5cm (15.2inches) long; approx 100gms(4oz);95 beads. Please note - purchasers from outside the European Union will require a CITES Certificate and may also require import documentation within their own country...

A meiping shaped vase, well painted in under glaze blue and red. The base carries the six character mark of the Guangxu emperor (1875 - 1908)and was possibly made during his reign. Condition - very good - no damages and no restoration...

Oban diptych by Taiso Yoshitoshi (1839-1892) titled “The Story of the Strong Woman Takashima Oiko of Omi Province” from the series "A New Selection of Eastern Brocade Pictures." The print depicts Takashima Oiko leading Saeki Urinaga home in an effort to strengthen him for a wrestling match. The artist's signature and Taiso seal are at the lower left. The lower left margin contains the date of "Meiji 22" (1889). The title cartouche is at the upper right. Published by Tsunashima Kamekichi...

A well painted underglaze blue decorated, stirrup-handled, "sparrows beak" jug made in China for export to Europe during the reign of the Qianlong emperor (1736-1795). Condition - the handle has an old, probably 18th Century, "stapled" repair - no further damages and no resoration...

Unusually large Tibetan copper and silver or silverplate mihrab form reliquary, or portable shrine box, decorated in repousse on the cover with a pattern of abstract scrolls. The back, sides, and side handles are copper. Also called a “gau,” these prayer boxes were used to hold protective amulets, personal deities, and written prayers. A strap or belt could be attached to the side handles when traveling. Otherwise, they were usually placed on the home altar...

A Rare Yuan 14th century miniatur Qingbai glaze boat decorated with detail two fisherman with erotic human passenger. Covered with bluish white qingbai glaze. Perfect condition. Size :8cm wide.4,5cm high.

This miniature oil painting on bone depicts a polo game set in a courtyard surrounded by buildings. The polo players are mounted on horses and wearing turbans. The surrounding mat has an ornate hand painted border and the frame is inlaid with strips of bone. The polo painting is 7 inches x 2 inches. With the frame included the piece measures The entire piece is 9+ inches x 4+ inches.

Description:
A couple of Chinese mud man and woman was well preserved.
In the hair style of Qing periods, the couples was rendered nakedly.
By excellent craftsmanship, they were depicted on the bodies with details when in vivid facial expression.
In traditional society, the dolls were made for the men and women who was going to get married.
They will need some clothes or blankets if they are shown in the private room.

Date: Qing dynasty, late 19th century.

Man’s h...

Description:
A Qingbai covered box was beautifully mold in a form of a pair of Mandarin Ducks.
By greenish-white tint reflected in the glaze, the birds were well depicted in the detailed features and on the overall look.
For authentication:

1, Minute pinpoint incursions were happened while obvious crackles were spread under the glaze.

2, The burial dirt was reserved at the inner side and at the bottom of the box for verification.

3, From the characteristics of the...

Description:
A cinnabar lacquered tray was preserved finely in good condition.
In rectangular shape yet by intriguingly curved sides, the dish was concaved inside and was with grandeur design of beautiful scenery in the center.
On the border, There was decoration of vibrant flowers, fruits, branches and leaves around.
Supported by Ru-Yi shaped feet, the dish was painted underside with black lacquer.
By original condition, there’re some fret found on the ridges of the motifs...

A rare and very 18th century large scholar's standing screen. The front of the screen is painted red with a gilded mountain scene. The back is painted black with the remains of a good luck symbol. Size: H. 91cm. W. 78cm. Condition: Normal ageing. No repairs. In it's natural state, could use some professional cleaning.

A rare Ming dynasty celadon Ge type dish, unglazed base, excavated from Kalimantan. Dish is in good condition no chips, cracks, hairlines and free from restoration. Diameter = 11.5 cm

A blue & white large dish, decorated to the center with a deer and bird in landscape, found only on this Swatow family, the sides decorated with a diaper border in Jiajing style. Exterior with floral pattern, adhere to the foot rim with sand grit as known as typically of Zhangzhou ware products, Ming dynasty late 16th to early 17th century. Condition is two hairlines, no any crack and free from restoration. Diameter: 27.5cm.

A Southern Song Jizhou black glaze covered with slightly thick dark brown - black glaze unglazed base. Song Dynasty ( 12th - 13th centuries , Jizhou central Jiangxi province. Bowl is in good condition with 2 fritting on the rim and 1 hairline. Size: 12 cm diameter, 8 cm height.

A Tang dynasty yue yao jar with four lugs, rounded side with globular body and unglazed base. Jar is in good condition with glazed degradation, no chips, cracks, hairlines and free from restoration. Size: 8 cm diameter, 8.5 cm height.

Miniature Porcelain jar covered its body with a Qingbai ( Yingqing ) glaze and reddish unglazed base. H : 4 cm. D : 4 cm. Jingdezhen or Fujian. Yuan Dynasty, fourteenth century. Condition : invisible hairline, no chips, cracks and free from restorations.

Description:
An archaic bronze seal was in a fine look.
By an arc loop as the knob, the seal was cast in a square shape with slanting surface on four sides.
On the printing side, four Chinese archaic(Xiao Zhuan) characters were finely cast.
It reads as JIN DU YIN XIN-the Seal of Jin Du. Jin du is also called Louyang, the capital of Song Dynasty. So it was probably an official seal...

Description:
A round-shaped pottery inkstone was well preserved.
Supported by three foot which were intriguingly and characteristically in figures as crouching animal, the inkstone was mold with flat surface.
The surface was used as grinding pool for inkcake, so it was concaved in the middle.
In two-step style on the surface, the outer lower rim was designed for resting the lacquered cover which had been decayed and vanished.
Overall it was in newly-excavated condition preserved ...