Vase, Shino and Bamboo Ash Glazes, by Sachiko Furuya; Honolulu, HI. H. 5.5"(14cm) x Dia. 4.25"(11cm.) Sachiko Furuya hails from Yamanashi Prefecture, Japan. There, she studied pottery with Yukio Matsuura, making primarily tea wares for practitioners of the Omotesenke School of Tea. She also attended the College of Arts at Nihon University (Tokyo,) Suidobara Fine Arts Academy (Tokyo,) and has a Studio Art degree from Clark College in Dubuque, Iowa...

Mizusashi, Fresh Water Jar for Tea Ceremony. Also, Lidded jar for any storage use. Bamboo Ash Glaze. Lid Knob in shape or Orchid Flower. By Sachiko Furuya; Honolulu, HI. H. 4.875"(12cm) x Dia. 5.75"(14.5cm.) Volume = 1,000ml, approx 32 oz. Earlier piece of Furuya's, ca. 2005, when she was still in the Seattle, WA area. Sachiko Furuya hails from Yamanashi Prefecture, Japan...

Kakehanaire, Hanging Vase, by Sachiko Furuya; Honolulu, HI. Shino and Bamboo Ash Glazes. H. 4.5cm) x Dia. 3.5"(9cm.) The vase hole appears very organic, as if blown out from the inside by an explosion. There is a pink tinge in some areas of the glaze, caused by some smoking during firing. Sachiko Furuya hails from Yamanashi Prefecture, Japan. There, she studied pottery with Yukio Matsuura, making primarily tea wares for practitioners of the Omotesenke School of Tea...

Kakehanaire, Hanging Vase, by Sachiko Furuya; Honolulu, HI. Ash glaze that fired brown, and charcoal black in areas. H. 3.375(9.5cm) x Dia. 2.375"(7cm.) Sachiko Furuya hails from Yamanashi Prefecture, Japan. There, she studied pottery with Yukio Matsuura, making primarily tea wares for practitioners of the Omotesenke School of Tea...

Wide Bowl with incised Lotus medallion. Bamboo Ash and Copper Glazes. H. 3.625"(9cm) x Dia. 8.625"(22cm.) The Lotus is a important symbol in Buddhism as it represents rebirth, purity, and spiritual perfection. Sachiko Furuya hails from Yamanashi Prefecture, Japan. There, she studied pottery with Yukio Matsuura, making primarily tea wares for practitioners of the Omotesenke School of Tea...

Cold Sake Decanter, Reishuki. A spouted bowl used for serving cold or room temperature sake. Also appropriate for serving sauces, as a food bowl, or for flowers. Shino and Bamboo Ash glazes. H. 3"(7.5cm) x W. 6.25"(16cm.) "Mimi tsuki," (with attached "ears" on sides.) By Sachiko Furuya; Honolulu, HI. Sachiko Furuya hails from Yamanashi Prefecture, Japan. There, she studied pottery with Yukio Matsuura, making primarily tea wares for practitioners of the Omotesenke School of Tea...

Hisage Shuki, Cold Sake Serving Set. Handled pouring Decanter plus 3 Guinomi (sake cups.) Shino and Bamboo Ash Glazes. By Sachiko Furuya, Honolulu, HI. Decanter: H. 5.625"(14.25cm) with handle, Bowl only=2.625"(6.5cm.) Dia. 5.5"(14cm.) Guinomi (Cups) range from 1.75"(4.5cm) to 2.0"(5cm) in Height. Diameters range from 2.875" to 3.0"(7.5cm.) Sachiko Furuya hails from Yamanashi Prefecture, Japan. There, she studied pottery with Yukio Matsuura, making primarily tea wares for practitioners of th...

Matcha Chawan, Tea Bowl, by Sachiko Furya; Honolulu, HI. Ido-gata (Well-Shaped,) Bamboo Ash and Copper Glazes. H. 3"(7.5cm) x Dia. 5.5"(14cm.) Sachiko Furuya hails from Yamanashi Prefecture, Japan. There, she studied pottery with Yukio Matsuura, making primarily tea wares for practitioners of the Omotesenke School of Tea. She also attended the College of Arts at Nihon University (Tokyo,) Suidobara Fine Arts Academy (Tokyo,) and has a Studio Art degree from Clark College in Dubuque, Iowa. She ...

Matcha Chawan, Tea Bowl, by Sachiko Furya; Honolulu, HI. Ido-gata (Well-Shaped,) Shino and Bamboo Ash Glazes. H. 3.375"(9.5cm) x Dia. 5.5"(14cm.) Sachiko Furuya hails from Yamanashi Prefecture, Japan. There, she studied pottery with Yukio Matsuura, making primarily tea wares for practitioners of the Omotesenke School of Tea. She also attended the College of Arts at Nihon University (Tokyo,) Suidobara Fine Arts Academy (Tokyo,) and has a Studio Art degree from Clark College in Dubuque, Iowa. S...

Matcha Chawan, Tea Bowl, by Sachiko Furya; Honolulu, HI. Ido-gata (Well-Shaped,) Bamboo Ash and Copper Glazes. H. 3"(7.5cm) x Dia. 4.75"(12cm.) Sachiko Furuya hails from Yamanashi Prefecture, Japan. There, she studied pottery with Yukio Matsuura, making primarily tea wares for practitioners of the Omotesenke School of Tea. She also attended the College of Arts at Nihon University (Tokyo,) Suidobara Fine Arts Academy (Tokyo,) and has a Studio Art degree from Clark College in Dubuque, Iowa. She...

Matcha Chawan, Tea Bowl, by Sachiko Furya; Honolulu, HI. Bamboo Ash and Copper Glazes. H. 2.625"(6.5cm) x Dia. 5.375"(13.75cm.) Sachiko Furuya hails from Yamanashi Prefecture, Japan. There, she studied pottery with Yukio Matsuura, making primarily tea wares for practitioners of the Omotesenke School of Tea. She also attended the College of Arts at Nihon University (Tokyo,) Suidobara Fine Arts Academy (Tokyo,) and has a Studio Art degree from Clark College in Dubuque, Iowa. She has exhibited h...

Matcha Chawan, Tea Bowl, by Sachiko Furya; Honolulu, HI. Hira (wide) or Natsu (summer) Chawan shape. Bamboo Ash and Copper Glazes. H. 2.5"(6.25cm) x Dia. 5.75"(14.5cm.) Sachiko Furuya hails from Yamanashi Prefecture, Japan. There, she studied pottery with Yukio Matsuura, making primarily tea wares for practitioners of the Omotesenke School of Tea. She also attended the College of Arts at Nihon University (Tokyo,) Suidobara Fine Arts Academy (Tokyo,) and has a Studio Art degree from Clark Coll...

Katakuchi, Spouted Bowl, by Sachiko Furya; Honolulu, HI. Bamboo Ash and Copper Glazes. Take Kodai (Bamboo node-shaped foot.) H. 2.75"(7cm) x Dia. 5.5"(14cm.) Sachiko Furuya hails from Yamanashi Prefecture, Japan. There, she studied pottery with Yukio Matsuura, making primarily tea wares for practitioners of the Omotesenke School of Tea. She also attended the College of Arts at Nihon University (Tokyo,) Suidobara Fine Arts Academy (Tokyo,) and has a Studio Art degree from Clark College in Dubu...

Hanging Vase, Kakehanaire, by George Gledhill; Payette, ID. Wood & gas fired with green glaze. H. 7"(18cm) x Dia. 2.875"(7.5cm.), with copper ring attached in back for hanging on a wall or post. There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea practitioners who complimented his work and encouraged...

Hanging Vase, Kakehanaire, by George Gledhill; Payette, ID. Saggar fired with grass. H. 3.875"(8cm) x Dia. 3.25"(8.25cm.), with copper ring attached in back for hanging on a wall or post. There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea practitioners who complimented his work and encouraged him to...

Hanging Vase, Kakehanaire, by George Gledhill; Payette, ID. Saggar fired with grass. This pot experienced heavy charring on the bottom during firing (see enlargements.) H. 3.375"(8.5cm) x Dia. 3"(7.5cm.), with copper ring attached in back for hanging on a wall or post. There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, h...

Hanging Vase, Kakehanaire, by George Gledhill; Payette, ID. Saggar fired with grass. This pot experienced heavy charring on the bottom during firing (see enlargements.) H. 3.625"(9cm) x Dia. 3"(7.5cm.), with copper ring attached in back for hanging on a wall or post. There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism...

Hanging Vase, Kakehanaire, by George Gledhill; Payette, ID. Shino Glaze. H. 5.125"(14.25cm) x Dia. 2.75"(6.5cm), with copper ring attached in back for hanging on a wall or post. There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea practitioners who complimented his work and encouraged him to produce T...

Mizusashi, Fresh Water Jar used in Chanoyu, by George Gledhill; Payette, ID. Wood fired with Shino Glaze, ca. 2009. H. 5.75"(14.5cm) x Dia. 8"(20.25cm.) Mouth opening 4.125"(10.5cm.) Volume = 88oz (2,750cc.) There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea practitioners who complimented his work a...

Mizusashi, Fresh Water Jar used in Chanoyu, by George Gledhill; Payette, ID. Wood fired with Shino Glaze interior. H. 4.875"(12.5cm) x Dia. 7.5"(19cm.) Mouth opening 4.5"(11.5cm.) Volume = 64oz (2,000cc.) There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea practitioners who complimented his work and ...

Guinomi, Sake Cup, by George Gledhill; Payette, ID. Shino Glaze. H. 2.75"(7cm) x 2.875"(7.5cm) square. Volume = 5oz (150cc.) There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea practitioners who complimented his work and encouraged him to produce Tea wares. Their introduction to the world of Tea Ce...

Guinomi, Sake Cup, by George Gledhill; Payette, ID. Shino Glaze. H. 2.375"(6cm) x Dia. 2.75"(7cm.) Volume = 4.25oz (130cc.) There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea practitioners who complimented his work and encouraged him to produce Tea wares. Their introduction to the world of Tea Cer...

Guinomi, Sake Cup, by George Gledhill; Payette, ID. Shino Glaze. H. 2.375"(6cm) x Dia. 2.5"(6.5cm.) Volume = 3.25oz (100cc.) There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea practitioners who complimented his work and encouraged him to produce Tea wares. Their introduction to the world of Tea Ce...

Guinomi, Sake Cup, by George Gledhill; Payette, ID. Shino Glaze, Notched Foot. H. 2.5"(6.5cm) x Dia. 2.875"(7.5cm.) Volume = 4.75oz (140cc.) There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea practitioners who complimented his work and encouraged him to produce Tea wares. Their introduction to the...

Wood Fired Guinomi, Sake Cup, by George Gledhill; Payette, ID. H. 2.25"(5.75cm) x Dia. 2.5"(6.5cm.) Volume = 4oz (120cc.) There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea practitioners who complimented his work and encouraged him to produce Tea wares. Their introduction to the world of Tea Ceremon...

Wood Fired Guinomi, Sake Cup, by George Gledhill; Payette, ID. Shino Glaze. H. 2.25"(5.75cm) x Dia. 3"(7.5cm.) Volume = 4oz (120cc.) There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea practitioners who complimented his work and encouraged him to produce Tea wares. Their introduction to the world of...

Guinomi, Sake Cup, by George Gledhill; Payette, ID. Shino Glaze, Notched Foot. H. 2.625"(6.5cm) x Dia. 2.75"(7cm.) Volume = 4oz (120cc.) There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea practitioners who complimented his work and encouraged him to produce Tea wares. Their introduction to the wor...

Guinomi, Sake Cup, by George Gledhill; Payette, ID. Wood and Gas Fired. H. 2.25"(5.75cm) x Dia. 3.5"(9cm.) Volume = 4oz (120cc.) There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea practitioners who complimented his work and encouraged him to produce Tea wares. Their introduction to the world of Te...

Guinomi, Sake Cup, by George Gledhill; Payette, ID. Shino Glaze, Notched Foot. H. 2.375"(6cm) x Dia. 3.125"(8cm.) Volume = 4.75oz (140cc.) There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea practitioners who complimented his work and encouraged him to produce Tea wares. Their introduction to the w...

Guinomi, Sake Cup, by George Gledhill; Payette, ID. Shino Glaze on Porcelain Clay, Notched Foot. H. 2.625"(6.5cm) x Dia. 3.125"(8cm.) Volume = 4.75oz (140cc.) There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea practitioners who complimented his work and encouraged him to produce Tea wares. Their i...

Wood Fired Matcha Chawan, Tea Bowl, by George Gledhill; Payette, ID. Ash Glaze. H. 3.375"(8.5cm) x Dia. 4.25"(11cm.) This bowl was wood fired twice, than fired a final time in a gas kiln. There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea practitioners who complimented his work and encouraged him to...

Wood & Gas Fired Matcha Chawan, Tea Bowl, by George Gledhill; Payette, ID. Ash Glaze. Called "Moon Bowl," this bowl features a serendipitous circle of glaze floating like a moon in the night sky. H. 3.5"(9cm) x Dia. 4.5"(11.5cm.) This bowl was wood fired, than fired an additional two time in a gas kiln. There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmat...

Matcha Chawan, Tea Bowl, by George Gledhill; Payette, ID. Pinched and carved with a undulating mouth rim, Shino glaze. H. 2.75"(7cm) x Dia. 4"(10cm.) There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea practitioners who complimented his work and encouraged him to produce Tea wares. Their introduction...

Matcha Chawan, Tea Bowl, by George Gledhill; Payette, ID. Pinched and Carved with a free flowing mouth rim, Shino Glaze. H. 2.625"(6.5cm) x Dia. 4.5"(11.5cm.) This bowl was wood fired twice, than fired a final time in a gas kiln. There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea practitioners who c...

Wood and Gas Fired Matcha Chawan, Tea Bowl, by George Gledhill; Payette, ID. Shino & Ash Glaze. H. 3.125"(8cm) x Dia. 4.75"(12cm.) There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea practitioners who complimented his work and encouraged him to produce Tea wares. Their introduction to the world of Te...

Plate, Mashiko-yaki, by Tagami Isamu of Hinata Kiln, Mashiko, Tochigi Prefecture. Kuro (black) and Kaki-yu ("persimmon" glaze.) H.1.25"(3cm) x Dia.7"(18cm.) Tagami Isamu was born in 1947 in Mooka, a village neighboring to Mashiko. He married into the Sudo family and apprenticed under Sudo Takeo. He was originally trained as a Japanese chef and had his own restaurant before embarking on a career in pottery, giving him a unique perspective on functional wares. He is currently the 4th-generation h...

Plate, Mashiko-yaki, by Tagami Isamu of Hinata Kiln, Mashiko, Tochigi Prefecture. Kuro (black) and Kaki-yu ("persimmon" glaze.) H.1.25"(3cm) x Dia.7"(18cm.) Tagami Isamu was born in 1947 in Mooka, a village neighboring to Mashiko. He married into the Sudo family and apprenticed under Sudo Takeo. He was originally trained as a Japanese chef and had his own restaurant before embarking on a career in pottery, giving him a unique perspective on functional wares. He is currently the 4th-generation he...

Small Dishes with kaki (persimmon) and gosu (blue) glazes, Mashiko-yaki, by Tagami Munetoshi of Hinata Kiln, Mashiko, Tochigi Prefecture. H.1.125"(3cm) x Dia.3.75"(9.5cm.) Tagami Munetoshi (b. 1972) is the son of Tagami Isamu and grandson of Sudo Takeo. He is the 5th generation of potters in Mashiko’s Hinatagama (Hinata Kiln) founded during the Meiji Period (1868-1912) by Sudo Yujiro. At the age of 16, he started his apprenticeship under his grandfather and then right after high school went t...

Small Dish, Kaki (persimmon) glaze with Aka-e (red overglaze enamel) by Tagami Munetoshi, of Hinata Kiln, Mashiko. H.1"(2.5cm) x Dia.4.25"(10.5cm.) Tagami Munetoshi (b. 1972) is the son of Tagami Isamu and grandson of Sudo Takeo. He is the 5th generation of potters in Mashiko’s Hinatagama (Hinata Kiln) founded during the Meiji Period (1868-1912) by Sudo Yujiro. At the age of 16, he started his apprenticeship under his grandfather and then right after high school went to America to major in ...

Small Dishes, Mashiko-yaki, by Tagami Isamu. Kaki (persimmon) glaze with nuki-e (wax resist) design of "marumon" (crest of 3 circles.) This pattern was used by Hamada Shoji and is still used by the Hinata Kiln. H. 0.875"(2.25cm) x 4.625"(11cm) square. Tagami Isamu was born in 1947 in Mooka, a village neighboring to Mashiko. He married into the Sudo family and apprenticed under Sudo Takeo. He was originally trained as a Japanese chef and had his own restaurant before embarking on a career in p...

Small Dishes, Mashiko-yaki, by Tagami Munetoshi of Hinata Kiln. Kaki (persimmon) glaze with white border. H. 1"(2.5cm) x Dia. 4.375"(11cm.) Tagami Munetoshi (b. 1972) is the son of Tagami Isamu and grandson of Sudo Takeo. He is the 5th generation of potters in Mashiko’s Hinatagama (Hinata Kiln) founded during the Meiji Period (1868-1912) by Sudo Yujiro. At the age of 16, he started his apprenticeship under his grandfather and then right after high school went to America to major in modern art...

Small Dishes, Mashiko-yaki, by Tagami Munetoshi. Kaki (persimmon) glaze with red/green-overglaze enamel lines & dots on whote border. H. .75"(2cm) x Dia. 4.5"(11.5cm.) Tagami Munetoshi (b. 1972) is the son of Tagami Isamu and grandson of Sudo Takeo. He is the 5th generation of potters in Mashiko’s Hinatagama (Hinata Kiln) founded during the Meiji Period (1868-1912) by Sudo Yujiro. At the age of 16, he started his apprenticeship under his grandfather and then right after high school went to A...

Kuro (Black) Sabi-Nagashi (dripped glaze) Kaku Bachi (Square Plate,) Mashiko-yaki, by Tagami Isamu. Mashiko-guro) (Mashiko Black) glaze with Kaki (persimmon) glaze cross pattern. H. 1.25"(3cm) x 6.5" (16.5cm) square. Small "kamakizu" (kiln scar) on side (see enlargement #4).Tagami Isamu was born in 1947 in Mooka, a village neighboring to Mashiko. He married into the Sudo family and apprenticed under Sudo Takeo. He was originally trained as a Japanese chef and had his own restaurant before embark...

Square Plate, Mashiko-yaki, by Tagami Isamu of Hinata Kiln. Ji-gusuri Tetsu-yu Kakubachi (gray glaze, iron glaze, square dish/plate,) with pattern of yuki mochi sasa (snow on bamboo grass leaves.) H. 1.25"(3cm) x 6.5"(16.5cm square.)Tagami Isamu was born in 1947 in Mooka, a village neighboring to Mashiko. He married into the Sudo family and apprenticed under Sudo Takeo. He was originally trained as a Japanese chef and had his own restaurant before embarking on a career in pottery, giving him a u...

Dinner-size or Serving Plates, Mashiko-yaki, by Tagami Munetoshi of Hinata Kiln. Kaki Glaze with wax-resist are displaying red overglaze enamel decoration of bamboo grass. H. 1.125"(3cm) x Dia. 9.5"(24cm). Tagami Munetoshi (b. 1972) is the son of Tagami Isamu and grandson of Sudo Takeo. He is the 5th generation of potters in Mashiko’s Hinatagama (Hinata Kiln) founded during the Meiji Period (1868-1912) by Sudo Yujiro. At the age of 16, he started his apprenticeship under his grandfather and t...

Guinomi, Sake Cups, Mashiko-yaki, by Tagami Isamu of Hinata Kiln. Faceted sides, Kaki (persimmon) glaze with red & green overglaze enamel decoration. H. 2.375"(6cm) x Dia. 2.5"(6.5cm.) Volume=4oz (120cc.) Tagami Isamu was born in 1947 in Mooka, a village neighboring to Mashiko. He married into the Sudo family and apprenticed under Sudo Takeo. He was originally trained as a Japanese chef and had his own restaurant before embarking on a career in pottery, giving him a unique perspective on functio...

Guinomi (Sake Cup), Mashiko-yaki, by Tagami Munetoshi. Yubi-kaki (finger wipe) technique on Mashikoguro (Mashiko Black) glaze. White Nuka (Rice Husk Ash) Glaze interior. H. 2"(5cm) x Dia. 3.125"(8cm.) Volume=3oz(90cc.) Tagami Munetoshi (b. 1972) is the son of Tagami Isamu and grandson of Sudo Takeo. He is the 5th generation of potters in Mashiko’s Hinatagama (Hinata Kiln) founded during the Meiji Period (1868-1912) by Sudo Yujiro. At the age of 16, he started his apprenticeship under his gran...

Tokkuri, Sake Decanter, Mashiko-yaki, by Tagami Munetoshi. Kaki (persimmon) glaze with ichimatsu (checkerboard) pattern of red & green overglaze enamel decorations of snow on bamboo grass (yuki mochi sasa) & stripes. H. 5.5"(14cm) x Dia. 3.375"(8.5cm). Volume = 13oz(380cc.) Tagami Munetoshi (b. 1972) is the son of Tagami Isamu and grandson of Sudo Takeo. He is the 5th generation of potters in Mashiko’s Hinatagama (Hinata Kiln) founded during the Meiji Period (1868-1912) by Sudo Yujiro. At the...

Vase Mashiko-yaki, by Tagami Munetoshi. Faceted sides, Kaki (persimmon) glaze with checkerboard pattern of red & green overglaze enamel decorations of sugar cane reed & stripes. H. 7"(18cm) x Dia. 3.125"(8cm). Tagami Munetoshi (b. 1972) is the son of Tagami Isamu and grandson of Sudo Takeo. He is the 5th generation of potters in Mashiko’s Hinatagama (Hinata Kiln) founded during the Meiji Period (1868-1912) by Sudo Yujiro. At the age of 16, he started his apprenticeship under his grandfather an...

Futa-oki, Lid Rest, by Tagami Isamu of Hinta Kiln, Mashiko. Faceted sides, Kaki (persimmon) glaze with red & green overglaze enamel decoration of sugar cane reed and stripes. H. 2.375"(6cm) x Dia. 2.25"(5.5cm.)Tagami Isamu was born in 1947 in Mooka, a village neighboring to Mashiko. He married into the Sudo family and apprenticed under Sudo Takeo. He was originally trained as a Japanese chef and had his own restaurant before embarking on a career in pottery, giving him a unique perspective on fu...

Matcha Chawan (Tea Bowl,) Mashiko-yaki, by Tagami Munetoshi. Kaki (persimmon) and Mashikoguro (Mashiko black) glazes. A large, Fuyu-chawan (Winter Tea Bowl) displaying rustic and austere simplicity, and quintessentially Mashiko. H. 3.125" (8cm) x Dia. 5.125"( 13cm.) Tagami Munetoshi (b. 1972) is the son of Tagami Isamu and grandson of Sudo Takeo. He is the 5th generation of potters in Mashiko’s Hinatagama (Hinata Kiln) founded during the Meiji Period (1868-1912) by Sudo Yujiro. At the age ...

Yunomi, Tea Cups, Mashiko-yaki, by Tagami Isamu of Hinata Kiln. Faceted sides, Kaki (persimmon) glaze on exterior and interior, with red & green overglaze enamel decoration of sugar cane and stripes. One cup's glaze shows darker kaki glaze (almost black.) Kaki: H.3.25"(8.25cm) x Dia.3.125"(8cm,) Volume=9oz (270cc.) Black: H.3.125"(8cm) x Dia.3.25"(8.25cm,) Volume=7.25oz(220cc.) Tagami Isamu was born in 1947 in Mooka, a village neighboring to Mashiko. He married into the Sudo family and apprenti...

Yunomi, Tea Cups, Mashiko-yaki, by Tagami Isamu of Hinata Kiln. Faceted sides, Kaki (persimmon) glaze on exterior, White Nuka (rice husk ash) glazed interior, with red & green overglaze enamel decoration of sugar cane and stripes. H.3.25"(8.25cm) x Dia.3.25"(8.25cm,) Volume=8.5oz (250cc.) Tagami Isamu was born in 1947 in Mooka, a village neighboring to Mashiko. He married into the Sudo family and apprenticed under Sudo Takeo. He was originally trained as a Japanese chef and had his own restaur...

Yunomi, Tea Cups, Mashiko-yaki, by Tagami Munetoshi. Kaki (persimmon) glaze with ichimatsu (checkerboard) pattern of red & green overglaze enamel decorations of snow on bamboo grass (yuki mochi sasa) & stripes. H. 3.75"(9cm) x Dia. 3.125"(8cm). Volume = 10oz(300cc.) Tagami Munetoshi (b. 1972) is the son of Tagami Isamu and grandson of Sudo Takeo. He is the 5th generation of potters in Mashiko’s Hinatagama (Hinata Kiln) founded during the Meiji Period (1868-1912) by Sudo Yujiro. At the ...

Yunomi, Tea Cup, Mashiko-yaki, by Tagami Munetoshi. Rou nuki-e (wax resist) Kaki (persimmon) glaze exterior, with Nuka (rice husk ash) glazed interior. H. 3.5"(9cm) x Dia. 3"(7.5cm). Volume = 8oz(240cc.) Tagami Munetoshi (b. 1972) is the son of Tagami Isamu and grandson of Sudo Takeo. He is the 5th generation of potters in Mashiko’s Hinatagama (Hinata Kiln) founded during the Meiji Period (1868-1912) by Sudo Yujiro. At the age of 16, he started his apprenticeship under his grandfather and th...

Yunomi, Tea Cup, Mashiko-yaki, by Tagami Munetoshi. Ji-gusuri (whitish gray glaze) dojou-guro (loach eel black) & gosu (blue) glazes. H. 3.25"(8cm) x Dia. 3"(7.5cm). Volume = 6oz(180cc.) Tagami Munetoshi (b. 1972) is the son of Tagami Isamu and grandson of Sudo Takeo. He is the 5th generation of potters in Mashiko’s Hinatagama (Hinata Kiln) founded during the Meiji Period (1868-1912) by Sudo Yujiro. At the age of 16, he started his apprenticeship under his grandfather and then right after hig...

Vase, Hanaire, Mashiko-yaki, by Tagami Munetoshi. Kaki (persimmon) & White glazes with red & green overglaze enamel decorations of snow on bamboo grass (yuki mochi sasa) & stripes. H. 9.5"(24cm) x 2.375"(6cm) Square. Ideal for placement in tokonoma. Tagami Munetoshi (b. 1972) is the son of Tagami Isamu and grandson of Sudo Takeo. He is the 5th generation of potters in Mashiko’s Hinatagama (Hinata Kiln) founded during the Meiji Period (1868-1912) by Sudo Yujiro. At the age of 16, he started hi...

Tokoname Yohen Kyusu (Side-handle Tea Pot,) Murata Yoshiki. H. 3.5”(9cm) x Body Dia. 3.5”(9cm) x W.(including handle) 5.375”(13.5cm.) Volume = 320cc(10oz.) Below the spout it is stamped “yoshiki” (see enlargement #6.) Murata Yoshiki was born in 1950 and is a Tokoname potter who apprenticed under Ito Toji. His works are a good example of the long history of sencha tea wares produced in the town of Tokoname, in Aichi Prefecture. It is perfectly balanced and well suited for use in prepa...

A powerful Chossen-Karatsu mimitsuki hanaire flower vase by Nakagawa Jinembo (Jinenbo b. 1953) enclosed in the original signed wooden box. Licks of blue fire rim the blast of pale white covering the upper reaches of the dark earth. The shape is hammered and beaten by the flame, shinshoku wear from the extreme heat beginning to degrade the lip. It is 8-1/2 inches (22 cm) tall, 5-1/2 inches (14 cm) diameter and in excellent condition. A rare opportunity to acquire a masterpiece by this highly ...

Large abstract mentori, faceted Oribe chawan by contemporary pottery phenom; Ishii Takahiro. This very contemporary style chawan is glazed in Ishii’s vivid Oribe glaze that shimmers with iridescence and allows plenty of the tsuchi-aji to peak through as he glazed the pot. Some areas of the bare clay show hi-iro caused from the fuming shells the pot was fired on. Balanced on a well addressed circular kodai, this chawan is equally at home displayed or in the hand. The mentori form feels great t...