A delicate sake cup (hai) by Living National Treasure Kondo Yuzo enclosed in the original signed wooden box. Outside is covered in festive red while inside the character Kotobuki (Fortune) is housed in a double ring in blue. Signed in the foot ring, it is 5 cm (2 inches) diameter and in perfect condition. For more on this artist see the recent edition of Arts of Asia Magazine (Spring 2021), A Seeing Eye: Modern Ceramics in Japan During the First Half of the 20th Century by John Wright...
A large vase by the legendary Miyashita Zenji 宮下善爾 (1939-2012), one of the greatest contemporary Kyoto potters. This is an early work, when he focused on celadon-like glazes. At that time he was studying ancient Chinese pieces, and was influenced by his father who excelled in celadon. This is very large piece from that period.
Titled Green Crystal Glaze Flower Vase (Rokushōyū kabin 緑晶釉花瓶), it is glazed stoneware, from Shōwa Period, early 1970...
Work 73-6 Bizarre Maki. this print was done in early 1973 It is one of the ugliest Maki prints I have ever seen. In this period Maki did some of his largest prints and some also with seemingly weird qualities. But these big ones – easily seen to be a variation of Nothing or Mu—are not riddles. We know what they are because Maki told us what he meant. Here, he left no such advice. Several friends have also said they do not know what Maki meant So we leave it at that for now...
A perfect Mashiko chawan with stunning glaze by greatest Shoji Hamada, enclosed in its originally signed wood box. The bowl has a wonderful shiyo-yu salt glaze.
Hamada made such treasures only once a year in April because items with such glaze were very difficult to made.
Hamada Shoji (1894 - 1978) was one of the founding fathers of the Studio Pottery movement, who came over to England with his friend, Bernard Leach, to start the Leach Pottery in St...
A trio of sculptural forms by Takano Moto-o dating from the formative years of modern Japanese crafts at the height of Sodeisha influence in the 1960s. These are being offered as a group for one price. One is distorted, like an apparition, or the world seen through an old pane of glass. The second is like a flute licking back; both in pure white. The third is a square basin with handles decorated with a geometric pattern...
Richly glazed complex form covered box that was pressed in to a hand mold and later finished off in temmoku and tessha accents. Obviously a well conceived form, this box was made by the son of legendary Mashiko potter, Sakuma Totaro, Sakuma Kenji.. The form, finish, lid and foot can easily lead to the Mashiko style and Sakuma in particular. All in all a very well conceived piece by the son of a pottery legend.
The box and lead measures approximately 3.76" tall, 5" long and 4.25" wide...
Elegant Hagi chawan with white to faint lavender ash glaze over slip and daido clay body. Classic turned foot, kodai with cut notch and impressed seal.
Though marked, I have been unable to read the seal and identify the potter. What I can say is this chawan is definitely post-war, circa 1960 -1970 and very much resembles the works of Sakakura Shinbei XII and Saka Koraizaemon XII from that time period.
This bowl measures 5" X 3.25" and is in great condition. No Box.
Geese take flight from autumn grasses on the dark clay surface of this flaring vase by Kiyomizu Rokubei VI dating circa 1960. It is 12-1/4 (31.5 cm) tall and in excellent condition. It is very similar in shape, style and theme to the piece held by the Nihon Geijutsu-in published on page 143 of the book Kiyomizu Rokubei Rekidaiten (2004). This came from the Rokubei family estate. There is no box...
A rare set of Sake Service Vessels (Tokkuri) by important artist Yagi Kazuo stamped near the base the white slip and engraved with butterflies and a poem. Emblazoned is the verse
URAURANI
TERERU HARUBINI HIBARI AGARI
KOKORO KANASHIMO
HITORISHI OMOEBA
The lark takes flight on a spring day
Inadvertently I am taken with sadness
Left thinking alone…
Sophisticated Bizen Tokkuri (Sake flask) made by one of the best artists of Bizen-yaki, the 2nd. Rakuzan Fujiwara (1910-1996). The Tokkuri was made 50 years ago and is still in mint condition. The surface is covered with natural glaze created with ash...
Sophisticated, yet naturalistic set of five, hand made, hand cut leaf plates with red enamel leaf designs under a washed gold gilt surface. This Rimpa influenced set for casual or kaiseki use are by veteran Kyoto Kiyomizu potter, Heian Seiun and most likely date to the 1960s. Seiun comes from a long line of potters dating back to the Edo period and each of these plates is just slightly different in shape and form making for a marvelously natural set.
These plates are all in excellent condi...
A stark flower in black rises to the rim of this white glazed early vase by Yagi Kazuo enclosed in the original signed wooden box. It is an excellent example of the mid-century aesthetic, dating from the 1950s to early 1960s. It is 13 cm (5 inches) diameter, 26 cm (10 inches) tall and in excellent condition.
Yagi Kazuo (1918-1979) was one of the most influential Avant Garde potters of 20th century Japan. He was born into the family of potter Yagi Isso, a noted specialist in fine Chinese a...
This elegant form vase is by porcelain master; Omori Shinobu. This vase measures 10.65” X 4” and is in excellent condition. The work of Omori Shinobu (1889-1962) is rare and even more so as this large vase comes complete with signed box and original personal bio. Omori, known for revitalizing the studio movement from his home in northern Japan, Ebetsu, Hokkaido, founded Hokuto-yaki (Northern Star Pottery) and even to this day a large pottery festival is held in his honor. His work is in many...
A wonderful early work by Hara Kiyoshi awarded at the 1962 Nihon Dento Kogeiten Traditional Crafts Exhibition enclosed in the original signed wooden box titled Ume-mon Hachi (Plum Patterned Basin). It is covered in a foamy blue-white glaze, the body sculpted like the five petals of a plum blossom. The dish is 43.5 cm (17 inches) diameter and is in excellent condition. It comes with the original catalog (published on page 1) as well as the original gold award label. This is a very rare opport...
A perfect Mashiko chawan with high foot by greatest Shoji Hamada, enclosed in its originally signed double wood box. The bowl has a wonderful shiyo-yu salt glaze and - rarely seen on Hamada bowls - a figurative 'window' iron glazed design called maru mado.
Hamda made such treasures only once a year in April because items with such glaze were very difficult to made.
Hamada Shoji (1894 - 1978) was one of the founding fathers of the Studio Pottery movement, who came over to Engla...
A valuable Shino Nezumi Chawan by legend and Living National Treasure Ishiguro Munemaro, 1893-1955.
It is in mint condition and comes with its original signed box.
In 1918, Ishiguro Munemaro set his goal of becoming a ceramist after seeing a spotted tenmoku tea bowl at Tokyo Art Club. On his own, he researched Chinese ceramics of the Tang and Song dynasties, Korean ceramics, and so on, and grounded on abundant experience and skill, he established a richly lyrical and eleg...
Kaneshige Toyo is no doubt one of the most important Japanese potters in 20 century and the first Bizen artist to be awarded with Living National Treasure title in 1956.
He is considered as the founder of modern Bizen pottery and at the same time he is known for successfully recreating the sheen of Momoyama Bizen pottery.
Width 5.7cm
Height 5.05cm
Weight 78g
In excellent condition.
Supplied with original wooden box with leaflet.
Elegant Tsutsu Chawan made by Living National Treasure Kato Hajime in his renowned Hiyoshi kiln.
The mark of the artist is stamped on base.
It is very rare to find Kato Hajime's works on the market.
Size
Width 10.5cm
Height 9.5cm
Condition
Excellent
Supplied with signed wooden box
Born in Seto, Aichi Prefecture in 1900, Kato Hajime embarked on a remarkable journey in the realm of ceramics. He honed his skills as an assistant at the Aich...
Artists (3810)
