This multi-color paper cut-out of lotus is 8 ½” wide and 11 ¾” long. It depicts lotus blossoms and leaves during summer time. It is designed and made by Pi-Ping Savage. The signature on the bottom right uses her Chinese name. The Chinese folk art of paper cutting, creating pictures by cutting out single sheets of paper, has been practiced for many centuries...

At nearly 13" tall, this large Persian blue style glazed vase cuts a great figure flanked by bold and detailed brushed of owls rendered within medallions and further detailed with patterns of decoration and faint gold accents to complete the piece...

This cage of raw white porcelain by Goto Miho, like dried bones, contains a glistening membrane, a mysterious ceramic sculpture by this young artist from her Heartbeat of the Skin series. It is 14 x 15 x 16.5 cm (roughly 5-1/2 x 6 x 6-1/2 inches) and is in excellent condition, directly from the artist. When prompted about her message she said: I feel that there is something vaguely present that is never visible in my everyday life...

Flashes of red decorated the scorred and scarred dark glazed body of this Chawan by Gomi Kenji enclosed in the original signed wooden box and dating to 2021. The form is slightly belted, to allow the bowl to settle comfortably into the palm. The very traditional silhouette however has been paddled and graffiti structures scratched into the surface...

Guinomi, Sake Cup, by John Miller; Portland, OR. Soda-fired, ash glaze. H.1.625"(4cm) x Dia.2.5"(6.5cm.) John Salgir Miller was born in Elmira, NY, in 1974 and earned his BFA in ceramics and illiustration from the Massachusetts College of Art in Boston. He has been inspired the mingei aesthetic and by the work of Shoji Hamada since he began studying ceramics in high school...

A Beautiful bowl in crackled white set into a lattice like structure of raw porcelain pierced with a plethora of various sized holes by Kato Yoshiyasu enclosed in the original signed wooden box titled Haku-yu no wan (White Glazed Bowl). It is 12.5 cm (5 inches) diameter, 10 cm (4 inches) tall and in excellent condition, from the artist this year.
Kato Yoshiyasu was born in Aichi prefecture in 1985, and graduated the Kurashiki Kogei Crafts School design department in 2008...

Wood-fired Tea Bowl, Matcha Chawan, by John Benn; Harstine Island, WA. Black Glaze, with areas appearing ochre and gold. Two finger marks remain where the bowl was glaze-dipped. Stamped with artist's mark. H. 3.25"(8.25cm) x Dia. 5.75"(14.5cm.) John Benn studied with F. Carleton Ball and Ken Stevens at the U. of Puget Sound in Tacoma, and with Howard Shapiro and Sandra Simon in the MFA Program at the School of the Art Institute of Chicago. In 1976, he built his first wood kiln...

Large jar or vase by Kirk Mangus (American, 1952-2013) free form with slip and incised decoration in the form of two fishes (one large, one small, the large fish going after the small of course). Signed "Mangus" and inscribed "xox" bottom. Probably from the late eighties but could be earlier. Roughly 9" high and 8" across. Kirk Mangus is an internationally recognized American artist and ceramicist.

Only one like this, as repetition is not found here. This was cut, constructed, hand painted using Artists' Acrylics by and signed MIMI Dee. 100% cotton velveteen 3/4 length green color blocked jacket coat.

LEGAL: Images Design Content Concept Text Owned by Mimi Dee

Ohi Chozaemon X (b...

This piece is made of copper glaze called "oribe". At first , it is covered with feldspar and painted with iron and next it is covered with copper glaze. It is firing into burning charcoal in the kiln, so there are complicated atmosphere, oxidation and reduction. The oxidation atmosphere makes the copper glaze red, the reduction atmosphere makes it green and the mixture atmosphere makes complicated color. Size 6.0 cm (D) 5.7cm (H) Accessary : wooden box signed by the potter.

A whimsical koro by Takauchi Shugo enclosed in the original signed wooden box titled oribe Koro. It appears to dance, two arms up in the air with the music, a slight jaunt in its three legged step. It is 11 inches (28 cm) tall and in excellent condition.
Takauchi Shugo was born in Tokyo in 1937. He opened his kiln in Mashiko at the age of 31...

Kim Yik Yung Rare Early Porcelain Vessel from 1992. 24 x 12 x 12 inches, 61 x 30.5 x 30.5 cm. We have other works of porcelain art by Kim Yik Yung, so please let us know if you have any interest...

Ceramic tokkuri - sake bottle - with sturdy body and cup mouth...

Made in USA. As in the Modernist tradition and in a USA studio, this hand hammered figural necklace collar was completely hand fabricated by one pair of hands and signed: Handmade Mimi Dee & Sterling. As usual the sculptural pendant is made from One piece! This metal took this metal artist on a journey not unlike same paintings which may start with one idea and end up with another. LEGAL: All images design concept content text solely owned by Mimi Dee. Some say this is a bird, others say an...

MOON JAR S

Contemporary white porcelain jar by Lee Yong-soon (b.1957, Korea), with his unique interpretation for the ancient jars of the Joseon dynasty, approx. D 17 x H 17cm (6.69 x 6.69in). Besides, two more different size of his moon jars are listed at the same time, and each one is attached with his autograph certification (in Korean) with his own signature and seal.


selected by kikue




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This depiction of the eternal “ensō” on a backdrop of pearly white feldspar over red clay signifies enlightenment, the eternal, the nothingness, and the freedom of the mind to envision and to create. Wood-fired in a small-batch ana-gama, the techniques used to produce such works stretch back over 500 years and were only recently revived in the first half of the previous century by a dedicated group of artists.

The potter who created this piece (Kato Kozo) was born in 1935 in Gi...

A beautifully crafted vase from a studio potter in the hills of Iga, a few hours drive east of Kyoto. Iga-ware has quite a long history—by some accounts dating back to the 7th and 8th century—with the major kilns being established some time around the end of the 16th century. Similar in many ways to Shigaraki pottery, the glaze is the result of kiln ash being vitrified and melted on to the surface of the clay body at extremely high temperatures during firing, which can last many days. To add...