Beautiful sterling cuff with fine line chisel work by Navajo silversmith Gibson Nez. Deceased on December 1,2007, he was a self taught silversmith who won the prestigious Smithsonian Medal of Honor, more than 700 blue ribbons, was featured in magazines and books and was a featured guest artist in many museums and galleries across the United States. This bracelet measures 5 1/4" around in the inside plus an additional 1 1/2" opening. It is 1 3/4"" wide and weighs 124 grams...

Overlapping crescents in pale colors decorate the textured white clay of this tall vase by Kamoda Taro enclosed in the original signed wooden box dated 1989 and titled Kaku (With Corners). It is 12 x 15.5 x 32 cm (5 x 6 x 12-1/2 inches) and in excellent condition, hand signed on the base in a colorful cartouche.
Kamoda Taro was born in Mashiko the eldest son of legendary ceramic artist Kamoda Shoji...

An eight sided Shino Yunomi Cup by Suzuki Osamu (Kura) enclosed in the original signed wooden box decorated with triangles in red. A striking work, it is 3 inches wide, the same height (7.5 cm) and is in excellent condition. Osamu was born in Gifu prefecture in 1934, and graduated the Tajimi Technical School ceramics division in 1953. That same year he was awarded at the 6th Dento Kogeiten Traditional Crafts Exhibition...

Rivulets like stalagmitic sprouts weap from the crystallized walls of this squat Tsubo by Tsukigata Nahiko enclosed in the original signed wooden box titled Oni-Shino Tsubo Hanaire.  Pealed back lunettes reveal the rough clay surface beneath, adding a sense of drama to the piece; putting it firmly in the natural world where asymmetry and imperfection reign.  A seminal work by this important artist whose influence will be felt for coming generations...

A technique most commonly seen in Tenmoku tea bowls, “konoha” is accomplished by applying a coating to an actual leaf and then attaching the leaf to the surface of an artwork before firing. The exact details of this process seem somewhat murky as it appears to be a well-guarded secret among potters. After some research we were unable to identify the potter; and, although there is a signature on the bottom that appears to read “Raishō,” we could find no potter by this name...

This Acoma miniature seed pod is 1 ½ inches tall and 2 inches wide. There are two abstract lizards in the middle. It is made and signed by well-known potter Sharon Lewis. The workmanship is precise and superb. It is in excellent condition.

This piece is styled "uzukumaru" pot, it means "squat", Uzukumaru pot is originally made for storing seeds. Since tea masters like as Rikyu used them for vase in the tea room, it has been called "uzukumaru" and loved by them for tea　goods...

There is something very alive about the Shino works of Hayashi Yuka...

Oval combed slip covered serving piece with Ao glaze and red, yellow and green overglaze emamels. The foot was glazed and fired on wads just for the effect it presents.

Stoneware, slip, glaze and enamels

12.5" X 6.25" X 7"

Functional, decorative and food safe

Excellent Bizen Chawan by Yamamoto Yuichi (b. 1935)

Size
Height 8cm
Width 13cm


Condition
Excellent
Supplied with signed box

Yamamoto Yuichi, born in Inbe, the renowned Bizen center of Japan, is the eldest son of Living National Treasure Yamamoto Toshu. He embarked on his pottery journey in 1959 under the expert guidance of his father...

Matcha Chawan (Tea Bowl), Mashiko-yaki, by Tagami Isamu of Hinata Kiln, Mashiko. The straight sides and deep well make this a Fuyu-chawan (Winter Tea Bowl,) but it is appropriate for use in any season. Faceted sides, Kaki (persimmon) glaze with red & green overglaze enamel decoration of sugar cane reed and stripes. H. 3.125"(8cm) x Dia. 4.25"(11cm.) Tagami Isamu was born in 1947 in Mooka, a village neighboring to Mashiko. He married into the Sudo family and apprenticed under Sudo Takeo...

Bold large teabowl with carved shinogi grooves around the form glazed in my medieval green and temmoku glazes

Stoneware and glazes

6" X 3.75"

Functional, decorative and food safe

JUNRI HAMADA is one of the high-skilled pottery artist in Mino famous pottery production center. Especially focused on KISETO (yellow&green glaze). This piece is created with oribe glaze (green glaze) that was made in 16th century in Japan. It is seemed Japanese tea pot at a glance however the creator has made it as a vase. The handle is made by dried Japanese wild ivy, SIZE:10.0cm(length)17.5cm(width)/19.0cm(height)included handle

Large abstract mentori, faceted Oribe chawan by contemporary pottery phenom; Ishii Takahiro. This very contemporary style chawan is glazed in Ishii’s vivid Oribe glaze that shimmers with iridescence and allows plenty of the tsuchi-aji to peak through as he glazed the pot. Some areas of the bare clay show hi-iro caused from the fuming shells the pot was fired on. Balanced on a well addressed circular kodai, this chawan is equally at home displayed or in the hand...

Zenga style conical summer teabowl with a attractive Jun glaze over stoneware with calligraphy on the exterior of the bowl; SEI DAI JI and then in a column, DAI Chawan (great chawan). This chawan was made at the Seidaiji temple and is reminiscent of earlier Chinese temmoku and yuteki chawan in form with a Jun glaze that has a visually soft and appealing appearance.

This chawan is stamped as well as signed and is in fine condition with out a box and measures 5.5" x 2.5".

"MIMI" ('mimi" is the Japanese word for "ears.")Sculpture, bronze fabrication with patina, Gerard Tsutakawa, 2001. H.12"(30.5cm) x W.10.25"(26cm) x D.4.375"(11cm). Gerard is a 3rd generation Japanese-American and a 2nd generation artist. His father's name, George Tsutakawa, is nearly synonymous with the word "sculpture" in the Pacific NW region. Gerard worked in his father's studio, learning to fabricate large bronzes and fountain sculptures...

An absolute classic natural ash glazed sake bottle by the reclusive potter Oasako Mikio enclosed in the original signed wooden box titled Hai Yu Tokkuri (ash glazed flask). Much of the dark surface is raw clay, with coals charring the front and tremulous tears of liquified ash dripping down both inside and out...

An example of some of the finest porcelain modern Japan has to offer. According to the Wakao Kei, the artist who crafted this piece, it took him years of trial and error to perfect these stunning translucent glazes and associated techniques such as getting the right flowing consistency and pooling effect around the base. The unglazed portions at the base seen here in pictures was created by the artists fingers as he plunged the vessel into the glaze while holding firmly to the porcelain body—a...