15 x 15 inches, 38 x 38 cm. Lee Heyung Bok has been featured on the covers of Korean art publications Ceramic Art Monthly and Craft & Art Review.

A striking black and orange striped vase in simplified ovoid form by Mukunoki Eizo enclosed in the original signed wooden box titled Kokusai Tsubo. This was purchased at a Mitsukoshi Exhibition. It is 8 inches (20 cm) tall and in excellent condition.
Mukunoki Eizo Born in Shimane, and graduated the prefectural ceramics research facility before he apprenticed under Kawai Kanjiro in 1958. He would stay with Kanjiro until the masters death in 1966...

Enigmatic script rises like fingerprints from the surface of this vertical black monolith by Shigemori Yoko dating from quite early in her career titled Autumn Field. The piece is slab-formed, the slabs pressed over a surface inscribed with mysterious scrawling and texts, one feels it possible to read, but it proves elusive. Like much of her work it is raw, Like garage band music. There is no other decoration, a powerful statement which staggers to one side...

In excellent condition, this bird-shaped, or “torigata” vase is a beautiful example of Iga pottery from last century. A master of form, material, and technique, the potter Furutani Michio (1946-2000) wrote several books later translated to English on the construction and use of the “anagama”—an earth-dug, wood-fired, small-batch kiln traditionally used in Japan—celebrated for the extraordinary results that often emerge from its fires...

Guinomi creates a very organic feel.  The bulbous form, like some tuber or bulb found in nature, a sake-flower bulb, shows scars where kutsuki (other items) have fused to it in the heat of the conflagration.  Allow this bulb to grow to fruition, blossoming into a shared night of conversation and company or a quiet night of music and moonlight…
Size, The Tokkuri: is W 10.2  cm ( 4 inches)  H 13.6  cm (5-1/2 inches) 
Size, Guinomi: is W 7.7  cm ( 3-1/4 inches)  H 5.5  cm ...

This compote has also modern sense with Japanese traditional pottery technique to fire pine fire wood in Karatsu that is famous pottery area in Japan. Dohei is one of famous masters in Karatsu. This plate is suitable for not only Japanese cuisine but also western cuisine. Size: 20.0cm(square) 3.0cm(height)

Sugimoto Sadamitsu (b. 1935) is one of the most important Shigaraki potters alive today and continues to create master works into his old age. Originally a resident of Tokyo, at the age of 33 he moved to Shigaraki and started creating high-quality tea-ware implements, most notably, fine tea bowls in the style of early Raku masters...

Wood-fired platter by George Gledhill. Natural clays and glazes. W.10"(25.5cm) x L.16.5"(42cm). There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea practitioners who complimented his work and encouraged him to produce Tea wares...

Incredibly thick white glaze envelops the base of this torn and twisted form by Kato Toyohisa enclosed in the original signed wooden box titled Shino Hanaire. The body is covered in pinholed white burnt red, with the remarkably white glaze below like fresh snow. It is 21.5 cm (8-1/2 inches) tall and in excellent condition.
Kato Toyohisa was born in 1962...

Satoru Omae (b...

Heavily textured Taiko, drum form vase covered in a complex Temmoku glaze with wonderful lustrous sheen

Stoneware and glaze

9.2" X 9.25" X 3.9"

Every facet is unique on this natural torn shape by Kishimoto Kennin enclosed in the original signed wooden box titled Iga Hanaike ‘Honoka’ or Fire Flower. It is much like a flower in clay, rising up from the bulb, the flowers placed into it the extension of the stalk. It is 32.5 cm (12-3/4 inches) tall and in excellent condition.
Kishimoto Kennin has been working with clay since the 1950s, devouring styles along the way...

If you are familiar with the work of Hiramatsu Ryoma you know that he creates very unconventional ceramics inspired by forms found in nature. Here we have a set of sake cups he describes as “Ou-tekko” (pyrite) and “Ammonite” (same in English - a kind of sea fossil). Part of a series he has been developing, the ancient Ammonite fossil has been the inspiration behind his latest creations. Pyrite, meanwhile refers to the metallic patterning on the outer surface of the clay body...

Oil Painting by Jeon Joon Yeop. 36 x 25.5 inches, 91 x 65 cm. Jeon Joon Yeop (born 1953) is a well-known artist in South Korea, with numerous art reviews. He was the top-selling artist in last year’s Korea International Art Fair, Korea’s biggest art fair...

A beautiful vessel by Kitamura Junko exhibiting the best of her handiwork...

Born in 1928, Don Doxey is well known for his photo-real western still life objects. This wonderful painting, titled "Song of the Calvary" is so realistic that it looks three dimentional. It measures 30" x 28" unframed, and 35" x 33" framed. Photographs do not do this painting justice - its so real that its amazing.

What a joy to hold this igneous Guinomi by Atarashi Manabu, the stone like texture and form are a pleasure to the palm. It is covered in thick ash outside, pooling into crystalline shades on the surface outside, while the inside is largely left untouched, offering a view of the clay and a stark contrast between the inner and outer surfaces to enjoy visually. It comes enclosed in the original signed wooden box titled Iga Shinogi Guinomi. The vessel fits perfectly in the palm, roughly 7.5 cm (3...

Mastery of the Oribe genre is apparent in this Chawan by Yamada Kazu which comes enclosed in the original signed wooden box titled Kuro-Oribe Chawan. It is 13 cm (just over 5 inches) diameter, 9 cm (3-1/2 inches) tall and in excellent condition.
Yamada Kazu was born in Tokoname city in 1954, one of Japans ancient kiln areas, into a line of potters. He would have been influenced early on by his father, Yamada Kenkichi and uncle living National Treasure Yamada Jozan. He graduated the Osaka...

A stunning work by Shigaraki Legend Tsujimura Shiro enclosed in the original signed wooden box inside the lid of which is scrawled a nude figure and the epitaph NY 5/24/06. It is known that when in New York at an exhibition in 2006 the artist was entertained at a gentlemen’s club and was purported to have had a very good time. This is likely a reference to that event. The vessel is 14 inches (35 cm) tall, 12-1/2 inches (32 cm) diameter and in excellent condition. Tsujimura Shiro was born i...

This exhibition quality lyrical Momoyama styled Shino chawan is by Mino veteran potter, Yamada Seiji. Glazed in a uroi (wet looking) Muji-Shino glaze over some rapid iron brushwork, this chawan is exceptionally well modeled and has a wide variety of color tones running from pure snow white to yellowish and coral highlights. Yamada is well known for this unique style of Shino glaze that almost resembles snakeskin and this is a great piece to showcase his skills and glazing and simply put, this is...

One of my personal favorite shapes for a chawan, the wa-nari (sometimes pronounced rin-nari) appears firmly grounded and balanced at all times. With round curving surfaces so natural in the hand—they conjure images of ripe fruit waiting to be devoured.

This piece was produced by Koizumi kiln in Aichi Prefecture, most likely by the head potter Kato Shineda—though it only bears the seal of the kiln and not the potter. The outside of the bowl displays a gray field with swaths of l...

A hand signed example of the print "Edgartown" (Martha's Vineyard, Massachusetts) by noted contemporary Cape Cod and the Islands artist KATHY O'NEIL. The work is numbered 111/350 at lower left margin and is hand signed by the artist at lower right margin. O'NEIL works in the popular naive, folk art tradition that can be traced back to Ralph Cahoon. Popular subjects are mostly scenes of the Cape, Nantucket, or Martha's Vineyard. Imagery usually or often includes whales, mermaids, fanciful ball...

13 x 12.5 x 6 inches, 33 x 32 x 15 cm

Wood-fired Tea Bowl by George Gledhill; Payette, ID. H.3"(7.5cm) x Dia.4.75"(12cm.) Shino & Ash glaze. There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea practitioners who complimented his work and encouraged him to produce Tea wares. Their introduction to the world of Tea Ceremony has helped to s...

Oribe Style Dish by renowned Koie Ryoji (1938-2020)

Size
Width 23.2cm
Height 6cm

In excellent condition
Supplied with signed wooden box

Koie Ryoji
Born in the historic city of Tokoname, Japan, in 1938, Koie Ryoji emerged as a prominent figure in the world of ceramics. Tokoname, renowned for its rich ceramic heritage, served as an ideal backdrop for Koie's artistic journey. After completing his local ceramic studies, Koie embarked on an indep...

Hanging Vase (J. kakehanaire) by Sachiko Furuya. Bamboo Ash Glaze. H.6.5"(16.5cm) X Dia.2.875"(7.25cm). Sachiko Furuya hails from Yamanashi Prefecture, Japan. There, she studied pottery with Yukio Matsuura, making primarily tea wares for practitioners of the Omotesenke School of Tea. She also attended the College of Arts at Nihon University (Tokyo,) Suidobara Fine Arts Academy (Tokyo,) and has a Studio Art degree from Clark College in Dubuque, Iowa. She has exhibited her work in galleries and...

Vase for flowers by Sachiko Furuya; Shoreline, WA. Contemporary, H.5.75"(14.5cm) x Dia.3.75"(9.5cm). Sachiko Furuya hails from Yamanashi Prefecture, Japan. There, she studied pottery with Yukio Matsuura, making primarily tea wares for practitioners of the Omotesenke School of Tea. She also attended the College of Arts at Nihon University (Tokyo,) Suidobara Fine Arts Academy (Tokyo,) and has a Studio Art degree from Clark College in Dubuque, Iowa. She has exhibited her work in galleries and museu...

An exquisite Nerikomi basin by Shiobara Yoshio enclosed in the original signed wooden box exhibited at the 9th Nihon Togeiten National Exhibition. Nerikomi is the technique of working with layers of variously colored clays. This basin measures 17 inches (43 cm) diameter, 6 inches (16 cm) tall and is in fine condition. The original exhibition tag remains on the base with a note stating it was purchased for 400,000 yen (currently about 5,000 dollars) at that time. The original exhibition catalo...

Another radical and dramatic piece by Higashida Shigemasa enclosed in the original signed wooden box titled Oribe Jikiro. The eclectic shape is rendered roma block of clay, hollowed and torn, like the ragged crags of Gifu, home of this pottery tradition. Natural textures to bring out the depths of the oribe green, and electric shimmers of blue rush over the edges evoking the sense of water on the move.
Size, D 45.2cm H 16.2cm and quite heavy.
Condition, Excellent
Higash...

Sake Cup, Guinomi, by Tagami Munetoshi of Hinata Kiln, Mashiko, Tochigi Prefecture. Kaki-yu ("persimmon" glaze,) Nuki-e (wax resist design.) H.2"(5cm) x Dia.3.125"(8cm.) Tagami Munetoshi (b. 1972) is the son of Tagami Isamu and grandson of Sudo Takeo. He is the 5th generation of potters in Mashiko’s Hinatagama (Hinata Kiln) founded during the Meiji Period (1868-1912) by Sudo Yujiro. At the age of 16, he started his apprenticeship under his grandfather and then right after high school went to...

A novel look at the Onioke idea of a handled vase, this one rising like Devils Tower to a narrow opening crossed by a handle by Nishihata Tadashi enclosed in the original signed wooden box titled Yohen Oke-gata Hanaire. It is 31.5 cm (12-1/2 inches) tall and in excellent condition.
Nishihata Tadashi was born in Sasayama in the mountains of Hyogo, and ancient castle town in 1948. He began potting in 1969, focusing on items for use. In 1986 he first entered the realm of public exhibitions ...

Top Quality Bizen Hidasuki Chawan of Living National Treasure Toshu Yamamoto (1906-1994)
The mark of the potter is carved on the bottom.

Size
Height 7.2cm
Width 13.1cm

Excellent condition with no damage and no repair. Supplied with signed wooden box.

After completing his elementary education, Toshu Yamamoto embarked on his pottery journey in 1921 as an apprentice specializing in Bizen-ware. By 1933, he had established his own independent kiln. ...

A camellia, its red heart the symbol of youthful beauty, blossoms from the creamy aggregate covering this deep bowl by Ikeda Shogo enclosed in the original signed wooden box titled Kohiki Tsubaki Chawan.  A thinly applied white slip covers the body and patches of fawn colored spots dot the surface.  Bursting with life from the bottom, a camellia spreads its leaves revealing a bright red jewel.  Kohiki ware is based on Yi Dynasty Korean Punch'ng ware preferred by the warriors in the Momoyama a...

This is a large and elegant salt fired enyu with a provocative crackle slip surface creating a wide array of textures and various color hues that make for a splendid chawan. measuring in at 14.2 x 8.6cm, this chawan was created by Tokoname mainstay, Ito Yushi and is rather typical of this style for which he is well known. Thrown out of a iron rich clay, the bowl was dipped in a slip with a specific surface tension before it was placed in the kiln and salt fired which has "glazed" the piece all o...

Sake Cup, Guinomi, by Tagami Munetoshi, Hinata Kiln, Mashiko, Tochigi Prefecture. Kaki-yu Aka-e ("persimmon" glaze with red overglaze enamel.) H.1.875"(4.75cm) x Dia.3"(7.75cm.) Tagami Munetoshi (b. 1972) is the son of Tagami Isamu and grandson of Sudo Takeo. He is the 5th generation of potters in Mashiko’s Hinatagama (Hinata Kiln) founded during the Meiji Period (1868-1912) by Sudo Yujiro. At the age of 16, he started his apprenticeship under his grandfather and then right after high school ...

The chawan is adorned with a delicately applied ash glaze, exhibiting a graceful transition from a deeper hue to a lighter shade on the bowl's sides. The rounded, harmonious form is undeniably captivating, a testament to a contemporary aesthetic sensibility.

Size:
Height: 7.1cm
Width: 12.7cm


Supplied with signed wooden box, stamped cloth, and leaflet.

About Ueda Naokata V:
Birth: Born in Shigaraki in 1928.
Education: Completed studies ...