A unique Yin and Yang vase splashed with two moons, one dark, one light, by Hamada Shoji enclosed in the original signed wooden box titled Yakishime Kakiwake Henko. The Ma or use of blank space (here the Yakishime raw clay) is quite unusual for this Mashiko potter. Kakiwake refers to the application of two glazes separated. The vessel is 23 cm (9 inches) tall and in excellent condition...

This contemporary Shiwan figure was made by Mr.Lin Wei-Dong. Mr. Lin is a well-known Shiwan potter. His signature appears on the bottom along with the notice that he produced this piece at Tao Lin Studio. There is a stamped seal on the straw mat close to the foot. The statue is a famous Chinese legendary figure called Ji Gong. As the story goes, Ji Gong was a real person. A Buddhist of the Southern Song, his dates are 1148~1209. His original name was Li Xin-Yuan...

This tan silk worsted wool world famous designer's blazer has been embellished by and signed Mimi Dee. It has bee embellished with wonderful rich brown toned silk designer fabric collage all around lapels. This could have been painted by hand. Many a female attorney and corporate woman who tired of the 'harsh suit look', often visited and purchased these blazers to wear to the office, from Mimi Dee Artwear Studio, when it was still a brick and mortar studio - store - gallery...

Great set of books on modern Japanese studio pottery; GENDAI CHATO TAIKAN...

A black lacquered lid covers the opening of this exquisite mizusashi by Tsukigata Nahiko enclosed in a wooden box titled Oni Shino Mizusashi and endorsed by his student Ayukai Kogetsu. It is 7-1/2 inches (19 cm) diameter, 6 inches (15.5 cm) tall and in excellent condition.
Tsukigata Nahiko (1923-2006) was not only an accomplished ceramic artist, but also a painter, calligrapher, sculptor and musician...

Born in 1928, Don Doxey is well known for his photo-real western still life objects. This wonderful painting, titled "Song of the Calvary" is so realistic that it looks three dimentional. It measures 30" x 28" unframed, and 35" x 33" framed. Photographs do not do this painting justice - its so real that its amazing.

An early vase by sculptural legend Yanagihara Mutsuo enclosed in the original signed wooden box titled Heki-yu Tetsu-e Kabin. Hekiyu is a glaze made of copper and cobalt, which when fired takes on the color of Lapiz. In this case the Lapiz blue pours down over a tapering base of raw earth decorated with spiraling blades in iron glaze. It is 23.5cm (9 inches) diameter 27.5 cm (11 inches) tall and in excellent condition...

An historically important work by Furutani Hiromu (Churoku I) from the initial firing of their newly established Nobori-gama climbing kiln in 1974. This type of work is called Hatsugama, or first from the kiln. It is the only piece in the show from the climbing kiln (which has not been fired in over 20 years) and the earliest piece in the show as well. It is 32 x 8 x 35 cm (13 x 3 x 14 inches) and in excellent condition, directly from the family...

Red Hidasuki lines of straw on austere Bizen clay by the master of that genre Isezaki Mitsuru enclosed in the original signed wooden box. Perfectly turned bowl representing this important artists style. 13 cm (5 inches) diameter, 7 cm (2-3/4 inches) tall and in excellent condition.
Isezaki Mitsuru (1934-2010) was born to a family of potters, his father Yozan and younger brother Jun both very important in Bizen pottery...

A black pipe reminiscent of both an ancient Japanese court cap and a industrial burner chimney by Shibata Shigeru dating circa 1978 enclosed in the original signed wooden box titled Kuro-yu Kaki, Okoru (Black Glazed Vase Titled Rise-up or Occurrence). This piece strongly shows the convention of the second generation Sodeisha members interest in form over decoration. It is quite large at 15 inches (38 cm) tall and in excellent condition...

A double gourd shaped covered water jar by Tsukigata Nahiko enclosed in the original signed wooden box titled Oni-Shino Mizusashi and inside named Robai-ju (Robai is a type of early blossoming plum, Ju is ball). It is just under 7 inches (17.5 cm) diameter, 6 inches (15 cm) tall and in excellent condition.
Tsukigata Nahiko (1923-2006) was not only an accomplished ceramic artist, but also a painter, calligrapher, sculptor and musician...

Robust and classically medieval in origin, this Seto-Guro chawan was made by Toki Intangible Cultural property, Mizuno Takuzo. The deep black surface has a wetness to the glaze that adds to curdled surface of the chawan that gives way to the buff clay and well addressed kodai. The chawan is well animated by way of deep throwing marks made while the bowl was wet and on the wheel and then was ovalled slightly to create a pleasing form to the hand and the eye. Strong form, strong surface and well s...

Robust, large Shino vase of round form with areas of poured underglaze iron slip creating areas of Aka-Shino (iron red) and Muji-Shino (white)across the piece. This vase was made by the well respected and exhibited Kato Shuntei (1927-1995) who was a true Mino traditional potter.

10" X 3.75"

Original wood signed box included

Like most Shigaraki-wares, this piece has a somewhat primal feeling to it, as though it belongs to a previous geological era in time. Rivulets of vitrified green, grey, and yellow ash stand against a background gradient of soft to intense ochres of the clay body. The intense firing process of this type of pottery for days in an anagama kiln results in a beautiful ashen glaze with a warm, soft, yet vibrant glow when set in the light.

The vase seen here, is a culmination of many year...

The great artist Choraku III made a lot of fantastic chawans - for me this is SURELY HIS BEST: a mysterious Aka Raku Chawan with Buddhist symbols in white slip, which are drawn on the outside of the bowl, slightly deformed and perfectly balanced, definitely one of a kind!

With every turn of the bowl, a new face is shown, offering many opportunities for contemplative experiences. As with many red Choraku tea bowls, the light white over glaze gives a misty and almost ghostly feeling ...

A spectacular large basin covered in fissured green with tinges of red by Living National Treasure Shimizu Uichi enclosed in the original signed wooden box titled Seiji O-zara. It is 16-1/4 inches (42 cm) diameter, 4 inches (10 cm) tall and in excellent condition.
Due to size the cost of shipping will be accrued separately
Shimizu Uichi (1926-2004) was born in Kyoto the son of a ceramic dealer. Discarding the family business he apprenticed in plastic arts under Ishiguro Munemaro. H...

A fine Tenmoku Glazed pot with Pine needle design by Kimura Moriyasu dating circa 1985 enclosed in the original signed wooden box. It is 8 inches (20 cm) tall and in fine condition. A vase with this same glaze is held in the National Palace Museum, Taiwan.
Kimura Moriyasu (b. 1935) studied pottery initially at the Kyoto Ceramics Research Facility (which turned out such masters as Hamada Shoji and Kawai Kanjiro) and then under his brother Kimura Morikazu. He is well known for his use of c...

Rich rivulets of stunning green crystallize on the surface of this tokkuri sake-bottle by important Mino artist Hayashi Kotaro enclosed in the original signed wooden box. The bottle is roughly 6 inches (15.5 cm) tall and in excellent condition.
Kotaro was born in Gifu prefecture, and graduated the prefectural ceramic facility. He was displayed at the Nihon Dento Kogei Ten (National Traditional Crafts Exhibition), Asahi Togei Ten Ceramics Exhibition and Chunichi Kokusai Togeiten among othe...

This extraordinary mizusashi is a fine example of Oni Shino (carbon trap and natural ash glazing) that Tsukigata is so well-known for. Coining the term in the mid-50’s after countless failed experiments—which ultimately culminated in the discovery of this unique style of pottery—“Oni” translates roughly to demon or ogre. Fired at extreme temperatures for days in an anagama kiln, the iron in the clay and in the glaze fuses, drips, and coalesces—while at the same time blending with the...

A fantastic sculptural Bizen vase by Ajiki Hiro (b. 1948) enclosed in the original signed wooden box dating circa 1995. The vase is roughly 14 inches (35 cm) tall and very heavy, the entire piece carved and cored from a solid block of clay. Hiro is an artist versed in many of Japans ceramic traditions. He fires Shino, Oribe, Seto, Raku, Bizen and Hagi styles as well as styles all his own. His daring Bizen forms have been compared to those of Kakurezaki Ryuichi, and in fact the two often coll...

A powerful Mimitsuki Karatsu Mizusashi by Nakagawa Jinembo (Jinenbo b. 1953) enclosed in the original signed wooden box. Vicious white glaze, deeply fissured, supplants the fawn brown of the back, all over a very rough red clay filled with shiseki stones. The piece breathes energy, vivacious and playful it is a pleasure to view and use. The lid is similarly glazed, with hakeme brush marks inside. The piece is roughly 7 inches (18 cm) tall, the same diameter and in perfect condition.
J...

A life-size feminine image of a toilet slipper by Satonaka Hideto in light colored clay covered with Irabo glaze enclosed in the original signed wooden box titled simply Sakuhin and dating circa 1975. It is just over 9 inches (23.5 cm) long and in excellent condition. From the 1950s to the 1970s there was a deep interest in an earthy convention by young ceramic artists called Tsuchi no Aji (Taste of the earth), and this Irabo glaze may have been one of the most popular extensions of that aesth...

A superb Iga Mizusashi by Saji Kotaro enclosed in the original signed wooden box. It is 7 inches (18 cm) diameter, 7-1/2 inches (19 cm) tall and in excellent condition. Saji Kotaro was born in 1947, and relocated to Tajimi in 1977 where he opened a kiln in Yamabuki cho specializing in tea ceramics.

Hagi chawan by Kaneta Masanao with Zenga calligraphy adorning the bowl by an unidentified Zen priest. The bowl reads; MEISHU, Bright Jewel.

12.5 x 8.5 cm

Perfect, unused condition, NO BOX

A seminal work by Shigaraki legend Otani Shiro enclosed in the original signed wooden box. Here you will find no overt extension of the self, no insertion of ego, no attempt at distraction, only the true mastery of this artist and his ability. Absolute perfection in form shows his mastery of throwing, blemish-less surface his time spent preparing and purifying the clay, and superlative flow of natural ash his skill at placement in the kiln and the firing process. It is 10 inches (25 cm) tall,...

Karhu printed these invitations for his shows at the Tolman Collection, the Tokyo gallery which has long represented him and his work. These were done in large numbers, about 800, in the late 1970's and early 1980's. This particular print reads "banji wa tanoshimu beshi," Whatever You Do, Enjoy It, a very Zen-like saying. Karhu himself is depicted with Brush in hand, writing the character, "koi" (love.) This image is finely framed and is in good condition. Inside Mat Image Size: H.7 x W.24", F...

An unusual vase with rough, pebble textured pink glaze over scratched in cranes by one of Japans most important post-war artists, Shinkai Kanzan, enclosed in the original signed wooden box. The shape and the design are exactly what we would expect from Kanzan, the coloring going even a step beyond. The texture is like unpolished jewels, the inside of a geode; very pleasing to the hands. The vase is 20.5 cm (8 inches) tall, 18 cm (7inches) diameter and in prefect condition.
Shinkai Kanz...

Try describing this incredible Mizusashi covered in glassy Oribe green glaze by important artist Hayashi Shotaro enclosed in the original signed wooden box. Spectacular is all that comes to mind. It is entirely sculptural, with a refinement of glaze only this artist can create. The piece is 7 inches (18 cm) tall, 9 inches (23 cm) diameter and in perfect condition. Shotaro (b. 1947) is one of the biggest names in contemporary Mino ceramics. He first began with a 7 year apprenticeship under hi...

This burnished finish is one of the signature effects of Living National Treasure Yamamoto Toshu seen on this fluted gourd enclosed in the original signed wooden box titled Bizen-yaki Hyotan Hanaike. Here the blue-gray clay is covered in charred red mottles, like the natural patterns on a dried gourd, the smooth sangiri surface intentionally marred with occasional rough patches. A masterpiece and true evidence of the mastery of Toshu, one of the greatest artists to revive the tradition after t...

Karhu printed these invitations for his shows at the Tolman Collection, the Tokyo gallery which has long represented him and his work. These were done in large numbers, about 800, in the late 1970's and early 1980's. This particular print reads "warau kado ni fuku kitaru," Happiness Sits on Laughter, a very Zen-like saying. This image is finely framed and is in good condition. Inside Mat Image Size: H.6.5 x W.24", Frame Size: H.9.5 x W.27.375". Clifton Karhu was born in Duluth, Minnesota ...

"Soleil Coudant sur Moret/ Laing" Oil on paper, 14" x 18" view size, 24" x 29" framed Guy Dessapt was born in 1938 and raised in the countryside of France. At a young age he began to paint countryside village scenes and spent many of his early years painting in the streets of Montmartre. Here he learned from many of the great French painters of the time. He left home at an early age and attended the Arts Decoratifs School of Paris and fell in love with the city of Paris. From there Mr. Dessap...

Framed Woodblock print by Kyoto artist Clifton Karhu (1927 - 2007.) "Takasegawa Spring." An image of the Takase River, a canal that runs along Kiyamachi Street in Central Kyoto. This print uses not only Karhu's well-known strong black key lines, as well as the masterful use of woodgrain; it also uses detailed technique to illustrate rain in the foreground. Signed and dated, 1990, #46 of edition on 100. Image size: H.22.25" (56.5cm) x W.11.75"(30cm.), Frame size: H.29.25" (74cm) x W.18.5" (47cm) ...

A stellar display of Hidasuki covers the sides of this voluminous Bizen vase by Yamashita Joji enclosed in the original signed wooden box. It is 15 inches (38 cm) wide, 14 inches (37 cm) tall and in excellent condition, and retains the original exhibition label on bottom. Due to size the cost of shipping will be accrued separately. Yamashita Joji (b. Tokyo, 1947) lives in Okayama, but began his artistic career in the Vancouver Art School in Canada. Upon returning to Japan in 1971 he apprent...

An eight sided Shino Yunomi Cup by Suzuki Osamu (Kura) enclosed in the original signed wooden box decorated with triangles in red. A striking work, it is 3 inches wide, the same height (7.5 cm) and is in excellent condition. Osamu was born in Gifu prefecture in 1934, and graduated the Tajimi Technical School ceramics division in 1953. That same year he was awarded at the 6th Dento Kogeiten Traditional Crafts Exhibition. One of the great researchers, he spent many years excavating old kiln s...

An iconic work in pale white by Living National Treasure Tsukamoto Kaiji enclosed in the original signed wooden box titled Hakuji Wakaba-mon Dai-zara (Footed white porcelain dish decorated with young leaves. The execution is breathtaking, so perfectly formed it demonstrates clearly the talent for which he was named a Living National Treasure. It is 23.5 cm (9-1/2 inches) square, 5.5 cm (2 inches) tall and is in excellent condition.
Tsukamoto Kaiji (1912-1990) was fascinated with Song p...

Spectacular Hi-iro defines this sake set by Konishi Toko II enclosed in the original signed wooden box. Various shades of color scorch the undecorated flame licked raw earth. A pleasure to drink from in every aspect, every cup offering a new facet. The tokkuri is 5-1/2 inches (14 cm) tall, cups 2-1/4 inches (6 cm) diameter and all is in perfect condition. Toko, of course, learned from his father Toko I (1899-1954) and was succeeded by his own son Toko III.

Another Radical piece by Hayashi Shotaro, this dramatic tsubo is thinly veiled in a crystalline feldspathic glaze, the violent eruptions peeling away from the surface catching and pooling the glaze to spectacular effect. It comes enclosed in the original signed wooden box. The piece is 12-1/2 inches 831.5 cm) tall, 10-1/2 inches (27 cm) diameter and in excellent condition. Shotaro (b. 1947) is one of the biggest names in contemporary Mino ceramics. He first began with a 7 year apprenticeship ...

This large, bold and classical Shino vase was made by Mino legend and veteran potter, Hayashi Shotaro (b. 1947). Thrown out of traditional Mino mogusa clay, the throwing is both a blend of both casual and power. The form has areas of iron decoration under the beautiful and active white Shino glaze with lots of craters and crawling characteristic of great Shino pottery. The vase is an amalgam of classic Momoyama inspired design and Shotaro's genius for modern form and pushing the edges of contem...

Lush Ki-seto vase with a wide array of effects and colorations within the glaze and vivid, gem-like bidoro style beads in the nooks and crannies of the form. Made by Hayashi Shotaro in the early 1990s, this vase is a classic form and surface for the potter with throwing marks and added potter's marks articulating the medieval form. Shotaro is perhaps one of Japans true genius potters, moving far beyond tradition, glaze research and firing technique, to a place of inception. He first began wit...

A lidded bottle of hand blown blue glass with a white stripe swirling up to a ball-lilke bung of clear with a white center by Nakashima Yasushi It is 7 inches (18 cm) tall plus the lid, and in excellent condition. Perfect for chilled summer sake, signed on the base Y. Nakashima.
Nakashima Yasushi (1938-2017) was born in Hyogo prefecture and graduated the Kyoto Municipal University of Art in 1962. While still at university he was accepted into the Mainichi Kogyo Design exhibition. He beg...

Very rare example of museum-quality Shigaragki-ware by Tsujimura Shiro. It was originally given as a gift from the artist to a secret, wealthy benefactor upon the Grand Opening of the famed Miho Museum near Kyoto, Japan, in 1997.

Some time later we bought it from this famous benefactor, and since then it is in our collection.

This is a very rare and highly collectible and massive item, and it is entirely authentic with an absolutely perfect provenance. In fact, the only ...

Crimson petals seem to swirl about a vortex of yellow fading to white on the overall black glass surface of this plate by Nakashima Yasushi enclosed in the original signed wooden box and exhibited at the 19th Nihon Dento Kogeiten exhibition (catalog included). It is 14 x 16 inches (35.5 x 41.5 cm) and is in excellent condition. It is titled Anba Unmo Nami-Uchi Sara, Roran no Hana. (I believe he is using the first two characters as “ateji” meaning Amber Mica Waved Dish, Orchid Flowers).

Clifton Karhu Woodblock Print. Matted & Framed. "Snow at Tango Cho", 1980. Print #9 of edition of 100. Print Image Size: H.10.375" x W.26.75". Frame Size: H.16.125" x W.32.75" Print and framing in excellent condition. Low print number of edition. A lovely view of snow covered, terraced fields along a rocky sea coast. Karhu masterfully uses varying hues of indigo to capture the subtleties of the scene; mist shrouded mountains in the background, and reflections of water and snow on the terraced...

A very heavy unusual charger by modern avant-garde artist Suzuki Goro decorated with Oribe colored graffiti of traditional themes enclosed in the original signed wooden box. Combs, hairpins and bamboo and ceramic pipes in orange, green and black decorate the pale sand-textured surface of the massive charger. Typical of this artist is cut from a very thick slab with an irregular edge. On back a self portrait hunches over the clay forming a large vase, the caption beside reading Nanikuso! (I w...

A small powerful work in clear glass covered in spiraling silver foil with a lid of opaque black by Ogawa Kaoru enclosed in the original signed wooden box titled Ruri Koro. The piece is supported on three feet which seem to drip like black honey from the bottom while the same black crowns the six-sided form, rising in flutes to the finial. It is 13 cm (just over 5 inches) tall and in excellent condition.
Okawa Kaoru was born in Niigata in 1940 and graduated the design department of prest...

This elegant vase is by porcelain master; Tokuda Yasokichi III. This vase measures 9” X 5” and is in excellent condition. The rich overglaze enamel decoration of this hanaire is bold and both traditional and modern at the same time.

Yasokichi’s works are in numerous collections, museums and even the Imperial Household collection as well as numerous books, catalogues and other publications. Tokuda Yasokichi III is a Ningen Kokuho, Juyo Mukei Bunkazai, Living National treasure for his...

A striking glass bowl which defies explanation by important female glass artist Iwata Itoko enclosed in the original singed wooden box. Made like the feathers of a peacock, each blue flourish contains a round bead of air marking the eye of the feather. Incredible! It is 15 cm (6 inches) diameter and in excellent condition. This is a rare opportunity to acquire one of her chawan, as she produced very few and only in the last years of her life.
Iwata Itoko (1922-2008), started working w...

This bold and impressive Oni-Shino Kannon vase is by the master potter and legendary personality; Tsukigata Nahiko (1923-2006). This rare wood fired Oni-Shino vase is a classic pot by the artist with a wide array of effects and attributes that Tsukigata is well known for which was further painted by the ferocity of the wood firing having one of the most complex surfaces by him that I have seen. The running natural ash which has accumulated on the face of the vase accentuate the verticality of th...

Serene yuteki temmoku conical chawan made in the Chinese taste, though Japanese. The chocolaty oil spots float on the darker iron glaze as if suspended, or frozen in motion. The clay is a a fine buff stoneware and the kodai, foot is well tooled. The chawan is signed, but has not been read, though it is a fine bowl. It has many similarities to Kimura Morikazu, Kamada Koji and Taniguchi Ryozo.

This chawan is in great condition, however there is a minute gold lacquer repair on the lip, the si...

Aoki Ryuzan masterful banded oilspot, yuteki temmoku with a powerful green ban bisecting the form. Boxed, signed and in perfect condition. 3.5" X 3"

Large and robust Kohiki (powdered white slip) yunomi, teacup by master potter Ogawa Tetsuo. Boxed, marked and in perfect condition. 3.2" X 3.5"

Both Aoki and Ogawa are well known for these techniques and style and are in numerous publications.

Aoki Ryuzan Oilspot Yunomi Sold, thank you!
Ogawa Tetsuo Kohiki Yunomi $95

While Kitaoji Rosanjin can be arguably called the most eccentric figure in Japanese art world in 20 century, Ando Minoru (1927-2015), 安藤實 is another name that comes to a mind. A painter, ceramist and calligrapher, he is widely recognized in Japan but almost unknown in the West.

Ando Minoru held his first painting exhibition at the Kokugakai of Ryuzaburo Umehara in 1957. In 1965, he worked under the guidance of Sakuzo Hineno, a well-known ceramist in Kyoto.
In 1967, Ando ...

Large, bold and timeless Shino chawan is by the master potter and legendary personality; Tsukigata Nahiko (1923-2006). Created in classical and timeless style guided by his master, Arakawa Toyozo, this chawan has a strong Momoyama inspired form with an aesthetic that is among the strongest of the 20th century Mino tradition. The intentionally distorted shape fits the hand well and the lip, mikomi and kodai all act to balance out a truly inspired work by a potter of the highest level.

Tsuk...

White blossoms decorate a scattering of branches on the surface of this footed sweets dish by Kondo Yutaka enclosed in the original signed wooden box titled FunKa Daizara. It is 8 inches (21 cm) diameter, 3 inches (8 cm) tall and is in excellent condition. The deeply impressed white patterns are striking against black.
Kondo Yutaka (1932-1983) was born into a traditional pottery family in Kyoto. He studied under Living National Treasures Kondo Yuzo and Tomimoto Kenkichi at the Kyoto Mu...

This elegant Japanese seihakuji vase with peach bloom, shinsha accent, is by studio pottery master; Morino Kako. This vase measures 8.8” X 3.25” and is in excellent condition with original signed box. The contemplative decoration of this hanaire is boldly handled by an adept master of glazing and pottery form. Morino’s works are in numerous collections, museums and a wide variety of publications as well. Morino Kako is also famous as the father and illustrious teacher of Morino Hiroaki Ta...

An absolute classic natural ash glazed sake bottle by the reclusive potter Oasako Mikio enclosed in the original signed wooden box titled Hai Yu Tokkuri (ash glazed flask). Much of the dark surface is raw clay, with coals charring the front and tremulous tears of liquified ash dripping down both inside and out. It is 12 cm tall and in excellent condition.
Osako Mikio (1940-1995), born in Usa Oita prefecture on the Island of Kyushu, arrived at ceramics late in life, starting to study wit...

A masterpiece tea bowl by Iga master Tanimoto Kosei, accompanied by his signed and sealed original storage box.

Kosei was born in 1916 in Iga city, Mie Prefecure. He made his National Debut as an oil painter artist, his interest in traditional Iga-yaki ceramics started in 1945, and he becomes an Iga potter in 1947, enjoying a long apprenticeship under master potter Komori Shinobu and Sakuzo Hineno at the Institute of Nanagu Ceramics in Ueno, Mie Prefecture.

Tanimoto Ko...

Yunomi, Tea Cup, by Hamada Shinsaku; Mashiko, Tochigi Prefecture. ca. 1990-1995. H.3.125"(7.75cm) x Dia.3"(7.5cm.) With signed wooden box. "Yunomi - Shinsaku." Hamada Shinsaku is the second son of National Living Treasure, Hamada Shoji and successor of the Hamada kiln. He is the father of Hamada Tomoo, who is currently gaining international popularity as representative of the 3rd generation of Hamada potters. Shinsaku was born in 1929 and apprenticed to his father to become a master potter high...

The colors seen in this ceramic piece are not often encountered in the world of Japanese tea-ware pottery—a field dominated mainly by styles such as Raku, Hagi, and other traditions with relatively conservative and predictable color schemes. The aquamarine blue is rather striking, reminiscent of coral encountered in the pristine waters of tropical and remote destinations. What really makes this extraordinary however, is that this piece relies mainly on kiln conditions and a natural ash glaze t...

Each uniquely carved row of frets on this large textured vase is a variegated shade of raw clay by Mihara Ken enclosed in the original signed wooden box. The vase is 10 inches (25.5 cm) tall, 8-1/2 by 5-1/2 inches (22 x 14.5 cm) and dates circa 1994. Ken was born in Shimane prefecture in 1958, and apprenticed under Funaki Kenji at the age of 23. He has been exhibited and or prized at the All Japan Ceramic Exhibition (Nihon Togei Ten), Asahi Ceramic Exhibition, the National Traditional Crafts ...

An exquisite pottery form by Kawase Takeshi enclosed in the original signed wooden box titled Hakuji Hori Hanamoyo Sara. The fluted edge rises around a central garden filled with scrolling florals. It is 14 inches (35 cm) diameter and in fine condition.
Kawase Takeshi (1953-2007) was born the second son of Kawase Chikushun II in Kanagawa prefecture. He began in the family kiln, eventually breaking off to establish his own kiln in 1986. He was the subject of a television show in 1999, a...