This sake cup is covered by white mud and clear glaze. The highlight and charm of Kohiki is that skin of piece becomes to change as using. Size: 9.0cm (D) 3.9cm(H) Accessary: wooden box signed by the artist

A perfect example of why Tsujimura Shiro is one of Japans most popular artist. Everything you could want in firing effects decorate the various sides of this work enclosed in the original signed wooden box titled Iga Mimitsuki Mizusashi. Bidoro, Tombo-no-me, tobi-hai, shiseki…the surface is an exploration of kiln affects, every slight turn bringing new surprises...

Marbled porcelain clay in lavender and black in wavelike scales form this sake set by Kusaba Yuji enclosed in the original signed wooden box titled Nerito Kuro Namimon Shuki Soroi (Matching Sake set of Marbled Black Clay). This is absolutely perfect for summer sake, the shape is open allowing quick pours and the high fired clay keeps cool, passing on the chill through your fingers as you pour...

A fine Bizen tokkuri embellished with nobori kiri by Abe Anjin enclosed in the original signed wooden box titled Bizen Kakyo Tokkuri...

Flashes of red decorated the scorred and scarred dark glazed body of this Chawan by Gomi Kenji enclosed in the original signed wooden box and dating to 2021. The form is slightly belted, to allow the bowl to settle comfortably into the palm. The very traditional silhouette however has been paddled and graffiti structures scratched into the surface...

A very serene Yuteki temmoku chawan by the famous Taniguchi Ryozo. Taniguchi, along with Miura Shurei, Kimura Moriyasu and Morikazu and Kamada Koji are famous proponents of the "oilspot" field.

This chawan is an excellent example of Taniguchi's work and masterful control of his glazes...

A deep bowl decorates with an assortment of colors in dashes, dots and draperies by Kawabata Kentaro enclosed in the original signed wooden box titled simply Chawan. Consistent with this artitsts repertoire, the varying aspects are difficult to surmise in few words, raw clay, torn, cut, molded, squeezed and decorated with color in a variety of styles with glass beads. A playful work to represent his eclectic style...

Sugimoto Sadamitsu (b. 1935) is one of the most important Shigaraki potters alive today and continues to create master works into his old age. Originally a resident of Tokyo, at the age of 33 he moved to Shigaraki and started creating high-quality tea-ware implements, most notably, fine tea bowls in the style of early Raku masters...

Generous Oribe style covered jar with impressed decoration around the body of the pot. Please note, the lid was fired on a wad that was later ground off resulting in the area you see on the bottom of the lid, it is not sharp and smooth to the touch.

Stoneware and glazes

9.25" x 7.5"

Tea Bowl, Matcha Chawan. Celadon Ash & Nuka Glazes with White Slip. John Miller; Portland, OR. H. 3.125"(8cm) x Dia. 4.0"(10.25cm.) John Salgir Miller was born in Elmira, NY, in 1974 and earned his BFA in ceramics and illustration from the Massachusetts College of Art in Boston. He has been inspired the mingei aesthetic and by the work of Shoji Hamada since he began studying ceramics in high school...

This is a rare painting on shikishi board by famous Kyoto artist Tokuriki Tomikichiro. He was best known for his prints, but was originally trained as a painter. Brushed using ink only, Tokuriki depicted persimmon branches laden with fruit and a small bird, perhaps a crow, resting on one of the braches. Painted in early 1990s, and is 27.1 by 24.2 cm. Signed: Tomi (富), red seal: Tomi (富)...

Matcha Chawan, Tea Bowl, by John Miller of Portland, OR. Ido-gata (well-shaped) with light green glaze and "nagare" glaze runs decorating exterior and interior of bowl. H.3.375"(8.5cm) x Dia.5.875"(15cm.) Footring Dia. 2"(5cm.) John Salgir Miller was born in Elmira, NY, in 1974 and earned his BFA in ceramics and illiustration from the Massachusetts College of Art in Boston...

A minor divergence into one of the other plastic arts, here a silver flecked image of a carp made as a hanging vase by the iconic Kuroki Kuniaki accompanied by a signed wooden placard. It is 28 x 19 x 14 cm (11 x 7-1/2 x 5-1/2 inches) and is in excellent condition.
Kuroki Kuniaki was born in Miyazaki prefecture in 1945. He began his career employed straight out of school by the Yamaya Glass Company in 1963...

Tall and massive porcelain vase in the shape of a double gourd, the lower section squared. Decorated in overglaze, traditional Kutani enamels (yellow, blue, green, red, purple and touches of gold) with medallions with thistles, grapes, fruits, butterflies, crickets...

Wonderful hakuji glazed guinomi with "mikomi" and a faceted, mentori kodai foot. Very much in the style of Ishiguro Munemaro.

Excellent condition with signed box and measures 2.7" X 1.5"

Large ships bottle form decanter with ameyu and gosu glazes (Not intended for use with hot liquids)

Stoneware, glaze and overglaze

10.25" X 8.8"

Functional, decorative and food safe

Hanging Vase, Kakehanaire, by George Gledhill; Payette, ID. Saggar fired with grass. H. 3.875"(8cm) x Dia. 3.25"(8.25cm.), with copper ring attached in back for hanging on a wall or post. There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea practitioners who complimented his work and encouraged him to...

Mukoyama Fumiya enclosed in the original signed wooden box titled Zogan Yusai Fusha-mon Tsubo (Color Inlayed Wind Mill Pattern Tsubo). It is 25 cm (10 inches) diameter, 22 cm (8-1/2 inches) tall and in excellent condition. Mukoyama Fumiya was born in Tokyo in 1960, graduating the Kyoto Ceramic Research institute before apprenticing in Hagi under 15th generation Sakakura Shinbei in 1984. He spent time in Shiga before settling in Mashiko in 1990, establishing his own kiln in 1993. The followi...