Attention all watch affeciandos! This vintage set of gold plated cufflinks is wonderful intricately designed exact replica of the traditional mechanical Elgin and Swiss watch movement. One cufflink is a 15 jewel Swiss watch movement, marked on the face HALLMARK SWISS, 15 JWLS 3 ADJ, E BLANKPAIN FILS, AR FS, the back marked 700 A. The other cufflink is an Elgin, marked Elgin U.S.A., 20664491, S F, the back stamped with the same number. Both stamped PAT PENDING. Measurements: 3/4 in diameter...

A well crafted, detailed sterling silver necklace by Albino Manca in an Arts and Crafts design. Measures about 15 3/4" long and 1/2" wide. Marked Hand Wrought, Sterling, A. Manca. Has a hook clasp that holds securely. An extender could be attached if it needs to be lengthened. Has a substantial feel to it. Warm patina, fine condition.

Very decorative 14k Victorian hinged bracelet, c.1880. Unmarked but tests 14k and there is a 24 carat rose gold overlay. Beautiful applied Etruscan design sits atop the bracelet. Measures 3/4" wide and the inside circumference is 5 1/2" and weighs 40 grams. Has safety chain. Excellent condition......$45 for insured US shipping.

 

A classic pair of vintage 14K yellow gold rectangular shaped toggle back cufflinks with a basket weave pattern border, C 1940, simple, elegant and perfect for any occasion, marked 14K. Weight: 10.1g; Size: 3/4" x 1/2"; Very good condition with very minor suface wear.

Attractive Victorian 14K yellow gold double-faced cufflinks. Each face is in a figure-eight shape enclosed in an outer oval border. Collet-set Persian turquoise cabochons center each face. The faces are joined by chains. Indistinctly hallmarked. Tested and guaranteed at least 14K.

Circa 1870

Condition: excellent, all original

Dimensions: 5/8” x 7/16”

Weight: 9.5 grams.

A handsome pair of Victorian 14K yellow gold cufflinks, the oval faces enhanced with translucent guilloche enamel in French blue surrounded by a raised laurel wreath border. The faces are attached by arched conectors to beanbacks. Each cufflink is stamped with Carter, Gough & Co.'s hallmark.

Origin: America, ca. 1900. Condition: excellent, no dings to gold; normal light wear to enameled surfaces visible under magnification but not apparent to the unaided eye. Dimensions: 3/4" x 1/2"...

Vintage silver pin and earring set signed and stamped with the maker's mark as: A & Z STERLING which was founded by Carl Anshen & Saul Zeitlin in 1905 in nearby Providence RI.
These well made beautiful "pinched" leaf motif screwback rhodium plated pieces date to mid 20th Century and are in very nice, probably never worn and in No issues condition.
.Brooch is 1 1/4 X 2 1/2" and the ears are 1 X 5/8"...

A whimsical, solid gold pendant with applied owl, boat, eagle, caterpillar and ship's wheel. The latter is accented by a round brilliant cut diamond and the owl and eagle both have diamond eye accents. This large pendant is 1-3/4" round and weighs a hefty 15.4 grams. Both the boat and owl are marked 14k along with the Larter logo.

A 1930s Mexican sterling three butterfly swag or sweater brooch. This unusual vintage Mexican sterling pin is in the form of three chain-linked butterflies with glass turquoise cabochons and dates to the 1930s. This pin has three different sized butterflies (all with their own pins on back), with the largest 1-7/8" across and the smallest 1-3/8". Each segment has a safety catch pin and each is stamped MEXICO STERLING...

An early 20th century diamond engagement ring and band set in 18Kt white gold. The engagement ring is centered by an approximately 0.40Ct old-mine diamond. The center stone is flanked on either side by a geometric design decorated by 10 single-cut diamonds. The approximate total weight of all diamonds in the engagement ring is 0.55Ct. The accompanying band is set with 10 single-cut diamonds, with the approximate total weight of 0.20Ct. The approximate total diamond weight for the set is 0.75Ct...

This sterling silver bangle bracelet has a diameter of 2 1/2". The "face" is 1/4" wide. It has a geometric, diagonal, overlapping, design with wonderful oxidation (see pictures). It is marked STERLING and has good heft. It is in excellent condition.

A mother of pearl hand carved portrait cameo from the 1890s. this unset vintage late Victorian hand-carved portrait cameo is carved in natural mother-of-pearl. This 1-7/8 x 1-1/2" cameo features a right-facing young maiden; it is unsigned and it is in excellent condition with no chips, cracks, losses, damage or repairs. All items are thoroughly and conservatively graded and all condition issues are noted; all items are vintage or antique and may have slight signs of gentle use...

An organic mid century modern brooch by the American studio jeweler, Paul Miller. Looks like a flock of birds in flight.

This brooch, executed in sterling silver measures 2 1/4" across and 1 3/4" high. Marked Sterling, Paul Miller on the back. Has a rollover safety clasp that holds securely. Has a little tarnish and a few minor surface scratches.

Very fine example MCM studio jewelry.

This decorative bracelet and/or pendant measures 7" long. It has a very decorative purse that "snaps" opens. The purse measures 1 1/4" x 1 1/2" X 1/2". Each side is adorned with a green cabochon. This bracelet and charm is in excellent condition.

A classic modernist silver pendant or charm representing the Zodiac sign Aquarius (“le Verseau”). A long-haired maiden pours water from a large ewer. The design is worked with a semi-matte finish and is enclosed in a highly-polished frame. The pendant retains its original jump ring...

A fine pair of French Art Nouveau 18K yellow gold cufflinks, the double faces in the form of snarling mythological griffins. The details are beautifully worked. Mythological beasts such as griffins, dragons and sphinxes were especially popular in Art Nouveau jewels by French makers. Each cufflink has one face that is smaller than the other so that it can more easily be slipped through the cuff hole...

A fine Victorian locket in 10K yellow gold, the front face featuring an enameled bouquet of white lilies against a striking turquoise enameled background. In Victorian flower symbology, the white lily represented sweetness or purity. The surrounding areas of gold are ornately engraved in a swirly design that is repeated on the back cover around a shield-shaped reserve. The interior retains the original frame and glass cover...