A particularly nice Art Nouveau four-leaf clover honeymoon watch pin, the leaves beautifully enameled in shades of translucent green, yellow and rust. The 14K yellow gold crescent moon is set with a graduated row of pearls, while an old European cut diamond centers the clover. The back retains the original clasp and watch hook...

The lady in this lovely bar pin is the quintessential Art Nouveau lady with abundant swirling tresses streaming away from her face. The 14 k gold pin has the typical construction of the period: solid back, old style round hinge, and classic C clasp. It is marked for 14 k gold and signed with the little collar button mark used by Krementz. The pin is 1 3/4" X 3/8". The Krementz company of Newark New Jersey was founded in 1866...

This stylish mid century diamond and pearl ring is set in 14Kt white gold. The center of the ring has a 6 ¾ millimeter high luster cultured pearl. The center pearl is surrounded and flanked by 12 natural diamonds. The approximate total weight of all diamonds is 0.15Ct. The size 4 ½ ring can easily be sized, and has a reticulated openwork design on both sides.

A pair of gold and agate baton cufflinks, the agate very dark, a brown strip visible when held towards the light. Made around 1920, French 18K hallmarks to the small links attached to the batons. Condition: fine.

A yellow gold Victorian ring that has been resized (see enlarged photo three) but is hardly noticeable since it blends into the design. Unmarked but tested and guaranteed 10kt.

This 14Kt gold Retro band is alternating seven diamonds and seven rubies. The stylish openwork design decorated by cross-bars and petals all set with the alternating gems and completed with a rope like borders on each side. The approximate total weight of all rubies is 0.20Ct while the diamonds approximate total weight is 0.15Ct. The size 7 band that cannot be sized is 6.5 millimeters wide.

A lovely pair of Victorian 14K gold earrings featuring a rose gold lily with green gold foliage against a yellow gold background. The flower petals and leaves are stippled for added texture. The edges are finished with ornate beading, rope-twists, and appliqués...

Gorgeous natural Baroque pearl pendant. Irregular and ovoid with wraparound gold-tipped sterling silver snake encrusted with rose-cut diamonds and gold-mounted diamond head. Gold bail. Gold is 18k. Italy, ca 1970s. Marked. Excellent condition.

Approximate dimensions: H 1 3/4 x W 3/4 in. #1114

An unusually nice Victorian gold-filled locket in the aesthetic taste. The front features a marsh scene of reeds and flowers growing alongside the water’s edge, all worked in different shades of gold. The design is enclosed within an engraved border. The back of the locket is engraved with multiple designs akin to a crazy quilt.

• Origin: probably America, ca. 1860
• Condition: excellent, no wear to gold
• Dimensions: 7/8” x 1-3/8” (excluding jump ring)

An impressive 42-carat citrine centers this elegant pendant. The 14K gold setting features stylized flowers and foliage on each side of the stone. The citrine has very good even brownish-orange color resembling a good topaz. Overall, the impression is “statement piece.” The original bail is stamped “585” for 14K.

• Origin: Continental Europe, ca...

A wonderful Victorian equestrian pin in the form of a horseshoe nail enhanced with a cluster of small natural pearls, sapphires, and rubies. Nails were a popular motif in Victorian jewelry, and the red, white, and blue color scheme had momentary popularity around the time of the American centennial in 1876. This piece is a pin, but can easily be worn as a pendant suspended from a chain without alteration...

A lovely Victorian starburst pendant worked in 14K yellow gold and set with an old mine cut diamond at the center. Stars in Victorian jewelry symbolized guidance and wisdom. Most Victorian starbursts have straight rays, but the Art Nouveau-influenced curlicue design of this example makes it especially nice. The diamond at the center has good brilliance, I/J color and VS1 clarity. The pendant retains the original brooch fitting, as well, but it is very well hidden when being worn as a pendant...

A very nice late Victorian hinged bangle bracelet worked in a pierced scrolling design. The front features a row of three square cabochon rhodolite garnets set diagonally. The rhodolites have a lovely purplish hue that distinguishes them from their more common all reddish-brown garnet cousins. The bangle is fairly wide, but the piercing gives it an elegant lightness. The clasp is marked “14K.”

• Origin: America, ca...

Here is a stunning pale yellow faceted citrine ring. A pierced gold setting highlights the stone. There is a tiny nick/chip on the edge of the girdle facet adjacent a prong but it is hardly noticeable (photos are enlarged). Marked 14k, the ring is a size 4.25 and the stone measures 16mm x 22mm x 10mm. Light wear.

An elegant Victorian snowflake pendant worked in 14K yellow gold and set with old mine cut diamonds. The overall effect is very delicate with a lot of sparkle. The center diamond is approximate .33 carat and is graded as I/J, I1; the other diamonds, each .10 carat are I/J color and SI1/2 clarity. The pendant has a folding bail and retains the original pinstem which disappears nicely when being worn as a pendant. The back is marked “14K.”

• Origin: America, ca...

A very fine Imperial Austro-Hungarian bangle bracelet simply designed as an oval of twisted gold, but then set at the top with a trefoil of three cornflower blue sapphires surrounded by rose cut diamonds. The sapphires, .72, .58, and .52 carat, have microscopic stringer, sharp-edge milky bands, and snowflake inclusions typical of sapphires mined in Kashmir in the 1880s...

An impressively sized 14K gold locket ornately decorated in the Etruscan style with rosettes, shaped appliques, and rope twists. The center features a bouquet worked with rose gold foliage and platinum blossoms and buds. Exposed areas of gold have a soft bloomed finish. The back features an oval hinged locket opening. The locket retains the original matching bail...

This is a fine quality carved jade pendant with 18Kt yellow gold finding. The intricately carved 1 ½” wide pendant has the height of 2 ½” including the 18Kt gold bail. The thickest part of the pendant is 6 ½ millimeters. (Approximately ¼”)

This classic charm/pendant is depicting a 3 dimensional bunch of bananas. Life like as a bunch of bananas would look after it was picked. The pendant is 1” high and ½” wide.

A 15k yellow gold chain that measures 17-1/2" x 1/8" (just shy of) and is marked 15ct near the box clasp. Weight 6 gr.

Here is a shield-shaped sorority pin (9/16 x 1/2”), with 16 tiny seed pearls set around the perimeter, and 3 colored stones. The 2 upper stones are emerald green, the bottom one is sapphire blue. They are too tiny for us to identify with certainty. The shield is crossed by a band of white enamel bisecting a background of black enamel. On the band are the Greek letters Kappa Phi, and in gold on one side is a candle stick and on the other is a flower. On the back it is engraved with what looks ...

A tailored, simply elegant design is this 18Kt white and yellow gold mid century modern stylized ribbon ring. Each half is identical to the other except for the one side is 18Kt yellow gold while the other side is 18Kt white gold. The ring is a size 6 and can be sized.

An extraordinarily fine Victorian 14K yellow gold and enamel pocket watch chain in the Aesthetic style. The heavy chain comprises ribbed open links joined by doubly-interlocking textured open links. Near each end, the chain is set with a shell-motif bead accented with opaque black taille d’epargne enamel. The original t-bar is heavily decorated with acanthus leaves and geometric motifs typical of the Aesthetic era, all enhanced with enamel. At 15-1/4” long, the chain is just long enough to b...

A lovely 14K yellow gold 5mm cable twist bracelet with a gem-set station from the “Renaissance” collection by David Yurman. The square station features a square step-cut rhodolite garnet flanked with cabochon emeralds at the top and bottom. This design is one of the earlier pieces from the Renaissance collection, and is no longer in production. The open cuff is flexible and can be spread to fit nearly any size wrist. The interior of the bangle is signed “D. Yurman 14K”.

Origin: Ameri...

An elegant 14K rose and yellow gold bow brooch featuring a “knot” invisibly-set calibre-cut green tourmalines. The brooch is also accented with a pair of pearls set in white gold. The tourmalines have very fine bright coloring. The golden bow is worked in both a polished surface and a micro-beaded finish. The latter is a technically difficult texture to achieve and shows the hand of a master jeweler. The back of the pin is marked “RMU” and “585” for 14K gold. The back retains the ori...

This two tone 14Kt gold graduated equestrian bracelet is an original period piece dating back to the 1960-s. The connecting links are 14Kt white gold while the rest of the bracelet is 14Kt yellow gold. The center is a 3 dimensional horse in a horseshoe, flanked on either side by bits intertwined with a horseshoe, followed by a horse head in a stirrup and before the clasp there is a stirrup strap with a buckle. The 6 6/8” bracelet is 1” wide at the center and tapers to 3/16” at the ends.

A marvelous pair of Retro Moderne 18K yellow gold dress clips formed as a bouquet of diamond-studded platinum flowers, the stems tied with a ribbon set with calibre-cut rubies, all against a scrolled gold background. Buds represented by diamonds set in platinum and rubies set in gold are scattered around the flowers. The design is quite sophisticated and the stones are of very nice quality. The clips are perfectly sized—one worn alone isn’t so small that it gets lost, but the two worn togeth...

A lovely Art Nouveau enameled 14K gold wreath pin by Krementz. The leafy wreath, worked in shaded green enamels is studded with tiny gold berries, four seed pearls and four small old European cut diamonds. The sparkle of the diamonds against the colored enamel is very nice. The back retains the original pinstem and c-clasp, marked with Krementz’ hallmark.

Origin: America, ca. 1900.

Size: 7/8” diameter.

Approximate Total Gemstone Weight: .06 carat.

This is a well designed 14Kt white gold and diamond skull and crossbones pendant. The pendent and the diamond bail are pave set with 72 diamonds with the total weight 0f 0.24Ct. The pendant is 3/8” wide and 1” high including the bail.

Vintage Betty Cooke Kinetic 14K Gold with Pearl and Onyx Pendant

2 1/2" long x 7/8" at widest point

Weight - 6.55 grams

Marked - Cooke, 14K

Condition - excellent

Pair of sterling silver jokey button-form cufflinks. Each: Round with 4 central holes threaded with 18k gold. Marked “Tiffany & Co. 925-750”. Excellent condition with nice patina.

Diameter: 3/4 in. Total weight: 7.6 dwt. #1198

A pair of hollow yellow, rose and white gold spiral earrings marked with a star 668 VI 750. The butterfly clutches are tight on the posts. 1-3/8" x 1" ~ 8.8Gr.

This charming watch pin is a lovely example of Art Nouveau design. A central amethyst is flanked by seed pearls, all set in 14 k gold. The pin is 3/4 X 3/4" and carries the maker's mark L B A. Circa 1900.

A flat top, bezel set jade ring with an ornate gold shank. The ring is stamped 585 along with an unknown maker's mark. The surface of the stone shows very light wear - free of chips/scratches. Size 3.25.

Midcentury Modern brooch. A cluster of lapis lazuli berries mounted to irregular and striated 14k gold leaves. United States, ca 1960s. Very good condition.

Dimensions: L 2 1/4 x W 1 1/2 in. Approximate weight: 12.7 dwt. #1208

Charming Edwardian pendant. Variscite cabochon on 14k yellow gold mount with open and alternating leaves and beads. With bail. United States, ca 1910. Excellent condition.

Dimensions: H (without bail) 1 1/8 x W 3/4 x D 5/8 in. #1215

Marked 750 on the connector and 18kt on the spring clasp, a thin yellow gold chain with stations. Weight 3.3 gr.

A lovely pair of Victorian earrings worked in 14K yellow, rose and green gold depicting a mother bird watching over her nest of three tiny eggs. The bird is nicely three-dimensional for added interest. The design is simply finished with a zigzag border. Tested and guaranteed 14K.

• Origin: America, ca. 1870
• Condition: excellent, earwires are replacements
• Dimensions: 5/8” diameter (excluding wires)
• Weight: 5.2 grams

A very nice and unusually heavy 18K gold Venetian Etruscan fob/charm set with amethysts. The gold surfaces are heavily worked in twisted wire and beaded decoration. The smaller amethysts are set in flower-shaped collets. Tested and guaranteed 18K (the jump ring is marked “750”).

• Origin: Italy, ca 1950
• Condition: excellent, all original
• Dimensions: 13/16” x 1-1/2” (excluding jump ring)
• Weight: 16.5 grams
• Approximate Total Amethyst Weight: 6.59 carats...

A beautiful pair of Victorian 14K gold drop earrings with calibre-cut Persian turquoise, pearls and old mine and rose cut diamonds set in an expanding star pattern. The settings are pierced, lightening the overall feeling despite the earring’s generous size. The edges a finished with a pierced gallery. The choice of gemstones is very nice, the diamonds are bright for rose cuts, the pearls have nice luster, and the turquoise a beautifully matched and without discoloration. Tested and guarantee...

A delicate Edwardian 14K yellow gold bangle bracelet set with square cut amethysts and pearls. The gemstones are separated by openwork gold in an interlaced heart pattern that lends a very lacy quality The use of amethyst is somewhat uncommon in a bangle from this period. The interior bears the 14K gold mark for Alling & Co.

• Origin: America, ca. 1900
• Condition: excellent, all original, no dings
• Dimensions: 1/4" wide; 7” interior circumference
• Weight: 9.2 grams

A buff-cut oval amethyst perfectly offsets the superb gold setting in this Edwardian 14K gold gentleman’s ring. The stone sits in a high setting that is intricately engraved with classic motifs such as pendant bellflowers, swags, and fans that bridge the Edwardian period into early Art Deco. The ring is large, but the relatively light color of the amethyst and the use of smooth buff cut instead of full faceting keeps it from being overpowering. A woman could easily wear the ring, as well. The ...

A lovely sentimental jewel by the esteemed London jeweler Murrle, Bennet & Co. featuring a heart-shaped citrine surmounted by a crown and a scrolling frame set with seed pearls. In Victorian symbology, a heart topped with a single crown conveyed the sentiment “ruler of my heart.” The citrine has very nice pure yellow coloring, with just a hint of orange. It would be very easy to add a small hidden ring at either end of the pin, so it can be worn from a chain. Murrle, Bennet & Co. was a leadi...

An unusually fine and large 14K yellow gold sunburst brooch set with 105 natural seed pearls surrounded a .33 carat old European cut diamond (graded I, VS2). The pearls have very fine color and lustre. The piece retains its original folding pendant bail and pinstem, so it can be worn as a pendant or brooch. Sun-themed jewels were meant to symbolize “life-giving force” or “divine light,” and were often set with white stones such as pearls or diamonds to suggest “purity.” Tested and gu...

This is an absolutely gorgeous diamond cocktail ring from the 1960s-70s. Its delicate beauty is eye-catching without being a blatant grab for attention. The fancy yellow colour of the round brilliant-cut ce...

Also an embarrassment, since two gemologists can't determine what the stone or the metal might be. However, this is a very beautiful Egyptian Revival piece which ought to be vintage (or even antique) The enigmatic yellow stone does not appear to be glass and the metal tests as 10 k gold, but by this time uncertainty rules! The pin is 2 5/8" overall, and the decorative head is 7/8", so it's large enough to make a statement on your lapel. We think it's circa 1900, but are not sure. There a...

A rose gold Victorian curb bracelet marked 15c that weighs 16.3gr and measures 8" x 1/4".

An elegant large-scale 18K gold hinged bangle bracelet with repousse floral decoration by Charles Armsheimer & Son. The design is so expertly worked that the hinge is nearly invisible when the bracelet is being worn. Armsheimer’s workshop was located on Maiden Lane, the heart of New York’s jewelry industry in the late 19th and early 20th centuries. The tongue of the clasp is stamped “18K” and also has the maker’s mark for Charles Armsheimer & Son.

• Origin: America, ca. 1910

An intricately designed 14K yellow gold chain comprised of a double row of reeded oval links enhanced at regular intervals with engraved acanthus leaf plaques. The chain is from the late Georgian or early Victorian period, and is completely handmade. The clasp is a large bolt, reeded to match the links. The individual links are open enough that the chain could be used to hang charms. Tested and guaranteed 14K.

• Origin: America, ca 1845
• Condition: excellent
• Dimensions: 20-1/...

A handsome gentleman’s ring, the front in the form of a horseshoe encircling an onyx cameo carved to depict a steeplechase scene of a jockey and horse leaping over a fence. Interestingly, the carver chose not to polish the black onyx background, perhaps to lend a more masculine feel to the design. The shank is finished in a reeded pattern. Tested and guaranteed 18K.

• Origin: probably, France, ca. 1900
• Condition: excellent
• Dimensions: crown, 3/4" wide tapering to 3/16” a...

A finely crafted late Art Nouveau 18K gold ring in the form of a lion’s head clasping an old European cut diamond in its jaws. The engraving is very well done and displays great detail that extends halfway around the shank. The diamond is graded as H/VS1. The interior of the shank is engraved “P.R. 10 Avril 1924.” The ring is stamped with French 18K gold marks and with an unidentified master goldsmith’s mark.

• France, 1924
• Condition: excellent
• Dimensions: 11/16” w...

A colorful butterfly, it’s old mine cut diamond and sapphire body sporting wings studded with rubies, rose cut diamonds and emeralds, stands atop a diamond-encrusted twig in this gorgeous late Victorian jewel. Victorian butterfly jewels usually portray the insect with its wings spread in a rather rigid fashion. This pose is far more naturalistically attractive. The stones together weigh close to 3 carats, and all have excellent color. The piece appears to have been converted from a brooch into...

A superb Edwardian ring featuring a 1.89 carat antique cushion sapphire asymmetrically flanked by a pair of old European cut diamonds (.40 and .35 carats, both I color and one with VS1 clarity and the other with SI2 clarity, in buttercup settings. The design is further enhanced with scrolls set with rose cut diamonds. As is typical of the period, the gold ring is topped with platinum to highlight the color of the stones. The sapphire has beautiful texture and color that reads blue across the roo...

An elegant heavy gold bracelet comprised of linked chains decorated with three-leaf clovers. In Victorian flower symbology, clover leaves, regardless of their number signified good luck, but they also held the meaning “think of me.” Kauffer was the primary jeweler of the Ecole de Nancy, France’s most important group of Art Nouveau artisans. He exhibited at the Louvre during his lifetime. Unlike the more florid Art Nouveau designs by Parisian jewelers, Kauffer’s designs tended to be more ...

An elegant bracelet composed of open links ornately decorated in a pattern of acanthus leaves alternating with blue sapphire oval cabochons. The sapphires do not show indication of heat treatment. Each link is slightly curved, so the bracelet lies nicely on the wrist. The clasp is masterfully constructed to be invisible once closed. Like most Portuguese gold jewelry of the era, it’s quite heavy for its size. The bracelet is stamped with 19.2K gold marks used in the city of Oporto, 1887-1937.

An impressive 18K yellow gold hinged bangle, the front set with a cabochon emerald surrounded by old mine cut and rose cut diamonds arranged in a floral motif. The larger diamonds are in buttercup settings that add more depth to the design. The emerald has good color with very light treatment and is probably of Brazilian origin. The back side of the bracelet is pierced to retain a feeling of lightness. The hinged opening and oval shape makes the bracelet comfortable to wear. The clasp is stamped...

This classic late Victorian bangle bracelet is set with a row of gorgeous opal cabochons in graduated sizes enhanced with old European cut and single cut diamonds. The opals have superb play of color evenly spread across the stones’ surfaces. Primary colors are blues and greens with shots of orange and red. The interior of the bracelet has a jeweler’s inventory number, but no maker’s mark. It is presented in a fitted box that appears to be original. The interior of the box bears the name W...

This pair of 14 millimeter round cabochon coral earrings evokes the elegant 1960-s. Set in 14Kt yellow gold with a very secure combination closure of posts and omega backs. The bezel around the coral is decorated by a rope and twisted wire outer bezel. The total diameter is 17.5 millimeter.

A 12 X 7 millimeter oval cabochon opal with vibrant colors centers this great 14Kt yellow gold 1960-s cluster ring. The center opal is surrounded by 17 prong set round faceted natural rubies. The approximate weight of the opal is 1.25Ct, while the approximate total weight of all rubies is 0.85Ct. The overall measurement of the oval cluster is 18 X 12 millimeters. The ring is a size 9, but it can easily be sized.

This simple yet elegant 14Kt yellow gold jade signet ring can be worn by men and women alike. The 12 X 8 millimeter oval cabochon jade is bezel set. The ring measures 19 millimeters across on top and tapers down to 3 millimeters on the bottom of the shank. This beauty is a size 10 and it can be sized.