A lovely 18K yellow and white gold, ruby and enamel love pendant (“medaille d’amour”) with a rebus spelling out Plus qu’hier, moins que demain,” (“More than yesterday, less than tomorrow.”) a line from the love poem written by Rosemonde Gérard to her husband Edmond Rostand (author of “Cyrano”) in 1889. The word “plus” is symbolized by a plus sign in white gold and the word “moins” by a minus sign set with rectangular cut synthetic rubies...

A symbol of good luck, abundance and contentment the “laughing Buddha” medallions adorning the links of this Chinese silver bracelet are carved out of turquoise and have rich detail. Slightly graduated in size the are held against classic Deco tight mesh panels overlaid with filigree tendrils, tiny beading and delicate plants in full bloom. The stone’s blueish green hue soothes the eye and its natural matrix enhances the medallions’ sculpturality...

A wonderful Victorian 18K gold and jet watch chain that has been converted to a bracelet. The bracelet comprises variously-shaped baton and spherical beads. The original carved spherical watch fob and the crossbar dangle freely from the bracelet. The watch fob is carved in a stylized foliate pattern against a matte background. The spring ring is stamped "14K"; other elements are tested and guaranteed 14K.

• Era: ca...

Dating in the first decades of the 20th c. this Italian Renaissance Revival necklace is wrought in .800 silver and adorned with flat-cut and cabochon sodalite. In the same style as “Grand Tour” jewelry popularized by the Peruzzi and Coppini houses in Florence, this piece features grape clusters and leaves while also showcasing shell, floral garland and rosette links in its ornate chain...

With hallmarks dating 1953-1962, this pin was produced by Hector Aguilar.

This is an outstanding piece, and one which I have never seen before. This gorgeous bird has at it's center a large round bezel-set onyx cabochon...

I acquired this pair of Miguel Melendez’s hinged bangles as a set some time ago and after long deliberations, I decided that they should continue in life as such. Miguel is one of Taxco’s modernists yet he honed his skills at Spratling’s Las Delicias and working for Margot de Taxco for many years. This specific design is a favorite of mine’s by him - it brings to mind rock formations and I love the interplay of negative and positive space...

How often does one find a ring by renowned Taxco modernist Enrique Ledesma? Let me answer my question - almost never! Over the years of my buying, selling and researching vintage Mexican silver jewelry, I have come upon a few examples, almost all of them adorned with a color-change sapphire. I had never seen a ring in the design I am presenting here until I discovered this one some time ago...

Crafted in the late 1950s or in the 1960s, this sterling silver Mexican necklace is signed by Victoria or Ana Maria Nunez de Brilanti. Victoria is one of the few female designers and silversmiths of Taxco’s 20th c. Silver Renaissance that we know of and she is credited, among others, for perfecting the “metales casados” or “married metals” technique. In this necklace, however, she adds a modernist twist to an otherwise “archeological” design...

Every now and again, I will bump into a piece of Mexican jewelry incorporating an ancient artifact. Be that clay masks, carved little effigies or beads, they are always a treat and a source of great excitement. And when that piece is also signed by one of the big Taxco workshops, like the bracelet at hand, then it’s a real holiday! Out of their “mixed metals” line, this Los Castillo silver, brass and copper hinged bracelet is literally built around an amazing, silky smooth agate bead...

The art of "metales casados" (mixed or married metals) was practiced by several Taxco workshops yet I think Victoria was its queen. Ana Maria Nunez de Brilanti combined copper, silver and brass not only to design exquisite jewelry but also hollowware of various kinds and decorative objects. In the necklace presented here she seems to be inspired by Egyptian Revival motifs which is not unusual for her - there are at least a couple of other parures she created that tread that same path...

One of the most interesting - and few - female figures of Mexico's 20th c. Silver Renaissance, Doris Smith Chamberlin was a Texas-born American who decided to move to Mexico in the 1940s to open her own workshop after having completed post-graduate studies in art and having taught woodworking, textile-making and silver-smithing for a few years in California (I am grateful to Decotini for the information)...

A 14K white gold figural pin in the form of a bird perched on a branch by Samuel Benham. The bird is pavé-set with 41 round single cut diamonds and 18 round brilliant sapphires. The gemstones have attractive sparkle enhanced by the textured surface of the gold setting. The back is stamped "14K" and with Benham's mark.

Origin: America, ca. 1980. Condition: excellent...

A lovely 18K yellow and white gold, ruby and enamel love pendant (“medaille d’amour”) with a rebus spelling out Plus qu’hier, moins que demain,” (“More than yesterday, less than tomorrow.”) a line from the love poem written by Rosemonde Gérard to her husband Edmond Rostand (author of “Cyrano”) in 1889. The word “plus” is symbolized by a plus sign in white gold and the word “moins” by a minus sign set with rectangular cut synthetic rubies. The remainder of the text is h...

Handmade sterling silver keychain or watch fob designed (1940's) and signed by Taxco, Mexico artist Hector Aguilar (1905-1986). Belt slide is 1 1/2" X 1". Sterling chain is 17" long. 1.7 oz., 48 grams. Sterling key holder opens and closes perfectly. No dents or dings. Applied initials can be easily removed. Pictured on page 103 of SILVER MASTERS OF MEXICO by Penny Morrill. Great gift idea. US Priority mail shipping and insurance included.

These Antonio Pineda earrings have a silver wave design with emerald cut amethysts. Bearing the "Silver by Tono" hallmark which was used 1948-1953, this deco design is rarely seen. Each earring features four channel set amethyst gemstones, all well matched in color. The repoussé silver settings require the most skilled of silversmiths. Exquisitely crafted and oh so elegant. Measures 1" x 7/8". Signed and hallmarked "Silver by Tono", "Made in Mexico", with the eagle assay 17. Weight ...

This early Matl pin is an exceptional piece, with a beautiful oval turquoise at front and center. The hand-wrought repoussé silver has a warm patina. Measures 2 3/16" x 1 1/4" at the center. Weight is 19.6 grams. Signed and hallmarked "Matl" in script. Closes with a "c" clasp. Collector quality.

This Antonio Pineda brooch is a superb modernist design featuring three amethyst "peas" in a "pod". Beautifully executed in 97% pure silver, this pin is collector quality. Measures 3 1/2" long, with a hefty weight of 29.7 grams. Pin closes with a roller. Signed and hallmarked with the Antonio Taxco crown, Hecho en Mexico 970 Silver, with the eagle assay 17 and design # PR571.

An elegant Victorian 10K yellow gold locket depicting a curving branch of poppies with a small star-set old mine cut diamond to one side. The reverse has a period monogram. Tested and guaranteed 10K gold.

Origin: America, ca. 1900. Condition: excellent. Dimensions: 1" diameter (excluding bail). Weight: 4.2 gr.