Watercolor on paper, 17 1/2" by 23 1/4" inside the mat (22" by 28" in very complementary jet-black and silver framing), signed at lower right in pencil "Swanson" and dated there 2002. This handsome, elegant watercolor is by artist ROY E. SWANSON, obviously a skilled hand, though I cannot seem to actually find a listing for the artist. There is a listing for a RAY Swanson (Cowboy Artists of America), but this is not that artist...

A French painting on Masonite of orchids, in a detailed, "fool the eye" ("trompe l'oeil" as it's known in French) style, 9" by 7" (18 1/2" by 16" in circa 1950's quality closed-corner gold framing), signed rather illegibly at lower right in the wet paint. For some time I have attempted to decipher this signature but have come up short. Obviously the painter is skilled; note the detailed and realistic water droplets on the flowers...

Watercolor on quality watercolor heavy paper, 14 3/4" by 20" (18 3/4" by 24" as framed), the scenes a tropical street with historic old wood houses, likely Key West, Florida, and another street scene with a lone figure, signed in pencil at lower right something like "Meish...." or "Weish....."; I cannot decipher the name. The aritist probably created this in the 1960's or 1970's, and he or she was skilled with watercolor. The brush strokes are brisk but expertly placed. Condition is excellent...

Large vintage watercolor and gouache painting of colorful flowers in a vase guarded on either side by startling white peacocks, 19" by 34 1/2" (26" by 41 1/2" framed), signed at lower left center with initials "VEJ". The work has some age but is not antique. Condition is excellent. A very decorative piece for your interior.

Pastel on soft old board, the subject a light green and white sensitive spring landscape, measuring 14 1/4" by 19 1/8" (19 1/2" by 24 1/2" as framed), not signed on the front that I can see but on the reverse in old hand is written "Blossom Time/F J Girardin/The Old Watering Place/To Leighton DeMen"...

A quality work, the medium watercolor on a very thin linen type canvas, framed behind glass, 14 1/4" by 18 1/2" (22" by 26" framed), signed at lower right and bearing there a monogram cypher in an oriental art style, by San Diego artist and collector ELSIE STEWART KIMBERLY (1882-1966). There is little information on this talented woman artist, who was evidently most known around the San Diego area...

Elegant, smart, modern composition of geometric forms, painted on canvas in a limited range of subdued colors, signed at lower right with initials "jmc". The painting dates to the 1970's or 1980's, most likely. Measuring 24 1/2" by 18 3/4" in narrow black wood framing, its heritage can be traced directly to the Suprematist movement launched in 1915 by Russian artist Kasimir Malevich...

A vintage portrait painting of a red-haired, middle-aged lady in circa late 1930's to 1940 style hat, 13" by 10", (22 1/2" by 19" framed), signed at lower right by listed Southern California artist BERTHA TOWNSEND COLER (1865-1948). The painting, oil on canvas laid on Masonite, exudes a very spontaneous, free, sketchy feeling that is quite appealing, demonstrating the skill of the artist...

Oil on canvas painting of yellow roses and fruit in a blue vase, 18" by 24" (27" by 33" in original frame), signed at lower left and signed again and titled "Yellow Roses & Fruit" on reverse, along with the artist's then-address at 330 South Coast Blvd. (now called South Coast Highway) in Laguna Beach, California. This is an excellent example of Kerr's work, likely dating to the 1960's when he had a gallery in Laguna before moving to Mendocino County in Northern California...

A watercolor titled on reverse "The Scow ALMA", Tauranga, New Zealand, signed lower right and again on the backing, by listed England-born, New Zealand artist RICHARD "Dick" BAKER (1928-2004), measuring 6 1/4" by 9 1/2" (14 1/2" by 17" framed). The work was created in 1986. Baker's work is included in Te Papa Tongarewa, the National Museum of New Zealand, in Wellington, and at the National Maritime Museum at Greenwich, England. He also exhibited widely and placed works in private collections...

Description: Wonderful oil on board painting of Jerusalem's old bazar, vibrant colors, artist's signature, A. Sal, is displayed on the lower left, sight 15.5" x 11.5" housed in a 23" x 19" wood frame. Great condition and shipping is FREE within the U.S.

Large watercolor painting of the famous formations at Monument Valley, Arizona, arguably one of the most iconic sights of the American Southwest. The work, signed at lower left simply "George", measures 20" by 27 1/2" inside the mat and 31 3/4" by 40" framed. The artist was obviously quite skilled, but he did not leave us a lot of evidence as to his identity. The painting probably dates to the 1970's or 1980's...

An unusual, elegant "embossed relief" print on heavy grayish-tan earth-tone hand-made paper that appears almost like tooled leather, or parchment, featuring in the design organic forms such as leaves, signed at lower right in Chinese characters and in Roman letters by the artist, HA BICK CHUEN (1925-2009) (also known as XIA BIQUAN). The work, dated 1975 adjacent to the signature, is numbered at lower left 26/50...

"William Hogarth" Scholars at a Lecture and The Company of Undertakers The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old...

"William Hogarth" The Bench and Five Orders of Perriwigs The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty...

For those who STILL profess their love for NY despite its flaws and problems and challenges, this is an impressionist oil, painted on the rough side of the Masonite panel, 27" by 38 1/2" as framed, the subject Central Park in winter. The scene is of one of the East-West cross-park motor routes. Classic yellow taxis enliven the scene, as does a lone spectator figure at lower right. A richly worked composition by an artistic hand. The name at lower right appears to be "D MAHAR" and the date po...

78-2 (Water) In 1978 Haku Maki was nearing the end of his artistic effort using kanji (Chinese characters) as the main theme of his work. This print is one bold kanji, for Water. To make it easier for his gaijin admirers to know what it meant, he wrote "water' in the bottom margin. The effect if the print is bold, the character stretches across the paper; it has a gold Sun (akin to a splash for accent and decoration, near the center of the print), and the characteristic Maki seal in the lower r...

Description: This Indian miniature plaque measures 4 1/2"L x 3 1/4"W in very good condition with no chips or cracks or any sign of restoration. Shipping is FREE and within the U.S ONLY!

An interesting pastel drawing on paper, circa 1940's, the subject a clear green glass vase of violet and blue flowers set on a round table top adjacent to a high-floor window in a big city, lacy curtains framing the scene at both sides. The envelope sitting on the table appears to have a signature on it, in the trompe l'oeil tradition of the artist signing his/her name on an envelope; but that signature despite my best efforts defies reading. The work measures 18 1/2" by 12 1/2" inside the pre...

Antique watercolor painting, beautifully executed, the image featuring a wrapped ceramic vessel, old leather-bound books, and a pair of red ornate slippers, the work signed at lower right in pencil "Emily J. Hare 1892". The painting, paper laid on a thin board, measures 10 1/2" by 14 1/2" and 14" by 18" framed. Despite the obvious skill of the artist, the only online references I see to this name are to a woman born circa 1871 in Maine to English and Canadian parentage. In a 1914 Boston schoo...

Poem 71-76 is a yellow-gold print with a bit of a paisley influence. It is number 28 of an edition of 154. Created in 1971, it measures 13in wide x 19.5in high. It is in very good condition. There is tape residue on the back but the front is perfect. .

A fine contemporary 9" by 12" pastel (19" by 21 1/2" nicely framed) drawing titled "Mission Seating", of a sun-washed stone bench in the historic courtyard of Mission San Juan Capistrano in Southern California, signed at lower right by noted California Art Club artist KAY BONANNO (1935-). The work retains on the backing a label indicating that this work was exhibited in the spring of 1996 at the Carnegie Art Museum in Oxnard, California. The exhibition was named "Puertas del Santuario: Painti...

A fine pastel drawing of a small structure that appears to be almost adobe-like, surrounded by trees, signed at lower left and dated there 1970 by American artist WILLIAM BEAL (1914-1995). The work measures 9 3/4" by 14 1/4" (17 1/2" by 21 1/2" in silvery mid century frame). Beal was the son of important American artist Gifford Beal and nephew of Reynolds Beal. Born in New York City, he spent much time in Maine at Port Clyde and on Monhegan Island, becoming friendly with artists Edwin Gunn an...

Watercolor on heavy paper, 6 1/4" by 9", (9" by 11" as framed), unsigned, the subject a marble Parthenon-like classical ruined temple at right, several picturesquely dressed figures in the right foreground, and a cypress tree at left framing the scene. I would guess the age as circa mid 19th century. Unfortunately there is no signature nor other hint as to authorship. The paper is generally somewhat browned with advanced age, and the extreme left and right 1/2" or so is severely browned---evi...

Old impressionist oil on canvas laid on wood board painting of a typical Dutch scene with windmills, boats, and a waterway, 9" by 11 1/4" (13 1/2" by 15 3/4" in 20th century frame). There does appear to be a signature at lower left but despite my best efforts I am unable to determine that name. On the reverse in pencil is written (Pound or Florins? sign) and 5.50, and below that, at the very edge of the panel, appears to be very possibly a name, however it is cut off by the lower edge of the p...

This is a fine, limited edition wood engraving by the highly regarded American artist THOMAS WILLOUGHBY NASON (1889-1971). The print is signed in pencil at lower right and dated there 1956, when the artist was 67 years old. At lower left in pencil is "Ed. 100". Nason was a Boston-born artist who by the late 1920's had taught himself the fine art of creating prints in the wood engraving process. This process was popular for illustrating books in the 19th century but by the twentieth it had falle...

Vintage Cyrus Seymour painting of a box of candy . Painted on heavy art board and has a thin plastic cover over the art, good condition possibly was for a candy company's ad work. Signed "Descartes " no date but c 1960s . Size 17.5" by 17.5"

A scarce lithograph print, the sheet 10 3/8" by 6 3/4" (13 1/2" by 10 1/2" in inexpensive modern framing) signed in the plate and dated 1893 by the noted French artist PAUL-ALBERT BESNARD (1849-1934). The image is a self-portrait of the Paris-born artist, who initially worked in the academic tradition before changing over around 1880 to an impressionist style. Besnard was commissioned to execute a number of murals at significant venues around Paris. This print shows the artist at age 45 (who ...

Gouache on paper drawing of a Baltimore Oriole and a blue jay, 12 1/2" by 16" (23 3/4" by 28" framed), signed at lower right by the noted Disney illustrator AUGUST CURLEY LENOX (1908-1986). This is a really nicely executed work, in the style of an illustrator like Lynn Bogue Hunt or William Schaldach or Rex Brasher. Colors are vivid and the realism is such that the viewer can almost "hear" these birds. I suppose it could have been executed as a book or magazine illustration. Lenox was born i...

Found in New Hampshire, and bearing the label of a contemporary Portland, Maine frame shop, a watercolor painting of an old barge grounded on the shore of a creek adjacent to a woodland, a small house in the distance. The 11" by 14" work (17 1/2" by 20" framed) is signed at lower left and dated there "80". The signature appears to read "Ranger", as in Henry Ward Ranger (1858-1916), a well-known American artist. This is a possibility but could be difficult to confirm. At some effort, I opened...

A contemporary oil on canvas painting of a handsome rooster, in the style of a traditional Chinese watercolor scroll painting, approximately 23" by 23" in black strip frame, with Chinese calligraphy at top left and right and one red artist seal. The work is by a competent hand. I am told by a Chinese reader that the family name of the artist is "Zhang" but cannot provide any more information other than the perhaps circa 1970's or 1980's New York framer's sticker. (And, oddly, this was found i...

By the noted California artist FRANK MOSS HAMILTON (1930-1999) is this gouache on paper painting, 11 1/4" by 15 1/2" inside the frame, 19" by 23 1/2" framed, signed at lower right by the artist and titled there "December Snow". Hamilton was a highly talented master of realistic painting, sometimes in oil but perhaps more impressively in gouache or tempera or casein type media. This is a typical example of his work, the subject classic, eastern-looking barns in the quiet of December, everything...

Oil on canvas American painting of a clipper foundering in a storm, 20" by 27" (22 1/2" by 29 1/2" in a nice old gold period frame), unsigned, circa 1870's. The work strongly resembles that of American marine artist CLEMENT DREW (1806-1889) but is unsigned. The painting is in poor condition currently. It appears to have had a reline decades ago, and likely overpainting. Now there is craquelure throughout, flaking paint and other issues. It could well be a work by Drew but its being unsigned...

Japanese sosaku hanga “kappa-ban” (stencil print) by Yoshitoshi Mori (1898-1992) depicting Zenzoji Temple in Asakusa, Tokyo. The print is pencil-signed “Yoshitoshi Mori” at the lower right. The artist’s red seal is above the signature. The paper measures 16 3/8”V x 12 1/4”H and dates circa 1980s. This print has never been framed and is in very good overall condition.

Watercolor on heavy paper painting of horses among a stand of flaming yellow cottonwood trees in late autumn, 13 1/2" by 19 1/4" (25" by 31" as nicely framed in quality wood distressed style frame), signed in pencil at lower right by American artist PAMELA MASON (1916-2000). The scene was likely painted in the vicinity of Boulder, Colorado in the 1960's, according to the son of the artist, who created a beautiful and comprehensive legacy website featuring her work. Mason was born in Harrisburg,...

Original lithograph print, 7 1/4" by 10 3/8" inside the mat opening, the sheet 8 1/4" by 12 3/4", the title "Greeting Card for Aime Maeght", printed by Mourlot in the year 1960 in an unknown edition, on heavy Arches paper. The print is taped at top on the reverse. I note some abrasions: a diagonal scored pressure line at upper right, which extends into the mat, suggesting contact with something sharp; a comma-shaped abrasion in center to the left of the woman, only visible from an angle; a ti...