Found in eastern Maine, a fine old still life pastel, the image including an orange, dark blue grapes, a walnut in the shell, and a metal vessel. At lower right are the words "GOOD SHEPHERD BAY VIEW" (???), but no signature. Circa 1900 date of execution judging from frame, which is dark stained walnut with gilt inner fillet. Size 9 1/4" by 12 3/4" (13" by 16 1/2" framed). Allow for a few reflections and some dust on the glass.

A charming little drawing, exceptionally well-traveled, and with a story to tell: pencil on paper, 6 1/2" by 9 3/4" inside the present mat opening, 12 1/2" by 15 3/8" as framed, not signed, but with inscription "Cesanne Aug. 13/74" at lower right, and "copper buckets" at lower left. And, on the backing, written in a modern hand: "Purchased at Kingston, Jamaica Municipal Art Museum/The date is 1874--purchased previous to 1974. Probably a sketch of town fountain in rural France...

An oil on canvas laid on Masonite painting of a young brunette woman, the view from the breasts up, against a neutral dark background, signed in red illegibly at top left corner. The piece measures 17 1/2" by 12 3/4" (24 1/2" by 19 1/2" framed). More than likely the artist is French, judging from the overall style, signature, and the stenciled numbers "1208" on the frame. The artist is probably listed, but my efforts to decipher this signature have been unsuccessful...

For the collector of Oregon or Northwest art, a small (6 1/2" by 8 1/2" in inexpensive wood frame), unsigned contemporary watercolor of a small river running past rugged, arid cliffs, titled on reverse "John Day River @ Black Rock". The John Day River is a tributary of the Columbia River, in north central Oregon. At 243 miles in length it is the third longest free-flowing river in the United States. It is known for its salmon and steelhead fishing...

Watercolor on paper of a small white painted house in a sparse landscape, the sheet measuring 15" by 22", signed at lower right with "N.W.S." (National Watercolor Society) by the listed California watercolor artist ROBERT UECKER (1929-2005). Uecker was born in Los Angeles and won a five year scholarship to the Chouinard Art Institute, where he was instructed by the likes of Rex Brandt, Ed Reep, and Pruett Carter...

Oil on canvas painting, 25" by 34 1/2", unframed, unsigned, after the French impressionist masters Renoir and Monet, who often painted on the Mediterranean in the late 19th century. This is a contemporary work by an anonymous artist. Colors are beautifully handled, as is the golden light...

An old and antique American painting of a seated young man playing a flute in a vaguely defined interior, 24" by 20" (32 1/2" by 28" in mid 20th century frame), unsigned. The talented artist remains anonymous but was obviously talented and probably listed. Note the mantel clock at left and elegant European-style table and chair. Over the years the painting has darkened dramatically, taking on a yellow-brown cast due to decades of grime and smoke...

A very interesting and unusual painting, appearing to be gouache on a prepared gessoed panel (and the piece is accordingly quite heavy for its size), featuring Native American indian dancers and onlookers in the Southwest, likely Navajos of New Mexico or northeastern Arizona. The 22 1/2" by 27" unframed work is signed at lower right "Arline Wyrick". A quick google search did not reveal any obvious links to a known artist, but she was obviously quite skilled, and this bears further research...

This is a very old antique traditional still life of fruits, garlic, and a sliced melon, oil on old coarse weave canvas, laid on Masonite, 22" by 34 1/2" (25 1/2" by 38" in attractive old framing), apparently unsigned. The painting is of the very old traditional style of old master works of its kind. It would make for a fine accent piece in dining room or extended pantry or kitchen...

Oil on canvas painting of a man's smoking pipe and other objects on a tabletop, 13" by 15", 16 1/2" by 18 1/2" in mid 20th century gold frame, signed at upper right by artist Cora (Cara?) L. Sloper and dated there 1899. This is a competently painted work, but I am unable to locate an artist by this name despite an intensive internet search. The name appears to be common in the upper Midwest, but this painting was purchased in Massachusetts, near Cape Cod...

A large (27 1/2" by 40", unframed) oil pastel on paper drawing, circa 1930's to about 1940, the imagery including two Native American-looking female figures washing clothes in a stream as a child looks on, a deer and her newborn fawn, and stylized flowers, butterfly and trees, all in a composition that combines the Southwest and the Art Deco period...

An unusual, elegant "embossed relief" print on heavy grayish-tan earth-tone hand-made paper that appears almost like tooled leather, or parchment, featuring in the design organic forms such as leaves, signed at lower right in Chinese characters and in Roman letters by the artist, HA BICK CHUEN (1925-2009) (also known as XIA BIQUAN). The work, dated 1975 adjacent to the signature, is numbered at lower left 26/50...

A PAIR of oil on canvasboard paintings, each 20" by 24", signed at lower right by the same artist, "McKee", the subjects a rural farm in autumn, the other an eerily empty Hopperesque old house. These were found in Southern California and the scenes may well be Californian. There are a number of artists by the name McKee so it is difficult to determine who may have created these...

A watercolor painting of flowers (perhaps, zinnias) in a vase on a tabletop, painted in an impressionist manner, and signed at lower right by artist "Cara dee" or similar. The work measures 18 3/4" by 14 3/4" as framed. All photos taken through detail-dulling non-glare glass. Condition is excellent.

An original etching made on a zinc plate, 5 3/4" by 6 1/2" inside the present mat (14 1/4" by 18 1/2" in simple black frame), signed in pencil at lower right margin by important 19th century Italian artist GIOVANNI FATTORI (1825-1908). The title of the print is "Strada dei dintorni Fiorentini". Affixed to the backing is a charming old,early 20th century note handwritten in English. It reads (my best interpretation of the difficult to read handwriting) "by one of our best artists Giovanni Fatto...

A small watercolor on paper within an oval, featuring a short vase filled with wildflowers, the piece measuring 8" by 7" as framed; at the lower portion in pencil is an inscription in German: "Die Heimat Blumen Grussen Dich", and "Plauen Mai 1920". This translates roughly as "the flowers of home/homeland greet you". "Heimat" evidently is a German word with no clear translation into English. Plauen is a town in what was the old East Germany, near the border with the Czech Republic, southwest...

A circa 1900 oil on canvas painting of roses against a simple dark background, 12 1/2" by 18", and 20" by 24 1/2" in likely original bright gold frame. There does not appear to be a signature. Roses were a popular subject of painters during that period, with many young ladies especially encouraged to take up painting. The American painter George Cochran Lambdin often used dark or black backgrounds for his floral still life works. This painting is in generally good vintage condition, with a v...

Ink and wash on paper drawing, 14" by 9 3/4" inside the mat, 19 1/2" by 15 1/2" as framed (no glass), signed at lower right by American master artist JOHN EDWARD HELIKER (1909-1999). Heliker was a significant figure in American art of the twentieth century, working as an illustrator, and painting figures, florals, genre and interior scenes, landscapes and marines. At auction, works have exceeded $20,000. A student of Boardman Robinson, Kenneth Hayes Miller, Kimon Nicolaides, and Thomas Hart Ben...

An oil on canvas painting of the symmetrical snow-capped cone of Mt. Fujiyama in Japan, hardy palms in the foreground, signed at lower right by Japanese artist "T. Arashi" (signed in English and Japanese characters), no date, circa 1980. The artist was very talented and has created a beautiful and arresting composition. The mystical, famous mountain stands in all its glory above the surrounding landscape. Condition is excellent. I have not been able to locate information on the artist. Meas...

This work is guaranteed to be an original pencil drawing, and not a print nor reproduction of any kind. The drawing (15" by 23", 20" by 26 3/4" in simple metal framing) is amazingly detailed, featuring an old time steam boat, the General Slocum, as it might have appeared in New York harbor around the turn of the century. The Brooklyn Bridge towers at right and sailing craft complete the scene at lower right. The artist signed the work at lower left and dated it 1995. Karvelas does not seem t...

A vintage impressionist oil on board painting with modernist touches, unsigned, 20" by 16". The work is probably by a listed artist but alas there is no signature. The almost Cubistic handling of the cloth and rear drape and the foreshortened space are most interesting. The work probably dates to about the 1940's. Unframed, and with some small faults common to older paintings, including light soiling, a few minor losses, edge losses etc.

An accomplished drawing in pastel, 16" by 31 1/2" (22" by 38" in present framing), signed on the reverse by local Los Angeles artist Julie Belnick (1957-), and dated there 1989. The strange, surrealistic, stark modernist scene is of two brooms leaning against several walls dividing an otherwise empty space. A silvery gray tone dominates, with some subtle yellow mixed in, resulting in an elegant and mysterious work. Belnick is a Southern California artist with an exhibition history. A write u...

A finely detailed oil on panel painting of flowers in a vessel set upon a plinth on a tabletop, painted in the late 20th century but based on the style of the old Dutch master painters of the 17th century, signed at lower left by artist RICARD SANGER. Note the painting of the tulips, in particular. The work measures 20" by 15 1/2" and 27 1/2" by 23" nicely framed. On the reverse is written "Ricard Sanger/Aus. School" (presumably, Austrian?) and then the artist's name again in pencil. Research...

Late 19th century American watercolor painting of sheep in a country landscape with trees, 12" by 24 1/2" (21" by 33 1/2" framed), signed at lower right with initials "S.M.G.". The artist might be hard to identify but the work resembles watercolors by such artists as Carl Weber (see example in my shop). The artist has used a combination of watercolor and white gouache. Condition is excellent. The gold frame has age and there are some missing pieces.

An old oil on canvas painting of a swift-running river in a steep mountain canyon landscape in the fall, 24 1/2" by 20" (32 1/2" by 27 1/2" in circa 1920's pie crust style frame, unsigned on front, with "Herman Herzog/Storm at Yosemite" written on the back of the canvas in an old style hand (difficult to photograph, I have provided two images). The painting is offered as a late 19th century/turn of the century oil but without a signature or provenance it will be difficult to do more than attrib...

A Mediterranean landscape painting, oil on board, 13" by 19" (19 1/2" by 25 1/2" framed) signed at lower right "ELBAZ" and above that, the same name in Hebrew script. This could be a work by listed artist ANDRE ELBAZ (1934-) but I am unable to confirm that. The listed Elbaz painted works in Morocco and some have brought large sums at auction there. The art displays a certain poetry in the arrangement of the houses, figures and trees, similar to the way that Reuven Rubin arranged his Holy Land...

Oil on canvas American painting of a clipper foundering in a storm, 20" by 27" (22 1/2" by 29 1/2" in a nice old gold period frame), unsigned, circa 1870's. The work strongly resembles that of American marine artist CLEMENT DREW (1806-1889) but is unsigned. The painting is in poor condition currently. It appears to have had a reline decades ago, and likely overpainting. Now there is craquelure throughout, flaking paint and other issues. It could well be a work by Drew but its being unsigned...

An interesting late 19th century, antique drawing of woodland plants, unsigned on front, word "Stanyan" on reverse, where the date "Oct. 28th/84" is written in pencil in old hand. The work measures 15" by 11" (slightly smaller inside the pink mat--which plays off the pink flowers) and 23 1/2" by 19 3/4" in frame (no glass). The piece shows some age, in overall toning and there are some meandering abrasions at upper right and along right edge; also there is a rip about 1 1/2" at lower right cor...

A decorative impressionist landscape painting of autumnal trees in an intimate space, perhaps a shallow arroyo, oil on canvasboard, 18" by 14" (25" by 21" framed), signed at lower left by artist Alison Lowe. It is framed in gold frame with clean liner and all in all is a solid decorative picture for moderate cost.

A charcoal and color chalk drawing of a young boy, 8 1/2" by 4 1/2" inside the mat and 11 1/2" by 7 1/2" framed, apparently unsigned. The work is affixed at three edges to another sheet, I was able to peer into the back via the open side and do not see any writing or other information there. The drawing extends beyond the mat, as shown. Nicely executed work by unknown artist.

A really nicely done watercolor on heavy watercolor paper, the subject a New York Central Park view, the artist evidently looking south across a lake towards the famous San Remo Apartments residential building with its distinctive towers. Signed at lower right in Asian (Chinese?) characters and with red artist seal there, also signed and stamped again on the reverse side, where it is titled "Evening at Central Park #13" and dated March 31, 2008. The watercolor is of high quality and obviously ...

A vintage circa 1930's watercolor of old two story hotels on a block in Oakdale, in California's Central Valley, between San Francisco and Yosemite, signed at lower right by listed California woman artist ESTELLA HOISHOLT (1889-1979). The buildings are of brick and a quaint, older style rarely seen nowadays in California, countless earthquakes having taken their toll on masonry buildings. Several figures linger around the hotels, and water is reflected in the foreground of what may be an unpav...

A **PAIR** of black and white vintage photographs, circa 1948, of one Navion single engine small aircraft, flying over the San Gabriel Mountains behind Claremont, California, the photos by noted Claremont resident and pioneer aerial photographer, ROBERT C. FRAMPTON (1909-1989). One work measures 8 1/2" by 12", and is stamped on the back by the photographer, dated there April 29, 1948, and titled "Over Baldy Range" in Navion 4-48"; the second, larger work measures 15 1/2" by 19 3/4, is signed in...

Oil on canvasboard painting of a woman with basket on head in tropical town street, 12" by 16", 17" by 21" framed, signed at lower right Paul Katzman. The FRAME is most interesting, with a geometric cross-hatching pattern that would complement a Southwest themed painting.

A contemporary, unsigned oil on canvasboard work, 9" by 12" (12 1/2" by 15 1/2" in simple black frame), the subject small boats at a dock, one likely a fishing boat. The work was likely painted rather rapidly by an artist of talent. It is clean and ready for the wall.

A late 20th century acrylic on canvas painting of an old New England mill by the mill pond in winter snow, 12" by 36" (15 1/4" by 39" framed), signed at lower right by recognized contemporary Rhode Island-based artist GERALD A. ROBILLARD. The peaceful work captures beautifully the peace of a mid winter New England day while the snow falls. One can almost hear the roar of the falls at right, typical of a mill pond. In olden days the water power would have powered the mill, possibly where texti...