This is a color aquatint, 9 7/8 by 12 7/8" as framed, the subject a monumental Paris building in the autumn twilight, (the Pantheon, I believe?), numbered at lower left 248 of 500 and signed at lower right in pencil by the noted French 20th century impressionist painter CHARLES BLONDIN (1913-1991). Blondin was active in Paris in the post war years, painting and creating editions of prints which he numbered and hand signed. This example has not been examined outside the frame...

This is a fine example of the important etching by Jean Baptiste Corot. This etching is titled: Enviorns De Rome, it was created in 1866, this proof is the second state A. of three. Printed on Holland Paper, This printing had the addresses of:" Cadart and Luquet Editeurs, 79 Rue St Jacques 303 Paris" A rich impression, Catalog Delteil 6 II/III. Framed, previously sold by Kennedy Galleries in New York. The image size measures 11 1/4X8 1/2 inches.

Unsigned Watercolor. "Lugger beating to Windsward. Fresh Breeze". c 1800. 4 x". Frame Size 17 x 20".

Frederick Garrison Hall, American Artist , “A SCENE IN TOURS” Soft Ground Etching, 25x20” ….. FREDERICK GARRISON HALL (1879 - 1946) Born in Baltimore, Maryland, Hall was an architect by training. He launched his career as an etcher with a number of pastoral scenes beginning in 1918, following studies under William Paxton and Henri Royer. Through the 1920s, Hall produced a number of compelling works depicting notable American and European buildings and settings...

Original oil painting on canvas by famed British marine painter Rodney J. K. Charman (born 1944). This work depicts one of the Nantucket Island lighthouses. It is signed l.l. and dated 1980. In excellent original condition. With a new Italian frame.

Frederick Gill - American 1906 -1974

Studied at The Pennsylvania Museum School of Art, The University of Pennsylvania and The Tyler School of Art.

Exhibitions - Metropolitan Museum of Art, American Academy of Arts and Letters, Pennsylvania Academy of the Fine Arts, Butler Art Institute and the Philadelphia Art Alliance.

Mixed media collage and acrylic painting with stone, fabric and metal on board.

Entitled - Harlem Nocturne.

Dated 1972.

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Original nude drawings (one drawing on each side of the sheet) by Henri George Keller (American, 1869-1949), on grey tone wove paper, one of the drawings (the color charcoal sitting nude) signed with his distinctive signature l.l.. These drawings are well framed, with a window showing the second drawing verso. Henri George Keller was a very influential American artist (he counted among his students Charles Burchfield, Paul Travis, and Frank Wilcox.) He is listed in all the usual databases...

Francoise Gall, french, 1912-1987. This wonderful beach scene is Francoise Gall at his best. It is oil on canvas, 16 1/8" L by 9.5" H in a beautiful 20th C gold leaf frame with outer dimensions of 22 6/8" L by 16 1/8" H. It is signed lower right and is in good condition. His paintings sell for up to $50,000 at auction.

A lovely pastel drawing of a young woman, with skilled modeling of the face and careful attention to hair and spring blossom background, not signed on front but sliver of preserved old paper affixed to backing by a modern day framer states subject is one Ruth Noble, age 17, the work drawn by one Mildred Stillman, art teacher at Wyoming Academy, Kingston, Pennsylvania. Kingston is in northeastern Pennsylvania not far from Scranton and near Wilkes-Barre...

Augustus John 1878-1961 Welsh This is a very scarce etching by Welsh artist Augustus John. The subject is a Portrait of Benjamin Evans, Benjamin Evans is thought to have been etched during Augustus John’s stay in Liverpool, where he taught at the University from 1901-1902. This image is pencil signed by the artist and has a platemark measuring 5X4 inches. Very richly printed some very light but even toning to the sheet...

Very rare hand carved Baroque Church Putto (Cherub), wood with traces of gilding and polychrome paint, made for corner/angle where 2 walls join. Wood shows 2 cracks, toes of right foot are missing because of age, otherwise in good overall condition. Size: H. 12" x W. 9" x D. 8" Unique collector's item!

This is a late 19th century American painting by an anonymous artist, from the heart of the Victorian age. It measures 16" by 24" on the original stretchers (21 1/4" by 30" including the frame and probably original red velvet liner)...

"William Hogarth" The Times suite The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old. Sheet size: approx...

The Unframed Size: 24"L x 15 1/2" H
The title: "Going Home"
Artist: Edward Kawanabe
Medium: Oil Painting on Canvas
Signed by artist: Lower right, E. Kawanabe
The year Painted: 1982
The condition of Painting: Excellent.

This is very attractive oil painting with seawater waving and splashing.
There are group of mountains painted with fine color coordination...

A fine, early print, (16 3/4" by 13 1/2" in its simple black framing), is titled in the lower left margin "Pennsylvania Quaker", numbered nearby 32/50 and signed at lower right margin in pencil by the noted American artist, PETER HURD (1904-1984). This lithograph dates to 1936, when the artist was only in his early thirties. Hurd was born in New Mexico and attended military academy there before realizing he wanted to become an artist...

Peonies and Delphiniums’ by Eva Wedlow, circa 1920’s, signed lower left, oil on panel, 26.5” x 31”. Typed paper stapled to the reverse of the work reads “x515 Original English oil on panel - a floral still life of iris, peonies and delphiniums By Eva Wedlow”. A portrait of an elderly man is on the reverse of the panel. Eva Wedlow was a ‘flower society painter’ of the 1920’s, highly considered by aristocrats at the time.

One of a number in my shop inventory, this is a fresh and clean example of one of William Russell Flint's fine color photolithographs issued for collectors over a period of decades. This example, published in 1961 in an edition of 750, is signed in pencil at lower right and bears the characteristic embossed blindstamp in lower left margin. The title is "The Shower". The print measures 17 3/4" by 22 1/2" inside the mat and 26 1/2" by 30 1/2" as framed...

A relatively large (21 1/2" by 17 7/8", and 27" by 23 1/2" framed) chalk drawing of an idealized handsome nude male figure, likely by a talented student, dating most likely to the 18th century. Note the beautiful shading and modeling of the anatomy---the limbs and their musculature, and the strategically placed fig leaf...