American still life oil on canvas, not signed on the front, "Waterbury" and "Montrose Gallery" on the reverse, housed in a LABELED authentic Newcomb-Macklin frame bearing what appear to be mostly handwritten framer's sizing numbers. The painting measures 24" by 20" on the stretchers, the frame 28" by 24" (the rabbet 24 1/4" by 20 1/4")...

**PAINTING HAS ACQUIRED DAMAGE SINCE PHOTOS WERE TAKEN** Contact me first. An historically interesting and significant oil painting of an early street scene in Los Angeles' small, historical Chinatown, circa 1930's, 30" by 38", unframed, signed at lower left by listed Southern California artist BERTHA TOWNSEND COLER (1865-1948). Coler was born in Ohio and studied with Robert Henri and William Merritt Chase in New York City...

W.T. Carlsen Danish born Canadian Artist who work in Canada and Scandinavia. Known for his rich harbor scenes. This work dates from the 1970s and is done from his memory of Denmark. The work is oil on panel and measures 24 x 24“, and is framed in a beautiful 1970s era drift wood frame measuring 32 x 32“

Samuel Chamberlain, American, 1895-1975, drypoint etching, "The Verdant Village", image size: 6 1/2 x 11 inches. 1931, edition 75/100, cat. Chamberlain and Kingsland-107, pencil signed, numbered and titled. This scene of Bellefontain, Ile-de-France, exhibits Chamberlain's ability to create subtle gradation in plate tone.

An Eighteenth Century Pastel Brown Paper “Satire” titled “Eleven Miles From London” a beautiful contemporary satyre which was popular circa 1780s 15x23”

PAIR of oils on beveled edge thick wood pine panel, each 11 3/4" by 6 1/4" (and 1 7/8" wide silvery modern era frames), each signed at lower right in flowing script "MORA", not dated but likely circa 1880's to 1890's. There are a number of artists listed with this name but so far I can't definitively attribute these to one of them...

William Lee Hankey,1869-1952 British, "Forgiveness", etching, image size 7 3/4X7 1/4 inches, pencil signed and artists blindstamp

Claude, French, 19th C. Provenance: Private Southern Collection, Private Collection Franco/American Collection by Family descent, Purchased in France early 20th C. This beautiful impressionist painting is from the late 19th to very early 20th C. It is a view of the river in Vetheuil in France. It is from a private collection of a french family that brought the painting from France where is was purchased in the late 19th C...

Watercolor landscape, likely of the world-famous view from the Nuuanu Pali on the Hawaiian island of Oahu, painted in a modernist wet-on-wet technique, signed at lower right "Richardson", and dated there '54. The artist's common name makes identification of the work's creator difficult, but the viewer can see the talent. The work measures 13 1/2" by 19 1/4" inside the mat, and 22 1/2" by 28" framed. It is taped at the edges to that matting...

A group of THREE 19th century English botanical prints, two framed identically in gold with closed corners, the third framed in a different gold frame with beading. The matching pair measure 19 1/2" by 17 1/2" in the frames; the final piece slightly smaller at 19" by 16". The print in that latter piece, by artist Fitch, has horizontal creases, one sharp; the year "1846" is written in pencil at bottom edge...

Signed American original landscape acrylic painting depicting a large dark flowering tree with exposed roots leaning across over other flowering plants with a road in between and a luminous buttery yellow sky in the background. Painted by this self learned painter and signed Mimi Dee at lower right.
ID # 0409161003

Original work by this artist has been exhibited in various area artist association shows since 1998 and at the previously open Methuen studio store gallery by the same name...

Highly impressionistic watercolor painting of a small boat in a foggy harbor, 14" by 20", unframed, signed at lower left by the listed American artist JOSEPH MARGULIES (1896-1984). Margulies was born in Vienna and by the 1920's was studying art in New York at the Art Students League, one of his instructors being Joseph Pennell. He also received training at the National Academy, Cooper Union, and in Europe...

A truly beautiful circa 1890 print of elegant Parisians strolling past and perusing the famous Bouquiniste bookstalls along the banks of the Seine River, not signed in plate nor in pencil but certainly by a listed or even important and well-known artist. To date, reverse image searches and other internet research have, frustratingly, not revealed the identity of that artist. There are no watermarks...

"Springtime on the Tiber with the Vatican Dome in the distance" by Ottaviani. Roman School mid 20th century. Oil on Canvas in an Italian Frame. 19 x 14". Frame Size 26 x 20".

While we have yet to identify the artist or the subject, we would contend that the work is first rate considering the mood captured by the painter. The man exudes a somewhat austere aristocratic brood, yet exudes the strengths of youth and ambition, a man ready to make his place in the world. We believe the work to be of the British school painted c. 1850 or earlier as suggested by the early Victorian shape of the seat rail...

HUMAN-FACED STONES 2pc.

Stones with such unique carving faces buried in the ground as the talisman for the ground-breaking ceremony before building house as the traditional Timor customs. Age unidentified. approx...

Peter Colasante, director of L’Enfant Gallery, has represented John Court since 1974, owns much of his work and has sponsored several exhibitions of his work since 1970's including in Washington DC and Palm Beach, Florida. Bio: John Court (1948 - ) is a portraitist and landscape painter. Born in Annapolis, Maryland, Court grew up in Maryland and Virginia...

Rare woodcut of Imperator Julius Caesar seated in front of the city of Rome.
Caesar is represented by a contemporary ruler wearing a crown and heavy armour. Judging from the banner with the double-headed eagle suspended from his chair this is a member of the Habsburg lineage.
The (mirror-inverted) coat of arms with lions and lozenges in front of the ruler’s feet is attested (since the end of the 14th century) to the Dukes of Bavaria.
The view of Rome is based on the woodcu...